Mega Beat Box

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Other: BX 877712
Other: BX 877722
Other: BX 877732
Other: BX 877742
Other: BX 877752
Other: BX 877762
Other: BX 877772
Other: BX 877782
Other: BX 877792
Other: BX 877802
Matrix / Runout: EMI UDEN BX 877712 @ 1 1-1-10-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A1
Matrix / Runout: EMI UDEN BX 877722 @ 2 2-1-11-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A8
Matrix / Runout: EMI UDEN BX 877732 @ 3 3-2-15-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A9
Matrix / Runout: EMI UDEN BX 877742 @ 1 1-1-14-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A1
Matrix / Runout: EMI UDEN BX 877752 @ 1 1-2-9-NL
Mastering SID Code: IFPI L047
Matrix / Runout: EMI UDEN BX 877762 @ 1 1-1-12-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A9
Matrix / Runout: EMI UDEN BX 877772 @ 1 1-1-10-NL
Mould SID Code: ifpi 15A1
Mastering SID Code: IFPI L047
Matrix / Runout: EMI UDEN BX 877782 @ 2 2-1-13-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A8
Matrix / Runout: EMI UDEN BX 877792 @ 2 2-1-12-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A3
Matrix / Runout: EMI UDEN BX 87802 @ 2 1-1-14-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A8
Matrix / Runout: EMI UDEN BX 877712 @ 2 2-2-6-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A4
Matrix / Runout: EMI UDEN BX 877722 @ 2 2-4-17-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A2
Matrix / Runout: EMI UDEN BX 877732 @ 4 4-1-21-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15D2
Matrix / Runout: EMI UDEN BX 877742 @ 1 1-3-11-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A3
Matrix / Runout: EMI UDEN BX 877752 @ 1 1-5-25-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A2
Matrix / Runout: EMI UDEN BX 877762 @ 1 1-3-10-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15BA
Matrix / Runout: EMI UDEN BX 877772 @ 1 1-3-3-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BD
Matrix / Runout: EMI UDEN BX 877782 @ 2 2-3-11-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15D2
Matrix / Runout: EMI UDEN BX 877792 @ 2 2-4-4-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A4
Matrix / Runout: EMI UDEN BX 87802 @ 2 1-3-7-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15DO
Matrix / Runout: EMI UDEN BX 877712 @ 2 2-1-19-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15A2
Matrix / Runout: EMI UDEN BX 877722 @ 2 2-1-22-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15A4
Matrix / Runout: EMI UDEN BX 877732 @ 4 4-1-3-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BE
Matrix / Runout: EMI UDEN BX 877742 @ 1 1-2-7-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15BD
Matrix / Runout: EMI UDEN BX 877752 @ 1 1-5-2-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BB
Matrix / Runout: EMI UDEN BX 877762 @ 1 1-2-12-NL
Mastering SID Code: IFPI L046
Mould SID Code: ifpi 15BC
Matrix / Runout: EMI UDEN BX 877772 @ 1 1-2-7-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BE
Matrix / Runout: EMI UDEN BX 877782 @ 2 2-1-25-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15AB
Matrix / Runout: EMI UDEN BX 877792 @ 2 2-3-2-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BC
Matrix / Runout: EMI UDEN BX 877802 @ 2 1-2-5-NL
Mastering SID Code: IFPI L047
Mould SID Code: ifpi 15BB

Marketed By – Disky Communications Europe B.V., Super RTL
Distributed By – Disky Communications Europe B.V.
Phonographic Copyright (p) – Disky Communications Europe B.V.
Copyright (c) – Disky Communications Europe B.V.
Glass Mastered At – EMI Uden
Pressed By – EMI Uden
Licensed From – EMI International Records Ltd., K-Tel Entertainment Ltd., Castle Copyrights Ltd., Laurence Myers Ltd., Buddah Records, Barnaby Records Inc., BR Music Two B.V., Strike Records Ltd., Interworld Ltd., Chrysalis Copyrights Ltd., Creole Records Ltd., A.A.M.I., Tic-Toc Music (UK) Ltd., Repertoire Records, Nestshare Ltd., Munnycroft Ltd., Janus Records Inc., The Hit Label, Red Bullet, Chelsea/Roxbury/Wes Sky Industries Inc., Sunny Records (3), Celebrity Licensing, Inc., State Records (3), Trojan Records, HWF Number Two, Hundred & Seventeen Ltd., Templemill Music Ltd., A.T. Hiller, Jonathan King Enterprises Ltd., Roadshow Music Corp.

