Now That’s What I Call Music! 102

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
17 Rings
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2019)
Bearbeitung von:
7 rings (explicit) von Ariana Grande
recording of:
7 rings
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Verfasser(in):
Charles Anderson (hip-hop producer, writer aka Charles Anderson), Ariana Grande, Kimberly Krysiuk (Kimberly Anne Krysiuk), Michael Foster (R&B and pop producer and songwriter), Victoria Monét, Njomza Vitia, Tayla Parx und Tommy Brown (US producer, songwriter and rapper Tommy Brown)
Komponist(in):
Richard Rodgers (composer)
publisher:
Avex Music Publishing (Avex Music Publishing Inc.), District 4-12, GrandAriMusic, OWSLA, Taylor Monet Music, Universal Music Group Corp., Victoria Monet Music Publishing und Warner Chappell
basiert auf:
My Favorite Things (The Sound of Music)
Ariana Grande42:59
2Sweet but Psycho
Produzent(in):
Cirkut
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Interpret(in):
Ava Max
phonographisches Urheberrecht (℗) von:
Cirkut (in 2018)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 23) und BILLIONS CLUB
recording of:
Sweet but Psycho
Verfasser(in):
Amanda Ava Koci, Andreas Andersen Haukeland, Henry Walter, Madison Love und William Lobban Bean
Ava Max3.253:07
3Nothing Breaks Like a Heart
recording engineer:
Beatriz Artola, Joshua Blair, Riccardo Damian (recording engineer), Martin Hollis, Barry McCready und Todd Monfalcone
assistierende(r) Techniker(in):
Tyler Beans (engineer), Rob Bisel, John Hanes (audio engineer, mixer), Rowan McIntosh (engineer), Dylan Neustadter und Josh Tyrrell
Koproduzent(in):
The Picard Brothers
Produzent(in):
Jamie XX (English DJ, record producer, and remixer) und Mark Ronson (British DJ and producer)
Mix:
Serban Ghenea
Bass und Klavier:
Mark Ronson (British DJ and producer)
Bratsche / Viola:
Nick Barr (viola player), Reiad Chibah (violist), Virginia Slater (violist) und Katie Wilkinson (violist)
Cello:
Katie Burke, Dave Daniels (cellist), Katherine Jenkinson (cellist) und Jo Knight (cellist)
Geige / Violine:
Daniel Bhattacharya, Fiona Brice, Chris Clad, Francis Grime, Marianne Haynes (violinist), Ian Humphries (violinist), Kirsty Mangan, Perry Montague‐Mason (violinist), Charles Mutter (British violinist), Amandla Stenberg, Chris Tombling (violinist), Matthew Ward (violinist), Honor Watson (violinist), Debbie Widdup (violinist) und Paul Willey (violinist)
Gitarre:
Thomas Brenneck
Kontrabass:
Roger Linley (double bassist)
Schlagzeug:
Conor Szymanski
conductor:
Chris Elliott (composer and arranger)
arranger:
Chris Elliott (composer and arranger)
phonographisches Urheberrecht (℗) von:
Mark Ronson (British DJ and producer) (in 2018)
Teil von:
TheNeedleDrop: Top 50 Singles of 2018 (Nummer: 32), Spotify: Top Hits of 2019 (Nummer: 34) und BILLIONS CLUB
recording of:
Nothing Breaks Like a Heart
Verfasser(in):
Thomas Brenneck, Miley Cyrus, Ilsey (US | pop singer), Clément Picard, Maxime Picard, Mark Ronson (British DJ and producer) und Conor Szymanski
Mark Ronson feat. Miley Cyrus3.93:37
4Giant
Techniker(in):
Calvin Harris (Scottish DJ and producer)
vocals:
Rag’n’Bone Man
Teil von:
Spotify: Top Hits of 2019 (Nummer: 74)
recording of:
Giant (in 2019)
Verfasser(in):
Jamie Hartman (pop songwriter and producer), Rory Graham, Troy Miller (british drummer, producer, songwriter) und Adam Wiles
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Reservoir Reverb Music Ltd., TSJ Merlyn Licensing B.V. und Warner/Chappell Music Ltd. (1996–2019)
Calvin Harris & Rag’n’Bone Man3.63:51
5Walk Me Home
recording engineer und Mix:
Simon Gooding
