100 Hits: 50s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

not to be confused with 100 Hits: Fabulous 50s (same label)

100 Classic Tracks Of The Decade

Matrix / Runout (Disc 1): M0053742 1 / DMG100031/A
Matrix / Runout (Disc 2): M0053743 2 / DMG100031/B
Matrix / Runout (Disc 3): M0053744 1 / DMG100031/C
Matrix / Runout (Disc 4): M0053745 1 / DMG100031/D
Matrix / Runout (Disc 5): M0053746 1 / DMG100031/E
Mastering SID Code (Discs 1, 2 and 4): IFPI L596
Mastering SID Code (Discs 3 and 5): IFPI L595
Mould SID Code (Disc 1): IFPI 1A25
Mould SID Code (Disc 2): IFPI 1A94
Mould SID Code (Disc 3): IFPI 1A19
Mould SID Code (Disc 4): IFPI 1A93
Mould SID Code (Disc 5): IFPI 1A27
Label Code: LC 13221

Annotazione modificata l'ultima volta il 2024-05-27 20:16 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Here in My Heart
registrazione di:
Here in My Heart
autore:
Bill Borrelli (writer “Here in My Heart”), Pat Genaro (Songwriter) e Lou Levinson (writer “Here in My Heart”)
editore:
Algonquin Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) e Mellin Music
Al Martino3:12
2Dreamboat
voce:
Alma Cogan
registrazione di:
Dreamboat (1955 song)
paroliere e compositore:
Jack Hoffman (U.S. songwriter/producer/label head)
Alma Cogan1:45
3Unchained Melody
registrazione cover di:
Unchained Melody
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
Jimmy Young2:34
4Too Young
produttore:
Lee Gillette
pianoforte :
Nat King Cole
voce:
Nat King Cole
direttore d'orchestra:
Ralph Carmichael
registrata presso:
Capitol Studios (New York City) in New York, New York, Stati Uniti (il 1961-03-29)
registrazione di:
Too Young (il 1961-03-29)
paroliere:
Sylvia Dee (American lyricist)
compositore:
Sidney Lippman (American songwriter)
editore:
Aria Music Co.
Nat King Cole3:23
5The Wheel of Fortune
registrata a:
Los Angeles, California, Stati Uniti (il 1952-01-17)
voce:
Kay Starr
orchestra:
Hal Mooney & His Orchestra
direttore d'orchestra:
Hal Mooney
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1952)
registrazione cover di:
Wheel of Fortune (1951 song) (il 1952-01-17)
autore:
Bennie Benjamin e George David Weiss
editore:
Carlin Music Corp.
Kay Starr3:04
6The Glow‐Worm
registrazione di:
The Glow‐Worm (Johnny Mercer version)
paroliere aggiunto:
Johnny Mercer
compositore:
Paul Lincke
traduttore:
Lilla Cayley Robinson
versione tradotta di:
Lysistrata: „Glühwürmchen, Glühwürmchen flimm're” (Glühwürmchen-Idyll)
The Mills Brothers2:39
7Wish You Were Here
registrazione di:
Wish You Were Here (1952 song from the musical “Wish You Were Here”)
paroliere e compositore:
Harold Rome
editore:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Wish You Were Here (1952 musical)
Eddie Fisher2:54
8Finger of Suspicion
registrazione di:
Finger of Suspicion
autore:
Al Lewis (Tin Pan Alley era lyricist) e Paul Mann (German/American pianist and composer)
Dickie Valentine2:51
9Mr. Sandman
The Chordettes2:24
10This Ole House
Rosemary Clooney2:23
11Don’t Let the Stars Get in Your Eyes
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1952, il 1952-11-04), The Ramblers (backup vocalists for two Perry Como singles) (nel 1952) e The Ramblers (US doo wop group, tracks "So Sad", "Come On Back") (il 1952-11-04)
orchestra:
Hugo Winterhalter and His Orchestra (nel 1952) e Hugo Winterhalter & His Orchestra (il 1952-11-04)
