100 Essential Hits – 80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.954:07
2The Look of Love (Part 1)
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
3Breakout
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 72)
registrazione di:
Breakout (nel 1986)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) e Virgin 10 Music Ltd.
Swing Out Sister3.83:36
4My Ever Changing Moods (album version)
produttore:
Paul Weller (English singer‐songwriter and musician) e Peter Wilson (UK Producer)
esecutore:
Mick Talbot (dal 1983-10 al 1984-01) e Paul Weller (English singer‐songwriter and musician) (dal 1983-10 al 1984-01)
registrata in aggiunta presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (dal 1983-10 al 1984-01)
registrata presso:
Solid Bond Studio in London (Greater London), England, Regno Unito (dal 1983-10 al 1984-01)
registrazione di:
My Ever Changing Moods (dal 1983-10 al 1984-01)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
The Style Council43:37
5Running in the Family (single version)
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
registrazione di:
Running in the Family
autore:
Wally Badarou, Phil Gould e Mark King (bass guitarist and vocalist)
Level 423.43:56
6I Think We’re Alone Now (album version)
tecnico di registrazione aggiunto:
John Kerns (US engineer)
programmazione degli strumenti:
John Duarte
tecnico:
Bill Smith (US recording engineer)
produttore:
George E. Tobin
chitarra :
Chuck Yamek
sintetizzatore :
John Duarte
voce di accompagnamento e voce principale:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin e Bill Smith (US recording engineer)
arrangiatore:
John Duarte
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1987)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 7) (numero: 7)
registrazione cover di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tiffany3.83:47
7Drop the Pilot (album version)
assistente tecnico:
Niko Bolas
tecnico e produttore:
Val Garay
basso :
Bryan Garofalo
batteria :
Craig Krampf
chitarra :
Joan Armatrading, Craig Hull e Tim Pierce (US session guitarist)
percussione :
M. L. Benoit
tastiera :
Steve Goldstein
voce:
Joan Armatrading
diritti fonografici (℗) detenuti da:
A&M Records (nel 1983) e A&M Records, Ltd. (nel 1983)
registrazione di:
Drop the Pilot
compositore:
Joan Armatrading
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. e Polygram Music
Joan Armatrading43:35
8Steppin’ Out (album version)
tecnico:
Michael Ewasko
co-produttore e co-tecnico di missaggio:
Joe Jackson (English musician) e David Kershenbaum
voce principale:
Joe Jackson (English musician)
arrangiatore:
Joe Jackson (English musician)
registrata presso:
Blue Rock Studio in New York, New York, Stati Uniti (dal 1982-03 al 1982-06)
registrazione di:
Steppin’ Out
dedicata a:
New York, New York, Stati Uniti
paroliere e compositore:
Joe Jackson (English musician)
editore:
Albion Music
Joe Jackson4.54:16
9Being With You (single version)
assistente tecnico:
Richie Griffin
tecnico:
Howard Lee Wolen e Mark Wolfson
produttore:
George Tobin
tecnico di missaggio:
Mike Piccirillo (songwriter and producer) e George Tobin
arrangiatore:
George Tobin
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1981)
registrata presso e mixata presso:
Studio Sound Recorders in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Being With You
paroliere e compositore:
Smokey Robinson
editore:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e Primary Wave Robinson
Smokey Robinson3.254:06
10My Old Piano (album version)
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980) e Motown Records (not for label use; use “Motown” instead) (nel 1980)
registrazione di:
My Old Piano
paroliere e compositore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Chic Music, Inc.
