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1▼CD
#TitoloArtistaValutazioneDurata
1Against All Odds (Take a Look at Me Now)
tecnico:
Jeremy Smith (producer/engineer) e Lewis Hahn
produttore:
Arif Mardin
batteria e voce principale:
Phil Collins (of Genesis)
tastiera :
Rob Mounsey
direttore d'orchestra:
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1999)
registrazione di:
Against All Odds (Take a Look at Me Now)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1984), Golden Torch Music Corp. (nel 1984) e Hit & Run Music (Publishing) Ltd (nel 1984)
sub-editore:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Phil Collins3.83:24
2Tell It Like It Is
batteria :
Terry Silverlight (classic fusion artist)
chitarra :
Paul Pesco e Ira Siegel
chitarra basso , organo Hammond e pianoforte :
Keith Diamond
corno solista e sassofono :
Danny Wilensky
tromba :
Chris Botti
trombone :
Michael Davis (US jazz trombonist)
voce di accompagnamento:
Janice Dempsey, Cindy Mizelle, B.J. Nelson (backing singer) e Audrey Wheeler
voce principale:
Don Johnson (US actor, Miami Vice)
arrangiatore ottoni [horns] :
Danny Wilensky
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrazione cover di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Don Johnson24:30
3Missing You
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite4:19
4Cherish
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang4:17
5I Want to Now What Love Is
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner4:26
6Jeanny, Part 1
produttore:
Ferdi Bolland e Rob Bolland
video musicali:
Jeanny di Falco (Austrian pop & rock musician)
registrazione di:
Jeanny (nel 1985)
paroliere:
Ferdi Bolland, Rob Bolland e Johann Hölzel (Austrian pop & rock musician)
compositore:
Ferdi Bolland e Rob Bolland
editore:
Amfinold BV, Bolland Music, Edition Falkenhorst, Ferdi Bolland Songs, Nada Bolland Music e Nada Music (Dutch publisher)
Falco4.655:54
7Just Around the Corner
produttore:
Don Gehman
registrazione di:
Just Around the Corner
paroliere e compositore:
Peter Kingsbery
editore:
Edwin Ellis Music (publisher) e Nurk Twins Music (publisher)
Cock Robin3.654:12
8Hands to Heaven
registrazione di:
Hands to Heaven
autore:
David Glasper (Singer - Performer, author & lyricist) e Marcus Lillington
editore:
Virgin Music (Publishers) Ltd. (nel 1988)
Breathe4:14
9Miss You Like Crazy
produttore:
Michael Masser
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1991)
registrazione di:
Miss You Like Crazy
autore:
Preston Glass, Gerry Goffin e Michael Masser
editore:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) e Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:53
10Don’t Wanna Lose You
programmazione:
Jorge Casas e Clay Ostwald
assistente tecnico aggiunto:
Mauricio Guerrero (Chilean drummer) e Greg Laney
tecnico:
Eric Schilling
produttore:
Jorge Casas, Emilio Estefan, Jr. e Clay Ostwald
tecnico di missaggio:
Humberto Gatica
chitarra acustica :
Jorge Casas
chitarra elettrica :
Michael Thompson (session guitarist)
voce:
Gloria Estefan
voce di accompagnamento:
Jon Secada
voce principale:
Gloria Estefan
arrangiatore:
Jorge Casas, Gloria Estefan e Clay Ostwald
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989)
registrazione di:
Don’t Wanna Lose You
paroliere e compositore:
Gloria Estefan
editore:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), EMI Songs Ltd., Foreign Imported Productions & Publishing, Inc. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Gloria Estefan3.654:04
11Licence to Kill
produttore:
Walter Afanasieff e Narada Michael Walden
voce:
Gladys Knight (soul and r&b music singer-songwriter)
arrangiatore:
Walter Afanasieff e Narada Michael Walden
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1989)
registrazione di:
Licence to Kill
autore:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) e SBK Songs Ltd. (nel 1989)
parte di:
James Bond themes
cita la musica di:
Goldfinger
Gladys Knight3.355:14
12Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
13When I See Your Smile
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989)
registrazione di:
When I See You Smile
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal/MCA Music Ltd. (not for release label use!)
Bad English4:18
14Listen to Your Heart
registrazione di:
Listen to Your Heart (Roxette song)
paroliere:
Per Gessle (Swedish singer and guitarist)
compositore:
Per Gessle (Swedish singer and guitarist) e Mats Arne Persson (“M.P.”)