Programmierung und Produzent(in):
Kyle Moorman und Peter Thomas (US songwriter, producer and instrumentalist)
E-Gitarre, Perkussion, Schlagzeug, Synthesizer und Hintergrundgesang:
Kyle Moorman und Peter Thomas (US songwriter, producer and instrumentalist)
Sologesang:
P!nk (American singer/songwriter)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2019)
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 48) und Billboard Year-End Hot 100 singles of 2019 (Nummer: 99)
recording of:
Walk Me Home
Verfasser(in):
Alecia Moore (American singer/songwriter), Nathaniel Ruess und Scott Friedman (Shawn Mendes collaborator)
P!nk3.32:56
6Dancing With a Stranger
recording engineer:
Mikkel S. Eriksen und Thomas Warren
Programmierung:
Mikkel S. Eriksen und Tor Hermansen
leitende(r) Produzent(in):
Tim Blacksmith (of Tim & Danny Music) und Danny D (of Tim & Danny Music)
Produzent(in):
Jimmy Napes und StarGate (Norwegian production/songwriting team)
Mix:
Kevin “KD” Davis (US producer/engineer “KD” Davis)
Gitarre [guitar overdubbing]:
Ben Jones (UK session multi-instrumentalist)
Instrumente:
Mikkel S. Eriksen und Tor Hermansen
vocals:
Normani Hamilton (American singer, formerly of Fifth Harmony) und Sam Smith (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2019)
executive produced for:
Tim & Danny Music LLC
produced for:
45th & 3rd Music LLC
aufgenommen bei:
The Stellar House in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Pacifique Studios (Burbank) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 14) und Spotify: Top Hits of 2019 (Nummer: 16)
recording of:
Dancing With a Stranger
Verfasser(in):
James Napier, Mikkel S. Eriksen, Normani Hamilton (American singer, formerly of Fifth Harmony), Sam Smith (English singer‐songwriter) und Tor Hermansen
publisher:
Downtown Music Publishing, EMI April Music Inc., Sony/ATV Music Publishing Ltd und Stellar Songs
Sam Smith & Normani3.552:52
7Just You and I
Programmierung und Mix:
Mark Ralph
Produzent(in):
Jonathan Quarmby (English record producer) und Mark Ralph
Gitarre:
Mark Ralph und Tom Walker (British singer‐songwriter from Manchester via Glasgow)
Klavier und Synthesizer [synthesizers]:
Mark Ralph
vocals:
Tom Walker (British singer‐songwriter from Manchester via Glasgow)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Club Ralph in London (Greater London), England, Vereinigtes Königreich
Teil von:
Spotify: Top Hits of 2019 (Nummer: 46)
recording of:
Just You and I
Verfasser(in):
Tom Walker (British singer‐songwriter from Manchester via Glasgow)
Tom Walker32:55
8Sucker
drum machine-Programmierung, zusätzliche Programmierung und leitende(r) Produzent(in):
Ryan Tedder (American singer, songwriter, and producer)
Techniker(in):
Ben Baptie und Rich Rich (engineer)
Koproduzent(in):
Frank Dukes (Canadian record producer, songwriter, musician)
Produzent(in):
Ryan Tedder (American singer, songwriter, and producer)
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Akustikgitarre, Trillerpfeife und Hintergrundgesang:
Ryan Tedder (American singer, songwriter, and producer)
Bass:
Louis Bell (American producer, engineer, and songwriter) und Ryan Tedder (American singer, songwriter, and producer)
E-Gitarre:
Frank Dukes (Canadian record producer, songwriter, musician)
Gitarre:
Andrew DeRoberts
Schlagzeug:
Homer Steinweiss
phonographisches Urheberrecht (℗) von:
Jonas Brothers Recording, Limited Liability Company (in 2019)
aufgenommen bei:
St. Regis Hotel (Toronto) in Toronto, Ontario, Kanada
zusätzlich aufgenommen bei:
Patriot Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 10) und Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2020)