Diana Ross3:55
11Let’s Go Dancin’ (edit)
registrazione di:
Ooh, La, La (Let’s Go Dancin’)
autore:
Clifford Adams (trombonist in Kool & the Gang), Amir Bayyan, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), Eumir Deodato, James Warren Taylor (US R&B vocalist for Kool & the Gang), Robert Spike Mickens, Michael Ray (American jazz trumpeter born in 1962), Robert Bell e Claydes Smith
Kool & the Gang3:30
12I Don’t Believe You Want to Get Up and Dance (Oops Up Side Your Head) (album edit)
registrazione di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
The Gap Band4:48
13Let It All Blow (single version)
registrazione di:
Let It All Blow
autore:
Robert Harris (saxophonist, producer and songwriter) e Keith Harrison (US funk keyboardist/vocalist for Heatwave/Dazz Band)
Dazz Band23:58
14A Night to Remember (UK single version)Shalamar3.53:30
15Mama Used to Say
registrazione di:
Mama Used to Say
autore:
Bob Carter (keyboardist for Linx) e Junior Giscombe (Norman Washington Giscombe, Jr.)
Junior3:35
16Say Hello, Wave Goodbye (7″ single version)
tecnico:
Don Wershba (engineer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
registrata presso:
Camden Cell Studios
registrazione di:
Say Hello, Wave Goodbye
paroliere:
Marc Almond (English pop singer and songwriter)
compositore:
Dave Ball (UK electronic musician, part of Soft Cell)
editore:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e WB Music Corp. (1929–2019)
Soft Cell55:24
17Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:54
18Change Your Mind
voce di accompagnamento:
Linda Taylor (UK pop, disco, funk singer)
registrazione di:
Change Your Mind
Sharpe & Numan54:01
19I Got You
tecnico e produttore:
David Tickle
basso :
Nigel Griggs
batteria :
Malcolm Green (UK/Australian drummer)
chitarra :
Neil Finn
percussione :
Noel Crombie
tastiera :
Tim Finn e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
voce:
Neil Finn e Tim Finn
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1980) e Mushroom Records (nel 2006)
registrazione di:
I Got You
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music (Mushroom label’s publishing company)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 11)
Split Enz3.53:24
20The Plastic Age
registrazione di:
Living in the Plastic Age
autore:
Geoff Downes (English keyboardist) e Trevor Horn
editore:
Ackee Music, Inc., Island Music Ltd., Unforgettable Songs Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.655:10
2▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Sweet Little Mystery (album version)
chitarra :
Graeme Duffin
video musicali:
Sweet Little Mystery di Wet Wet Wet
registrazione di:
Sweet Little Mystery
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
Wet Wet Wet3.653:41
2Hold On to My Love
registrazione di:
Hold On (to My Love)
autore:
Robin Gibb e Blue Weaver
Jimmy Ruffin3:33
3Addicted to Love (remix)Robert Palmer4:23
4Can I Get a Witness
produttore:
Pete Smith (UK producer)
remixer:
Peter Brown (UK bassist, member of Salad)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione cover di:
Can I Get a Witness
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
Sam Brown3:01
5Reward
produttore:
Clive Langer e Alan Winstanley (English record producer)
registrazione di:
Reward
compositore:
Julian Cope e Alan Gill
The Teardrop Explodes4.52:41
6Nightshift (album version)Commodores4.355:05
7Labelled With LoveSqueeze3.54:30
8Start! (album version)
tecnico:
George Chambers (engineer a/k/a George “Chappie” Chambers) e Alan Douglas (Scottish born engineer)
produttore:
Vic Coppersmith‐Heaven e The Jam (late 70s/early 80s UK punk/mod revival band)
batteria :
Rick Buckler (il 1980-06-19)
chitarra e voce principale:
Paul Weller (English singer‐songwriter and musician) (il 1980-06-19)
chitarra basso :
Bruce Foxton (il 1980-06-19)
voce:
Bruce Foxton (il 1980-06-19)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (il 1980-06-19)
campionamenti:
Taxman (original stereo studio mix) di The Beatles (UK rock band, “The Fab Four”)
registrazione di:
Start! (il 1980-06-19)
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
editore:
BMG Music Publishing Ltd., Stylist Music Ltd. e And Son Music Ltd. (dal 1980 a oggi)
The Jam3.352:29
9Happy Hour
tecnico:
Phil Bodger (engineer)
produttore:
John Williams (English A&R executive, producer, songwriter...)
