The All Time Greatest Duets of the Millennium

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Immortality
tecnico di registrazione:
Jeff Balding, Dave Reitzas, Humberto Gatica, David Gleeson e John Merchant
programmazione:
Walter Afanasieff e Dan Shea
programmazione aggiuntiva:
Dan Shea e Stu Brawley
programmazione degli strumenti:
Walter Afanasieff
programmazione degli strumenti aggiuntiva:
Dan Shea
assistente tecnico:
Chris Brooke, Tony Gonzalez (engineer), Mark Hagen, Tyson Leeper, Glen Marchese, Ethan Schofer, Stu Brawley e Greg Thompson (engineer, mixer)
tecnico aggiunto:
Humberto Gatica
tecnico audio:
Dan Shea
produttore:
Walter Afanasieff
tecnico di missaggio:
Humberto Gatica
chitarra [guitars] :
Michael Landau
organo Hammond [Hammond B-3 organ] , sintetizzatore basso e tastiera :
Walter Afanasieff
tastiera aggiunto:
Dan Shea
voce di accompagnamento:
Bee Gees
voce di accompagnamento aggiuntiva:
Alex Brown (US soul vocalist, member of Raelets), Lynn Davis (vocalist), Jim Gilstrap e Phillip Ingram (Soul and R&B singer-songwriter and keyboardist)
arrangiatore:
Walter Afanasieff
registrata presso:
Masterphonics in Nashville, Tennessee, Stati Uniti, Middle Ear Studio in Miami Beach, Florida, Stati Uniti, Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti, The Hit Factory in Manhattan, New York, New York, Stati Uniti e Wallyworld in San Rafael, California, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
registrazione di:
Immortality
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Céline Dion & Bee Gees54:11
2I Want to Spend My Lifetime Loving You
programmazione:
Jeff Bova
assistente tecnico:
Alex Black (engineer), Marc Lane (production music) e Aya Takemura
tecnico:
Steven Rinkoff
co-produttore:
Steven Rinkoff
produttore:
Jim Steinman (nel 1998)
tecnico di missaggio:
Frank Filipetti
voce:
Marc Anthony (Marco Antonio Muñiz, salsa and latin pop singer) e Tina Arena
esecutore:
Jeff Bova
arrangiatore:
Jeff Bova e Jim Steinman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1998) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1998)
registrata presso:
Bovaland in New York, New York, Stati Uniti, Chung King Studio in New York, New York, Stati Uniti, Metropolis (London) in London (Greater London), England, Regno Unito e Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
mixata presso:
Sarm West in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
registrazione di:
I Want to Spend My Lifetime Loving You (The Mask of Zorro) (nel 1998)
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. e TSP Music, Inc.
registrazione cover di:
I Want to Spend My Lifetime Loving You (The Mask of Zorro)
paroliere:
Will Jennings
compositore:
James Horner (American score composer)
editore:
Blue Sky Rider Songs, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia), Sony/ATV Music Publishing Australia Pty Ltd., Triple Star Music, Inc. e TSP Music, Inc.