registrazione cover di:
Don’t Let the Stars Get in Your Eyes (il 1952-11-04)
paroliere e compositore:
Slim Willet
Perry Como4.52:40
12Cold Cold Heart
pianoforte :
John Bunch (jazz pianist)
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Cold, Cold Heart
paroliere e compositore:
Hank Williams (country music legend)
editore:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1951-02-16)
Tony Bennett2:39
13A Woman in Love
registrazione di:
A Woman in Love (1955 film "Guys and Dolls")
paroliere e compositore:
Frank Loesser
parte di:
Guys and Dolls (1955 musical film)
Frankie Laine42:21
14Sixteen Tons
batteria [drums] :
Roy Harte (drummer and Pacific Jazz founder) (il 1955-09-20)
chitarra acustica :
Bobby Gibbons (il 1955-09-20)
clarinetto :
Red Mandel (il 1955-09-20)
clarinetto basso :
Darol Rice (il 1955-09-20)
contrabbasso [bass] :
Rolly Bundock (il 1955-09-20)
schiocchi di dita e voce principale:
Tennessee Ernie Ford (il 1955-09-20)
tromba :
Charlie Parlato (il 1955-09-20)
trombone :
George Bruns (il 1955-09-20)
direttore d'orchestra:
Jack Fascinato (il 1955-09-20)
arrangiatore:
Jack Fascinato
diritti fonografici (℗) detenuti da:
Bacci Bros Records (nel 2010) e Lucky Vintage (nel 2014)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1955-09-20)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 12)
registrazione cover di:
Sixteen Tons (il 1955-09-20)
paroliere e compositore:
Merle Travis
editore:
American Music, Inc. e Campbell Connelly & Co. Ltd.
adattamenti:
16 Tons
Tennessee Ernie Ford4.652:36
15Rose Marie
registrazione di:
Rose-Marie (title song of the 1924 operetta)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) e Otto Harbach
compositore:
Rudolf Friml
editore:
Chappell & Co.
parte di:
Rose-Marie (1924 operetta-style musical)
Slim Whitman2:23
16I Went to Your Wedding
Patti Page3:15
17Just Walkin’ in the Rain
voce:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (il 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (il 1956-06-29)
registrazione cover di:
Just Walkin’ in the Rain (il 1956-06-29)
autore:
Johnny Bragg, Buddy Killen e Robert Riley
Johnnie Ray42:39
18The Garden of Eden
registrazione di:
The Garden of Eden (1956 song)
paroliere e compositore:
Dennise Norwood (Songwriter)
Frankie Vaughan2:32
19Carolina Moon
registrazione di:
Carolina Moon (1928 song)
paroliere:
Benny Davis (US vaudeville performer and songwriter)
compositore:
Joe Burke (American composer)
editore:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) e Redwood Music
Connie Francis2:33
20The Poor People of Paris
registrazione strumentale cover di:
The Poor People of Paris (English adaption of "La Goualante du pauvre Jean")
paroliere:
René Gustave Rouzaud (lyricist)
compositore:
Marguerite Monnot
traduttore:
Jack Lawrence (US songwriter)
versione di:
La Goualante du pauvre Jean
Winifred Atwell1:58
2▼CD
#TitoloArtistaValutazioneDurata
1Magic Moments
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1957-12-03) e The Ray Charles Singers (il 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (il 1957-12-03)
arrangiatore:
Joe Reisman
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958)
registrazione di:
Magic Moments (il 1957-12-03)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Music Publishing Ltd. e MCA Music Ltd.
Perry Como3.152:41
2Who’s Sorry Now?