batteria :
Hugh Whitaker (nel 1986)
chimes :
P.d. Heaton (nel 1986)
chitarra :
Stan Cullimore (nel 1986)
chitarra basso :
Norman Cook (nel 1986)
voce di accompagnamento:
Norman Cook (nel 1986), Stan Cullimore (nel 1986), P.d. Heaton (nel 1986) e Hugh Whitaker (nel 1986)
voce principale:
Paul Heaton (nel 1986)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!)
registrata presso:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito (nel 1986)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Happy Hour (nel 1986)
paroliere:
Paul Heaton
compositore:
Stan Cullimore
editore:
Go! Discs Music (publisher)
The Housemartins4.52:22
10Jackie Wilson Said (I’m in Heaven When You Smile)
registrazione cover di:
Jackie Wilson Said (I’m in Heaven When You Smile)
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music, Chappell Music (UK), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America e WB Music Corp. (1929–2019)
Dexys Midnight Runners & Kevin Rowland3:06
11There’s a Guy Works Down the Chip Shop Swears He’s Elvis
produttore:
Bazza
tecnico di missaggio:
Bazza e Kirsty MacColl
è stato produttore per:
Loose End Productions
registrazione di:
There’s a Guy Works Down the Chip Shop Swears He’s Elvis
autore:
Kirsty MacColl e Philip Rambow
editore:
Blackhill Music Ltd. e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Kirsty MacColl43:06
12Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:47
13Iron Fist
tecnico:
Charles Harrowell (dal 1982-01-26 al 1982-01-28)
co-produttore:
Eddie Clarke (Motörhead guitarist) (dal 1982-01-26 al 1982-01-28)
produttore:
Will Reid-Dick (dal 1982-01-26 al 1982-01-28)
basso elettrico e voce principale:
Ian Fraser Kilmister (“Lemmy” from Motörhead) (dal 1982-01-26 al 1982-01-28)
batteria :
Phil “Philthy Animal” Taylor (former Motörhead drummer) (dal 1982-01-26 al 1982-01-28)
chitarra elettrica :
Eddie Clarke (Motörhead guitarist) (dal 1982-01-26 al 1982-01-28)
registrata presso:
Ramport Studios in Battersea, Wandsworth, London (Greater London), England, Regno Unito (dal 1982-01-26 al 1982-01-28)
video musicali:
Iron Fist di Motörhead
registrazione di:
Iron Fist (dal 1982-01-26 al 1982-01-28)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
Motörhead3.352:51
14The Riddle (album version)
assistente tecnico:
Dave Meegan (producer)
tecnico:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Peter Collins (producer)
voce principale:
Nik Kershaw
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1984) e MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1984, nel 1985)
video musicali:
The Riddle di Nik Kershaw
registrazione di:
The Riddle
paroliere e compositore:
Nik Kershaw
editore:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. e Rondor Musikverlag GmbH
Nik Kershaw3.253:52
15Baby I Don’t Care
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1989)
registrazione di:
Baby I Don’t Care (Transvision Vamp)
paroliere e compositore:
Nick Christian Sayer
editore:
Notting Hill Music (publisher)
Transvision Vamp4:27
16Obsession
registrazione cover di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
registrazione di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
Animotion3.353:54
17Excitable (Soca mix)
Amazulu3:27
18Can’t Get by Without You (Second Decade mix)The Real Thing3:20
19Cherish (12″ version)
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang55:38
20Crush on You (album version)
registrazione di:
Crush on You
paroliere e compositore:
Jerry Knight e Aaron Zigman (American score composer)
editore:
Rondor Musikverlag
The Jets4:32
3▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Ace of Spades
produttore:
Vic Maile (dal 1980-08-04 al 1980-09-15)
basso elettrico e voce principale:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
batteria :
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (dal 1980-08-04 al 1980-09-15)
chitarra elettrica :
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1980) e Universal Music (plain logo: “Universal Music”) (nel 1980)
registrata presso:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Regno Unito (dal 1980-08-04 al 1980-09-15)