Tina Arena & Marc Anthony4:42
3How Come, How Long
tecnico di missaggio:
Jon Gass
voce ospite:
Stevie Wonder
registrazione di:
How Come, How Long
autore:
Babyface (R&B musician Kenny Edmonds) e Stevie Wonder
Babyface & Stevie Wonder4:11
4Private Emotions
tecnico di registrazione e tecnico di missaggio:
Charles Dye
tecnico di registrazione aggiunto:
Jules Gondar, Craig Lozowick, Nathan Malki e Rik Pekkonen
assistente tecnico:
Craig Lozowick, Nathan Malki, Germán Ortiz e Robert Valdez
co-produttore:
Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa)
produttore:
Desmond Child
basso :
Hugh McDonald (bassist)
chitarra e mandolino :
Eric Bazilian
membranofono :
Lee Levin
organo :
Rob Hyman
percussione :
Luis Enrique (Luis Enrique Mejía López, Nicaraguan singer and composer)
viola :
Denyse Buffum e John Scanlon
violino :
Joel Derouin, Michelle Richard (Violinist) e Eve Sprecher
violoncello :
Larry Corbett e Suzie Katayama
voce di accompagnamento:
Gyan (Gyan Evans, Australian musician)
voce ospite:
Meja
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
esecutore:
Ricky Martin (Puerto Rican singer, actor, author & king of Latin pop)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
registrazione di:
Private Emotion (dal 1998-10 al 1999-03)
autore:
Eric Bazilian e Rob Hyman
editore:
Dub Notes Music (publisher) (dal 1999 a oggi), Human Boy Music (dal 1999 a oggi) e WB Music Corp. (1929–2019) (dal 1999 a oggi)
Ricky Martin & Meja44:00
5I Wanna Be the Only One
tecnico di missaggio:
Andy Bradfield
voce ospite:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal & BeBe Winans2.53:36
6Senza una donna
produttore:
Corrado Rustici
arrangiatore:
Corrado Rustici
registrazione di:
Senza una donna (Spanish version)
versione tradotta di:
Senza una donna (Without a Woman)
registrazione di:
Senza una donna (Without a Woman)
autore:
Frank Musker e Zucchero
editore:
Gruppo Intersong S.R.L. (publisher; do NOT use as release label) e Warner Chappell Music Italiana S.r.l.
Zucchero & Paul Young3.654:27
7You Are Everything
produttore:
Hal Davis
voce:
Diana Ross
arrangiatore:
Dave Blumberg
registrazione cover di:
You Are Everything
autore:
Linda Creed e Thom Bell (keyboards, songwriter, producer)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye33:06
8Lost in Love
registrazione cover di:
Lost in Love
paroliere e compositore:
Graham Russell (Air Supply)
editore:
Nottsongs, Universal Music Careers e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
Lost in Love
paroliere e compositore:
Graham Russell (Air Supply)
editore:
Nottsongs, Universal Music Careers e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Florence Warner & Demis Roussos3:21
9Where the Wild Roses Grow
tecnico di registrazione:
Tony Cohen e Victor van Vugt
produttore:
Nick Cave & the Bad Seeds, Tony Cohen e Victor van Vugt
tecnico di missaggio:
Gregg Jackman
basso :
Martyn P. Casey
batteria :
Thomas Wydler
campana :
Jim Sclavunos
chitarra :
Blixa Bargeld (German musician)
chitarra acustica e chitarra :
Mick Harvey
pianoforte :
Nick Cave (Australian singer‐songwriter, musician and score composer)
viola :
Kerran Coulter
violino :
Jen Anderson e Sue Simpson
violoncello :
Helen Mountfort
voce di accompagnamento:
Mick Harvey e Conway Savage
voce principale:
Nick Cave (Australian singer‐songwriter, musician and score composer) e Kylie Minogue
arrangiatore archi :
Nick Cave (Australian singer‐songwriter, musician and score composer) e Mick Harvey
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1995, nel 1996)
mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
video musicali:
Where the Wild Roses Grow di Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
registrazione di:
Where the Wild Roses Grow
paroliere e compositore:
Nick Cave (Australian singer‐songwriter, musician and score composer)
editore:
Mute Song (international) e Mute Song Ltd.
Nick Cave and the Bad Seeds & Kylie Minogue4.453:54
10If You Go
registrazione di:
If You Go
paroliere e compositore:
Alain Barrière
traduttore:
John Colston
versione tradotta di:
Tu t'en vas
Barry & Eileen4:18
11Boy You Knock Me Out
esecutore:
Will Smith (US actor aka The Fresh Prince)
registrazione di:
Boy You Knock Me Out
autore:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), Alfons Kettner, Nick Nice e Kelly Price
Tatyana Ali & Will Smith4:00
12Tonight I Celebrate My Love
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (singer and pianist) (nel 1983)
arrangiatore:
Michael Masser e Gene Page (conductor, composer, arranger and record producer)
orchestratore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Roberta Flack & Peabo Bryson3.753:30
13In a Lifetime
produttore:
Steve Nye (producer, engineer and pianist)
voce aggiuntiva:
Bono (singer of U2)
esecutore:
Bono (singer of U2)
registrazione di:
In a Lifetime
paroliere e compositore:
Ciarán Ó Braonáin e Pól Ó Braonáin
editore:
BMG Music Publishing Ltd. e Clannad Music Ltd.