Annotazione modificata l'ultima volta il 2023-05-14 16:02 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Alley Oop
diritti fonografici (℗) detenuti da:
Lute (1960s L.A. label run by Al Kavelin) (nel 1960)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 36)
registrazione di:
Alley Oop
paroliere e compositore:
Dallas Frazier (American songwriter and musician)
Hollywood Argyles52:33
2I Hear You Knockin’
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
3Walking Back to Happiness
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1961)
registrazione di:
Walking Back to Happiness
autore:
Mike Hawker e John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:32
4In the Summertime
produttore:
Barry Murray (producer, associated with Mungo Jerry)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1970) e Dawn (UK 70s 'underground and progressive' label, a subsidiary of Pye Records) (nel 1970)
prima pubblicazione:
In the Summertime di Mungo Jerry
video musicali:
In the Summertime di Mungo Jerry
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 40) e Billboard Year-End Hot 100 singles of 1970 (numero: 53)
registrazione di:
In the Summertime
paroliere e compositore:
Ray Dorset
editore:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.73:33
5Freedom Come, Freedom Go
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1971)
registrazione di:
Freedom Come, Freedom Go
autore:
Roger Cook (US‐based British singer, songwriter and producer) (nel 1971), Roger Greenaway (nel 1971), Albert Hammond (nel 1971) e Mike Hazlewood (nel 1971)
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) e PolyGram Music Publishing
Fortunes3:18
6Dan the Banjoman
diritti fonografici (℗) detenuti da:
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1973)
registrazione di:
Dan The Banjo Man
autore:
Phil Cordell
Dan the Banjoman3:04
7Tom Tom Turn Around
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1971)
registrazione di:
Tom Tom Turnaround
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
Universal Music Publishing MGB Australia
New World3:18
8You’ll Never Walk Alone
esecutore:
Gerry and the Pacemakers
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1963) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione cover di:
You’ll Never Walk Alone (Carousel)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company e Williamson Music, Inc.
parte di:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:41
9Love Grows Where My Rosemary Goes
produttore:
Tony Macaulay
voce:
Tony Burrows (nel 1970)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1970) e Demon Music Group (nel 1970)
video musicali:
Love Grows (Where My Rosemary Goes) di Edison Lighthouse
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 40) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 416)
registrazione di:
Love Grows (Where My Rosemary Goes) (nel 1970)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3.82:46
10Sweets for My Sweet
diritti fonografici (℗) detenuti da:
Pye International (nel 1963)
registrazione cover di:
Sweets for My Sweet
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Pomus Songs Inc. e Trio Music Company
The Searchers3.52:30
11Ruby Tuesday (acoustic version)
diritti fonografici (℗) detenuti da:
Disky (nel 1970)
registrazione cover di:
Ruby Tuesday
autore:
Mick Jagger (The Rolling Stones) e Keith Richards (Rolling Stones guitarist)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie4:39
12When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:04
13Diamonds Are Forever
produttore:
John Barry (English score composer)
tecnico di missaggio:
John Richards (engineer)
voce principale:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Liberty Records, Inc. (nel 1971)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Diamonds Are Forever (main title theme)
paroliere:
Don Black (English lyricist)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:43
14Hippy Hippy Shake
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963) e HMV Records Ltd. (nel 1963)
registrazione cover di:
Hippy Hippy Shake
paroliere e compositore:
Chan Romero
editore:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) e Universal Music Careers
The Swinging Blue Jeans3.751:46
15Oh Boy
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1975)
registrazione cover di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
Mud22:54
16Always Something There to Remind Me
voce:
Sandie Shaw (nel 1964)
diritti fonografici (℗) detenuti da:
Pye International (nel 1964) e Pye Records (nel 1964)
registrazione cover di:
(There’s) Always Something There to Remind Me (nel 1964)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
registrazione di:
(There’s) Always Something There to Remind Me
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Sandie Shaw42:40
17Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis (nel 1965)
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:48
18I’m Telling You Now
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1963)
registrazione di:
I'm Telling You Now
autore:
Freddie Garrity e Mitch Murray
Freddie & the Dreamers2:10
19Proud Mary
tecnico:
Brent Maher
produttore:
Ike Turner
strumenti:
Ike Turner & the Kings of Rhythm
voce:
Ike Turner
voce di accompagnamento:
The Ikettes
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971) e Liberty Records, Inc. (nel 1971)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 69) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 420)
registrazione cover di:
Proud Mary
paroliere e compositore:
John Fogerty
editore:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (il 1968-12-27) e Jondora Musikverlag (publisher) (nel 1970)
Ike & Tina Turner4.654:57
20We’ve Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965) e Columbia Pictures Industries, Inc. (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (publisher) (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.83:13
2▼CD
#TitoloArtistaValutazioneDurata
1Needles and Pins
diritti fonografici (℗) detenuti da:
Pye International (nel 1964)
registrazione cover di:
Needles and Pins
paroliere:
Sonny Bono
compositore:
Sonny Bono e Jack Nitzsche (American musician and score composer)
editore:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. e Metric Music
The Searchers42:11
2Look What They’ve Done to My Song Ma (unplugged version)
registrazione di:
What Have They Done to My Song, Ma?
