Hit Collection

~ Veröffentlichung von Jerry Lee Lewis (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1High School Confidential
2:28
2Sweet Little Sixteen
recording of:
Sweet Little Sixteen
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:53
3Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
1:49
4You Win Again
phonographisches Urheberrecht (℗) von:
Charly Records (vom 2008 bis heute)
cover recording of:
You Win Again
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1952-09-03)
recording of:
You Win Again
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1952-09-03)
2:54
5Whole Lotta Shakin' Goin' On
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
2:51
6Down the Line
cover recording of:
Down the Line
Texter und Komponist(in):
Roy Orbison
2:12
7Big Blon' Baby
recording of:
Big Blon’ Baby
Verfasser(in):
Kenny Jacobson und Rhoda Roberts
publisher:
Alamo Music, Inc.
1:40
8Lovin' up a Storm
recording of:
Lovin’ Up a Storm
Verfasser(in):
Luther Dixon und Allyson R. Khent
publisher:
Ludix Publishing Co., Inc.
1:50
9Break Up
recording of:
Break Up
Texter und Komponist(in):
Charlie Rich (US country singer)
publisher:
Knox Music, Inc.
2:18
10Money
2:27
11It'll Be Me
recording of:
It’ll Be Me
Texter, Verfasser(in) und Komponist(in):
Jack Clement
publisher:
Bob Webster Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
2:43
12Save the Last Dance for Me
cover recording of:
Save the Last Dance for Me
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
1:50
13Bonnie B
Remix von:
Bonnie B (master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Bonnie B
Texter und Komponist(in):
Charles Underwood
2:18
14It Won't Happen with Me
recording of:
It Won’t Happen With Me
Texter und Komponist(in):
Raymond Lamont Evans
publisher:
Knox Music, Inc.
2:56
15End of the Road
Techniker(in):
Billy Sherrill (US songwriter/producer/arranger) (Aufgabe: recording), John Hester (engineer) (Aufgabe: assisted by) und Ray Butts (Aufgabe: assisted by)
Produzent(in):
Shelby Singleton
Sologesang:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1963-09-22 bis 1963-09-24)
cover recording of:
End of the Road (von 1963-09-22 bis 1963-09-24)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (bis 1956-11-14)
Verfasser(in):
Traditional ([traditional], special purpose artist)
publisher:
Hill & Range Songs, Inc. (publisher) und Knox Music, Inc.
1:54
16Don't Be Cruel
Techniker(in):
Tom Sparkman
Produzent(in):
Jerry Kennedy, Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”), Linda Gail Lewis und Roy Dea
Instrument:
Albert Coleman, Brenton Banks, Buddy Spicher (American country and bluegrass fiddle player), Byron Bach, David Darling (cellist), Gary Vanosdale, George Binkley III (violinist, session musician), Lillian Hunt, Martha McCrory, Martin Katahn, Marvin Chantry, Samuel Terranova, Sheldon Kurland, Solie Fott, Stephanie Woolf (US violinist), Stephen Clapp (violinist) und William Fitzpatrick
Instrumente:
Bob Moore (U.S. bassist and bandleader), Chip Young (American session guitarist, bassist, producer in the genre of country), Dale Sellers, Harold Bradley, Jerry Kennedy, Kenneth Lovelace, Pete Drake (steel guitar player), Pete Wade und Ray Edenton
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Marimba:
Charley McCoy (white blues harmonica player, 1960s-present)
Orgel:
Bill Strom (organist)
Schlagzeug:
Buddy Harman (Session drummer and songwriter)
Hintergrundgesang:
Dolores Dinning Edgen, Hurshel Wiginton, Joe Babcock, Millie Kirkham, Ricky Page und Trish Williams
arranger:
Cam Mullins
cover recording of:
Don’t Be Cruel
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. und Williamson Music Company
1:57
17Ubangi Stomp
recording of:
Ubangi Stomp
Texter und Komponist(in):
Charles Underwood
publisher:
Jason Clement Music und Hi Lo Music (vom 1956 bis heute)
sub-publisher:
Artemis Muziekuitgeverij B V und Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division)
1:45
18Livin' Lovin' Wreck
recording of:
Livin’ Lovin’ Wreck
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
2:01
19Matchbox
recording of:
Matchbox
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
1:40
20I've Been Twistin'
recording of:
I’ve Been Twistin’
Texter und Komponist(in):
Herman Parker Jr.