Clannad & Bono53:03
14Delicate
tecnico:
Craig Porteils (producer, engineer)
batteria , percussione , tastiera e voce di accompagnamento:
Terence Trent D’Arby (now known as Sananda Maitreya)
chitarra :
Terence Trent D’Arby (now known as Sananda Maitreya) e Aaron McClain
voce principale ospite:
Des’ree
registrazione di:
Delicate (Terence Trent D’Arby)
autore:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby & Des’ree4:17
15Whenever I Call You Friend
produttore:
Bob James (US jazz keyboardist, arranger and producer)
voce:
Kenny Loggins
voce ospite:
Stevie Nicks
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
è stato produttore per:
Tappan Zee Productions
registrata presso:
Sound Mixers in New York, New York, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 83)
registrazione di:
Whenever I Call You “Friend”
paroliere:
Ken Loggins e Melissa Manchester
compositore:
Ken Loggins
editore:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Milk Money Music (nel 1978) e Rumanian Pickleworks Company (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins & Stevie Nicks54:02
16Music of My Heart
produttore:
David Foster (Canadian music producer, arranger and composer)
voce:
Gloria Estefan
registrazione di:
Music of My Heart (nel 1999)
paroliere e compositore:
Diane Warren (US songwriter)
parte di:
The 72nd Academy Award for Best Original Song (numero: 2)
Gloria Estefan & *NSYNC34:30
17Don't Let the Sun Go Down on Me
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1991) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1991)
registrata presso:
OVO Arena Wembley in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (il 1991-03-23)
registrazione dal vivo di:
Don’t Let the Sun Go Down on Me (il 1991-03-23)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Big Pig Music Ltd. (publisher) (nel 1991)
George Michael & Elton John2.55:47
18Easy LoverPhilip Bailey & Phil Collins45:04
2▼CD
#TitoloArtistaValutazioneDurata
1Emotion
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
sintetizzatore [synthesizers] :
James Newton Howard (American score composer)
voce:
Samantha Sang
voce di accompagnamento:
Barry Gibb e Robin Gibb
diritti fonografici (℗) detenuti da:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (nel 1977) e Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1978)
è stato produttore per:
CAM Productions (US)
registrata presso e remixata presso:
Criteria Sound in Miami, Florida, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 14)
registrazione cover di:
Emotion
autore:
Barry Gibb e Robin Gibb
editore:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia e Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang & Barry Gibb3.53:50
2I Will Always Love You
registrazione cover di:
I Will Always Love You
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton & Vince Gill5:04
3Almost Paradise
registrazione di:
Almost Paradise
paroliere:
Dean Pitchford
compositore:
Eric Carmen
editore:
Ensign Music Corporation
Mike Reno & Ann Wilson3:17
4Ebony & Ivory
assistente tecnico di registrazione:
Mike Stavrou (producer/engineer) (dal 1981-02-28 al 1981-10)
tecnico di registrazione:
Geoff Emerick (British recording engineer) (dal 1981-02-28 al 1981-10)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistente tecnico di missaggio:
Jon Jacobs (UK producer/engineer) (il 1982-01-19)
tecnico di missaggio:
Geoff Emerick (British recording engineer) (il 1982-01-19)
basso elettrico , chitarra , pianoforte e vocoder :
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10)
batteria e pianoforte elettrico :
Stevie Wonder (dal 1981-02-28 al 1981-10)
percussione , sintetizzatore e voce di accompagnamento e voce principale:
Paul McCartney (The Beatles) (dal 1981-02-28 al 1981-10) e Stevie Wonder (dal 1981-02-28 al 1981-10)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) e Paul McCartney (The Beatles)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1982)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (il 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1981-03-30) e Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1981-10)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (il 1982-01-19)
