Three Original Hit Albums

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD: Songs for Swingin' Lovers
Nr.TitelBewertungLänge
1You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
3.752:59
2It Happened in Monterey
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jim Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
It Happened in Monterey (am 1956-01-12)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. und EMI United Partnership Ltd.
32:37
3You’re Getting to Be a Habit With Me
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-10)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-10)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-10), Dave Sterkin (am 1956-01-10) und Milton Thomas (violist) (am 1956-01-10)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-10), Edgar Lustgarten (am 1956-01-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-10)
Geige / Violine:
Victor Bay (am 1956-01-10), Alex Beller (am 1956-01-10), Harold Dicterow (am 1956-01-10), David Frisina (am 1956-01-10), Alex Murray (violinist) (am 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-10), Nathan Ross (am 1956-01-10), Mischa Russell (violinist) (am 1956-01-10), Paul Shure (am 1956-01-10) und Felix Slatkin (am 1956-01-10)
Gitarre:
George van Eps (am 1956-01-10)
Harfe:
Kathryn Julye (am 1956-01-10)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-10)
Posaune:
Milt Bernhart (am 1956-01-10), Jim Priddy (am 1956-01-10) und Juan Tizol (am 1956-01-10)
Rohrblattinstrumente:
Justin Gordon (am 1956-01-10), Harry Klee (am 1956-01-10), Morton Friedman (am 1956-01-10), Wilbur Schwartz (am 1956-01-10) und James Williamson (Saxophone player) (am 1956-01-10)
Schlagzeug:
Alvin Stoller (am 1956-01-10)
Trompete:
Harry “Sweets” Edison (am 1956-01-10), Conrad Gozzo (am 1956-01-10), Mickey Mangano (am 1956-01-10) und Zeke Zarchy (am 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-10)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-10)
cover recording of:
You’re Getting to Be a Habit With Me (am 1956-01-10)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
22:20
4You Brought a New Kind of Love to Me
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison, Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle (beendet)
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
cover recording of:
You Brought a New Kind of Love to Me (am 1956-01-09)
Texter:
Irving Kahal (in 1930)
Komponist(in):
Pierre Norman Connor (in 1930) und Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Sony/ATV Harmony (in 1930)
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
The Real Book (compilation of jazz standards, volume I)
12:50
5Too Marvellous for Words
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
recording of:
Too Marvelous for Words (am 1956-01-16)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Too Marvelous for Words (am 1956-01-16)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
22:31
6Old Devil Moon
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (am 1956-01-16)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
13:59
7Pennies From Heaven
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-10)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-10)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-10), Dave Sterkin (am 1956-01-10) und Milton Thomas (violist) (am 1956-01-10)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-10), Edgar Lustgarten (am 1956-01-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-10)
Geige / Violine:
Victor Bay (am 1956-01-10), Alex Beller (am 1956-01-10), Harold Dicterow (am 1956-01-10), David Frisina (am 1956-01-10), Alex Murray (violinist) (am 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-10), Nathan Ross (am 1956-01-10), Mischa Russell (violinist) (am 1956-01-10), Paul Shure (am 1956-01-10) und Felix Slatkin (am 1956-01-10)
Gitarre:
George van Eps (am 1956-01-10)
Harfe:
Kathryn Julye (am 1956-01-10)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-10)
Posaune:
Milt Bernhart (am 1956-01-10), Jim Priddy (am 1956-01-10) und Juan Tizol (am 1956-01-10)
Rohrblattinstrumente:
Justin Gordon (am 1956-01-10), Harry Klee (am 1956-01-10), Morton Friedman (am 1956-01-10), Wilbur Schwartz (am 1956-01-10) und James Williamson (Saxophone player) (am 1956-01-10)
Schlagzeug:
Alvin Stoller (am 1956-01-10)
Trompete:
Harry “Sweets” Edison (am 1956-01-10), Conrad Gozzo (am 1956-01-10), Mickey Mangano (am 1956-01-10) und Zeke Zarchy (am 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-10)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-10)
cover recording of:
Pennies From Heaven (am 1956-01-10)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
12:44
8Love Is Here to Stay
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1955-10-17)
Bassposaune:
George Roberts (american bass trombone) (am 1955-10-17)
Bratsche / Viola:
Maxine Johnson (am 1955-10-17), Paul Robyn (am 1955-10-17) und Dave Sterkin (am 1955-10-17)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1955-10-17), Ray Kramer (am 1955-10-17) und Eleanor Slatkin (US cellist, b. Aller) (am 1955-10-17)
