The Singles

~ Veröffentlichung von Phil Collins (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

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1▼Digitales Medium
Nr.TitelBewertungLänge
2Two Hearts
Produzent(in):
Phil Collins (of Genesis), Lamont Dozier und Hugh Padgham
Bass:
Freddie Washington (US session bassist)
Gitarre:
Michael Landau
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
recording of:
Two Hearts
Verfasser(in):
Phil Collins (of Genesis) und Lamont Dozier
publisher:
Beau‐Di‐O‐Do Music (in 1988), Hit & Run Music (Publishing) Ltd (in 1988), Philip Collins Ltd. (in 1988) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1988)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
33:24
3Sussudio
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bass-Synthesizer [Mini Moog Bass], drum machine [DMX] und Keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
drum machine [Roland 909] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Horn [horns]:
The Phenix Horns
Horn arranger:
Tom Tom 84
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 88)
recording of:
Sussudio
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
4.354:23
4I Missed Again
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Bass:
Alphonso Johnson
Geige / Violine:
Shankar (L. Shankar)
Gitarre:
Daryl Stuermer
Posaune:
Louis Satterfield
Schlagzeug, Klavier und Synthesizer:
Phil Collins (of Genesis)
Solo-Tenorsaxophon:
Ronnie Scott (English jazz tenor saxophonist and jazz club owner)
Tenorsaxophon:
Don Myrick
Trompete:
Rahmlee Michael Davis und Michael Harris (trumpeter, member of The Phenix Horns)
vocals:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
I Missed Again (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) und Pun Music, Inc. (in 1981)
4.253:44
5Wear My Hat
assistierende(r) Techniker(in):
Simon Osborne (engineer/producer)
Techniker(in):
Hugh Padgham
Produzent(in) und Mix:
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Nathan
Gitarre [lead & rhythm guitar]:
Daryl
Gitarre [rhythm guitar]:
Ronnie (ex‐Flaming Youth, worked with Phil Collins)
Keyboard [keyboards]:
Brad (US keyboardist/woodwind player)
Schlagzeug [drums]:
P.C. (of Genesis)
vocals:
Amy, Arnold und P.C. (of Genesis)
Interpret(in):
Vine St Horns
recording of:
Wear My Hat
Texter und Komponist(in):
Phil Collins (of Genesis)
3.354:43
6Don’t Lose My Number
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Lee Sklar (bassist, session musician)
drum machine [Linn], Keyboard [keyboards], Schlagzeug und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
zusätzlich Keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Don’t Lose My Number
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
4.154:49
7You Can’t Hurry Love
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Paul Gomersall und Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Phil Collins (of Genesis)
Mix:
Robert Colby (live sound engineer & producer, notably for Phil Collins) und Paul Gomersall
Bassgitarre [bass]:
John
Gitarre [guitars]:
Daryl
Glockenspiel [glock], Klavier und Vibraphon:
Peter (Scene) Robinson (English score composer)
Schlagzeug [drums], Tamburin und Sologesang:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
Martyn (Norrie) Ford (conductor)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
cover recording of:
You Can’t Hurry Love
Verfasser(in):
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), Jobete Music (UK) Ltd. (in 1965) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
42:54
8Something Happened on the Way to Heaven
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
Nathan East
Gitarre:
Dominic Miller (guitarist) und Daryl Stuermer
Keyboard, Schlagzeug und Keyboard und Sologesang:
Phil Collins (of Genesis)
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets), Lynne Fiddmont und Marva King
Interpret(in):
The Phenix Horns
phonographisches Urheberrecht (℗) von:
Philip Collins Ltd. (in 2016)
