The Love Album IV

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Somebody to Love
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
Bass und Bassgitarre:
John Deacon (von 1976-07 bis 1976-11)
Gitarre:
Brian May (Queen guitarist) (von 1976-07 bis 1976-11)
Schlagzeug:
Roger Taylor (Queen drummer) (von 1976-07 bis 1976-11)
Chorgesang [gospel choir]:
Brian May (Queen guitarist) (von 1976-07 bis 1976-11), Freddie Mercury (von 1976-07 bis 1976-11) und Roger Taylor (Queen drummer) (von 1976-07 bis 1976-11)
Hintergrundgesang und Sologesang:
Freddie Mercury (von 1976-07 bis 1976-11)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1976), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1976) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1976, in 2011)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (von 1976-07 bis 1976-11), The Manor in Oxfordshire, England, Vereinigtes Königreich (von 1976-07 bis 1976-11) und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1976-07 bis 1976-11)
recording of:
Somebody to Love (Queen song) (von 1976-07 bis 1976-11)
Texter, Verfasser(in) und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.44:56
2The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:08
3Two Hearts
Produzent(in):
Phil Collins (of Genesis), Lamont Dozier und Hugh Padgham
Bass:
Freddie Washington (US session bassist)
Gitarre:
Michael Landau
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
recording of:
Two Hearts
Verfasser(in):
Phil Collins (of Genesis) und Lamont Dozier
publisher:
Beau‐Di‐O‐Do Music (in 1988), Hit & Run Music (Publishing) Ltd (in 1988), Philip Collins Ltd. (in 1988) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1988)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
Phil Collins33:23
4Over My Shoulder
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1995)
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
Over My Shoulder
Verfasser(in):
Paul Carrack und Mike Rutherford
publisher:
EMI Music Publishing (do not use as a release label!), Hit & Run Music (Publishing) Ltd und Plangent Visions Music Ltd.
Mike + the Mechanics3.23:34
5Lifted
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1996)
recording of:
Lifted
Verfasser(in):
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) und Paul Tucker
publisher:
Lots of Hits Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family24:16
6Sacrifice
Assistent recording engineer:
Karl Lever
recording engineer und Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Bassgitarre:
Romeo Williams
Keyboard:
Guy Babylon, Elton John (English singer, songwriter, pianist, and composer) und Fred Mandel
Schlagzeug:
Jonathan Moffett
Hintergrundgesang:
Davey Johnstone
Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
phonographisches Urheberrecht (℗) von:
Happenstance Ltd. (record and publishing company) (in 1989)
aufgenommen bei:
Puk Recording Studios in Gjerlev, Central Denmark Region (Region Midtjylland), Dänemark
recording of:
Sacrifice
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. und Universal–Songs of PolyGram International, Inc.
Elton John2.95:04
7If You Ever
Akustikgitarre:
Paul Gendler
Gast vocals:
Gabrielle (British singer‐songwriter)
Gast-Interpret(in):
East 17 und Gabrielle (British singer‐songwriter)
Interpret(in):
Gabrielle (British singer‐songwriter)
cover recording of:
If I Ever Fall in Love (in 1996)
Verfasser(in):
Carl Martin (Former Shai member)
publisher:
MCA Music Publishing Ltd.
East 17 feat. Gabrielle2.754:12
8I Can’t Make You Love Me
Produzent(in):
George Michael
vocals:
George Michael
arranger:
George Michael
cover recording of:
I Can’t Make You Love Me
Verfasser(in):
Mike Reid (US country artist & former football player) und Allen Shamblin
publisher:
Universal Music–MGB Songs, Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Brio Blues Music (in 1991) und Hayes Street Music, Inc. (in 1991)
sub-publisher:
環球音樂出版股份有限公司 (Universal Music Publishing Co., Ltd.)
George Michael35:20
9I Only Have Eyes for You (live)
live cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Art Garfunkel3:07
10The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:02
11Words
cover recording of:
Words
geschrieben in:
London (Greater London), England, Vereinigtes Königreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) und Universal Music Careers
Boyzone4:02
12All by Myself
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
Bearbeitung von:
All by Myself von Eric Carmen
recording of:
All by Myself
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen44:27
13Follow You Follow Me
assistierende(r) Produzent(in):
Pierre Geoffroy Chateau
Produzent(in):
Genesis (English rock band) und David Hentschel
assistierende(r) Mix:
Steve Short (sound engineer & producer)
Bassgitarre und Gitarre:
Mike Rutherford (von 1977-09 bis 1977-10)
Keyboard:
Tony Banks (Genesis) (von 1977-09 bis 1977-10)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (von 1977-09 bis 1977-10)
phonographisches Urheberrecht (℗) von:
Charisma Records Ltd.