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
registrazione di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis4.52:18
3On the Street Where You Live
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1956)
registrazione cover di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Vic Damone42:43
4The Story of My Life
registrazione cover di:
The Story of My Life
paroliere:
Hal David
compositore:
Burt Bacharach
Michael Holliday42:14
5Cherry Pink and Apple Blossom White
Pérez Prado3:03
6Love Is a Many Splendoured Thing
orchestra:
Jack Pleiss’ Orchestra
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1955)
registrazione di:
Love Is a Many‐Splendored Thing
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) e WC Music Corp.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1955 winner)
The Four Aces32:58
7Rags to Riches
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione di:
Rags to Riches (il 1953-03-17)
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
registrazione cover di:
Rags to Riches
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
Tony Bennett2:49
8Hey There
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1954-05-22)
produttore:
Al Ham e Mitch Miller
voce:
Rosemary Clooney (il 1954-05-22)
orchestra:
Buddy Cole and His Orchestra (il 1954-05-22)
arrangiatore:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
registrazione di:
Hey There (The Pajama Game) (il 1954-05-22)
paroliere e compositore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Frank Music (dal 1954 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
parte di:
The Pajama Game (musical)
Rosemary Clooney4.53:00
9Mona Lisa
produttore:
Lee Gillette
basso :
Joe Comfort (il 1950-03-11)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1950-03-11)
bonghi :
Jack Costanzo (il 1950-03-11)
chitarra :
Irving Ashby (il 1950-03-11)
pianoforte :
Buddy Cole (il 1950-03-11)
viola :
Allan Harshman (violist) (il 1950-03-11) e Dave Sterkin (il 1950-03-11)
violino :
Sam Cytron (il 1950-03-11), David Frisina (il 1950-03-11), Murray Kellner (il 1950-03-11), Mark Levant (il 1950-03-11), Dan Lube (il 1950-03-11), Lou Raderman (il 1950-03-11), Paul Shure (il 1950-03-11) e Felix Slatkin (il 1950-03-11)
violoncello :
Cy Bernard (il 1950-03-11) e Eleanor Slatkin (US cellist, b. Aller) (il 1950-03-11)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1950-03-11)
voce:
Nat King Cole (il 1950-03-11)
orchestra:
Les Baxter and His Orchestra (il 1950-03-11)
direttore d'orchestra:
Les Baxter (il 1950-03-11)
arrangiatore:
Nelson Riddle (il 1950-03-11)
registrazione cover di:
Mona Lisa (il 1950-03-11)
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Nat King Cole43:25
10I Wanna Be Loved
voce:
The Andrews Sisters
voce solista:
Patti Andrews (il 1950-03-30)
orchestra:
Gordon Jenkins & his Orchestra (il 1950-03-30)
direttore d'orchestra:
Gordon Jenkins (il 1950-05-26)
registrazione cover di:
I Wanna Be Loved
paroliere:
Edward Heyman e Billy Rose (lyricist and Broadway producer)
compositore:
Johnny Green (composer and conductor, often credited as John Green) (nel 1932)
The Andrews Sisters3:13
11Be My Love
cori:
The Jeff Alexander Chorus (nel 1950)
voce:
Mario Lanza (tenor) (nel 1950)
voce di tenore:
Mario Lanza (tenor) (nel 1950)
orchestra:
RCA Victor Orchestra e Ray Sinatra’s Orchestra (nel 1950)
direttore d'orchestra:
Ray Sinatra (nel 1950)
registrazione di:
Be My Love (nel 1950)
paroliere:
Sammy Cahn
compositore:
Nicholas Brodzsky
editore:
EMI Music Publishing (do not use as a release label!)
parte di:
The 23rd Academy Award for Best Original Song (numero: 2)
Mario Lanza3:29
12I BelieveFrankie Laine2:08
13Softly, Softly
registrazione di:
Softly Softly
paroliere:
Pierre Dudan e Paddy Roberts (singer/songwriter)
compositore:
Mark Paul (1950s song composer)
Ruby Murray2:27
14Chances Are
registrazione di:
Chances Are
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:02
15Tammy
Debbie Reynolds3:05
16It’s All in the Game
direttore d'orchestra:
Leroy Holmes
arrangiatore:
Leroy Holmes
registrazione cover di:
It’s All in the Game
paroliere:
Carl Sigman (nel 1951)
compositore:
Charles Dawes (nel 1911)
editore:
Campbell Connelly & Co. Ltd., Larry Spier Inc., Majorsongs Ltd., Memory Lane Music Ltd., Music Sales (Japan, subsidiary of Shinko Music Entertainment), Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Bros., Inc. (not for release label use!), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
si basa su:
Melody in A major (instrumental)
Tommy Edwards42:37
17Ain’t That a Shame
produttore:
Randy Wood (producer)
voce:
Pat Boone (nel 1955-05)
direttore d'orchestra:
Billy Vaughn (nel 1955-05)
arrangiatore:
Billy Vaughn
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (nel 1955-05)
registrazione cover di:
Ain’t That a Shame (nel 1955-05)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Pat Boone2:25
18Poor Little Fool
Ricky Nelson2:32
19Music! Music! Music!