3:13
21I'll Sail My Ship Alone
recording of:
I’ll Sail My Ship Alone
Verfasser(in):
Morry Burns, Henry Bernard, Lois Mann und Henry Thurston
2:06
22I Get the Blues When It Rains
recording of:
I Get the Blues When It Rains
Texter und Komponist(in):
Marcy Klauber und Harry Stoddard
2:13
23I'm Feelin' Sorry
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Sidney Manker (am 1957-09-05)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-09-05)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-05)
Schlagzeug:
Otis Jett (am 1957-09-05)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1957-09-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 2015)
recording of:
I’m Feelin’ Sorry (am 1957-09-05)
Texter und Komponist(in):
Jack Clement
publisher:
Bob Webster Music
2:35
24Cold Cold Heart
cover recording of:
Cold, Cold Heart
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1951-02-16)
3:05
25Jambalaya (On the Bayou)
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-01-16 bis 1958-01-18)
Gitarre:
Roland Janes (von 1958-01-16 bis 1958-01-18) und Billy Lee Riley (von 1958-01-16 bis 1958-01-18)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
Schlagzeug:
Jimmy Van Eaton (von 1958-01-16 bis 1958-01-18)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01-16 bis 1958-01-18)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
cover recording of:
Jambalaya (On the Bayou) (von 1958-01-16 bis 1958-01-18)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
1:58
26Home
recording of:
Home
Texter und Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”)
1:56
27What'd I Say
cover recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
42:26
28Hello Hello Baby
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1958-03)
Gitarre:
Roland Janes (in 1958-03) und Billy Lee Riley (in 1958-03)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
Schlagzeug:
Jimmy Van Eaton (in 1958-03)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
recording of:
Hello Hello Baby (in 1958-03)
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
3:22
29John Henry
Gitarre:
Roland Janes
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Schlagzeug:
Jimmy Van Eaton
Tenorsaxophon:
Martin Willis (US saxophonist)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Bearbeitung von:
John Henry (stereo extended) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
John Henry (Jerry Lee Lewis version)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:28
30Ramblin' Rose
recording of:
Ramblin’ Rose (Written by Wilkin and Burch)
Verfasser(in):
Fred Burch und Marijohn Wilkin
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
2:59
31Frankie and Johnny
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Bassgitarre:
Billy Lee Riley (von 1958-12 bis 1959-01)
Gitarre:
Roland Janes (von 1958-12 bis 1959-01)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
Schlagzeug:
Jimmy Van Eaton (von 1958-12 bis 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
recording of:
Frankie and Johnny (Jerry Lee Lewis version) (von 1958-12 bis 1959-01)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Arrangement von:
Frankie and Johnny (traditional song, version of “Frankie and Albert”)
2:31
32Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
42:40
33Good Golly Miss Molly
cover recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
2:10
34It All Depends (On Who Will Buy the Wine)
Akustikgitarre:
Steve Chapman (drummer)
Akustikgitarre und Banjo:
Bobby Thompson (guitar & banjo player)
Bassgitarre:
Bobby Dyson
E-Gitarre:
Dave Kirby (US country singer/songwriter) und Duke Faglier (guitarist and songwriter)
E-Gitarre und Fiddle:
Kenneth Lovelace
Hybrid-Piano und Orgel:
Bunky Keels
Klarinette:
Denis Solee
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1980-01 bis 1980-02)
membranophone und Perkussion:
Jimmy Isbell (American drummer and percussionist)
Posaune:
Dennis Good
Saiteninstrumente:
The Shelly Kurland Strings
Steel-Gitarre:
Stu Basore
Trompete:
Ronald Keller (jazz and rock trumpeter) und George Tidwell
Hintergrundgesang und Chorgesang:
The Lea Jane Singers
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1980-01 bis 1980-02)
Saiteninstrumente arranger:
Billy Strange
recording of:
Who Will Buy the Wine
Texter und Komponist(in):
Billy Mize
2:57
35Turn Around
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957-07)
Gitarre:
Roland Janes (in 1957-07)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-07)
Schlagzeug:
Jimmy Van Eaton (in 1957-07)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (in 1957-07)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1957)
cover recording of:
Turn Around (in 1957-07)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Hi Lo Music und Hill & Range Songs, Inc. (publisher)
2:47
36Love Made a Fool of Me
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Charles Underwood
Bassgitarre:
Billy Lee Riley (am 1960-10-13)
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1960-10-13) und Brad Suggs (am 1960-10-13)
Horn:
Robert Alexius (am 1960-10-13), Ronnie Capone (am 1960-10-13) und Fred Ford (horn player) (am 1960-10-13)
Klavier:
Larry Muhoberac (American musician, producer, and composer) (am 1960-10-13)
Schlagzeug:
Jimmy Van Eaton (am 1960-10-13)
Chorgesang und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (beendet)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1960-10-13)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1960)
Remix von:
Love Made a Fool of Me (stereo) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Love Made a Fool of Me (am 1960-10-13)
Verfasser(in):
Henry Sledd und York Wilburn
2:45
37I Could Never Be Ashamed of You
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Bassgitarre:
Billy Lee Riley (von 1958-12 bis 1959-01)
Gitarre:
Roland Janes (von 1958-12 bis 1959-01)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
Schlagzeug:
Jimmy Van Eaton (von 1958-12 bis 1959-01)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1959)
cover recording of:
I Could Never Be Ashamed of You (von 1958-12 bis 1959-01)
Texter und Komponist(in):
Hank Williams (country music legend)
2:22
38As Long as I Live
recording of:
As Long as I Live
Texter und Komponist(in):
Roy Acuff
22:25
39Let's Talk About Us
recording of:
Let’s Talk About Us
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1959)
2:07
40I Can't Trust Me (In Your Arms Anymore)
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Floyd Chance (am 1962-09-11)
Gitarre:
Fred Carter (am 1962-09-11) und Kelton ‘Kelso’ Herston (am 1962-09-11)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1962-09-11)
Chorgesang und Hintergrundgesang:
Helen Chance (am 1962-09-11), Neal Matthews (am 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (am 1962-09-11) und Marijohn Wilkin (am 1962-09-11)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1962-09-11)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 2015)
recording of:
I Can’t Trust Me in Your Arms Anymore (am 1962-09-11)
Verfasser(in):
Tommy Certain und Vic McAlpin
2:12
41Old Black Joe
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Stan Kesler (US session musician, composer and producer) (am 1958-07-09) und Leo Lodner (von 1960-01-21 bis 1960-01-25)
Gitarre:
Roland Janes (am 1958-07-09, von 1960-01-21 bis 1960-01-25)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1960-01-21 bis 1960-01-25)
Schlagzeug:
Jimmy Van Eaton (am 1958-07-09, von 1960-01-21 bis 1960-01-25)
Chorgesang und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-07-21)
Hintergrundgesang und Chorgesang:
Gene Lowery Singers (in 1960-02)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1960-01-21 bis 1960-01-25)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1960)
Remix von:
Old Black Joe (undubbed master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
Old Black Joe (Jerry Lee Lewis version) (in 1960-02)
Texter und Komponist(in):
Stephen Foster (composer) (in 1853)
arranger:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
2:02
42In the Mood
recording of:
In the Mood
Texter:
Andy Razaf
Komponist(in):
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited und Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
basiert auf:
Tar Paper Stomp
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:17
43When I Get Paid
recording of:
When I Get Paid
Verfasser(in):
Henry Sledd und York Wilburn
2:46
44Crazy Arms
cover recording of:
Crazy Arms
Verfasser(in):
Ralph Mooney (in 1954) und Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) und MCA Music Svenska AB (in 1978)
2:43
45Hang up My Rock and Roll Shoes
recording of:
Hang Up My Rock and Roll Shoes
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Tideland Music Publishing Corporation und Unichappell Music, Inc.