editore:
Jimmy Fun Music
Roxette4:52
15You
programmazione:
Niels Hermes
tecnico:
Michiel Hoogeboezem
produttore:
Niels Hermes e Michiel Hoogeboezem
strumenti:
Niels Hermes
voce:
Marcel Kapteijn
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1991)
registrata presso:
Spitsbergen in Zuidbroek, Groningen, Paesi Bassi, Kingdom of the Netherlands e Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
You (Ten Sharp song)
paroliere:
Ton Groen
compositore:
Niels Hermes
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
Ten Sharp44:25
16Sometimes Love Just Ain’t Enough
esecutore:
Don Henley
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1992)
registrazione di:
Sometimes Love Just Ain’t Enough
autore:
Glen Burtnik e Patty Smyth
editore:
BMG Music Publishing Ltd., EMI Blackwood Music Inc., EMI Songs Ltd., Hampstead Heath Music Publishing Ltd., Pink Smoke Music, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Patty Smyth and Don Henley44:26
2▼CD
#TitoloArtistaValutazioneDurata
1Big in Japan
registrazione di:
Big in Japan
paroliere:
Marian Gold
compositore:
Marian Gold, Lloyd Bernhard e Frank Mertens (German synthpop keyboardist Frank Sorgatz)
editore:
Rolf Budde Musikverlag (aka Budde Music)
Alphaville3:54
2To Be or Not to Be
registrazione di:
To Be or Not to Be (The Hitler Rap)
autore:
Mel Brooks e Pete Wingfield (keyboardist, singer, producer, songwriter)
Mel Brooks5:00
3Self Control
produttore:
Robbie Buchanan (Canadian producer) e Jack White (German producer Horst Nußbaum)
produttore esecutivo:
Jack White (German producer Horst Nußbaum)
arrangiatore:
Robbie Buchanan (Canadian producer) e Harold Faltermeier
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
video musicali:
Self Control di Laura Branigan
registrazione cover di:
Self Control (nel 1984)
paroliere:
Steve Piccolo
autore aggiunto:
Harro Steffen
compositore:
Giancarlo Bigazzi e Raffaele Riefoli (Italian pop singer)
editore:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) e Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.24:04
4Caribbean Queen (No More Love on the Run)
produttore:
Keith Diamond
tecnico di missaggio:
Nigel Green (engineer)
diritti fonografici (℗) detenuti da:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (nel 1984)
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean4.154:03
5Living in a Box
registrazione di:
Living in a Box
paroliere e compositore:
Steve Piggott e Marcus Vere
editore:
Brampton Music International, Brampton Music Ltd. (publisher) e Empire Music Ltd.
Living in a Box3:03
6Somebody’s Watching Me
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5)
voce ospite:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 20)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:46
7We Don’t Have to Take Our Clothes OffJermaine Stewart44:01
8Buffalo Stance
registrazione di:
Buffalo Stance
autore:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) e Phil Ramacon (soul/R&B/reggae songwriter)
editore:
April Music Ltd., BMG VM Music Ltd. e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Songs France (27, rue de Berri) e Warner Chappell Music France
si basa su:
Looking Good Diving With The Wild Bunch
Neneh Cherry4:40
9Teardrops
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack4:57
10This Time I Know It’s for Real
registrazione di:
This Time I Know It's for Real
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) e Pete Waterman
Donna Summer3.353:35
11Oops Upside Your Head
produttore:
Lonnie Simmons (producer, songwriter)
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1980)
è stato produttore per:
Total Experience Productions
registrazione di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
registrazione cover di:
I Don’t Believe You Want to Get Up and Dance (Oops!)
autore:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) e Ronnie Wilson (Gap Band member)
editore:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (nel 1979) e Total Experience Music (publisher) (nel 1979)
The Gap Band3:27
12Dub Be Good to Me
produttore:
Norman Cook
voce:
Lindy Layton
registrazione di:
Dub Be Good to Me
compositore:
Norman Cook, James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
versione di:
Just Be Good to Me
Beats International2.754:02
13Gypsy Woman (She’s Homeless)
tecnico:
Jay Steinhour
produttore e tecnico di missaggio:
The Basement Boys (house music production team)
produttore esecutivo:
Bruce Carbone
batteria e percussione :
The Basement Boys (house music production team)
organo e tastiera :
Neal Conway
arrangiatore archi :
Neal Conway
arrangiatore:
The Basement Boys (house music production team)
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1991)
registrata presso e mixata presso:
The Basement Boys Studio in Baltimore, Maryland, Stati Uniti
registrazione di:
Gypsy Woman (She’s Homeless) (a.k.a. “Gypsy Woman (la da dee la da da)”)
autore:
Neal Conway e Crystal Waters
editore:
Basement Boys Music e BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Crystal Waters3.63:46
14Everybody’s Free (to Feel Good)Rozalla3:32
15Rhythm Is a Dancer
produttore:
Benito Benites, John “Virgo” Garrett III e Snap! (Eurodance)
diritti fonografici (℗) detenuti da:
Ariola (German label, used worldwide in the past) (nel 1992) e Logic Records (Germany) (nel 1992)
registrazione di:
Rhythm Is a Dancer
autore:
Thea Austin, Benito Benites, Butler e John “Virgo” Garrett III
si basa su:
Automan
Snap!3.853:43
16We All Need Love (US radio edit mix)
registrazione di:
We All Need Love
compositore:
Domenic Troiano
Double You3:46
17More & More (single version)
produttore:
Cyborg (German trance producer Michael Baur)
diritti fonografici (℗) detenuti da:
Dance Music Production (nel 1992)
registrata presso:
DMP Studios in Stamford, Connecticut, Stati Uniti
prodotta presso:
DMP in Stamford, Connecticut, Stati Uniti
registrazione di:
More and More
paroliere:
Nosie Katzmann e Tony Dawson-Harrison
compositore:
Nosie Katzmann, Oliver Reinecke e Giora Schein
editore:
Edition "Get Into Magic", ICM (German publisher) e Warner Chappell
Captain Hollywood Project4:11
18Got to Get It (radio mix)
registrazione di:
Got to Get It
paroliere:
Nosie Katzmann e Jay Supreme
compositore:
Torsten Fenslau (German dance producer), Nosie Katzmann e Peter Zweier
Culture Beat3:40
19The Key: The SecretUrban Cookie Collective3:42

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