registrazione cover di:
Music! Music! Music!
autore:
Bernie Baum e Stephan Weiss
Teresa Brewer2:46
20Rock and Roll Waltz
orchestra:
Hugo Winterhalter’s Orchestra and Chorus
esecutore:
Hugo Winterhalter (Hugo Winterhaller)
registrazione di:
Rock and Roll Waltz (1955 song)
paroliere:
Roy Alfred (Tin Pan Alley lyricist and composer)
compositore:
Shorty Allen (jazz musician and songwriter)
editore:
SBK United Partnership Ltd.
Kay Starr2:58
3▼CD
#TitoloArtistaValutazioneDurata
1Memories Are Made of This
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1955)
voce di accompagnamento:
The Easy Riders (nel 1955)
orchestra:
Dick Stabile and His Orchestra (nel 1955)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1955)
registrazione cover di:
Memories Are Made of This (il 1955-10-28)
autore:
Richard Dehr (nel 1955), Terry Gilkyson (nel 1955) e Frank Miller (American singer & songwriter) (nel 1955)
editore:
Montclare Music
Dean Martin52:16
2Secret Love
registrazione di:
Secret Love (song from “Calamity Jane”)
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
Chappell, Remick Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell North America e Warner Chappell North America Ltd.
sub-editore:
Universal/MCA Music Ltd. (not for release label use!) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
The 26th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1953 winner)
parte di:
Calamity Jane (stage musical)
Doris Day3:33
3Wanted
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1953-12-29)
orchestra:
Hugo Winterhalter’s Chorus and Orchestra (il 1953-12-29)
registrazione di:
Wanted
autore:
Jack Fulton (US jazz trombonist, composer & vocalist) e Lois Steele
Perry Como3:06
4Three Coins in the FountainFrank Sinatra3:03
5O mein Papa
tromba :
Eddie Calvert
orchestra:
Norrie Paramor & His Orchestra
direttore d'orchestra:
Norrie Paramor
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1953)
registrazione strumentale cover di:
O mein Papa (… war eine wunderbare Clown) (nel 1953-11)
paroliere:
Georg Schmidt
compositore:
Paul Burkhard (Swiss composer)
editore:
Peter Maurice Music Co. Ltd.
parte di:
Das Feuerwerk
registrazione di:
Oh! My Pa-Pa (English version of O mein Papa) (nel 1953-11)
compositore:
Paul Burkhard (Swiss composer)
traduttore:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
editore:
EMI Music Ltd. e Peter Maurice Music Co.
versione tradotta di:
O mein Papa (… war eine wunderbare Clown)
Eddie Calvert2:46
6Answer Me
registrazione cover di:
Answer Me, My Love
paroliere:
Fred Rauch, Carl Sigman e Gerhard Winkler
compositore:
Fred Rauch e Gerhard Winkler
traduttore:
Carl Sigman
editore:
Bourne Co. (not for release label use, this is a music publisher)
versione tradotta di:
Mütterlein
David Whitfield2:29
7Half as Much
registrata a:
New York, New York, Stati Uniti (il 1951-08-23)
produttore:
Al Ham e Mitch Miller
voce:
Rosemary Clooney (il 1951-08-23)
direttore d'orchestra:
Percy Faith (il 1951-08-23)
arrangiatore:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
registrazione cover di:
Half as Much (il 1951-08-23)
paroliere e compositore:
Curley Williams (nel 1951)
editore:
Fred Rose Music, Inc. (nel 1951) e Acuff-Rose Publications, Inc. (BMI) (il 1951-10-17)
Rosemary Clooney32:45
8Because of You
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
Percy Faith
registrazione cover di:
Because of You (il 1951-04-04)
autore:
Arthur Hammerstein e Dudley Wilkinson
editore:
Julian Stearns Arena Music, Inc
Tony Bennett42:57
9Comes‐A‐Long‐A‐Love
registrata a:
Los Angeles, California, Stati Uniti (il 1952-08-19)
voce:
Kay Starr
orchestra:
Hal Mooney & His Orchestra
direttore d'orchestra:
Hal Mooney
registrazione di:
Comes A‐Long A‐Love (il 1952-08-19)
paroliere:
Al Sherman (Tin Pan Alley songwriter)
compositore:
Al Sherman (Tin Pan Alley songwriter) (nel 1952)