recording of:
Sucker
Verfasser(in):
Mustafa Ahmed, Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician), Joe Jonas (of the Jonas Brothers), Kevin Jonas, Nick Jonas, Homer Steinweiss und Ryan Tedder (American singer, songwriter, and producer)
zusätzliche(r) Verfasser(in):
Carl Rosen (songwriter)
publisher:
Downtown Global Two, EMI April Music Inc., Joseph Jonas Publishing, NJJ Publishing o/b/o Nick Jonas, Paul Kevin Jonas II Publishing, PKJ Publishing, LLC, Songs of Universal, Inc. (BMI), Sony/ATV und Write Me a Song Publishing
Jonas Brothers4.453:01
9Pretty Shining People
Programmierung:
Cam Blackwood und Matthew Racher (drummer)
Techniker(in):
Liam Thorne
Produzent(in):
Cam Blackwood
assistierende(r) Mix:
Joel Davies (engineer) und Charles Haydon Hicks
Mix:
Dan Grech‐Marguerat
Bassgitarre [bass], Gitarre und Keyboard:
Cam Blackwood und George Ezra
Klavier und Synthesizer [synths]:
Cam Blackwood
Perkussion:
Cam Blackwood, Matthew Racher (drummer) und Liam Thorne
Schlagzeug [drums]:
Matthew Racher (drummer)
Sologesang:
George Ezra
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
aufgenommen bei:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, Vereinigtes Königreich
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
recording of:
Pretty Shining People
Texter und Komponist(in):
George Ezra
George Ezra23:35
10Empty Space
recording of:
Empty Space
Verfasser(in):
James Arthur (British winner of X Factor), Richard Boardman, Pablo Bowman und Nick Gale (producer Nick Gale)
James Arthur2.653:31
11Grace
Produzent(in):
Nick Atkinson (member of Rooster) und Edd Holloway (producer and songwriter)
Mix:
Edd Holloway (producer and songwriter)
Teil von:
Spotify: Top Hits of 2019 (Nummer: 22)
recording of:
Grace
Verfasser(in):
Nick Atkinson (member of Rooster), Lewis Capaldi (singer-songwriter) und Edd Holloway (producer and songwriter)
Lewis Capaldi32:59
12Goodbye
recording of:
Goodbye
Verfasser(in):
Art Beatz, Jason Derulo, Franck Peterson, Curtis Gray, David Guetta, J MI SISSOKO, JVZEL, Kinda Ingrosso, Nicki Minaj, DJ Paulito (Paul Charly Cuba Cubas), Phil Greiss, Lucio Quarantotto, David Saint Fleur, Francesco Sartori, Vodka (producer) und Willy William (French DJ, producer & singer)
Jason Derulo x David Guetta feat. Nicki Minaj3:14
13Think About Us
recording of:
Think About Us (remix version with Ty Dolla $ign)
Verfasser(in):
Kamille (Camille Purcell, British singer-songwriter and record producer), Frank Nobel, Linus Nordstrom und Ty Dolla $ign
Revision von:
Think About Us
Little Mix feat. Ty Dolla $ign43:54
14Here With Me
Techniker(in):
Brandon Buttner
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon) und Marshmello
Gitarre:
Iain Cook
vocals:
Lauren Mayberry
phonographisches Urheberrecht (℗) von:
Joytime Collective (in 2019)
Teil von:
Spotify: Top Hits of 2019 (Nummer: 31)
recording of:
Here With Me
Verfasser(in):
Iain Cook, Steve Mac (British pop producer/songwriter Steve McCutcheon), Marshmello, Martin Doherty und Lauren Mayberry
Marshmello feat. CHVRCHES4.12:37
15Please Me
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2019) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2019)
recording of:
Please Me
Verfasser(in):
Belcalis Almanzar (American rapper), James Fauntleroy, Jeremy Reeves, Jonathan Yip, Bruno Mars (US singer), Ray Charles McCullough II und Ray Romulus
publisher:
Charm n Hammer Music, MNRK Publishing USA, Ownership Is an Illusion, Reservoir Media Music, Songs of Influence, Sony/ATV Allegro, Sony/ATV Songs LLC, Sounds by the Beach, Sumphu, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Washpoppin, Inc. und WC Music Corp.