Geige / Violine:
Victor Bay (am 1955-10-17), Alex Beller (am 1955-10-17), Sam Cytron (am 1955-10-17), Robert E. Gross (am 1955-10-17), Henry Hill (Violin player) (am 1955-10-17), Dan Lube (am 1955-10-17), Alex Murray (violinist) (am 1955-10-17), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1955-10-17), Erno Neufeld (am 1955-10-17) und Mischa Russell (violinist) (am 1955-10-17)
Gitarre:
George van Eps (am 1955-10-17)
Harfe:
Kathryn Julye (am 1955-10-17)
Klavier:
William (Bill) Miller (pianist) (am 1955-10-17)
Perkussion:
Frank Flynn (am 1955-10-17)
Posaune:
Jim Priddy (am 1955-10-17), Dick Noel (trombone) (am 1955-10-17) und Paul Tanner (am 1955-10-17)
Rohrblattinstrumente:
Mahlon Clark (am 1955-10-17), Justin Gordon (am 1955-10-17), Robert Lawson (am 1955-10-17), Wilbur Schwartz (am 1955-10-17) und Warren Webbe (am 1955-10-17)
Schlagzeug:
Irv Cottler (am 1955-10-17)
Trompete:
Harry “Sweets” Edison (am 1955-10-17), John Best (jazz trumpeter) (am 1955-10-17), Shorty Sherock (am 1955-10-17) und Zeke Zarchy (am 1955-10-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-10-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-10-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-10-17)
cover recording of:
Love Is Here to Stay (am 1955-10-17)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
32:43
9I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:46
10I Thought About You
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison, Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-01-09)
cover recording of:
I Thought About You (am 1956-01-09)
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
12:31
11We’ll Be Together Again
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
We’ll Be Together Again (am 1956-01-16)
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
14:28
12Makin’ Whoopee
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
recording of:
Makin’ Whoopee! (am 1956-01-16)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2.53:07
13Swingin’ Down the Lane
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Instrumente:
William (Bill) Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jim Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Rohrblattinstrumente:
Mort Friedman (am 1956-01-12), Justin Gordon (am 1956-01-12), Harry Klee (am 1956-01-12), Wilbur Schwartz (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Schlagzeug:
Irv Cottler (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Mickey Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
Swingin’ Down the Lane (am 1956-01-12)
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) und Leo Feist, Inc. (am 1923-02-26)
recording of:
Swingin’ Down the Lane
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) und Leo Feist, Inc. (am 1923-02-26)
12:55
14Anything Goes
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
Anything Goes (am 1956-01-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
32:44
15How About You?
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-10)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-10)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-10), Dave Sterkin (am 1956-01-10) und Milton Thomas (violist) (am 1956-01-10)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-10), Edgar Lustgarten (am 1956-01-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-10)
Geige / Violine:
Victor Bay (am 1956-01-10), Alex Beller (am 1956-01-10), Harold Dicterow (am 1956-01-10), David Frisina (am 1956-01-10), Alex Murray (violinist) (am 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-10), Nathan Ross (am 1956-01-10), Mischa Russell (violinist) (am 1956-01-10), Paul Shure (am 1956-01-10) und Felix Slatkin (am 1956-01-10)
Gitarre:
George van Eps (am 1956-01-10)
Harfe:
Kathryn Julye (am 1956-01-10)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-10)
Posaune:
Milt Bernhart (am 1956-01-10), Jim Priddy (am 1956-01-10) und Juan Tizol (am 1956-01-10)
Rohrblattinstrumente:
Justin Gordon (am 1956-01-10), Harry Klee (am 1956-01-10), Morton Friedman (am 1956-01-10), Wilbur Schwartz (am 1956-01-10) und James Williamson (Saxophone player) (am 1956-01-10)
Schlagzeug:
Alvin Stoller (am 1956-01-10)
Trompete:
Harry “Sweets” Edison (am 1956-01-10), Conrad Gozzo (am 1956-01-10), Mickey Mangano (am 1956-01-10) und Zeke Zarchy (am 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-10)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-01-10)
cover recording of:
How About You? (am 1956-01-10)
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
22:49
16I Get Along Without You Very Well
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure (, am 1955-02-17), Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1955-02-17 bis 1955-03)
cover recording of:
I Get Along Without You Very Well (am 1955-02-17)
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
13:41
17What Is This Thing Called Love?