recording of:
Something Happened on the Way to Heaven
Verfasser(in):
Phil Collins (of Genesis) und Daryl Stuermer
publisher:
Bug Music Ltd., Imagem Music, Hit & Run Music (Publishing) Ltd (in 1989) und Philip Collins Ltd. (in 1989)
4.354:52
9We Wait and We Wonder
Produzent(in):
Phil Collins (of Genesis)
Bass, Dudelsack, Gitarre, Keyboard, Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis)
recording of:
We Wait and We Wonder
Texter und Komponist(in):
Phil Collins (of Genesis)
37:00
10Can’t Stop Loving You
assistierende(r) Techniker(in):
René Weis (sound engineer)
Techniker(in):
Doug McKean und Allen Sides
Produzent(in):
Rob Cavallo
Mix:
Tom Lord‐Alge
Bass:
Paul Bushnell (session bassist, producer and music director)
Gitarre:
Tim Pierce (US session guitarist) und Daryl Stuermer
Keyboard:
Jamie Muhoberac
Sologesang:
Phil Collins (of Genesis)
vocals und Interpret(in):
Phil Collins (of Genesis)
arranger:
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
phonographisches Urheberrecht (℗) von:
Philip Collins Ltd. (in 2002)
cover recording of:
I Can’t Stop Loving You (Though I Try)
Texter und Komponist(in):
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
publisher:
G.H. Music Ltd, PRS (rights society; do not use as a release label or work publisher!) und Warner/Chappell Music Scandinavia AB
44:17
11Dance Into the Light
assistierende(r) Techniker(in):
Simon Osborne (engineer/producer)
Techniker(in):
Hugh Padgham
Produzent(in) und Mix:
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Nathan East
Gitarre [lead guitar]:
Daryl Stuermer
Gitarre [rhythm guitar]:
Ronnie Caryl (ex‐Flaming Youth, worked with Phil Collins)
Keyboard [keyboards]:
Brad Cole (US keyboardist/woodwind player)
Posaune:
Arturo Velasco
Saxophon [saxophones]:
Andrew Woolfolk
Schlagzeug [drums] und Mbira [kalimba] und Sologesang:
Phil Collins (of Genesis)
Trompete:
Harry Kim
vocals:
Amy Keys und Arnold McCuller
Interpret(in):
Vine St Horns
recording of:
Dance Into the Light
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds und Philip Collins Ltd.
44:24
12It’s in Your Eyes
recording of:
It’s in Your Eyes
Texter und Komponist(in):
Phil Collins (of Genesis)
3:02
13Hang in Long Enough
Techniker(in):
Hugh Padgham
Produzent(in) und Mix:
Phil Collins (of Genesis) und Hugh Padgham
assistierende(r) Mix:
Simon Osborne (engineer/producer)
Bassgitarre:
Nathan East
Gitarre:
Dominic Miller (guitarist) und Daryl Stuermer
Schlagzeug und Keyboard und Sologesang:
Phil Collins (of Genesis)
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets), Lynne Fiddmont und Marva King
Interpret(in):
The Phenix Horns
phonographisches Urheberrecht (℗) von:
Philip Collins Ltd. (in 2016)
recording of:
Hang In Long Enough
Texter und Komponist(in):
Phil Collins (of Genesis)
44:45
14Thru These Walls
assistierende(r) Techniker(in):
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
Bassgitarre [bass]:
Mo
Gitarre [guitars]:
Daryl
Keyboard [keys], Marimba und Schlagzeug [drums]:
Phil (of Genesis)
vocals:
Phil (of Genesis)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (vom 1982 bis heute)
recording of:
Thru These Walls
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Pun Music, Inc.
35:05
15I Wish It Would Rain Down
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
Pino Palladino
Gitarre:
Eric Clapton
Keyboard, Schlagzeug, Keyboard und Tamburin und Sologesang:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1989) und Philip Collins Ltd. (in 2016)
recording of:
I Wish It Would Rain Down
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music und Philip Collins Ltd.
3.855:29
16Both Sides of the Story
Produzent(in):
Phil Collins (of Genesis)
Bass, drum machine, Gitarre, Keyboard, Schlagzeug, Hintergrundgesang und Sologesang:
Phil Collins (of Genesis)
Instrumente:
Phil Collins (of Genesis)
recording of:
Both Sides of the Story
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds und Philip Collins Ltd.