aufgenommen bei:
Relight Studio in Hilvarenbeek, Noord-Brabant (Provinz Nordbrabant), Niederlande, Kingdom of the Netherlands (von 1977-09 bis 1977-10)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Follow You Follow Me (von 1977-09 bis 1977-10)
Texter:
Mike Rutherford
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Concord Copyrights (BMI), Concord Sounds, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd., Philip Collins Ltd., Run It Music, Inc., Gelring Ltd. (publishing company associated with Genesis) (in 1978) und Hit and Run Music (in 1978)
Genesis43:58
14Is This Love
Produzent(in):
Mike Stone (producer and engineer, 1960s–80s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
produced for:
Mike Stone Enterprises
recording of:
Is This Love (Whitesnake song)
Verfasser(in):
David Coverdale und John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake34:00
15Alone
assistierende(r) Techniker(in):
Mike Christopher (engineer), Stan Katayama, Jeffrey Poe, Julian Stoll (Music engineer) und Toby Wright (producer & engineer)
Techniker(in) und Produzent(in):
Ron Nevison
Bassgitarre:
Mark Andes
Gitarre:
Howard Leese
Schlagzeug:
Denny Carmassi
Hintergrundgesang:
Howard Leese und Nancy Wilson (guitarist/singer of “Heart”)
Sologesang:
Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Musikvideos:
Alone von Heart (rock band, Ann and Nancy Wilson)
cover recording of:
Alone (I hear the ticking of the clock… I’m lying here the room’s pitch dark…)
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Sony/ATV Tunes LLC (ASCAP), Billy Steinberg Music (vom 1983 bis heute) und Denise Barry Music (vom 1983 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Heart3.653:38
16More Than This
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music44:29
17Baby I’m‐a Want You
Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Screen Gems–EMI Music Ltd.
Bread42:27
18When You’re in Love With a Beautiful Woman
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
When You’re in Love With a Beautiful Woman
Texter und Komponist(in):
Even Stevens (singer / songwriter)
publisher:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Screen Gems–EMI Music Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:55
19Saturday Night at the Movies
recording of:
Saturday Night at the Movies
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music Ltd.
The Drifters2:29
20Why Do Fools Fall in Love
Produzent(in):
Diana Ross
zusätzliche(r) Produzent(in):
Diana Ross
Bassgitarre:
Neil Jason (bassist)
E-Gitarre:
Eric Gale und Jeff Mironov
Gitarre:
Bob Kulick
Klavier:
Rob Mounsey
Perkussion:
Ralph MacDonald
Rhodes Piano:
Ray Chew
Schlagzeug:
Yogi Horton
Tenorsaxophon:
George Young (saxophonist)
vocals:
Diana Ross
arranger:
Bert DeCoteaux und Rob Mounsey
cover recording of:
Why Do Fools Fall in Love
Verfasser(in):
Morris Levy und Frankie Lymon
zusätzliche(r) Verfasser(in):
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) und Herman Santiago (singer for Frankie Lymon & The Teenagers)
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Diana Ross2:53
2▼CD
Nr.TitelKünstlerBewertungLänge
1Love Is All Around
Koproduzent(in):
Graeme Duffin
conductor:
Fiachra Trench
Saiteninstrumente arranger:
Fiachra Trench
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1994) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1994)
Musikvideos:
Love Is All Around von Wet Wet Wet
cover recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.853:57
2Don’t Speak
recording engineer:
Phil Kaffel
Produzent(in):
Matthew Wilder
Mix:
Holman und Paul Palmer (engineer)
Bassgitarre:
Tony Kanal
Cello:
Melissa Hasin
Gitarre:
Tom Dumont
Keyboard und Klavier:
Eric Stefani
Perkussion und Schlagzeug [drums]:
Adrian Young (drummer for No Doubt)
Sologesang:
Gwen Stefani
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) und Interscope Records, Inc. (not for release label use!) (in 1996)
aufgenommen bei:
York Street Studios in Auckland, Auckland (Region Auckland), North Island, Neuseeland
mixed at:
Cactus Studios in California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Speak
Verfasser(in):
Eric Stefani und Gwen Stefani
publisher:
Knock Yourself Out Music und Universal‐MCA Music Publishing (US)
No Doubt4.154:20
32 Become 1
Assistent recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
Programmierung und Produzent(in):
Richard Stannard und Matt Rowe
zusätzliche Programmierung:
Pete Davis (UK engineer, programmer, keyboards), Statik (worked with Spice Girls) und Paul Waller
zusätzliche(r) Produzent(in):
Andy Bradfield
Mix:
Andy Bradfield
Gitarre:
Greg Lester
Keyboard:
Richard Stannard und Matt Rowe
Saiteninstrumente arranger:
Craig Armstrong (Scottish score composer)
concertmaster:
Isobel Griffiths und Perry Montague‐Mason (violinist)
recording of:
2 Become 1
Verfasser(in):
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe und Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. und Windswept Pacific Music Ltd.
Spice Girls4.53:58
4As Long as You Love Me
assistierende(r) Techniker(in):
Tommie Hicks Jr.