Cardi B & Bruno Mars43:20
16Talk
recording engineer:
Denis Kosiak
assistierende(r) Techniker(in):
Michael Sebastian Romero
Techniker(in):
Ingmar Carlson, Josh Deguzman und John Kercy
Produzent(in):
Disclosure (UK electronic duo Guy & Howard Lawrence)
zusätzliche(r) Produzent(in):
Denis Kosiak
Mix:
Jon Castelli (mix engineer), Denis Kosiak und Guy Lawrence (Disclosure)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2019) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2020)
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 8), Grammy Award: Record of the Year nominees (Nummer: 2020) und Spotify: Top Hits of 2019 (Nummer: 42)
recording of:
Talk
Verfasser(in):
Khalid Robinson (American R&B singer‐songwriter), Guy Lawrence (Disclosure) und Howard Lawrence (Disclosure)
Khalid3.53:18
17Don’t Call Me Up
Techniker(in):
Dan Pursey (UK engineer) und Chris Laws (engineer, keyboardist & songwriter)
Produzent(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistierende(r) Mix:
Michael Freeman (US engineer, works with Mark Stent)
Mix:
Mark “Spike” Stent (producer, engineer)
Gitarre:
Tim Laws
Keyboard [keyboards]:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
Schlagzeug [drums]:
Chris Laws (engineer, keyboardist & songwriter)
Hintergrundgesang:
Camille Purcell (British singer-songwriter and record producer)
vocals:
Mabel (British-Swedish singer)
phonographisches Urheberrecht (℗) von:
Mabel McVey (British-Swedish singer) (in 2019)
aufgenommen bei:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
mixed at:
The Mixsuite LA in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Spotify: Top Hits of 2019 (Nummer: 36)
recording of:
Don’t Call Me Up
Verfasser(in):
Camille Purcell (British singer-songwriter and record producer), Mabel McVey (British-Swedish singer) und Steve Mac (British pop producer/songwriter Steve McCutcheon)
Mabel42:59
181999
recording engineer:
Peter Karlsson (Sologesang [vocals]) und Noah Passovoy (Sologesang [vocals])
Programmierung:
Oscar Holter
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Oscar Holter, Oscar Holter (Aufgabe: vocal) und Peter Karlsson (Aufgabe: vocal)
Mix:
Serban Ghenea
Bassgitarre [bass], Gitarre und Keyboard [keys]:
Oscar Holter
Sologesang:
Charli xcx
zusätzlich vocals:
Troye Sivan
phonographisches Urheberrecht (℗) von:
Asylum Records UK (company credits only; do not use as release label!) (in 2018) und Warner Music UK Limited (a division of Warner Music UK Limited) (in 2018)
aufgenommen bei:
Henson Studios (former A&M Studios) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
1999 von Charli XCX (Charli xcx) & Troye Sivan
Teil von:
TheNeedleDrop: Top 50 Singles of 2018 (Nummer: 26)
recording of:
1999
Verfasser(in):
Noonie Bao, Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Charlotte Aitchison (Charli xcx), Oscar Holter und Troye Sivan
publisher:
EMI April Music Inc.
Charli XCX & Troye Sivan3.853:09
19Don’t Feel Like Crying
Teil von:
Spotify: Top Hits of 2019 (Nummer: 48)
recording of:
Don’t Feel Like Crying
Verfasser(in):
Oscar Holter, Sigrid Solbakk Raabe (Norwegian singer) und Emily Warren
Sigrid32:34
20Breathe
phonographisches Urheberrecht (℗) von:
Pryda Presents (in 2018)
recording of:
Breathe
Verfasser(in):
Christopher Costigan (UK house/techno DJ & producer), Jemma Victoria Cooke, Michael Di Scala und Dave Whelan (of “Whelan & Di Scala”)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Kobalt Music Ltd. und Sony/ATV
CamelPhat x Cristoph feat. Jem Cooke43:15
21Play
phonographisches Urheberrecht (℗) von:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2022)