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin und Eleanor Slatkin (US cellist, b. Aller)
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Geige / Violine:
Harry Bluestone, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison (am 1955-02-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-16)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-16)
conductor:
Nelson Riddle (am 1955-02-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-16)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1955-02-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
12:34
2▼CD: Songs for Young Lovers
Nr.TitelBewertungLänge
1The Girl Next Door
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (am 1953-11-06)
Verfasser(in):
Ralph Blane und Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
12:37
2They Can’t Take That Away From Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1953-11-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
31:58
3Violets for Your Furs
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
cover recording of:
Violets for Your Furs (am 1953-11-05)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
13:05
4Someone to Watch Over Me
recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
2:57
5My One and Only Love
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
Alfred Barr und Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Mischa Russell (violinist) und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Bob Bain (guitarist)
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other) und James Williamson (Saxophone player)
Klavier:
Bill Miller (pianist)
Kontrabass:
Ed Gilbert
Posaune:
Milt Bernhart und Jimmy Priddy
Schlagzeug:
Alvin Stoller
Trompete:
Clyde Hurley und Manny Klein
Waldhorn:
John Cave (french horn) und Vincent DeRosa
conductor:
Nelson Riddle
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-05-02)
recording of:
My One and Only Love
Texter:
Robert Mellin
Komponist(in):
Robert Mellin und Guy Wood
publisher:
Colgems, Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Sherwin Music Publishing Corp., Warock Corp. und ミュージカル・ライツ・東京 (Musical Lights Tokyo)
Version von:
Music from Beyond the Moon (My One and Only Love)
3:11
6Little Girl Blue
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
cover recording of:
Little Girl Blue (am 1953-11-06)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
12:53
7Like Someone in Love
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
cover recording of:
Like Someone in Love (am 1953-11-06)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
13:10
8A Foggy Day (in London Town)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
cover recording of:
A Foggy Day (in London Town) (am 1953-11-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
12:39
9It Worries Me
Produzent(in):
Voyle Gilmore
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Maxine Johnson und Paul Robyn
Cello:
Cy Bernard, Arthur Kafton und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Harry Bluestone, Walter Edelstein, George Kast, Nicholas Pisani, Mischa Russell (violinist), Eudice Shapiro (Violinist), Paul Shure und Felix Slatkin
Gitarre:
Bobby Gibbons
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, Chuck Gentry, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other) und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Dick Noel (trombone) und Pullman “Tommy” Pederson
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison, Conrad Gozzo und Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-05-13)
Orchester:
The Nelson Riddle Orchestra (am 1954-05-13)
conductor:
Nelson Riddle (am 1954-05-13)
arranger:
Nelson Riddle
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (beendet) und KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-05-13)
recording of:
It Worries Me (am 1954-05-13)
Texter:
Ernst Verch
Komponist(in):
Fritz Schulz-Reichel
Übersetzer:
Carl Sigman
übersetzte Version von:
Denk’ an mich
12:53
10I Can Read Between the Lines
Produzent(in):
Voyle Gilmore
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-05-02)
Orchester:
The Nelson Riddle Orchestra (am 1953-05-02)
conductor:
Nelson Riddle (am 1953-05-02)
arranger:
Nelson Riddle
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (beendet)
recording of:
I Can Read Between the Lines (am 1953-05-02)
Verfasser(in):
Sid Frank und Ramon Getzov
2:48
11I Get a Kick Out of You
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
I Get a Kick Out of You (am 1953-11-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
3.352:53
12My Funny Valentine
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1953-11-05)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
32:31
13Jeepers Creepers
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Jeepers Creepers (am 1954-04-19)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
12:24
14Taking a Chance on Love
