Die schönsten Rock Balladen

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton (singer-songwriter and guitarist)
Bassgitarre:
Pete Agnew (singer-songwriter and bassist)
Gitarre und Synthesizer:
Manny Charlton (singer-songwriter and guitarist)
Schlagzeug:
Darrell Sweet (drummer and songwriter)
Hintergrundgesang:
Pete Agnew (singer-songwriter and bassist) und Darrell Sweet (drummer and songwriter)
Sologesang:
Dan McCafferty (singer, songwriter)
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.43:54
2Lady in Black
recording engineer:
Peter Gallen (von 1970-10 bis 1970-11)
Produzent(in):
Gerry Bron
Mix:
Peter Gallen
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1970-10 bis 1970-11)
recording of:
Lady in Black (von 1970-10 bis 1970-11)
Texter und Komponist(in):
Ken Hensley
publisher:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. und Sidney Bron Music (also spelled “Sydney”)
Uriah Heep44:50
3Lucky Man
recording of:
Lucky Man
Texter und Komponist(in):
Greg Lake
publisher:
Bosworth & Co. Ltd. und Leadchoice, Ltd.
Emerson, Lake & Palmer4:39
4Two out of Three Ain’t Bad (live)
live recording of:
Two Out of Three Ain’t Bad
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf5:27
5While My Guitar Gently Weeps
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1990)
cover recording of:
While My Guitar Gently Weeps
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Harrisongs Ltd., Wixen Music Publishing (American music publishing company, affiliated to BMI) und Zero Productions, Inc.
The Jeff Healey Band3:54
6Walk on the Wild Side
recording of:
Walk on the Wild Side
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4:17
7Woodstock
cover recording of:
Woodstock
Texter und Komponist(in):
Joni Mitchell
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
Matthews’ Southern Comfort3.64:29
8Stairway to Heaven
phonographisches Urheberrecht (℗) von:
Ariola Eurodisc GmbH (not for release label use!) (in 1985), BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1985), MCI (in 1985), Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1985) und Hansa (in 1986)
teilweise cover recording of:
Stairway to Heaven
Verfasser(in):
Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Superhype Music, Inc. (beendet), Flames of Albion Music, Inc., Superhype Publishing, Warner Bros. (holding: file NO releases), Warner Brothers (publisher, not an imprint), Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) (beendet), Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (beendet) und Neue Welt Musikverlag GmbH München
Far Corporation24:01
9The Smile Has Left Your Eyes
recording engineer:
Paul Northfield (von 1983-02 bis 1983-05) und Mike Stone (producer and engineer, 1960s–80s) (von 1983-02 bis 1983-05)
Techniker(in):
Paul Northfield und Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Mix:
Frank Opolko und Rob Whelan
Mix:
Paul Northfield, Rob Whelan und Mike Stone (producer and engineer, 1960s–80s)
Bassgitarre:
John Wetton (von 1983-02 bis 1983-05)
Gitarre:
Steve Howe (von 1983-02 bis 1983-05)
Keyboard:
Geoff Downes (English keyboardist) (von 1983-02 bis 1983-05)
Schlagzeug:
Carl Palmer (von 1983-02 bis 1983-05)
vocals:
John Wetton (von 1983-02 bis 1983-05)
arranger:
Asia (UK progressive rock band)
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1983)
mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada
Musikvideos:
The Smile Has Left Your Eyes (music video) von Asia (UK progressive rock band)
recording of:
The Smile Has Left Your Eyes (von 1983-02 bis 1983-05)
Texter und Komponist(in):
John Wetton
publisher:
John Wetton Limited, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Almond Legg Music Corp. (vom 1983 bis heute), WB Music Corp. (1929–2019) (von 1983 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Asia3:16
10In Trance
recording of:
In Trance
Texter:
Klaus Meine
Komponist(in):