recording of:
Play
Verfasser(in):
Olly Alexander, Mark Ralph, Timucin Aluo (GB | electronic) und Uzoechi Emenike
Jax Jones and Years & Years43:08
22365
Techniker(in):
Ryan Shanahan
Produzent(in):
Cutfather, PhD (Danish production duo Peter Wallevik & Daniel Davidsen) und Zedd (Russian‐German producer)
Mix:
Zedd (Russian‐German producer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2019)
recording of:
365
Verfasser(in):
Caroline Ailin, Anton Zaslavski (Russian‐German producer), Daniel Davidsen, Mich Hansen, Katy Perry, Corey Sanders und Peter Wallevik
publisher:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Cutfather Publishing Limited, Kobalt Music Services Ltd. (UK), Spirit B Unique (publisher; do NOT use as release label), Universal Music Corp. (USA, affiliated with ASCAP), Wallevik Music AB, Waterfall Music AS, When I’m Rich You’ll Be My Bitch und Zedd Music Empire
Zedd & Katy Perry3.253:02
23Ruin My Life
recording engineer:
Hampus Lindvall
sonstige Unterstützung:
David “Dsilb” Silberstein (Aufgabe: coordinator), Gregg “G” Golterman (Aufgabe: coordinator), Jeremy “Jboogs” Levin (Aufgabe: coordinator) und Christian “CJ” Johnson (Aufgabe: coordinator)
Programmierung und Produzent(in):
Jackson Foote (songwriter, producer) und The Monsters & Strangerz
Mix:
Tony Maserati (engineer / mixer)
Klavier:
Michael Pollack (songwriter)
Hintergrundgesang:
Brittany Amaradio
vocals:
Zara Larsson
phonographisches Urheberrecht (℗) von:
Record Company TEN (in 2018)
Bearbeitung von:
Ruin My Life (explicit) von Zara Larsson
recording of:
Ruin My Life
Texter:
Delacey, Jackson Foote (songwriter, producer), Stefan Johnson (songwriter and producer), Jordan K. Johnson (member of The Monsters and the Strangerz), Michael Pollack (songwriter) und Jamie Sanderson (UK songwriter)
Zara Larsson33:09
24Swan Song (from “Alita‐Battle Angel”)
Programmierung und Produzent(in):
Mattman & Robin (Swedish songwriting and production duo)
Techniker(in):
John Hanes (audio engineer, mixer)
zusätzliche(r) Produzent(in):
Lorna Blackwood
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Bass, Klavier, Saiteninstrumente und Synthesizer:
Tom Holkenborg (Dutch DJ/score composer, aka Junkie XL) und Mattman & Robin (Swedish songwriting and production duo)
Blechblasinstrumente und Horn:
Tom Holkenborg (Dutch DJ/score composer, aka Junkie XL)
Gitarre, Perkussion und Schlagzeug:
Mattman & Robin (Swedish songwriting and production duo)
Hintergrundgesang:
Kennedi Lykken und Mattman & Robin (Swedish songwriting and production duo)
vocals:
Dua Lipa
vocals arranger:
Lorna Blackwood
phonographisches Urheberrecht (℗) von:
Dua Lipa Limited (in 2019)
Musikvideos:
Swan Song von Dua Lipa
recording of:
Swan Song
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Tom Holkenborg (Dutch DJ/score composer, aka Junkie XL), Kennedi Lykken, Mattias Larsson (of Mattman & Robin), Dua Lipa und Justin Tranter (singer and songwriter)
Dua Lipa3.43:00
25Thank U, Next
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2018)
Bearbeitung von:
thank u, next (explicit) von Ariana Grande
recording of:
thank u, next
publisher:
Victoria Monét McCants
Verfasser(in):
Charles Anderson (hip-hop producer, writer aka Charles Anderson), Ariana Grande, Kimberly Krysiuk (Kimberly Anne Krysiuk), Michael Foster (R&B and pop producer and songwriter), Victoria Monét, Njomza Vitia, Tayla Parx und Tommy Brown (US producer, songwriter and rapper Tommy Brown)
publisher:
Avex Music Publishing (Avex Music Publishing Inc.), District 4-12, GrandAriMusic, Taylor Monet Music und Universal Music Group Corp.
