Ultimate Seventies: 1979

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Good Times
Bass:
Bernard Edwards (American bassist and record producer) (in 1979)
Gitarre:
Nile Rodgers (in 1979)
Hybrid-Piano:
Raymond Jones (in 1979)
Klavier:
Rob Sabino (in 1979)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
Sologesang:
Alfa Anderson (in 1979) und Luci Martin (in 1979)
Interpret(in):
Chic (US disco group) (in 1979)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 224)
recording of:
Good Times (in 1979)
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic53:44
2Fire
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
Texter und Komponist(in):
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:29
3We Are Family
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 444)
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
4You’re Only Lonely
recording engineer:
Lee Herschberg
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
J.D. Souther
Bassgitarre:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
Gitarre:
Danny Kortchmar (Danny Kootch), J.D. Souther und Waddy Wachtel
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Sologesang:
J.D. Souther
Interpret(in):
James Taylor (singer-songwriter and guitarist)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re Only Lonely
Texter und Komponist(in):
J.D. Souther
publisher:
EMI Blackwood Music Inc. und Ice Age Music
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
J.D. Souther53:47
5I Want You to Want Me
recording engineer:
鈴木智雄 (Tomoo Suzuki) (von 1978-04-28 bis 1978-04-30)
assistierende(r) Techniker(in):
Mike Beriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Cheap Trick und Jack Douglas
Mix:
Cheap Trick, Gary Ladinsky (engineer) und Jay Messina (in 1978)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (von 1978-04-28 bis 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1978)
live recording of:
I Want You to Want Me (von 1978-04-28 bis 1978-04-30)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick3.853:40
6Too Much Heaven
assistierende(r) Techniker(in):
John Blanche und Dennis Hetzendorfer
Techniker(in):
Karl Richardson
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Horn:
Boneroo Horns (von 1978-03 bis 1978-11), Neal Bonsanti (von 1978-03 bis 1978-11), Ken Faulk (trumpet player) (von 1978-03 bis 1978-11), Peter Graves (trombonist) (von 1978-03 bis 1978-11), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (von 1978-03 bis 1978-11), Whit Sidener (von 1978-03 bis 1978-11) und Stan Webb (US jazz saxophone, flute) (von 1978-03 bis 1978-11)
conductor:
Albhy Galuten
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1978, in 1979), Maurice Gibb (in 1978), Robin Gibb (in 1978) und Yvonne Gibb (in 1979)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1978), PolyGram International Music B.V. (not for release label use!) (in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978) und The Estate of Robin Gibb (in 1979)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1978-03 bis 1978-11)
recording of:
Too Much Heaven (von 1978-03 bis 1978-11)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell Music Ltd., Gibb Brothers Music, Music For Unicef, RSO Publishing Inc., Unichappell Music, Inc., Warner Chappell (Warner/Chappell Music, Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bee Gees3.74:57
7Don’t Bring Me Down
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bassgitarre:
Kelly Groucutt (von 1979-03 bis 1979-04)
E-Gitarre und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Hybrid-Piano und Klarinette:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Klavier und Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Chorgesang:
Kelly Groucutt (von 1979-03 bis 1979-04) und Jeff Lynne (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
Saiteninstrumente arranger und Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 215)
recording of:
Don’t Bring Me Down (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.54:05
8Ring My Bell
phonographisches Urheberrecht (℗) von:
Juana (in 1979, in 1980)
recording of:
Ring My Bell (Anita Ward song)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward4.43:32
9Reunited
Produzent(in):
Freddie Perren
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
Bearbeitung von:
Reunited von Peaches & Herb
recording of:
Reunited
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb54:01
10Bad Girls
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 409)
recording of:
Bad Girls (in 1979)
Verfasser(in):
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson und Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer53:54
11Do Ya Think I’m Sexy?
Techniker(in):
Andy Johns
Produzent(in):
Tom Dowd
Mix:
Tom Dowd und Andy Johns
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) und WEA Records B.V. (in 1978)
Musikvideos:
Da Ya Think I'm Sexy? von Rod Stewart
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 301)
recording of:
Da Ya Think I’m Sexy?
Verfasser(in):
Carmine Appice, Duane Hitchings und Rod Stewart
publisher:
Control (German electronic sub-label of edel, inactive for a time, but relaunched in 2015), EMI April Music Inc., EMI Full Keel Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Nitestalk Music, Riva Music Ltd., Warner/Chappell Music, Inc., Warner/Chappell North America, WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Version von:
Taj Mahal
Rod Stewart4.155:27
12I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:20
13Rock ’n’ Roll Fantasy
recording engineer:
Tony Patrick
Produzent(in):
Bad Company (British blues-rock supergroup)
Herausgeber:
Badco Music, Inc.
phonographisches Urheberrecht (℗) von:
Swan Song Inc. (in 1979)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Marquee Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Rock ’n’ Roll Fantasy
Texter und Komponist(in):
Paul Rodgers
publisher:
Badco Music, Inc.
Bad Company4.53:19
14Heart of Glass
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie53:26
15Tragedy
assistierende(r) Techniker(in):
John Blanche und Dennis Hetzendorfer
Techniker(in):
Karl Richardson
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Horn:
Boneroo Horns (von 1978-03 bis 1978-11), Peter Graves (trombonist) (von 1978-03 bis 1978-11), Kenny Faulk (trumpet player) (von 1978-03 bis 1978-11), Neil Bonsanti (von 1978-03 bis 1978-11), Bill Purse (songwriter, keyboard player, producer and horn chart arranger) (von 1978-03 bis 1978-11), Whit Sidener (von 1978-03 bis 1978-11) und Stan Webb (US jazz saxophone, flute) (von 1978-03 bis 1978-11)
conductor:
Albhy Galuten
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1979), Maurice Gibb (in 1979), Robin Gibb (in 1979) und Yvonne Gibb (in 1979)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1979), PolyGram International Music B.V. (not for release label use!) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1979) und The Estate of Robin Gibb (in 1979)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1978-03 bis 1978-11)
recording of:
Tragedy (von 1978-03 bis 1978-11)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Music For Unicef, R.S.O. Publishing Ltd., Stigwood Music, Inc., UNICEF (United Nations Children's Fund) und Warner/Chappell (Warner/Chappell Music, Inc.)
The Bee Gees4.25:05
16My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:01
17Promises
recording of:
Promises
Verfasser(in):
Richard Feldman und Roger Linn
publisher:
Virgin Music (Publishers) Ltd.
Eric Clapton3:01
18What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:43

Nennungen

Veröffentlichungsgruppe

Teil von:Ultimate Seventies (A Compilation of the Seventies) (Nummer: 1979) (Reihenfolge: 10)