video musicali:
Ace of Spades di Motörhead
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 33), TV Cream: Real 100 Best Singles Ever (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 442)
registrazione di:
Ace of Spades (dal 1980-08-04 al 1980-09-15)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
editore:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:46
2Burning Bridges (On and Off and on Again) (single edit)
produttore:
Pip Williams (producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (UK) (nel 1988)
registrazione di:
Burning Bridges (On and Off and On Again)
autore:
Andy Bown e Francis Rossi
editore:
Birchwood Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Pub. Ltd. (PRS‐affiliated) e Partnus EMI Birchwood
si basa su:
Darby Kelly
Status Quo23:50
3All Night Long (album version)
tecnico di registrazione:
Leigh Mantle (nel 1979-04) e Dr. Michael Palmer (engineer) (nel 1979-04)
tecnico:
Gary Edwards (producer, engineer)
produttore:
Roger Glover
batteria :
Cozy Powell (nel 1979-04)
chitarra :
Ritchie Blackmore (nel 1979-04)
chitarra basso :
Roger Glover (nel 1979-04)
tastiera :
Don Airey (nel 1979-04)
voce principale:
Graham Bonnet (British rock vocalist) (nel 1979-04)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1979)
registrata presso:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes (Alvernia-Rodano-Alpi), Francia (nel 1979-04) e Maison Rouge Mobile Studio (nel 1979-04)
registrazione di:
All Night Long (nel 1979-04)
autore:
Ritchie Blackmore e Roger Glover
editore:
Blackmore Music e Thames Talent Publishing Ltd.
Rainbow43:51
4Wasteland
produttore:
The Mission (The Mission U.K., gothic rock band) e Tim Palmer (British producer/mixer)
registrazione di:
Wasteland (dal 1986-08 al 1986-09)
paroliere:
Wayne Hussey
compositore:
Craig Adams (bass player for Sisters of Mercy/The Mission), Mick Brown (British drummer of the gothic rock band The Mission), Simon Hinkler e Wayne Hussey
The Mission55:40
5You Keep It All In
programmazione degli strumenti aggiuntiva:
Mel Wesson
tecnico:
Ian Grimble e Dave Meegan (producer)
produttore:
Mike Hedges (UK producer/recording engineer)
batteria :
David Stead
chitarra :
Dave Rotheray
chitarra basso :
Sean Welch
flauto e sassofono :
Gary Barnacle
flicorno soprano e tromba :
John Thirkell (British trumpet and flugelhorn player)
percussione :
Martin Ditcham
tastiera :
Mel Wesson
tastiera e pianoforte :
Pete Wingfield (keyboardist, singer, producer, songwriter)
trombone :
Peter Thoms (trombone)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1989)
registrazione di:
You Keep It All In
paroliere:
Paul Heaton
compositore:
Paul Heaton e Dave Rotheray
editore:
Island Music Ltd.
The Beautiful South3.352:52
6Look Away
tecnico:
Will Gosling
produttore:
Robin Millar
tecnico di missaggio:
Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
voce:
Stuart Adamson
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986)
video musicali:
Look Away di Big Country
registrazione di:
Look Away
paroliere e compositore:
Stuart Adamson
editore:
Big Country Music Ltd. e Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1986)
Big Country3.54:23
7Speak Like a Child
produttore:
Paul Weller (English singer‐songwriter and musician) e Peter Wilson (UK Producer)
chitarra e voce principale:
Paul Weller (English singer‐songwriter and musician)
membranofono :
Zeke Manyika
tastiera :
Mick Talbot
voce di accompagnamento:
Tracie Young (80s UK pop singer Tracie Young)
registrata presso:
Studio de la Grande Armée in Paris, Île-de-France, Francia
registrazione di:
Speak Like a Child
paroliere e compositore:
Paul Weller (English singer‐songwriter and musician)
The Style Council23:16
8Surrender
produttore:
Paul Staveley O’Duffy
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1987) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1987)
registrazione di:
Surrender (nel 1987)
autore:
Andy Connell (nel 1986), Corinne Drewery (nel 1986) e Martin Jackson (nel 1986)
editore:
10 Music Ltd., EMI Virgin Music Publishers, EMI Virgin Music Publishing Italy S.r.l., Handle Music Ltd. e Virgin 10 Music Ltd.