Ariana Grande3.553:27
2▼CD
Nr.TitelKünstlerBewertungLänge
1Someone You Loved
Programmierung:
Tom Barnes (UK songwriter and drummer)
Produzent(in) und Mix:
TMS (UK songwriting/production team)
Bassgitarre:
Pete Kelleher (multi-instrumentalist)
Klavier:
Benjamin Kohn (songwriter and producer)
Saiteninstrumente:
Phil Cook (member of Megafaun, Justin Vernon collaborator)
vocals:
Lewis Capaldi (singer-songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2020 (Nummer: 10), Spotify: Top Hits of 2019 (Nummer: 11) und Billboard Year-End Hot 100 singles of 2019 (Nummer: 27)
recording of:
Someone You Loved
Verfasser(in):
Benjamin Kohn (songwriter and producer), Lewis Capaldi (singer-songwriter), Pete Kelleher (multi-instrumentalist), Sam Roman (Sam Roman, singer / songwriter / producer) und Tom Barnes (UK songwriter and drummer)
Lewis Capaldi3.453:03
2Shallow
Teil von:
BILLIONS CLUB
recording of:
Shallow
Verfasser(in):
Mark Ronson (British DJ and producer), Anthony Rossomando, Stefani Germanotta und Andrew Wyatt (US vocalist, songwriter)
publisher:
Stephaniesays Music
Teil von:
The 91st Academy Award for Best Original Song (Nummer: 1), Prix de l’œuvre internationale de l’année (Nummer: 2019) und Academy Award for Best Original Song (Nummer: 2018 winner)
Lady Gaga & Bradley Cooper3:36
3This Is Me
Techniker(in):
Derik Lee (engineer)
Produzent(in):
Adam Gubman (US songwriter, arranger & composer) und Greg Wells
vocals:
Keala Settle
arranger:
Rob Mathes
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
This Is Me
Verfasser(in):
Benj Pasek und Justin Paul
Teil von:
The 90th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Greatest Showman (2017 musical film)
Keala Settle & The Greatest Showman Ensemble2.53:54
4Thursday
phonographisches Urheberrecht (℗) von:
Atlantic Records UK (company credits only; do not use as release label!) (in 2018)
recording of:
Thursday
Verfasser(in):
Ed Sheeran (UK singer‐songwriter), Jess Glynne und Steve Mac (British pop producer/songwriter Steve McCutcheon)
Jess Glynne4.253:36
5Lost Without You
Teil von:
Spotify: Top Hits of 2019 (Nummer: 51)
recording of:
Lost Without You
Texter und Komponist(in):
Freya Ridings (British singer)
publisher:
Good Soldier Songs
Freya Ridings33:44
6Rewrite the Stars
cover recording of:
Rewrite the Stars
Verfasser(in):
Benj Pasek und Justin Paul
Teil von:
The Greatest Showman (2017 musical film)
recording of:
Rewrite the Stars
Verfasser(in):
Benj Pasek und Justin Paul
Teil von:
The Greatest Showman (2017 musical film)
James Arthur & Anne‐Marie3.353:39
7Candlelight
recording of:
Candlelight
Verfasser(in):
Joel Pott und Jack Savoretti
Jack Savoretti3:35
8It’s Not Living (If It’s Not With You)
Assistent recording engineer:
Luke Gibbs
recording engineer und Techniker(in):
Jonathan Gilmore
Programmierung:
George Daniel (drummer for The 1975)
Produzent(in):
George Daniel (drummer for The 1975), Matthew Healy (The 1975) und Robin Schmidt (mastering engineer)
assistierende(r) Mix:
Stephen Sesso
Mix:
Mike Crossey
Bassgitarre:
Ross MacDonald (member of The 1975)
Gitarre:
Adam Hann und Matthew Healy (The 1975)
Keyboard, Schlagzeug und Synthesizer:
George Daniel (drummer for The 1975)
Klavier, Hintergrundgesang und Sologesang:
Matthew Healy (The 1975)
Chorgesang:
London Community Gospel Choir
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger), George Daniel (drummer for The 1975), Matthew Healy (The 1975) und Sam Swallow
phonographisches Urheberrecht (℗) von:
Dirty Hit (in 2018)
recording of:
It’s Not Living (If It’s Not With You)
Verfasser(in):
George Daniel (drummer for The 1975), Adam Hann, Matthew Healy (The 1975) und Ross MacDonald (member of The 1975)
The 19754.54:09
9Hello My Love
recording of:
Hello My Love
Verfasser(in):
Steve Mac (British pop producer/songwriter Steve McCutcheon) und Ed Sheeran (UK singer‐songwriter)
Westlife3:35
10Everlasting
recording of:
Everlasting
Verfasser(in):
Gary Barlow, Howard Donald, Mark Owen (singer–songwriter), Rick Parkhouse und George Tizzard
Take That3:43
11Almost (Sweet Music)
recording engineer:
Iain Berryman (engineer) und Robbie Nelson (engineer)
assistierende(r) Techniker(in):