registrazione di:
Ebony and Ivory (dal 1981-02-28 al 1981-10)
paroliere e compositore:
Paul McCartney (The Beatles)
editore:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
versione parodia di:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:39
5Seperate Lives
produttore:
Arif Mardin
batteria :
Phil Collins (of Genesis)
chitarra :
Daryl Stuermer
tastiera :
Nick Glennie‐Smith
voce principale:
Phil Collins (of Genesis) e Marilyn Martin
registrazione cover di:
Separate Lives (White Nights)
paroliere e compositore:
Stephen Bishop (American singer-songwriter)
editore:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1985), Gold Horizon Music Corp. (nel 1985), Hit & Run Music (Publishing) Ltd (nel 1985), Intersong Music Ltd. (nel 1985), Stephen Bishop Music Publishing (nel 1985) e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1985)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
registrazione di:
Separate Lives (White Nights)
paroliere e compositore:
Stephen Bishop (American singer-songwriter)
editore:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1985), Gold Horizon Music Corp. (nel 1985), Hit & Run Music (Publishing) Ltd (nel 1985), Intersong Music Ltd. (nel 1985), Stephen Bishop Music Publishing (nel 1985) e Warner Chappell Music Ltd. (no slash; used 1988–1996) (nel 1985)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
Phil Collins & Marilyn Martin3.54:05
6Can't We Try
produttore:
John Capek e Hank Medress
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1987)
registrazione di:
Can't We Try
paroliere e compositore:
Beverly Chapin-Hill e Dan Hill (Canadian singer/songwriter)
editore:
A Question of Material Music, EMI April Music Inc., If Dreams Had Wings Music Ltd. e Scoop Music Ltd.
Dan Hill & Vonda Shepard23:53
7Reunited
produttore:
Freddie Perren
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:42
8A Whole New World (Aladdin's Theme)
programmazione e produttore:
Walter Afanasieff
programmazione aggiuntiva:
Dan Shea
programmazione degli strumenti:
Gary Cirimelli e Ren Klyce
tecnico:
Dana Jon Chappelle
produttore esecutivo:
Brenda Dash e Jay Landers (Executive producer, A&R, producer, songwriter and music publisher)
tecnico di missaggio:
Bruce Botnick
editor:
Kathleen Fogarty-Bennett
chitarra :
Michael Landau
sintetizzatore [Akai] :
Ren Klyce
sintetizzatore basso , synclavier [synclavier acoustic guitar] e tastiera :
Walter Afanasieff
voce:
Regina Belle e Peabo Bryson
arrangiatore:
Walter Afanasieff
arrangiatore aggiunto:
Robbie Buchanan (Canadian producer)
diritti fonografici (℗) detenuti da:
Buena Vista Pictures Distribution, Inc. (briefly as Buena Vista Pictures Distribution (1987/03/06–1987/07/24), rights holders and distribution) (nel 1992) e Walt Disney Records (nel 1992)
registrazione di:
A Whole New World (Aladdin)
paroliere:
Tim Rice
compositore:
Alan Menken
editore:
Walt Disney Music Company (music publisher, do not use as release label) (nel 1992) e Wonderland Music Company, Inc. (a division of Disney Music Publishing) (nel 1992)
parte di:
The 65th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1992 winner)
parte di:
Aladdin (1992 film soundtrack)
parte di:
Aladdin (stage musical based on the 1992 Disney animated film)
Peabo Bryson & Regina Belle4.24:02
9Something's Gotten Hold of My Heart
produttore:
Bob Kraushaar
esecutore:
Gene Pitney
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1988)
video musicali:
Something’s Gotten Hold of My Heart di Marc Almond (English pop singer and songwriter) feat. Gene Pitney
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Marc Almond & Gene Pitney2.654:38
10Je t’aime… moi non plus
produttore:
Jean-Claude Desmarty
voce:
Jane Birkin (nel 1968-11) e Serge Gainsbourg (nel 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (nel 1968-11)
direttore d'orchestra:
Arthur Greenslade (nel 1968-11)
arrangiatore:
Arthur Greenslade
registrazione di:
Je t’aime… Moi non plus (nel 1968-11)
paroliere e compositore:
Serge Gainsbourg
editore:
Heath Levy Music Co. Ltd. e Shapiro Bernstein & Co. Ltd.