Swing Out Sister43:55
9Stop (edit)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione di:
Stop
autore:
Bruce Brody, Sam Brown (UK singer/songwriter) e Gregg Sutton
editore:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) e WayBlue Ltd. (publisher)
Sam Brown43:57
10Shout (U.S. single version)
produttore:
Chris Hughes (producer, aka “Merrick”)
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1984) e Mercury Records Ltd. (not for release label use!) (nel 2014)
registrazione di:
Shout (nel 1984)
autore:
Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. e Virgin Music (Publishers) Ltd.
Tears for Fears3.754:50
11The Sun Goes Down (Living It Up) (7″ mix)
registrazione di:
The Sun Goes Down (Living It Up)
autore:
Wally Badarou, Phil Gould, Mark King (bass guitarist and vocalist) e Mike Lindup
Level 423:43
12The Medicine Song (album version)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1984)
registrazione di:
The Medicine Song
paroliere e compositore:
David James Wolinski
editore:
Overdue Music e WB Music Corp. (1929–2019)
Stephanie Mills4:52
13Breakin’… Theres No Stopping Us
registrazione di:
Breakin’… There’s No Stopping Us
compositore:
Ollie E. Brown (US drummer, session musician & record producer) e Jerry Knight
Ollie & Jerry4:32
14Ain’t Nothin’ Goin’ On but the Rent
registrazione di:
Ain’t Nothin’ Goin’ On but the Rent
paroliere e compositore:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:27
15Behind the Groove (single version)
registrazione di:
Behind the Groove
autore:
Richard James Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Teena Marie Brockhert
Teena Marie34:00
16White Lines (Don’t Do It)
produttore:
J. Chase e Sylvia Robinson
tecnico di missaggio:
Shameek
edit di:
White Lines (Don’t Do It) di Grandmaster & Melle Mel (Melvin Glover aka Melle Mel)
registrazione di:
White Lines (Don’t Don’t Do It)
autore:
Melvin Glover (Melvin Glover aka Melle Mel) e Sylvia Robinson
editore:
Four Hills Music Ltd e IQ Music Ltd.
si basa su:
Cavern
Grandmaster Flash & Melle Mel34:27
17Boops (Here to Go) (edit)
registrazione di:
Boops (Here to Go)
compositore:
Bootsy Collins (US funk musician & songwriter), Lowell “Sly” Dunbar, Bill Laswell (US bass guitarist and record producer), Robert “Robbie” Shakespeare e Shinehead
Sly & Robbie3:37
18Girlie Girlie
registrazione di:
Girlie Girlie
editore:
Lloyd Douglas ("Girlie Girlie") e Steve Golding
autore:
Anthony Davis, Lloyd Douglas ("Girlie Girlie") e Steve Golding
editore:
Sangie Davis Music
Sophia George3:03
19Give a Little Love
Aswad4:13
20You’re Everything to Me
Boris Gardiner3:40
4▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Somebody’s Watching Me (single version)
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5)
voce ospite:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 20)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:51
2Trapped (edit)
registrazione di:
Trapped
autore:
Don Abrams e Marston Freeman (songwriter)
editore:
Moonwalk Music (publisher)
Colonel Abrams3:40
3All of My Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
voce principale:
Martin Fry
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
The Downloader’s Music Source Book (numero: 80)
registrazione di:
All of My Heart
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., EMI 10 Music Ltd., Neutron Music e Virgin Music (Publishers) Ltd.