2:31
46Lewis Boogie
recording of:
Lewis Boogie
Texter und Komponist(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
1:58
47How's My Ex Treating You?
recording of:
How’s My Ex Treating You
Texter und Komponist(in):
Vic McAlpin
2:35
48Put Me Down
recording of:
Put Me Down
Texter und Komponist(in):
Roland Janes
2:07
49When the Saints Go Marching In
recording of:
When the Saints Go Marching In
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
2:09
50The Return of Jerry Lee
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
Sprecher:
Jack Clement (am 1958-05-30) und George Klein (am 1958-05-30)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
The Return of Jerry Lee
Verfasser(in):
Jack Clement und Barbara Pittman
2:27
51It Hurt Me So
recording of:
It Hurt Me So
Texter und Komponist(in):
Bill Justis und Charlie Rich (US country singer)
publisher:
Jack Clement Music, Inc.
2:37
52Fools Like Me
recording of:
Fools Like Me
Verfasser(in):
Jack Clement und Pee Wee Maddux (songwriter, steel guitarist and fiddler)
publisher:
Knox Music, Inc.
2:50
53Little Queenie
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Bassgitarre:
Leo Lodner (am 1959-05-28)
Gitarre:
Roland Janes (am 1959-05-28)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1959-05-28)
Schlagzeug:
Jimmy Van Eaton (am 1959-05-28)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1959-05-28)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1959)
cover recording of:
Little Queenie (am 1959-05-28)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
2:23
54I'll Make It up to You
Bearbeitung von:
I'll Make It All Up to You (false start & take named (1.2) on BCD 17254) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”)
recording of:
I’ll Make It All Up to You
Texter und Komponist(in):
Charlie Rich (US country singer)
publisher:
Hi Lo Music
2:44
55Country Music Is Here to Stay
cover recording of:
Country Music Is Here to Stay
Texter und Komponist(in):
Ferlin Husky
2:06
56Goodnight Irene
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (von 1956-11 bis 1956-12)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
Schlagzeug:
Jimmy Van Eaton (von 1956-11 bis 1956-12)
Hintergrundgesang und Chorgesang:
Ed Bruce (American country music songwriter, singer and actor) (am 1958-04-04), Vernon Drane (am 1958-04-04), Lee Holt (am 1958-04-04), Charlie Rich (US country singer) (am 1958-04-04), Alice Rumple (am 1958-04-04), Bob Strong (am 1958-04-04) und Bobby Thompson (1950s country singer) (am 1958-04-04)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Sun Record Company (vom 1958 bis heute, in 1958)
Remix von:
Goodnight Irene (undubbed master) von Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (am 1958-04-04)
cover recording of:
Goodnight Irene (am 1958-04-04)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Ledbetter und John A. Lomax
publisher:
Lodlow Music, Spencer Music Corp., TRO-Ludlow Music, Inc. und Tyler Music Ltd.
Teil von:
Roud Folk Song Index (Nummer: 11681)
übersetzte Version von:
Godnatt Irene
2:52
57Ballad of Billy Joe
recording of:
The Ballad of Billy Joe
Texter und Komponist(in):
Charlie Rich (US country singer)
publisher:
Knox Music, Inc.
2:57
58Mean Woman Blues
recording of:
Mean Woman Blues
Texter und Komponist(in):
Claude Demetrius
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. und Williamson Music Company
2:23
59Hello Josephine
cover recording of:
My Girl Josephine
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Verfasser(in):
Dave Bartholomew und Fats Domino
publisher:
EMI United Partnership Ltd. und J. Albert & Son Pty. Ltd.
1:41
60Baby, Baby Bye Bye
Produzent(in):
Sam Phillips (founder of Sun Records)
Bassgitarre:
Leo Lodner (von 1960-01-21 bis 1960-01-25)
Gitarre:
Roland Janes (von 1960-01-21 bis 1960-01-25)
Klavier:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1960-01-21 bis 1960-01-25)
Schlagzeug:
Jimmy Van Eaton (von 1960-01-21 bis 1960-01-25)
vocals:
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1960-01-21 bis 1960-01-25)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 2015)
teilweise recording of:
Baby Baby Bye Bye (von 1960-01-21 bis 1960-01-25)
Verfasser(in):
Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) und Huey “Piano” Smith
1:54