paroliere e compositore:
Melanie Safka (US singer‐songwriter Melanie Safka)
Melanie4:03
3Indian Reservation
diritti fonografici (℗) detenuti da:
Young Blood (nel 1970)
registrazione cover di:
Indian Reservation (The Lament of the Cherokee Reservation Indian) (nel 1968)
paroliere e compositore:
John D. Loudermilk
registrazione di:
Indian Reservation (The Lament of the Cherokee Reservation Indian)
paroliere e compositore:
John D. Loudermilk
Don Fardon3:24
4Anyone Who Had a Heart
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (nel 1964)
registrazione cover di:
Anyone Who Had a Heart
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (nel 1963), JAC Music Co., Inc. (nel 1963) e U.S. Songs, Inc. (nel 1963)
Cilla Black2:50
5Tap Turns on the Water
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1971)
registrazione di:
Tap Turns on the Water
autore:
John Cameron (British composer, arranger and conductor) e Alexis Korner
CCS23:42
6I Can’t Leave You Alone
diritti fonografici (℗) detenuti da:
T.K. Records Ltd. (Miami‐based disco label) (nel 1974)
registrazione di:
I Can’t Leave You Alone
autore:
Harry Wayne Casey e Richard Finch
editore:
Peer Music
George McCrae3:07
7Have You Seen Her?
diritti fonografici (℗) detenuti da:
Brunswick (Imprint of Brunswick Record Corporation) (nel 1971) e Brunswick Records Corp. (nel 1972)
parte di:
Mixtape – Game Soundtrack (numero: 7)
registrazione di:
Have You Seen Her
autore:
Barbara Acklin (singer and songwriter) e Eugene Record
editore:
Intersong Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4.55:05
8Go Now
voce principale:
Denny Laine
diritti fonografici (℗) detenuti da:
Decca Records (nel 1964)
registrazione cover di:
Go Now
autore:
Larry Banks e Milton Bennett
editore:
Belinda Music e Trio Music Company
The Moody Blues3:09
9Sugar Me
tecnico:
Pete Coleman
produttore:
Lynsey de Paul
diritti fonografici (℗) detenuti da:
MAM Records Ltd. (nel 1972)
registrazione di:
Sugar Me
autore:
Barry Ian Green (singer, producer, and songwriter) e Lynsey de Paul
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e ATV Kirshner (publisher) (nel 1972)
Lynsey de Paul3:53
10The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.24:28
1110538 Overture
tecnico:
Peter Olliff e Roger Wake (engineer)
produttore:
Bob Irwin, Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Rick Price (the Move and Electric Light Orchestra bassist) (dal 1970-07-12 al 1971-06)
batteria :
Bev Bevan (English rock drummer) (dal 1970-07-12 al 1971-06)
chitarra :
Jeff Lynne (dal 1970-07-12 al 1971-06) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
corno francese :
Bill Hunt (UK keyboards, horn player) (dal 1970-07-12 al 1971-06)
violino :
Steve Woolam (dal 1970-07-12 al 1971-06)
violoncello :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (dal 1970-07-12 al 1971-06)
voce principale:
Jeff Lynne (dal 1970-07-12 al 1971-06)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971, nel 2001), Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1971) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (dal 1971 al 1972)
registrata presso:
Philips Studios in London (Greater London), England, Regno Unito (dal 1970-07-12 al 1971-06)
registrazione di:
10538 Overture (dal 1970-07-12 al 1971-06)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
E.L.O.3.55:29
12Darlin’
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrazione cover di:
Darlin’
paroliere e compositore:
Oscar Stewart Blandamer
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:06
13Mad About You
diritti fonografici (℗) detenuti da:
Rhino Records, Inc. (company credits only; not for release label use!) (nel 1972)
registrazione di:
Mad About You
paroliere e compositore:
Bruce Ruffin
Bruce Ruffin3:23
14Let’s All Chant
tecnico:
Rick Rowe
produttore:
Michael Zager
produttore esecutivo:
Jerry Love
clarinetto solista :
George Marge
tromba solista :
Raymond Crisara
voce:
Billy Baker, Alvin Fields e Dolette McDonald
diritti fonografici (℗) detenuti da:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1977, nel 1978)
registrazione di:
Let’s All Chant
autore:
Alvin Fields e Michael Zager
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:02
15Brother Louie
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973) e RAK Records Ltd. (nel 1973)
registrazione di:
Brother Louie
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated), Finchley Music e RAK Publishing Ltd.
