It’s the Sensational 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Love Grows (Where My Rosemary Goes)
produttore:
Tony Macaulay
voce:
Tony Burrows (nel 1970)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1970) e Demon Music Group (nel 1970)
video musicali:
Love Grows (Where My Rosemary Goes) di Edison Lighthouse
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 40) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 416)
registrazione di:
Love Grows (Where My Rosemary Goes) (nel 1970)
autore:
Tony Macaulay e Barry Mason (English songwriter)
editore:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. e Universal Music Publishing MGB Australia
Edison Lighthouse3.82:52
2I Hear You Knockin’
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records UK (company credits only; file no releases here!) (nel 1970) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:49
3Groovin’ With Mr Bloe
registrazione di:
Groovin’ With Mr. Bloe
compositore:
Bo Gentry, Ken Laguna e Paul Naumann
Mr. Bloe2:39
4Up the Ladder to the Roof
produttore:
Frank Wilson (Motown singer/songwriter)
voce principale:
Jean Terrell
arrangiatore:
David Van dePitte
registrazione di:
Up the Ladder to the Roof
paroliere e compositore:
Vincent DiMirco e Frank Wilson (Motown singer/songwriter)
The Supremes3:12
5Sweet Inspiration
Johnny Johnson & The Bandwagon3:03
6Something Old, Something New
registrazione di:
Something Old, Something New
autore:
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway e Tony Macaulay
The Fantastics2:48
7Tired of Being Alone
registrata presso:
Royal Studios in Memphis, Tennessee, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 293)
registrazione di:
Tired of Being Alone
paroliere e compositore:
Al Green (US soul singer, songwriter, pastor and record producer)
editore:
Burlington Music Ltd., Irving Music, Inc. e Universal Music Publishing Group
Al Green4.452:51
8Softly Whispering I Love You
tecnico:
Peter Vince (engineer, producer)
esecutore:
Brian Keith e Alan Parker (guitarist & composer)
arrangiatore:
Ken Woodman (British trumpeter, music director, arranger and composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrata presso:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione cover di:
Softly Whispering I Love You
autore:
Roger Frederick Cook (US‐based British singer, songwriter and producer) e Roger John Reginald Greenaway
editore:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:02
9Telegram Sam
registrazione di:
Telegram Sam
paroliere e compositore:
Marc Bolan
editore:
SPIRIT CATALOGUE HD(T REX) 301 e フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex3:46
10Crocodile Rock
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra basso :
Dee Murray
chitarra elettrica :
Davey Johnstone
farfisa e pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972, nel 1973) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
registrazione di:
Crocodile Rock
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:57
11Meet Me on the Corner
produttore:
Bob Johnston (US record producer and early rockebilly singer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 2004)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1971)
registrazione di:
Meet Me on the Corner
paroliere e compositore:
Rod Clements
editore:
Hazy Music
Lindisfarne2:41
12Metal Guru
registrazione di:
Metal Guru
paroliere e compositore:
Marc Bolan
editore:
Westminster Music e Wizard (Bahamas) Ltd.
T. Rex2:28
13Let’s Stay Together
registrazione di:
Let’s Stay Together
autore:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) e Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
editore:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. e Irving Music, Inc.
Al Green3:16
14Betcha by Golly Wow
produttore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Avco Record Corp. (nel 1971)
registrazione cover di:
Betcha by Golly, Wow (fka “Keep Growing Strong”)
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Stylistics3:46
15Mouldy Old Dough
registrazione di:
Mouldy Old Dough
autore:
Nigel Francis Fletcher e Robert George Woodward
Lieutenant Pigeon2:45
16Dancing on a Saturday Night
produttore:
Barry Blue (singer, producer, and songwriter)
diritti fonografici (℗) detenuti da:
Bell (50s-70s US/UK pop, later became Arista) (nel 1973), Crimson Copyrights Ltd. (nel 1973) e Demon Music Group (nel 1973)
registrazione di:
Dancin’ (On a Saturday Night)
autore:
Barry Blue (singer, producer, and songwriter) e Lynsey de Paul
editore:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:06
17Children of the Revolution
registrazione di:
Children of the Revolution
paroliere e compositore:
Marc Bolan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Wizard (Bahamas) Ltd. e Wizard Publishing Ltd. (publisher, Marc Bolan)
T. Rex2:30
18Wishing Well
registrazione di:
Wishing Well (Free song)
autore:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers e Tetsu Yamauchi
editore:
Cayman Music Inc, Keepers Cottage Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-editore:
Universal Music Publishing France (not for release label use!)