Kay Starr42:24
10Cry
registrata a:
New York, New York, Stati Uniti (il 1951-10-16)
esecutore:
The Four Lads (il 1951-10-16)
registrazione cover di:
Cry (il 1951-10-16)
paroliere e compositore:
Churchill Kohlman
Johnnie Ray42:59
11The Day the Rains Came
registrazione di:
The Day the Rains Came (from the French song "Le jour où la pluie viendra")
compositore:
Gilbert Bécaud
traduttore:
Carl Sigman
versione tradotta di:
Le Jour où la pluie viendra
Jane Morgan2:57
12Tom Hark
Elias & His Zig‐Zag Jive Flutes1:56
13Yakety Yak
registrazione di:
Yakety Yak
paroliere:
Jerry Leiber
autore:
Jerry Leiber e Mike Stoller
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC
parte di:
Twins (1988)
The Coasters1:50
14Lollipop
The Mudlarks1:59
15Stupid Cupid
registrazione di:
Stupid Cupid
paroliere:
Howard Greenfield
compositore:
Neil Sedaka
Connie Francis2:12
16Big Man
The Four Preps2:20
17Singin’ the Blues
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 37)
registrazione cover di:
Singing the Blues
paroliere e compositore:
Melvin Endsley (nel 1956)
editore:
Acuff Rose Opryland Ltd. (UK) e Acuff-Rose Music Limited (UK)
Guy Mitchell2:26
18He’s Got the Whole World in His Hands
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1957)
registrazione di:
He’s Got the Whole World in His Hands (nel 1958)
paroliere e compositore:
[traditional] (special purpose artist)
editore:
Thandewye Music (publisher; do NOT use as release label)
Laurie London2:21
19Tom Dooley
The Kingston Trio3:02
20The Yellow Rose of Texas
Mitch Miller and the Gang2:59
4▼CD
#TitoloArtistaValutazioneDurata
1Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra elettrica [lead guitar] :
Danny Cedrone (il 1954-04-12)
chitarra elettrica [rhythm guitar] e voce principale:
Bill Haley (il 1954-04-12)
chitarra steel :
William F. ‘Billy’ Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
diritti fonografici (℗) detenuti da:
Sonet Music AB (nel 1954) e MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (nel 1955)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:13
2Why Do Fools Fall in Love?
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:19
3Move It
registrazione di:
Move It
compositore:
Ian Samwell
editore:
Multimood Music Ltd.
Cliff Richard2:20
4At the Hop
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors2:31
5Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
editore:
Longitude Music Co. e Powerforce Music
sub-editore:
EMI Music Publishing France e Universal Music Publishing France (not for release label use!)
The Champs4.32:12
6Hoots Mon!
registrazione di:
Hoots Mon (1958 song)
autore:
Harry Robertson (UK composer)
editore:
Southern Music Publishing Company Limited
Lord Rockingham’s XI32:14
7Get a Job
The Silhouettes2:39
8When
voce:
Kalin Twins
direttore d'orchestra:
Jack Pleis
parte di:
Billboard Hot 100: 1958-08-04 (numero: 5)
registrazione di:
When
autore:
Paul Evans (50s US rock n roll singer/songwriter) e Jack Reardon (American songwriter)
Kalin Twins32:26
9That’ll Be the Day
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly & The Crickets2:16
10Whole Lotta Woman
registrazione di:
Whole Lotta Woman
paroliere e compositore:
Marvin Rainwater
Marvin Rainwater2:36
11Great Balls of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis41:52
12Sh’Boom
registrazione cover di:
Sh‐Boom
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts2:44
13Diana
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:23
14Party Doll
registrazione di:
Party Doll
paroliere e compositore:
Buddy Knox (US country rocker, of The Rhythm Orchids)
autore:
Dave Alldred, Jimmy Bowen (producer, rockabilly musician and songwriter), Buddy Knox (US country rocker, of The Rhythm Orchids) e Don Lanier
editore:
EMI Longitude Music, Music of Stage Three e Patricia Music Publ. Corp.