3.56:41
17(Love Is Like a) Heatwave
assistierende(r) Techniker(in):
Thoraya Binzagr und Thierry Chaunay
Techniker(in):
Yvan Bing (engineer)
Produzent(in):
Phil Collins (of Genesis)
Mix:
Yvan Bing (engineer) und Phil Collins (of Genesis)
E-Bass:
Bob Babbitt
Gitarre:
Raymond Monette und Eddie Willis
Keyboard, Perkussion und Schlagzeug:
Phil Collins (of Genesis)
Posaune:
John Aram
Solo-baritone saxophone:
Phil Todd (UK flautist/saxophonist)
Tenorsaxophon:
Graeme Blevins
Trompete:
Guy Barker und Tom Rees‐Roberts
Hintergrundgesang:
Lynne Fiddmont und Connie Jackson
vocals:
Phil Collins (of Genesis) (von 2009 bis 2010)
mixed at:
Dinemec Studio in Gland, Vaud (Kanton Waadt), Schweiz
cover recording of:
(Love Is Like a) Heat Wave
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music und Stone Agate Music Division
32:52
2▼Digitales Medium
Nr.TitelBewertungLänge
1Going Back
assistierende(r) Techniker(in):
Thoraya Binzagr und Thierry Chaunay
Techniker(in):
Yvan Bing (engineer)
Produzent(in):
Phil Collins (of Genesis)
Mix:
Yvan Bing (engineer) und Phil Collins (of Genesis)
E-Bass:
Bob Babbitt
Fingerschnippen:
John Aram, Nicholas Collins (Phil Collins’ son) und Phil Collins (of Genesis)
Gitarre:
Eddie Willis
Keyboard, Perkussion und Schlagzeug:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis) (von 2009 bis 2010)
mixed at:
Dinemec Studio in Gland, Vaud (Kanton Waadt), Schweiz
cover recording of:
Goin’ Back
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
cover recording of:
Going Back
34:39
2In the Air Tonight
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
John Giblin (in 1980)
Geige / Violine:
Sharokav (in 1980)
Gitarre:
Daryl Stuermer (in 1980)
Rhodes Piano, drum machine, Schlagzeug, Synthesizer und Vocoder und Sologesang:
Phil Collins (of Genesis) (in 1980)
arranger:
Phil Collins (of Genesis)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 291)
recording of:
In the Air Tonight (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
4.35:36
3Against All Odds (Take a Look at Me Now)
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
3.83:26
4If Leaving Me Is Easy
assistierende(r) Techniker(in):
Nick Launay und Karen Segal (engineer)
Techniker(in):
Hugh Padgham
assistierende(r) Produzent(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis)
alto saxophone:
Don Myrick
Bass:
Alphonso Johnson
Flügelhorn:
Rahmlee Michael Davis und Michael Harris (trumpeter, member of The Phenix Horns)
Gitarre:
Eric Clapton und Daryl Stuermer
Rhodes Piano, Schlagzeug und Synthesizer und Sologesang:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
If Leaving Me Is Easy (in 1980)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) und Pun Music, Inc. (in 1981)
4.54:56
5One More Night
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
John Jacobs (UK producer/engineer) und Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 808], Keyboard [keyboards], Hintergrundgesang [backing vocals] und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Solo-Saxophon [sax]:
Don Myrick
Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
One More Night von Phil Collins (of Genesis)
recording of:
One More Night
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL und Philip Collins Ltd.
3.94:49
6Separate Lives
Produzent(in):
Arif Mardin
Gitarre:
Daryl Stuermer
Keyboard:
Nick Glennie‐Smith
Schlagzeug:
Phil Collins (of Genesis)
Sologesang:
Phil Collins (of Genesis) und Marilyn Martin
cover recording of:
Separate Lives (White Nights)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
recording of:
Separate Lives (White Nights)
Texter und Komponist(in):
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
3.54:09
7A Groovy Kind of Love
Techniker(in):
Steve Chase
Produzent(in):
Phil Collins (of Genesis) und Anne Dudley (English score composer)
Keyboard, Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
cover recording of:
A Groovy Kind of Love
Verfasser(in):
Carole Bayer Sager und Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. und Screen Gems-EMI Music (in 1966)
basiert auf:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
43:30
8That’s Just the Way It Is
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre:
Daryl Stuermer
Keyboard und Perkussion und Sologesang:
Phil Collins (of Genesis)
vocals:
David Crosby
phonographisches Urheberrecht (℗) von:
Philip Collins Ltd. (in 2016)
recording of:
That’s Just the Way It Is
Texter und Komponist(in):
Phil Collins (of Genesis)
3.755:20
15Another Day in Paradise
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre:
Leland Sklar (bassist, session musician)
Gitarre:
Dominic Miller (guitarist)
Schlagzeug und Keyboard und Sologesang:
Phil Collins (of Genesis)
vocals:
David Crosby
phonographisches Urheberrecht (℗) von:
Philip Collins Ltd. (in 2016)
recording of:
Another Day in Paradise
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (in 1989) und Philip Collins Ltd. (in 1989)
4.255:23
16Take Me Home
assistierende(r) Techniker(in):
Steve Chase
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
Bassgitarre [bass] und Violoncello piccolo [piccolo bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 909], Keyboard [keyboards], Schlagzeug und Sologesang [vocals]:
Phil Collins (of Genesis)
Gitarre [guitars]:
Daryl Stuermer
Hintergrundgesang [backing vocals]:
Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Sting (singer, songwriter & member of The Police) und Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) und Philip Collins Ltd. (in 2016)
aufgenommen bei:
Old Croft in Surrey, England, Vereinigtes Königreich und The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Take Me Home
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) und Philip Collins Ltd. (in 1984)
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