parte di:
Mantrap (ABC long-form film)
ABC55:16
4Stuck on You (album version)
produttore:
James Anthony Carmichael e Lionel Richie
arrangiatore archi [string] e arrangiatore ottoni [horn] :
James Anthony Carmichael
arrangiatore:
James Anthony Carmichael e Lionel Richie
arrangiatore voci:
Lionel Richie
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1983)
registrazione di:
Stuck on You
paroliere e compositore:
Lionel Richie
editore:
Brockman Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:10
5Do That to Me One More Time (single version)
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (nel 1979)
registrazione di:
Do That to Me One More Time
paroliere e compositore:
Toni Tennille
editore:
Fujipacific Music, Inc. e Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille4.653:49
6Missing You
produttore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist) e Paul Hardiman
registrazione di:
Missing You
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd.
Chris de Burgh34:07
7You Can’t Hide (Your Love From Me)
tecnico:
Godwin Logie e Stephen Street (famous producer, songwriter)
produttore:
David Joseph (British keyboardist, singer, songwriter & producer) e Godwin Logie
arrangiatore:
David Joseph (British keyboardist, singer, songwriter & producer)
registrata presso e mixata presso:
The Sound Clinic in Chiswick, Hounslow, London (Greater London), England, Regno Unito (dal 1983-06 al 1983-07)
registrazione di:
You Can't Hide (Your Love From Me)
paroliere e compositore:
David Joseph (British keyboardist, singer, songwriter & producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
David Joseph3:30
8And the Birds Were Singing (… Et les oiseaux chantaient) (instrumental)
Alain Morisod & Sweet People2:54
9Calling Your Name
registrazione di:
Calling Your Name
compositore:
Paul Caplin e Marilyn (British pop singer)
Marilyn3:56
10All Night Long
registrazione di:
All Night Long
paroliere e compositore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Mary Jane Girls4.55:32
11Teardrops (7″ edit)
produttore:
Chris Blackwell (Island Records), Lee Hamblin e The Gypsy Wave Power Co.
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1988)
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack33:51
12It’s a Love ThingThe Whispers3:47
13Celebration (single version)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1980)
registrazione di:
Celebration
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) e Earl Toon, Jr.
editore:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1980) e WB Music Corp. (1929–2019) (nel 1980)
Kool & the Gang4.43:37
14Rhythm of the Night (album version)
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1985), Motown Records (not for label use; use “Motown” instead) (nel 1985, nel 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
video musicali:
Rhythm of the Night di DeBarge
registrazione di:
Rhythm of the Night
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Edition Sunset Publishing Ltd. e Realsongs
DeBarge3.63:48
15Can’t Get by Without You (Second Decade mix)The Real Thing3:19
16Goodbye Stranger
Pepsi & Shirlie3:33
17I’m in Love With a German Film Star
produttore:
Peter Wilson (UK Producer)
basso :
David Agar
batteria :
Richard Williams (UK drummer for The Passions)
chitarra :
Barbara Gogan e Clive Timperley
voce:
Barbara Gogan e Clive Timperley
registrazione di:
I’m in Love With a German Film Star
paroliere:
Barbara Gogan
compositore:
David Agar, Clive Timperley, David Wardill e Richard Williams (UK drummer for The Passions)
editore:
America Eaton
The Passions43:58
18Under Your ThumbGodley & Creme3:41
19With a Little Help From My Friends
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Wet Wet Wet2:29
20The Honeythief
produttore:
Gary Langan
produttore aggiunto:
Hipsway e Paul Staveley O’Duffy
batteria :
Harry Travers
chitarra :
Pim Jones
chitarra basso :
Johnny McElhone
voce:
Grahame Skinner
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986)