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Taking a Chance on Love (am 1954-04-19)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
12:15
15Get Happy
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Get Happy (am 1954-04-19)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
12:26
16Just One of Those Things
Produzent(in):
Voyle Gilmore
alto saxophone:
Mahlon Clark und Skeets Herfurt
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Allan Reuss
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-07)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-07)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-07)
conductor:
Nelson Riddle (am 1954-04-07)
arranger:
Nelson Riddle (am 1954-04-07)
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-07)
cover recording of:
Just One of Those Things (am 1954-04-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
23:16
3▼CD: In the Wee Small Hours
Nr.TitelBewertungLänge
1In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
33:01
2Mood Indigo
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin und Eleanor Slatkin (US cellist, b. Aller)
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Geige / Violine:
Harry Bluestone, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-16)
cover recording of:
Mood Indigo (1930 jazz composition and song) (am 1955-02-16)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2.53:30
3Glad to Be Unhappy
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Gitarre:
George van Eps
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-08)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-08)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-08)
cover recording of:
Glad to Be Unhappy (am 1955-02-08)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
On Your Toes
22:36
4I Get Along Without You Very Well
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure (, am 1955-02-17), Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1955-02-17 bis 1955-03)
cover recording of:
I Get Along Without You Very Well (am 1955-02-17)
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
13:41
5Deep in a Dream
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Cello:
James Arkatov (American cellist and photographer) (am 1955-03-04), Cy Bernard (am 1955-03-04), Eleanor Aller (US cellist, b. Aller) (am 1955-03-04), Armand Kaproff (am 1955-03-04), Ray Kramer (am 1955-03-04), Edgar Lustgarten (am 1955-03-04), Kurt Reher (cellist) (am 1955-03-04) und Joseph Saxon (am 1955-03-04)
flute:
Arthur Gleghorn (am 1955-03-04), Luella Howard (am 1955-03-04), Jules Kinsler (am 1955-03-04) und George Poole (am 1955-03-04)
Geige / Violine:
Paul Shure, Victor Bay (am 1955-03-04), Alex Beller (am 1955-03-04), Harry Bluestone (am 1955-03-04), Nathan Ross (am 1955-03-04), Mischa Russell (violinist) (am 1955-03-04), Felix Slatkin (am 1955-03-04) und Marshall Sosson (am 1955-03-04)
Gitarre:
George van Eps (am 1955-03-04)
Harfe:
Kathryn Julye (am 1955-03-04)
Klavier:
Bill Miller (pianist) (am 1955-03-04)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1955-03-04)
membranophone:
Louis Singer (percussionist) (am 1955-03-04)
Waldhorn:
John Cave (french horn) (am 1955-03-04), Vincent DeRosa (am 1955-03-04), Joseph Eger (horn player) (am 1955-03-04) und Richard Perissi (am 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-03-04)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-03-04)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-04)
cover recording of:
Deep in a Dream (am 1955-03-04)
Texter:
Eddie DeLange
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell Music Ltd., Scarsdale Music Corp. (ASCAP) und Warner Bros. Music (publisher; do NOT use as release label)
12:49
6I See Your Face Before Me
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin und Eleanor Slatkin (US cellist, b. Aller)
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Geige / Violine:
Harry Bluestone, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-16)
cover recording of:
I See Your Face Before Me (am 1955-02-16)
Texter und Komponist(in):
Howard Dietz (librettist) und Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd. und Chappell & Co.
13:24
7Can’t We Be Friends?
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Gitarre:
George van Eps
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-08)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-08)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-08)
cover recording of:
Can’t We Be Friends? (am 1955-02-08)
Texter:
Paul James (Lyricist, aka James Warburg)
Komponist(in):
Kay Swift
publisher:
Warner Bros. Music Corp.
12:47
8When Your Lover Has Gone
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
cover recording of:
When Your Lover Has Gone (am 1955-02-17)
Texter und Komponist(in):
Einar Aaron Swan
publisher:
Remick Music Corp. und Warner Bros., Inc. (Warner Bros. Music Division)
13:10
9What Is This Thing Called Love?