Buddy Knox2:09
15Rock‐A‐Billy
registrazione di:
Rock-a-Billy
autore:
Eddie Deane e Woody Harris
Guy Mitchell2:14
16My Prayer
registrata a:
New York, New York, Stati Uniti (nel 1956-04)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1956)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 20)
registrazione cover di:
My Prayer (nel 1956-04)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
editore:
J. Albert & Son Pty. Ltd., Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Avant de mourir
The Platters42:44
17Friendly Persuasion (Thee I Love)
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (nel 1956-07)
produttore:
Randy Wood (producer)
produttore esecutivo:
Bruce Kimmel
voce:
Pat Boone (nel 1956-07)
voce principale:
Pat Boone
direttore d'orchestra:
Dimitri Tiomkin e Billy Vaughn (nel 1956-07)
arrangiatore:
Billy Vaughn
registrazione di:
Friendly Persuasion (Thee I Love) (il 1956-07-27)
paroliere:
Paul Francis Webster
compositore:
Dimitri Tiomkin
editore:
BMG Music Publishing Ltd. e Leo Feist, Inc.
parte di:
The 29th Academy Award for Best Original Song (numero: 2)
Pat Boone2:57
18Such a Night
Johnnie Ray2:14
19To Know Him Is to Love Him
The Teddy Bears2:22
20It’s Only Make Believe
registrazione di:
It’s Only Make Believe
autore:
Jack Nance (nel 1958) e Conway Twitty (nel 1958)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:14
5▼CD
#TitoloArtistaValutazioneDurata
1Volare
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (il 1958-07-14)
direttore d'orchestra:
Gus Levene (il 1958-07-14)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione di:
Volare (Nel blu dipinto di blu) (English lyrics) (il 1958-07-14)
paroliere:
Franco Migliacci e Domenico Modugno
compositore:
Domenico Modugno
traduttore:
Mitchell Parish
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Robbins Music Corp.
versione tradotta di:
Nel blu dipinto di blu (Volare)
Dean Martin42:59
2Mambo Italiano
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1954-09-23)
voce:
Rosemary Clooney (il 1954-09-23) e The Mellomen (American singing quartet) (il 1954-09-23)
orchestra:
Buddy Cole and His Orchestra (il 1954-09-23)
direttore d'orchestra:
Paul Weston (il 1954-09-23)
registrazione di:
Mambo Italiano (original english version) (il 1954-09-23)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:32
3Hot Diggity (Dog Ziggity Boom)
produttore:
Joe Carlton
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1956-02-02) e The Ray Charles Singers (il 1956-02-02)
voce di accompagnamento:
The Ray Charles Singers
orchestra:
Mitchell Ayres and His Orchestra (il 1956-02-02)
arrangiatore:
Joe Reisman
registrazione di:
Hot Diggity (Dog Ziggity Boom) (il 1956-02-02)
autore:
Al Hoffman e Dick Manning (American songwriter)
Perry Como12:22
4Whatever Will Be, Will Be (Que Sera, Sera)
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1956 winner)
Doris Day2:06
5Cara Mia
registrazione di:
Cara mia (nel 1954)
autore:
Lee Lange e Tulio Trapani
David Whitfield33:08
6No Other Love
registrazione cover di:
No Other Love
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1953)
compositore:
Richard Rodgers (composer) (dal 1952 al 1953)
versione di:
Beneath the Southern Cross (Victory at Sea)
registrazione di:
No Other Love
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1953)
compositore:
Richard Rodgers (composer) (dal 1952 al 1953)
versione di:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton3:06
7Patricia
parte di:
Billboard Hot 100: 1958-08-04 (numero: 2)
registrazione di:
Patricia
paroliere:
Bob Marcus
compositore:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Pérez Prado2:19
8Mack the Knife
registrazione cover di:
Mack the Knife (1954 Blitzstein translation)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (American composer) (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:23
9The Wayward Wind
registrazione di:
The Wayward Wind