Free3:34
2▼CD
#TitoloArtistaValutazioneDurata
1One & One Is One
produttore:
Tony Ashton (British pianist, singer, composer and producer)
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1973)
registrazione di:
One and One Is One (nel 1973)
paroliere e compositore:
John Fiddler (British singer and guitarist)
editore:
Biscuit Music Ltd. (publisher) (nel 1973)
Medicine Head4.53:26
2Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:26
3Angel Fingers
registrazione di:
Angel Fingers
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard4:33
4Roll Over Beethoven
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
armonium , chitarra e moog :
Jeff Lynne (il 1972-09-08) e Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
basso :
Michael d’Albuquerque (il 1972-09-08)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1972-09-08)
pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
violino :
Wilfred Gibson (UK violinist) (il 1972-09-08)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (il 1972-09-08) e Colin Walker (English Cellist that was a member of ELO) (il 1972-09-08)
voce di accompagnamento:
Michael d’Albuquerque (il 1972-09-08) e Richard Tandy (keyboardist for Electric Light Orchestra) (il 1972-09-08)
voce principale:
Jeff Lynne (il 1972-09-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972, nel 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-09-08)
registrazione cover di:
Roll Over Beethoven (il 1972-09-08)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Electric Light Orchestra44:34
5Can the Can
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro3:35
6Juke Box Jive
registrazione di:
Juke Box Jive
compositore:
Wayne Bickerton e Tony Waddington
The Rubettes3:04
7Tiger Feet
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud3:52
8Beach Baby
diritti fonografici (℗) detenuti da:
Peermusic Ltd. (BMI) (nel 1974)
registrazione di:
Beach Baby
autore:
John Carter (songwriter & producer, b. 1942) e Gillian Shakespeare (songwriter)
editore:
Image Music (Australian) e Peermusic Pty. Ltd. (Australia)
First Class4.54:52
9You Ain’t Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:31
10Judy Teen
registrazione di:
Judy Teen
paroliere e compositore:
Steve Harley
Steve Harley & Cockney Rebel3:42
11Angel Face
registrazione di:
Angel Face
paroliere:
Gerry Shephard
compositore:
John Rossall (The Glitter Band)
editore:
EMI Tunes Ltd
The Glitter Band2:59
12My Girl Bill
Jim Stafford3:13
13I Get a Little Sentimental Over You
registrazione di:
I Get a Little Sentimental Over You
autore:
Tony Macaulay e Geoff Stephens
The New Seekers2:58
14I Can’t Stand the Rain
parte di:
Cachitos Nochevieja 2022 (numero: 24) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 197)
registrazione di:
I Can’t Stand the Rain (nel 1973)
autore:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) e Ann Peebles
editore:
Irving Music, Inc. e JEC Publishing (nel 1977)
Ann Peebles4.252:31
15January
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
registrazione di:
January
orchestratore:
Andrew Powell (known for contributions to Alan Parsons Project)
paroliere e compositore:
David Paton (of Pilot)
editore:
EMI Music Publishing (do not use as a release label!) e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:32
16Three Steps to Heaven
tecnico:
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music)
produttore:
Mike Hurst (musician and record producer from London, England)
registrazione cover di:
Three Steps to Heaven
autore:
Bob Cochran e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
Belsize Music Ltd.