Hot Chocolate54:57
16Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
Shirley Bassey4.252:48
17Sloop John B.
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1969)
registrazione di:
Sloop John B
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. e New Executive Music
versione di:
The John B. Sails
The Beach Boys2:53
18Do Wah Diddy
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e HMV Records Ltd. (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 35)
registrazione cover di:
Do Wah Diddy Diddy
autore:
Jeff Barry e Ellie Greenwich
editore:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:22
19I’m the Leader of the Gang
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Snapper Music (nel 1973) e Snapper Music plc (parent company of Snapper Music) (nel 1973)
registrazione di:
I’m the Leader of the Gang (I Am!) (nel 1973)
compositore:
Gary Glitter e Mike Leander
editore:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:28
20Sexy Eyes
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
registrazione cover di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
Dr. Hook42:56
3▼CD
#TitoloArtistaValutazioneDurata
1Where Do You Go to My Lovely
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:42
2Juanita
diritti fonografici (℗) detenuti da:
Imperial Records (US label active 1940s–) (nel 1973)
registrazione di:
Juanita (original version in English)
paroliere:
Chiel Montagne
compositore:
J. de Nijs (Dutch singer / songwriter)
Nick MacKenzie3:03
3American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07
4You Won’t Find Another Fool Like Me
diritti fonografici (℗) detenuti da:
Polydor Ltd. (British label, see annotation) (nel 1973)
registrazione di:
You Won’t Find Another Fool Like Me
autore:
Tony Macaulay e Geoff Stephens
New Seekers3:11
5Rock & Roll (part 1)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1972)
registrazione di:
Rock and Roll, Part 1
autore:
Gary Glitter e Mike Leander
editore:
MCA Music Ltd.
Gary Glitter4.152:58
6Emma
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e RAK Records Ltd. (nel 1974)
registrazione di:
Emma
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:50
7Good Golly Miss Molly
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1964)
registrazione cover di:
Good Golly Miss Molly
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. e Robin Hood Music Co.
The Swinging Blue Jeans2:05
8Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:34
9She’s a Lady
diritti fonografici (℗) detenuti da:
Decca Records Co. Ltd. (Decca Records) (nel 1971) e Tom Jones Enterprises Ltd. (nel 1971)
registrazione cover di:
She’s a Lady (nel 1971)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. e Spanka Music Corp.
registrazione di:
She’s a Lady
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. e Spanka Music Corp.