Techniker(in):
Joe Smith (US recording/mixing engineer)
Produzent(in):
Kristian Lundin und Max Martin (Swedish record producer)
Gitarre:
Esbjörn Öhrwall
Sologesang:
Nick Carter (US pop singer & Backstreet Boy) und Brian Littrell (from the Backstreet Boys)
vocals:
Howie Dorough (from the Backstreet Boys), AJ McLean (US singer, songwriter, actor, dancer & model) und Kevin Richardson (from the Backstreet Boys)
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
Bearbeitung von:
As Long as You Love Me (album version) von Backstreet Boys
Musikvideos:
As Long as You Love Me von Backstreet Boys
recording of:
As Long as You Love Me
Verfasser(in):
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., GV-MXM, Imagem London Ltd., Zomba Enterprises, Inc. und Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.253:31
5The Day We Find Love
9114:07
6I Wanna Be the Only One (Boskat main mix)
Gast vocals:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
recording of:
I Wanna Be the Only One
Texter:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
Komponist(in):
Rhett Lawrence und BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
publisher:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. und Rhettrhyme Music
Eternal feat. BeBe Winans4:31
7If You Love Me
phonographisches Urheberrecht (℗) von:
MJJ Music (vom 1994 bis heute)
Bearbeitung von:
If You Love Me von Brownstone (US female R&B group)
recording of:
If You Love Me
Texter:
Gordon Chambers (American singer-songwriter, and producer) und Nichole Gilbert
Komponist(in):
Dave "Jam" Hall (producer a.k.a. Jam)
publisher:
Brown Girl Music, Orisha Music, Paisley Park, Stone Jam Publishing Inc., The Night Rainbow Music (publisher) und WC Music Corp.
Brownstone53:41
8Give Me a Little More Time
recording of:
Give Me a Little More Time (in 1996)
Verfasser(in):
Andrew Dean, Ben Barson, Louise Gabrielle Bobb (British singer‐songwriter) und Ben Wolff
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Perfect Songs (UK publisher, affiliated with BMI), PolyGram Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Workin an a Steamin Music Ltd, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Gabrielle2.53:59
9You Might Need Somebody
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Bass:
Abraham Laboriel
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Dean Parks (American session guitarist)
Horn:
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) und Larry Williams (trumpet, flugelhorn, French horn)
Keyboard:
Leon Pendarvis
Perkussion:
Lenny Castro
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas und Phyllis St. James
Horn arranger:
Bill Reichenbach, Jr. (jazz trombonist)
Saiteninstrumente arranger:
Nick de Caro
cover recording of:
You Might Need Somebody
Komponist(in):
Nan O’Byrne (American songwriter and composer) und Tom Snow (US keyboardist/songwriter)
Randy Crawford4:14
10Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.654:04
11Never Too Much
recording engineer und Mix:
Michael H. Brauer (engineer)
assistierende(r) Techniker(in):
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) und Don Wershba (engineer)
Techniker(in):
Carl Beatty (engineer)
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Luther Vandross
Bass:
Marcus Miller (jazz musician)
Conga:
Bashiri Johnson
Gitarre:
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
Horn [horns] und Saiteninstrumente:
Paul Riser
Keyboard [keyboards]:
Nat Adderley, Jr.
Perkussion:
Crusher Bennett
Schlagzeug:
Buddy Williams (drummer)
Hintergrundgesang [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis und Sybil Thomas
Hintergrundgesang [male backup vocals] und Sologesang:
Luther Vandross
arranger:
Nat Adderley, Jr. und Paul Riser
vocals arranger:
Luther Vandross
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten
Musikvideos:
Never Too Much von Luther Vandross
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 468) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 466)
recording of:
Never Too Much
Texter und Komponist(in):
Luther Vandross
publisher:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. und Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:49
12I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:31
13Wherever I Lay My Hat (That’s My Home)
Produzent(in):
Laurie Latham
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Wherever I Lay My Hat (That’s My Home)
Verfasser(in):
Marvin Gaye, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd.
Parodieversion von:
Wherever I Lay
Paul Young54:10
14Suddenly
Produzent(in):
Keith Diamond
Mix:
Keith Diamond und Bryan “Chuck” New (Engineer/ Producer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1984) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Suddenly
Verfasser(in):
Keith Diamond und Billy Ocean
publisher:
Musicpiece Publ., Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean43:51
15Anything for You
recording of:
Anything for You
Texter und Komponist(in):
Gloria M. Estefan
Gloria Estefan3:41
16Wonderful Tonight
Damage4:09
17Everything
recording of:
Everything
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
zusätzliche(r) Verfasser(in):
Thom Bell (keyboards, songwriter, producer), James Brown (The Godfather of Soul), Hachidai Nakamura, Linda Epstein, Rokusuke Ei, John Starks und Fred Wesley
publisher:
Beechwood Music Corp., Dynatone Publishing Co., Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Mary J. Blige44:00
18Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:42
19Moon River
vocals:
Danny Williams
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Danny Williams3.52:35

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