registrazione di:
The Honeythief
autore:
Ali MacLeod, Johnny McElhone, Grahame Skinner e Harry Travers
editore:
EMI 10 Music
Hipsway53:11
5▼Supporto digitale
#TitoloArtistaValutazioneDurata
1World Shut Your Mouth (edit)
registrazione di:
World Shut Your Mouth
paroliere e compositore:
Julian Cope
Julian Cope3:03
2Eighth Day
produttore:
Tony Visconti
voce:
Hazel O’Connor
arrangiatore:
Tony Visconti
registrata presso e mixata presso:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Eighth Day
paroliere, autore e compositore:
Hazel O’Connor
Hazel O’Connor3:10
3Bedsitter (album version)
tecnico:
Don Wershba (engineer)
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
registrata presso:
Camden Cell Studios
registrazione di:
Bedsitter
paroliere:
Marc Almond (English pop singer and songwriter)
compositore:
Dave Ball (UK electronic musician, part of Soft Cell)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Soft Cell3.53:36
4Soul Train
registrazione di:
Soul Train
Swans Way3:13
5Caravan of Love
tecnico:
Phil Bodger (engineer)
produttore:
John Williams (English A&R executive, producer, songwriter...)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1986, nel 1987)
registrazione cover di:
Caravan of Love
autore:
Ernie Isley, Marvin Isley e Chris Jasper
editore:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:39
6Harvest for the World
produttore:
S. & M. Young (Martyn Young & Steven Young)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1988)
video musicali:
Harvest for the World di The Christians
registrazione cover di:
Harvest for the World
autore:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley e Chris Jasper
editore:
Bovina Music Inc., EMI April Music Inc. e EMI Songs Ltd.
The Christians3:54
7Higher Love (single version)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1986)
registrazione di:
Higher Love
autore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America e Willin' David Music
Steve Winwood4:15
8The Spirit of Radio (album version)
tecnico di registrazione:
Paul Northfield
produttore:
Terry Brown (producer) e Rush (Canadian rock trio)
assistente tecnico di missaggio:
Steve S. Hort (engineer), Geddy Lee, Craig Milliner (engineer) e Adam Moseley
tecnico di missaggio:
Terry Brown (producer)
albero di campanelle , batteria , campane a vento , campane tubolari , campane tubolari [orchestra bells] , crotali , timbales , timpani [tympani] e triangolo :
Neil Peart (dal 1979-09 al 1979-10)
basso a pedali [Taurus pedal synthesizer] , chitarra basso , minimoog e sintetizzatore [Oberheim polyphonic: OB-1] :
Geddy Lee (dal 1979-09 al 1979-10)
basso a pedali [Taurus pedals] , chitarra a 12 corde [12-string acoustic guitar] , chitarra a 12 corde [12-string electric guitar] , chitarra acustica e chitarra elettrica :
Alex Lifeson (dal 1979-09 al 1979-10)
voce:
Geddy Lee (dal 1979-09 al 1979-10)
arrangiatore:
Terry Brown (producer) e Rush (Canadian rock trio)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1980), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (dal 1979-09 al 1979-10)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1979-11)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 88)
registrazione di:
The Spirit of Radio (dal 1979-09 al 1979-10)
paroliere:
Neil Peart
compositore:
Geddy Lee e Alex Lifeson
editore:
Core Music Publishing e Anthem Core Music Publishing (SOCAN‐affiliated) (dal 1980 a oggi)
Rush4.24:56
9Marguerita Time
tecnico:
Steve Churchyard e Tim Summerhayes
produttore:
Status Quo (UK boogie rock band)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983), Mercury Records Ltd. (UK) (nel 1983) e Phonogram Ltd. (not for release label use!) (nel 1983)
registrazione di:
Marguerita Time
autore:
Bernard John Frost e Francis Rossi
editore:
Birchwood Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) e Partnus
Status Quo3:20
10Wot
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
Wot!
paroliere e compositore:
Raymond Ian Burns
editore:
Rock Music Co., Ltd.