Rudolf Schenker
publisher:
Rudolf Slezak Musikverlag GmbH (publisher)
Scorpions4:45
11Baby Come Back (live)
phonographisches Urheberrecht (℗) von:
We Two Pty. Ltd. (in 1992)
cover recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Little River Band4:52
12Questions
recording of:
Questions
Verfasser(in):
Manfred Mann (the person) und Chris Slade
basiert auf:
Impromptu in G‐flat major, op. 90, D. 899: No. 3. Andante
Manfred Mann’s Earth Band3:59
13A Whiter Shade of Pale
phonographisches Urheberrecht (℗) von:
Soundbarrier Ltd. (production company) (in 1981) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
cover recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Bonnie Tyler34:30
14Child in Time (live)
E-Bass:
Roger Glover (am 1993-10-16)
E-Gitarre:
Ritchie Blackmore (am 1993-10-16)
Hammond-Orgel und Keyboard:
Jon Lord (am 1993-10-16)
Schlagzeug:
Ian Paice (am 1993-10-16)
Sologesang:
Ian Gillan (am 1993-10-16)
aufgenommen bei und engineered at:
Schleyer Halle in Stuttgart, Baden-Württemberg, Deutschland (am 1993-10-16)
live recording of:
Child in Time (am 1993-10-16)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (bis 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Bombay Calling
Deep Purple3.3510:38
2▼CD
Nr.TitelKünstlerBewertungLänge
1Crockett’s Theme
recording of:
Crockett’s Theme (Miami Vice)
Komponist(in):
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) und Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.53:34
2White Lie (single version)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1994)
recording of:
White Lie
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint), Somerset Songs Publishing Inc. und Stray Notes Music
Foreigner34:18
3The Dark End of the Street
recording of:
The Dark End of the Street
Verfasser(in):
Chips Moman und Dan Penn (songwriter, soul singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Commitments2:38
4Rikki Don’t Lose That Number
recording of:
Rikki Don’t Lose That Number
Texter und Komponist(in):
Walter Becker und Donald Fagen
publisher:
American Broadcasting Music, Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Group, Universal/MCA Music Ltd. (not for release label use!) und MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974)
Frank Farian / Robin McAuley4:12
5I Dream Alone
recording of:
I Dream Alone
Verfasser(in):
Derek Pellicci und Glenn Shorrock
publisher:
Polygram Music, PolyGram Music Publishing, Australian Tumbleweed Music (in 1990) und Keleka Songs (in 1990)
Little River Band4:50
6Tell Me Why
recording of:
Tell Me Why
Texter:
James Hopkins-Harrison
Komponist(in):
Achim Oppermann (producer, guitarist, keyboardist)
publisher:
Peer Musikverlag (Peermusic Musikverlag GesmbH) (in 1984)
Lake3:47
7Surf’s Up
cover recording of:
Surf's Up
Texter und Komponist(in):
Jim Steinman
Meat Loaf4:25
8Sara
assistierende(r) Techniker(in):
Paul Ericksen (recording engineer)
Techniker(in):
Jeremy Smith (producer/engineer)
Produzent(in):
Jeremy Smith (producer/engineer) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Sara (in 1985)
Verfasser(in):
Ina Wolf und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Songs, Inc., Careers–BMG Music Publishing, Inc., Kikiko Music und Petwolf Music
Starship4.44:51
9The Best Is Yet to Come (radio version)
recording of:
The Best Is Yet to Come
Verfasser(in):
Glen Ballard, Bruce Fischer, René Moore und Bruce Swedien
David Hasselhoff4:00
10Life’s Like a River
Techniker(in), Produzent(in) und Mix:
Dieter Dierks
Bassgitarre:
Francis Buchholz (in 1975)
Gast-Keyboard:
Achim Kirschning (in 1975)
Gitarre [lead guitar]:
Uli Jon Roth (in 1975)
Gitarre [rhythm guitar]:
Rudolf Schenker (in 1975)
Schlagzeug:
Rudy Lenners (Belgian drummer) (in 1975)
Hintergrundgesang:
Francis Buchholz (in 1975), Uli Jon Roth (in 1975) und Rudolf Schenker (in 1975)
Sologesang:
Klaus Meine (in 1975)
aufgenommen bei:
Dierks Studios in Pulheim, Nordrhein-Westfalen, Deutschland (in 1975)
recording of:
Life’s Like a River (in 1975)
Texter:
Corina Fortmann und Uli Jon Roth
Komponist(in):
Uli Jon Roth und Rudolf Schenker
publisher:
Rudolf Slezak Musikverlag GmbH (publisher)
Scorpions13:50
11Wasted Sunsets
Techniker(in):
Nick Blagona (engineer/producer)
Produzent(in):
Roger Glover
E-Bass:
Roger Glover (in 1984-08)
E-Gitarre:
Ritchie Blackmore (in 1984-08)
Hammond-Orgel und Keyboard:
Jon Lord (in 1984-08)
Schlagzeug:
Ian Paice (in 1984-08)
Sologesang:
Ian Gillan (in 1984-08)
aufgenommen bei:
Le Mobile in Carlsbad, California (Kalifornien), Vereinigte Staaten (in 1984-08)
mixed at:
Tennessee Tonstudio in Hamburg, Deutschland
recording of:
Wasted Sunsets (in 1984-08)
Verfasser(in):
Ritchie Blackmore, Ian Gillan und Roger Glover
Deep Purple3.63:57
12You Are So Beautiful
Produzent(in):
Gene Capell
Keyboard:
Richard Cottle
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
aufgenommen bei:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Bonnie Tyler2:23
13Emotion in Motion
recording of:
Emotion in Motion
Texter und Komponist(in):
Ric Ocasek
Ric Ocasek4:38
14All by Myself
assistierende(r) Techniker(in):
Joey Barbaria
Techniker(in):
Jack Sherdel
Produzent(in):
Jimmy Ienner (producer)
Sologesang:
Eric Carmen (von 1975-08 bis 1975-09)
arranger:
Eric Carmen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
aufgenommen bei:
O.D.O. Sound Studios in New York, New York, Vereinigte Staaten (von 1975-08 bis 1975-09)
recording of:
All by Myself (von 1975-08 bis 1975-09)
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:56
3▼CD
Nr.TitelKünstlerBewertungLänge
1My Oh My
Produzent(in):
John Punter
recording of:
My Oh My
Verfasser(in):
James Lea und Neville Holder
publisher:
Slezak (publisher) und Whild John Music Ltd.
Slade4.54:13
2He Ain’t Heavy, He’s My Brother
recording engineer:
Paul Lani und Krish Sharma
assistierende(r) Techniker(in):
Chad Bamford, Al Lay und John Sperger
Produzent(in):
Chris von Rohr
assistierende(r) Mix:
Leo Leoni (member of Gotthard) und Chris von Rohr
Mix:
Paul Lani
Bass:
Marc Lynn
Gast-Keyboard und Gast-Perkussion:
Cat Gray
Gast-Mundharmonika:
Andrew Garver
Gast-Slide-Gitarre:
Sami Sanchez
Gitarre:
Leo Leoni (member of Gotthard)
Schlagzeug:
Hena Habegger
Gast Hintergrundgesang:
Jane Child
vocals:
Steve Lee (member of Gotthard) und Leo Leoni (member of Gotthard)
phonographisches Urheberrecht (℗) von:
BMG Ariola (Schweiz) AG und BMG Ariola München GmbH
aufgenommen bei:
A&M Studios Los Angeles in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
He Ain’t Heavy, He’s My Brother
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gotthard4:37
3Broken Wings
Techniker(in):
Paul DeVilliers und Lois Oki
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Mix:
Mick Guzauski und Mike Shipley (audio engineer, mixer, producer)
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International (in 1985), BMG Music (in 1985), BMG Music International (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:46
4Hey Little Girl
recording of:
Hey Little Girl
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:23
5500 Miles (live)
live cover recording of:
500 Miles
Texter und Komponist(in):
Hedy West
publisher:
Robert Mellin, Inc., Unichappell Music, Inc. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Hooters8:44
6Images
recording of:
Images (Chapter I)
Texter und Komponist(in):
Jim Crichton und Michael Sadler
publisher:
Pocket Music (publisher)
Teil von:
The Chapters
Saga6:29
7(Can’t Live Without Your) Love and Affection (acoustic version)
recording of:
(Can’t Live Without Your) Love and Affection
Verfasser(in):
Gunnar Nelson, Matthew Nelson (from the Nelson twins) und Marc Tanner
Nelson3:57
8Parisienne Walkways
recording of:
Parisienne Walkways
Verfasser(in):
Phil Lynott und Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc und Maxwood Music Ltd.