Tom Jones3.92:54
10Una Paloma Blanca
diritti fonografici (℗) detenuti da:
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1975)
registrazione di:
Paloma blanca
paroliere e compositore:
Hans Bouwens
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) e EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (nel 1975)
George Baker Selection32:48
11Winchester Cathedral
produttore:
Geoff Stephens
basso :
Neil Korner
chitarra :
Mick Wilsher
percussione [drums, washboard, spoons] :
Henry Harrison (drums, percussion)
pianoforte :
Stan Haywood (piano)
tromba :
'Pops' Kerr
trombone :
"Shuggy" Watts
voce:
Tristram, The Seventh Earl of Cricklewood
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966)
registrazione di:
Winchester Cathedral
paroliere e compositore:
Geoff Stephens
editore:
Meteor Music e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
New Vaudeville Band4.252:25
12I’ve Been Drinking
esecutore ospite:
Rod Stewart
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1968)
registrazione di:
I’ve Been Drinking
autore:
Johnny Mercer e Doris Tauber
arrangiatore:
Jeff Beck (English rock guitarist) e Rod Stewart
arrangiamento di:
Drinking Again
Jeff Beck featuring Rod Stewart3:17
13Friday on My Mind
produttore:
Shel Talmy
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967) e United Artists (nel 1966)
è stato produttore per:
Albert Productions
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats3.52:39
14Dynamite
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1973)
registrazione di:
Dyna-Mite
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
Mud52:58
15How Do You Do It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) e Columbia Pictures Industries, Inc. (nel 1963)
registrazione di:
How Do You Do It (nel 1963-03)
paroliere e compositore:
Mitch Murray
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:54
16Norma Jean Wants to Be a Movie Star
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974)
registrazione di:
Norma Jean Wants to Be a Movie Star
paroliere e compositore:
J.C. Cunningham (American songwriter)
Cunningham23:38
17Catch the Wind
diritti fonografici (℗) detenuti da:
Pye International (nel 1965)
registrazione di:
Catch the Wind
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music, Peer Music UK Ltd e Southern Music (publisher)
Donovan2:55
18Dancing on a Saturday Night
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:07
19Dance With the Devil
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
RAK Records Ltd. (nel 1973)
registrazione di:
Dance With the Devil
compositore:
Phil Dennys e Michael Hayes
editore:
RAK Publishing Ltd.
Cozy Powell23:35
20Nutbush City Limits
produttore:
Ike Turner
voce principale:
Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1973), United Artists (nel 1973) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2004)
registrazione di:
Nutbush City Limits
paroliere e compositore:
Tina Turner
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music e Valley Spring Music Corp.
Ike & Tina Turner3.752:58
4▼CD
#TitoloArtistaValutazioneDurata
1The Birds and the Bees
diritti fonografici (℗) detenuti da:
Era (55-90 US indie) (nel 1965)
registrazione di:
The Birds and the Bees
paroliere e compositore:
Barry Stuart
editore:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) e Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens42:10
2One Way Wind
registrazione di:
One Way Wind
paroliere e compositore:
Arnold Mühren
The Cats3:37
3Mighty Joe
registrazione di:
Mighty Joe
paroliere e autore:
Robbie van Leeuwen
Shocking Blue43:09
4Dear Mrs. Applebee
registrazione di:
Dear Mrs. Applebee
autore:
Phil Barr (songwriter) e Billy Meshel (songwriter)
David Garrick2:13
5Roll Over Beethoven
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
armonium , chitarra e moog :
Jeff Lynne (il 1972-09-08) e Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
basso :
Michael d’Albuquerque (il 1972-09-08)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1972-09-08)
pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
violino :
Wilfred Gibson (UK violinist) (il 1972-09-08)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (il 1972-09-08) e Colin Walker (English Cellist that was a member of ELO) (il 1972-09-08)
voce di accompagnamento:
Michael d’Albuquerque (il 1972-09-08) e Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
voce principale:
Jeff Lynne (il 1972-09-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-09-08)
registrazione cover di:
Roll Over Beethoven (il 1972-09-08)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
E.L.O.44:33
6Give Up Your Guns
registrazione di:
Give Up Your Guns (epic narrative about escaped bank robber)
autore:
Holmes e Jordan (co-writer of Give Up Your Guns for The Buoys)
The Buoys4:17
7Sad Sweet Dreamer
registrazione di:
Sad Sweet Dreamer
paroliere e compositore:
David Parton
editore:
Mr. & Mrs. Music
Sweet Sensation3:25
8Barbados
registrazione di:
Barbados
autore:
Jeffrey Calvert e Max West
editore:
Castle (publisher)
Typically Tropical44:08
9Show and Tell
diritti fonografici (℗) detenuti da:
Rocky Road (70s US funk/soul) (nel 1973)
registrazione di:
Show & Tell
paroliere e compositore:
Jerry Fuller
editore:
Fullness Music Co.
Al Wilson3:28
10God Only Knows
registrazione di:
God Only Knows
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys2:49
11Long Tall Glasses (I Can dance)
produttore:
David Courtney (songwriter, singer and producer) e Adam Faith
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1974)
registrazione di:
Long Tall Glasses
paroliere:
Leo Sayer
compositore:
David Courtney (songwriter, singer and producer)
Leo Sayer3:06
12Pretty Flamingo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
Pretty Flamingo
paroliere e compositore:
Mark Barkan
editore:
Campbell Connelly (Australia) P/L e Campbell Connelly & Co. Ltd.