Nathaniel Graham und Ivan Wayman
Produzent(in):
Andrew Hozier‐Byrne (Irish singer/songwriter) und Markus Dravs
Mix:
Shawn Everett
Bass und Keyboard:
Alex Ryan (multi-instrumentalist)
Gitarre, Klavier und shakers:
Andrew Hozier‐Byrne (Irish singer/songwriter)
Kastagnetten und Perkussion:
Andrew Hozier‐Byrne (Irish singer/songwriter), Rory Doyle und Alex Ryan (multi-instrumentalist)
Orgel:
Booker T. Jones
Tamburin:
Paul Clarvis (percussionist)
vocals:
Andrew Hozier‐Byrne (Irish singer/songwriter)
phonographisches Urheberrecht (℗) von:
Rubyworks Ltd. (in 2019)
recording of:
Almost (Sweet Music)
Texter und Komponist(in):
Andrew Hozier‐Byrne (Irish singer/songwriter)
Hozier3.53:37
12Shine a Light
recording engineer:
Matt Harvey (engineer), Derik Lee (engineer) und Hayden Watson
Produzent(in):
Bryan Adams (Canadian singer/songwriter)
assistierende(r) Mix:
Michael Freeman (UK engineer and recording professional)
Mix:
Mike “Spike” Stent (producer, engineer)
Akustikgitarre, Bassgitarre, E-Gitarre, Keyboard und Perkussion:
Bryan Adams (Canadian singer/songwriter)
Bass [sub bass]:
Johan Carlsson (Swedish‐American pop producer and songwriter)
Schlagzeug:
Mickey Curry
phonographisches Urheberrecht (℗) von:
Badams Music Limited (in 2019)
recording of:
Shine a Light
publisher:
Ed Sheeran (UK singer‐songwriter)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) und Ed Sheeran (UK singer‐songwriter)
publisher:
Badams Music Limited, Sony/ATV Songs LLC und UMPG
Bryan Adams43:26
13Love You Anymore
E-Gitarre:
Johan Carlsson (Swedish‐American pop producer and songwriter)
Keyboard [keyboards]:
Johan Carlsson (Swedish‐American pop producer and songwriter) und David Foster (Canadian music producer, arranger and composer)
Perkussion:
Jochem van der Saag
Slide-Gitarre:
Dean Parks (American session guitarist)
Hintergrundgesang:
Charlie Puth
arranger:
Johan Carlsson (Swedish‐American pop producer and songwriter), David Foster (Canadian music producer, arranger and composer) und Jochem van der Saag
recording of:
Love You Anymore
Verfasser(in):
Johan Carlsson (Swedish‐American pop producer and songwriter), Scott Harris (Shawn Mendes collaborator), Ilsey (US | pop singer) und Charlie Puth
publisher:
Artist 101 Publishing Group, Charlie Puth Music Publishing, MXM, Sony/ATV Songs (SOCAN), Sparko Phone Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Michael Bublé33:01
14Look in Her Eyes
Assistent recording engineer:
Patrick Logue
recording engineer, Programmierung und Mix:
Kevin Savigar
Produzent(in):
Kevin Savigar und Rod Stewart
Gitarre:
Emerson Swinford
Keyboard:
Kevin Savigar
Tamburin:
Julia Thornton
Trompete:
Anne King (brass)
Hintergrundgesang:
Bridget Cady
Sologesang:
Rod Stewart
aufgenommen bei:
Satinwood Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und The Celtic House in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Look in Her Eyes
Verfasser(in):
Kevin Savigar und Rod Stewart
publisher:
Big Deluge Music und EMI April Music Inc.
Rod Stewart4:13
15The Greatest Show
Techniker(in):
Derik Lee (engineer)
Produzent(in):
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Jake Sinclair und Greg Wells
Mix:
Greg Wells
arranger:
Rob Mathes
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
The Greatest Show
Verfasser(in):
Ryan Lewis (US DJ/producer, in Macklemore & Ryan Lewis), Benj Pasek und Justin Paul
Teil von:
The Greatest Showman (2017 musical film)
Hugh Jackman, Keala Settle, Zac Efron, Zendaya & The Greatest Showman Ensemble25:06
16Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:57
17Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:27
18Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:01
19Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:53
20It’s a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Culture Club3.53:25
21Hold Me Now
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Hold Me Now von Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins4.54:46

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! (UK) (Nummer: 102) (Reihenfolge: 102)
Allmusic:https://www.allmusic.com/album/mw0003253511 [Info]
Eigenständige Webseite:https://www.nowmusic.com/albums/now-102/ [Info]