Showaddywaddy2:57
17Fancy Pants
Kenny3:29
18Breakaway
registrazione di:
Breakaway
autore:
Benny Gallagher e Graham Lyle
editore:
Concord Songs Ltd., Goodsingle Ltd. (publisher), Imagem Songs Ltd., Rondor Music (London) Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gallagher & Lyle3:45
3▼CD
#TitoloArtistaValutazioneDurata
1Under the Moon of Love
registrazione cover di:
Under the Moon of Love
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:13
2Car Wash
registrazione di:
Car Wash
paroliere e compositore:
Norman Whitfield
editore:
Universal/MCA Music Ltd. (not for release label use!) e USI B Music Publishing
Rose Royce4.63:18
3Rockin’ All Over the World
assistente tecnico:
Kevin Whyte
tecnico:
John Eden (producer), Barry Hammond e Simon Sullivan
produttore:
Status Quo (UK boogie rock band) e Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1977), Mercury Records Ltd. (London) (for copyrights use only) (nel 1977), Mercury Records Ltd. (UK) (nel 1977), Phonogram Ltd. (not for release label use!) (nel 1977), Phonogram Ltd. (London) (company name, NOT a label!) (nel 1977, nel 1988) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1992)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (il 1992-08-30), Studio Bohus in Kungälv Municipality (Kungälv municipality), Västra Götaland (Västra Götaland county), Svezia (il 1992-08-30) e Sutton Park in Birmingham, West Midlands, England, Regno Unito (il 1992-08-30)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
video musicali:
Rockin All Over the World di Status Quo (UK boogie rock band)
registrazione cover di:
Rockin’ All Over the World (il 1992-08-30)
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo43:37
4So You Win Again
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977) e RAK (nel 1977)
registrazione di:
So You Win Again
paroliere e compositore:
Russ Ballard
editore:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) e Universal Music–MGB Songs
Hot Chocolate4.254:25
5The Crunch
registrazione di:
The Crunch
compositore:
Richard Hewson
RAH Band33:37
6Pearl’s a Singer
registrazione cover di:
Pearl’s a Singer
autore:
Ralph Dino, Jerry Leiber, John Sembello e Mike Stoller
editore:
Sony/ATV Songs LLC
Elkie Brooks43:42
7Ever Fallen in Love (With Someone You Shouldn’t’ve)
tecnico:
Doug Bennett (producer, engineer) e Martin Rushent
produttore e tecnico di missaggio:
Martin Rushent
arrangiatore:
Buzzcocks (English punk band)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1989)
registrata presso e mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 276)
registrazione di:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
paroliere e compositore:
Pete Shelley (Buzzcocks lead singer) (nel 1977-11)
editore:
Complete Music Ltd.
Buzzcocks4.42:43
8Rat Trap
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1978)
video musicali:
Rat Trap di The Boomtown Rats
registrazione di:
Rat Trap
paroliere e compositore:
Bob Geldof
editore:
Sewer Fire Hits Ltd
The Boomtown Rats44:58
9Picture This
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Picture This (dal 1978-06 al 1978-07)
autore:
Jimmy Destri, Deborah Harry e Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc (nel 1978)
Blondie3.652:56
10The Man With the Child in His Eyes
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
produttore esecutivo:
David Gilmour (Pink Floyd)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (nel 1975-06)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
registrazione di:
The Man With the Child in His Eyes (nel 1975-06)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush3.652:41
11Baker Street
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:10
12Boogie Oogie Oogie
produttore:
Fonce Mizell e Larry Mizell
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2002)
registrazione di:
Boogie Oogie Oogie
autore:
Janice Marie Johnson (Member of "A Taste of Honey") e Perry L. Kibble
editore:
Conducive Music, Inc. e On Time Music, Inc.
A Taste of Honey2.653:41
13Now That We’ve Found Love
registrazione cover di:
Now That We Found Love
paroliere:
Heavy D. (US rapper)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Third World3:53
14Just to Be Close to You
registrazione di:
Just to Be Close to You
autore:
Lionel Richie
editore:
Jobete Music Co., Inc. (nel 1976) e Libren Music (nel 1976)
Commodores6:18
15If I Can’t Have You
produttore:
Freddie Perren
basso :
Scott Edwards (bassist)
batteria :
James Gadson (American drummer)
chitarra :
Bob Bowles
percussione :
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) e Freddie Perren
pianoforte :
Sonny Burke (soul/jazz/funk keyboardist)
sintetizzatore e tastiera :
Freddie Perren
voce di accompagnamento [additional background vocals] e voce principale:
Yvonne Elliman
voce di accompagnamento [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters e Maxine Waters
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 19) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 343)
registrazione di:
If I Can’t Have You
scritta a:
Francia
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (nel 1978) e Unichappell Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.252:58
16Haven’t Stopped Dancing Yet
registrazione cover di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez4:13
17Cool for Cats
registrazione di:
Cool for Cats
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:09
18She’s Not There
tecnico:
Paul 'Chas' Watkins (engineer) e Steve Smith (70s UK punk recording engineer)
produttore:
Nicky Garratt
batteria :
Peter Davis (UK Subs drummer)
chitarra :
Nicky Garratt e Charlie Harper
chitarra basso e voce principale:
Paul Slack
voce:
Charlie Harper e Paul Slack
registrata presso:
Alvic Studios (Kensington) in London (Greater London), England, Regno Unito e Kingsway Studios in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione cover di:
She’s Not There
paroliere e compositore:
Rod Argent
editore:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA e Parker Music
sub-editore:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
UK Subs51:40

Accreditamenti