Manfred Mann2:34
13Buddy Joe
tecnico di registrazione:
Frank Owen
produttore:
Fred Haayen
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra elettrica :
Barry Hay e George Kooymans
voce:
Barry Hay e George Kooymans
diritti fonografici (℗) detenuti da:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1972) e Red Bullet (Dutch independent label) (nel 1972)
è stato produttore per:
Red Bullet Productions
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1972-03-01 al 1972-03-15)
registrazione di:
Buddy Joe (dal 1972-03-01 al 1972-03-15)
autore:
George Kooymans
editore:
Dayglow Music, Inc.
Golden Earring43:54
14You Were Made for Me
registrazione di:
You Were Made for Me
paroliere e compositore:
Mitch Murray
Freddie & the Dreamers2:19
15(You’re) Having My Baby
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974)
registrazione di:
(You’re) Having My Baby
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
Paul Anka32:35
16You Were on My Mind
registrazione cover di:
You Were on My Mind
paroliere e compositore:
Sylvia Tyson
Crispian St. Peters2:40
17I’ll Have to Say I Love You in a Song
basso :
Joe Macho
batteria :
Gary Chester (studio drummer and educator)
chitarra [rhythm guitar] :
Jim Croce
chitarra acustica [lead acoustic guitar] :
Maury Muehleisen
percussione :
George Devens
pianoforte elettrico :
Tommy West
voce:
Jim Croce (il 1973-06-07)
voce di accompagnamento:
Marty Nelson e Tommy West
direttore d'orchestra:
Terence Minogue
arrangiatore:
Terence Minogue
diritti fonografici (℗) detenuti da:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (nel 1973) e Lastrada Entertainment Co., Ltd. (nel 1973)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1973-06-07)
registrazione di:
I’ll Have to Say I Love You in a Song (il 1973-06-07)
paroliere e compositore:
Jim Croce
editore:
Blendingwell Music, Inc., DenJac Music Company e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:32
18So You Win Again
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e RAK (nel 1977)
registrazione di:
So You Win Again
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) e Universal Music–MGB Songs
Hot Chocolate4.254:30
19The Air That I Breathe
tecnico:
Mike Jarratt (recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (singer and guitarist) (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:05
20Tubular Bells
registrazione di:
Tubular Bells
compositore:
Mike Oldfield
cita la musica di:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
parte di:
Tubular Bells, Part One
Mike Oldfield4.254:18
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#TitoloArtistaValutazioneDurata
1Kung Fu Fighting
arrangiatore:
Gerry Shury
registrazione di:
Kung Fu Fighting
paroliere e compositore:
Carl Douglas
editore:
Carren Music (publisher) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
si basa su:
[Oriental Riff]
Carl Douglas4.23:10
2Get Dancing
registrazione di:
Get Dancin’
autore:
Bob Crewe e Kenny Nolan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. e Warner/Chappell Artemis Music
Disco Tex & His Sex-O-Lettes4:16
3I Like It
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione di:
I Like It (nel 1963)
paroliere e compositore:
Mitch Murray
Gerry & the Pacemakers22:15
4Rock Your Baby
voce:
George McCrae
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione di:
Rock Your Baby
autore:
Harry Wayne Casey, Richard Finch e KC (Harry Wayne Casey of the Sunshine Band)
editore:
EMI Longitude Music e Peer Music (UK) Ltd.
George McCrae3.253:21
5Puppet on a String
voce:
Sandie Shaw (nel 1967)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1967) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1967)
registrazione di:
Puppet on a String (nel 1967)
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:23
6Motorcycle Mama
registrazione cover di:
Motorcycle Mama
paroliere e compositore:
John D. Wyker III (Guitarist, producer and songwriter)
Harpo3:27
7Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:38
8Boy Oh Boy
produttore:
Mickie Most (English record producer)
registrazione di:
Boy Oh Boy
autore:
Roger D. Ferris e Gloria Macari
Racey2:54
9Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:10
10All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
Nitty Gritty Dirt Band3:51
11Something’s Gotten Hold of My Heart
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Gene Pitney3:39
12No Milk Today
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1966) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
No Milk Today (nel 1966-10)
paroliere e compositore:
Graham Gouldman
editore:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Hournew Music Ltd.