Serge Gainsbourg & Jane Birkin44:20
11With You I'm Born Again
assistente tecnico:
James Warmack
tecnico e tecnico di missaggio:
F. Byron Clark
produttore:
James di Pasquale e David Shire (American score composer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) e Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1979)
registrazione di:
With You I’m Born Again
paroliere:
Carol Connors
compositore:
David Shire (American score composer)
editore:
Check Out Music, EMI Music Publishing (do not use as a release label!) e Jobete Music (UK) Ltd.
Syreeta & Billy Preston3:36
12Wherever Would I Be
registrazione di:
Wherever Would I Be?
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Realsongs
Dusty Springfield & Daryl Hall3:49
13Save Your Love
registrazione di:
Save Your Love
autore:
John Edward (British musician, writer and record producer) e Sue Edward
editore:
Hollywood Music (song publisher)
Renée and Renato3:07
14Someone Loves You Honey
strumenti:
Joe Gibbs & The Professionals (Jamaica, reggae)
voce di accompagnamento:
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
esecutore:
J.C. Lodge (Jamaican reggae singer, aka June Lodge)
registrazione di:
Someone Loves You Honey (1978 song)
paroliere e compositore:
Don DeVaney (songwriter)
June Lodge & Prince Mohammed3:50
15Don't Look Any Further
tecnico di registrazione:
Jeremy Smith (producer/engineer)
programmazione degli strumenti e co-produttore associato:
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
produttore:
Dennis Lambert
cabassa , shaker , tamburello , tamburo parlante e timbales :
Paulinho da Costa (Brazilian percussionist)
chitarra basso :
Nathan East
chitarra elettrica [Valley Arts Stratocaster] e sintetizzatore basso :
Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
sintetizzatore :
Dennis Lambert
voce ospite:
Siedah Garrett
esecutore:
Siedah Garrett
arrangiatore:
Dennis Lambert e Paul M. Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
registrata presso:
Soundcastle Studios (former LA location) in Silver Lake, Los Angeles, California, Stati Uniti
mixata presso:
Motown Studios - Hitsville West (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
registrazione di:
Don’t Look Any Further
autore:
Franne Golde, Duane Hitchings e Dennis Lambert
editore:
BMG Platinum Songs US, Universal Music Careers e VMG Worldwide
Siedah Garrett & Dennis Edwards44:03
16Yes, I'm Ready
esecutore:
KC (Harry Wayne Casey of the Sunshine Band)
registrazione cover di:
Yes, I’m Ready
paroliere e compositore:
Barbara Mason
editore:
Embassy Music Corporation e Jamie Music Publishing Co.
Teri DeSario & K.C.3:15
17Too Much, Too Little, Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
Johnny Mathis & Deniece Williams42:56
18Sisters Are Doin' It for Themselves
tecnico di registrazione:
Shelley Yakes
tecnico di registrazione aggiunto:
Shelly Yakus
assistente tecnico:
Jay Willis
tecnico:
Dr. Dave Frazer, Don Smith (producer, engineer and mixer) e Adam Williams
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
tecnico di missaggio:
Don Smith (producer, engineer and mixer) e Dave Stewart (UK guitarist/singer for Eurythmics)
basso e chitarra basso :
Nathan East
batteria :
Stan Lynch
chitarra :
Mike Campbell (Tom Petty and the Heartbreakers guitarist) e Dave Stewart (UK guitarist/singer for Eurythmics)
chitarra e tastiera :
Dave Stewart (UK guitarist/singer for Eurythmics)
organo :
Benmont Tench
tastiera :
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
cori:
The Charles Williams Singers
voce:
Aretha Franklin e Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
voce principale:
Aretha Franklin e Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
RCA Ltd. (UK arm of RCA) (nel 1985), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1985) e BMG Records (UK) Limited (1987–1996) (nel 1991)
remaster:
Sisters Are Doin’ It for Themselves di Eurythmics
registrazione di:
Sisters Are Doin’ It for Themselves
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin3.655:49