Captain Sensible35:38
11The Lover in Me
assistente tecnico:
Andy "Opie" Batwinas (incarico: mixing), Don Sullivan (engineer), Toni Greene (engineer) e Fred Howard (engineer)
tecnico:
Jon Gass e Jon Gass (incarico: mixing)
produttore:
L.A. & Babyface (US R&B songwriting/production duo)
tecnico di missaggio:
Babyface (R&B musician Kenny Edmonds) e L.A. Reid
batteria [drums] e percussione :
L.A. Reid
sassofono solista :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
tastiera [keyboards] :
Babyface (R&B musician Kenny Edmonds) e Kayo (Kevin Roberson)
voce di accompagnamento:
Babyface (R&B musician Kenny Edmonds), Sheena Easton, Daryl Simmons e Karyn White
è stato produttore per:
La'Face, Inc. (production company)
registrata presso:
Elumba Recording Studio in Hollywood, Los Angeles, California, Stati Uniti e Galaxy Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Sound (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
remixata presso:
Elumba Recording Studio in Hollywood, Los Angeles, California, Stati Uniti
versioni strumentali:
The Lover in Me (instrumental) di Sheena Easton, The Lover in Me (instrumental) di Sheena Easton e The Lover in Me (instrumental) di Sheena Easton
registrazione di:
The Lover in Me
autore:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) e Daryl Simmons
editore:
Green Skirt Music (publisher), Hip Trip Music (publisher) e Kear Music (publisher)
Sheena Easton5:02
12Midas Touch
registrazione di:
Midas Touch
autore:
Boaz McWade Watson (American singer-songwriter, producer, keyboardist) e June Williams Kerenhappuch
editore:
Epic Solar Songs Inc. (conclusa), Calloco Music, Inc., Midstar Music, Inc., Songs of Lastrada (BMI-affiliated) e Sony/ATV Music Publishing (UK) Ltd.
Midnight Star43:54
13Eloise (single version)
tecnico e produttore:
Jon Kelly (engineer at Air London Studios)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 1985), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
The Damned3.55:08
14Killer on the Loose (album version)
produttore:
Thin Lizzy (Irish hard rock band) e Kit Woolven
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Snowy White (guitarist)
chitarra basso :
Phil Lynott
voce:
Phil Lynott
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1980)
registrazione di:
Killer on the Loose
paroliere e compositore:
Phil Lynott
Thin Lizzy3.753:53
15Dead Giveaway
registrazione di:
Dead Giveaway
autore:
Marquis Dair (“Hami”), Joey Gallo (songwriter, producer and keyboardist) e Leon Sylvers
Shalamar3:30
16Treat Her Like a Lady (single version)
registrazione di:
Treat Her Like a Lady
compositore:
Otis Williams (US baritone singer, member of The Temptations & The Distants) e Ali Ollie Woodson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. e Tall Temptations Music
The Temptations34:15
17Tossing & Turning
Windjammer3:59
18My One Temptation (album version)
registrazione di:
My One Temptation
autore:
Michael Leeson, Peter Vale (writer/arranger) e Miles Waters (songwriter)
editore:
Abacus Publishing e Chappell Music Co. Inc.
Mica Paris4:31
19Respect Yourself
batteria :
Marty Fera
chitarra :
Danny Grenier e Duane Sciacqua
chitarra basso :
Dave Chamberlain (Guitarist and bassist)
sassofono :
Chris Mostert
tastiera :
Steve Thoma
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1986, nel 1987)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 38)
registrazione cover di:
Respect Yourself
paroliere e compositore:
Luther Ingram e Sir Mack Rice
editore:
Irving Music (BMI) (nel 1988) e Klondike Enterprises (publisher) (nel 1988)
Bruce Willis43:51
20(Do) The Hucklebuck
registrazione cover di:
The Hucklebuck
paroliere:
Roy Alfred (Tin Pan Alley lyricist and composer)
autore aggiunto:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
compositore:
Andy Gibson (trumpet, arranger, composer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal/MCA Music Publishing Pty Ltd
Coast to Coast2:33

Accreditamenti