Herman’s Hermits4.652:58
13The Bump
registrazione di:
The Bump
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:37
14Bombay
supporto a vario titolo:
Steve James (Australian, formerly UK producer/engineer) (incarico: tape operator)
tecnico:
Robin Freeman (British recording engineer, producer and musician based in the Netherlands)
produttore:
Golden Earring e John Kriek
tecnico di missaggio:
John Kriek, Steve Lillywhite e Damon Lyon-Shaw
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra :
Eelco Gelling e George Kooymans
voce:
Barry Hay e George Kooymans
voce di accompagnamento ospite:
Patricia Paay
diritti fonografici (℗) detenuti da:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1976) e Red Bullet Productions B.V. (nel 1976)
è stato produttore per:
Red Bullet Productions
registrata presso:
Artisound Studios (Since 2000: Soundwise) in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands e Relight Studio in Hilvarenbeek, Noord-Brabant (North Brabant), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
Chappell Studios in London (Greater London), England, Regno Unito
registrazione di:
Bombay
autore:
Barry Hay e George Kooymans
editore:
Dayglow Music, Inc. e Snamyook Music (publisher associated with George Kooymans)
Golden Earring43:54
15Beach Baby
diritti fonografici (℗) detenuti da:
Peermusic Ltd. (BMI) (nel 1974)
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4.54:51
16Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind) (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
registrazione di:
Silver Machine
paroliere:
Robert Calvert (South African-British writer, poet, and musician, lead vocals for Hawkwind)
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd., United Artists Music e United Partnership Ltd.
Hawkwind3.654:40
17Big Spender
produttore:
Kenneth Hume e Norman Newell
voce:
Shirley Bassey (Welsh singer)
voce principale:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
direttore d'orchestra:
Ernest Freeman
arrangiatore:
Ernest Freeman
registrazione di:
Big Spender
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Cy Coleman
editore:
Campbell Connelly & Co. Ltd. e WB Music Corp. (1929–2019)
parte di:
Overture (Sweet Charity)
parte di:
Sweet Charity
Shirley Bassey4.51:50
18Bus Stop
produttore:
The Hollies e Ron Richards
basso :
Bernie Calvert (il 1966-05-18)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2003) e Parlophone (nel 1966)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-05-18)
registrazione di:
Bus Stop (il 1966-05-18)
paroliere e compositore:
Graham Gouldman
editore:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited e Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.752:54
19I’m a Tiger
registrazione di:
I’m a Tiger
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Marty Wilde
Lulu2:46
20Only a Fool
registrazione cover di:
Only a Fool Breaks His Own Heart
paroliere:
Shelly Coburn
autore:
Norman Bergen (nel 1964) e Shelly Coburn (nel 1964)
compositore:
Norman Bergen
Byron Lee & Mighty Sparrow2:46
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Accreditamenti

Pubblicazione

fotografia:Tony Stone (photographer)
design:Studio van Dijken (ICT, media and graphic design studio)
distribuito da e commercializzata da:Disky Communications Europe B.V. (Copyright holder. File NO releases.)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Disky Communications Europe B.V. (Copyright holder. File NO releases.) (nel 1997)
licenziata da:A.A.M.I.
Barnaby Records, Inc.
BR Music Two B.V.
Buddah Records (revived/renamed in 1998 as Buddha Records)
Castle Copyrights Ltd.
Celebrity Licensing
Chelsea/Roxbury/Wes Sky Industries Inc.
Chrysalis Copyrights Ltd.
Creole Records Ltd.
EMI Int. Records Ltd.
HWF Number Two Hundred & Seventeen Ltd.
Interworld Ltd.
Janus Records Inc.
Jonathan King Enterprises Ltd.
K-tel Entertainment Ltd.
Laurence Myers Ltd.
Munnycroft Ltd.
Nestshare Ltd.
Red Bullet (Dutch independent label)
Repertoire Records (Hamburg‐based multinational reissue label)
Roadshow Music Corp.
Strike Records Ltd.
Sunny Records (US latin label, 80s/90s)
Templemill Ltd.
The Hit Label
Tic Toc Music (UK) Ltd.
Trojan Records
Discogs:https://www.discogs.com/release/6685449 [info]

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Discogs:https://www.discogs.com/master/160167 [info]