basiert auf:
Blue Bossa
Gary Moore3:22
9The Hunter
assistierende(r) Techniker(in):
John Brough, Noel Haris und Andy Mason (UK producer/engineer)
Techniker(in):
Alan Douglas (Scottish born engineer)
zusätzliche(r) Techniker(in):
Owen Davies
Produzent(in):
Geoffrey Downes (English keyboardist)
Sologesang:
Max Bacon (GTR)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
The Hunter
Texter und Komponist(in):
Geoffrey Downes (English keyboardist)
publisher:
Kidglove Music
GTR4:57
10Roses on White Lace
recording engineer, Produzent(in) und Mix:
Michael Wagener
zusätzliche(r) Techniker(in):
Garth Richardson (Canadian music producer and engineer)
Sologesang:
Alice Cooper (the singer, active as a solo artist 1975‐present)
arranger:
Alice Cooper (the singer, active as a solo artist 1975‐present) und Kane Roberts
recording of:
Roses on White Lace
Verfasser(in):
Alice Cooper (the singer, active as a solo artist 1975‐present) und Kane Roberts
publisher:
Ezra Music Corp., Famous Chappell, Screen Gems–EMI Music Ltd., Sony/ATV Melody, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Ensign Music Corporation (in 1987), Ezra Music, Inc. (in 1987) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1987)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.54:29
11Rivers of Glory
recording of:
Rivers of Glory
Texter:
Claus Lessmann (Claus Leßmann)
Komponist(in):
Claus Lessmann (Claus Leßmann) und Gerhard Schleifer
Bonfire4:54
12Mistreated
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1989)
recording of:
Mistreated
Texter:
Peter Baltes, Deaffy, Wolf Hoffmann, Stefan Kaufmann (German drummer for Accept and U.D.O.) und David Reece (heavy metal vocalist)
Komponist(in):
Peter Baltes, Deaffy, Wolf Hoffmann und Stefan Kaufmann (German drummer for Accept and U.D.O.)
publisher:
Breeze Music GmbH und Oktave Musikverlag (publisher)
Accept4:46
13Living Inside Myself
recording of:
Living Inside Myself
Texter und Komponist(in):
Gino Vannelli
publisher:
Black Keys Music (beendet), En Forme Music und Whirling Rainbow Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gino Vannelli3:54
14Miracles
recording engineer:
Jeffrey Husband und Steve Mantoani
Techniker(in):
Larry Cox (US engineer/producer)
Produzent(in):
Larry Cox (US engineer/producer) und Jefferson Starship
phonographisches Urheberrecht (℗) von:
BMG Music (in 1975)
aufgenommen bei und mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Miracles von Jefferson Starship
recording of:
Miracles (Jefferson Starship song)
Texter und Komponist(in):
Marty Balin
Jefferson Starship43:32

Nennungen

Veröffentlichung

hergestellt in:the EU (Europa)
art direction:Hands Up! Design (design)
Fotografie:The Big Picture Show
vertrieben von:BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation)
urheberrechtlich geschützt (©) von:BMG Ariola Media GmbH (in 1997)
Stamm-Pressung von:Sonopress (Sonopress GmbH, German vinyl, cassette, CD and DVD manufacturer. see annotations)
Discogs:https://www.discogs.com/release/6204576 [Info]
https://www.discogs.com/release/14699631 [Info]
https://www.discogs.com/release/14699724 [Info]
ASIN:DE: B0031AM5TA [Info]