paroliere e compositore:
Stan Lebowsky e Herb Newman
Gogi Grant22:57
10The Man From Laramie
Jimmy Young2:21
11Little Things Mean a Lot
registrazione di:
Little Things Mean a Lot
paroliere:
Edith Lindeman
compositore:
Carl Stutz
Kitty Kallen2:58
12Stranger in Paradise
registrata a:
New York, Stati Uniti (il 1953-10-13)
voce:
Tony Bennett (US jazz/standards vocalist), Tony Bennett (US jazz/standards vocalist) e The Ray Charles Singers
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (il 1953-10-13)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
Tony Bennett3:04
13I’m Walking Behind You
registrazione cover di:
I’m Walking Behind You (1953 song)
paroliere e compositore:
Billy Reid (UK orchestra leader and songwriter)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Eddie Fisher3:05
14I’ll Be Home
produttore:
Randy Wood (producer)
direttore d'orchestra:
Billy Vaughn (nel 1955-12)
arrangiatore:
Billy Vaughn
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (nel 1955-12)
registrazione cover di:
I’ll Be Home (il 1955-12-01)
autore:
Stanley Lewis (well known 60s/70s US producer/songwriter) e Ferdinand Washington (blues and rhythm and blues songwriter)
editore:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. (BMI) e Spirit One Music
Pat Boone42:59
15Young Love
registrazione di:
Young Love
autore:
Ric Cartey (US rockabilly singer and songwriter) e Carole Joyner
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Tab Hunter2:17
16You Send Me
produttore:
Robert “Bumps” Blackwell
basso :
Ted Brinson (il 1957-06-01)
batteria :
Earl Palmer (il 1957-06-01)
chitarra :
Clifton White (il 1957-06-01) e René Hall (il 1957-06-01)
voce di accompagnamento:
Charles Parlato, Alicia Adams (singer) (il 1957-06-01), Sue Allen (il 1957-06-01) e Lee Gotch (il 1957-06-01)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1957-06-01)
orchestra:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (il 1957-06-01)
direttore d'orchestra:
Glenn Osser (il 1957-06-01)
diritti fonografici (℗) detenuti da:
Keen (nel 1958)
registrata presso:
Specialty Studios in Los Angeles, California, Stati Uniti (il 1957-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 115)
registrazione di:
You Send Me (il 1957-06-01)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Sam Cooke42:43
17As I Love You
voce:
Shirley Bassey (Welsh singer)
orchestra:
Wally Stott & His Orchestra & Chorus
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1958)
registrazione di:
As I Love You (1958 song from the film "The Big Beat")
autore:
Ray Evans (American songwriter) e Jay Livingston
editore:
Larry Shayne Enterprises e Warner Chappell Music, Inc.
Shirley Bassey32:53
18True Love
voce:
Bing Crosby e Grace Kelly (US film actress)
orchestra:
MGM Studio Orchestra
direttore d'orchestra:
Johnny Green (composer and conductor, often credited as John Green)
registrazione di:
True Love (High Society) (il 1956-02-02)
paroliere e compositore:
Cole Porter (composer) (nel 1956)
editore:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
Warner Chappel Music Belgium NV
parte di:
The 29th Academy Award for Best Original Song (numero: 2)
parte di:
High Society (stage musical)
parte di:
High Society (1956 film)
Bing Crosby & Grace Kelly3:06
19Hey Joe!
registrazione cover di:
Hey Joe
paroliere:
Boudleaux Bryant
compositore:
Boudleaux Bryant (nel 1953)
Frankie Laine2:21
20Putting on the Style
Lonnie Donegan3:31

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution)
pressata da e master in vetro creato da:SNA
master in vetro creato presso:SNA (French printing and pressing plant : "Societé Nouvelle Areacem")
Discogs:https://www.discogs.com/release/11098232 [info]
ASIN:UK: B001U7FVWO [info]
Allmusic:https://www.allmusic.com/album/release/mr0002430154 [info]

Gruppo di pubblicazioni

parte di:100 Hits (UK Demon Music Group) (numero: 31) (ordine: 62)
Allmusic:https://www.allmusic.com/album/mw0001492650 [info]