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin und Eleanor Slatkin (US cellist, b. Aller)
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Geige / Violine:
Harry Bluestone, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison (am 1955-02-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-16)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-16)
conductor:
Nelson Riddle (am 1955-02-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-16)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1955-02-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
12:34
10Last Night When We Were
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Cello:
Cy Bernard, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
Bobby Gibbons
Harfe:
Kathryn Julye und Ann Mason Stockton (American harpist)
Holzblasinstrumente und Saxophon:
Bart Caldarelli (saxophone), Mahlon Clark, Mort Friedman, Harry Klee, Champ Webb und James Williamson (Saxophone player)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort und Ed Gilbert
Schlagzeug:
Frankie Carlson
Trompete:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-03-01)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1954-03-01)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-03-01)
cover recording of:
Last Night When We Were Young (am 1954-03-01)
Texter:
Yip Harburg
Komponist(in):
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) und S.A. Music Co.
13:16
11I’ll Be Around
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Gitarre:
George van Eps
Harfe:
Kathryn Julye (am 1955-02-08)
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-08)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-08)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-08)
cover recording of:
I’ll Be Around (am 1955-02-08)
Texter und Komponist(in):
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) und TRO-Ludlow Music, Inc.
12:59
12Ill Wind
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin und Eleanor Slatkin (US cellist, b. Aller)
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Geige / Violine:
Harry Bluestone, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-16)
cover recording of:
Ill Wind (am 1955-02-16)
Texter:
Ted Koehler (in 1934)
Komponist(in):
Harold Arlen (in 1934)
13:46
13It Never Entered My Mind
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Cello:
James Arkatov (American cellist and photographer) (am 1955-03-04), Cy Bernard (am 1955-03-04), Eleanor Aller (US cellist, b. Aller) (am 1955-03-04), Armand Kaproff (am 1955-03-04), Ray Kramer (am 1955-03-04), Edgar Lustgarten (am 1955-03-04), Kurt Reher (cellist) (am 1955-03-04) und Joseph Saxon (am 1955-03-04)
flute:
Arthur Gleghorn (am 1955-03-04), Luella Howard (am 1955-03-04), Jules Kinsler (am 1955-03-04) und George Poole (am 1955-03-04)
Geige / Violine:
Victor Bay (am 1955-03-04), Alex Beller (am 1955-03-04), Harry Bluestone (am 1955-03-04), Nathan Ross (am 1955-03-04), Mischa Russell (violinist) (am 1955-03-04), Paul Shure (am 1955-03-04), Felix Slatkin (am 1955-03-04) und Marshall Sosson (am 1955-03-04)
Gitarre:
George van Eps (am 1955-03-04)
Harfe:
Kathryn Julye (am 1955-03-04)
Klavier:
Bill Miller (pianist) (am 1955-03-04)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1955-03-04)
membranophone:
Louis Singer (percussionist) (am 1955-03-04)
Trompete:
Harry “Sweets” Edison
Waldhorn:
John Cave (french horn) (am 1955-03-04), Vincent DeRosa (am 1955-03-04), Joseph Eger (horn player) (am 1955-03-04) und Richard Perissi (am 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-03-04)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-03-04)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-04)
cover recording of:
It Never Entered My Mind (am 1955-03-04)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
12:42
14Dancing on the Ceiling
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Gitarre:
George van Eps
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-08)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-08)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-08)
cover recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song) (am 1955-02-08)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
12:58
15I’ll Never Be the Same
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Cello:
James Arkatov (American cellist and photographer) (am 1955-03-04), Cy Bernard (am 1955-03-04), Eleanor Aller (US cellist, b. Aller) (am 1955-03-04), Armand Kaproff (am 1955-03-04), Ray Kramer (am 1955-03-04), Edgar Lustgarten (am 1955-03-04), Kurt Reher (cellist) (am 1955-03-04) und Joseph Saxon (am 1955-03-04)
flute:
Arthur Gleghorn (am 1955-03-04), Luella Howard (am 1955-03-04), Jules Kinsler (am 1955-03-04) und George Poole (am 1955-03-04)
Geige / Violine:
Victor Bay (am 1955-03-04), Alex Beller (am 1955-03-04), Harry Bluestone (am 1955-03-04), Nathan Ross (am 1955-03-04), Mischa Russell (violinist) (am 1955-03-04), Paul Shure (am 1955-03-04), Felix Slatkin (am 1955-03-04) und Marshall Sosson (am 1955-03-04)
Gitarre:
George van Eps (am 1955-03-04)
Klavier:
Bill Miller (pianist) (am 1955-03-04)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1955-03-04)
membranophone:
Louis Singer (percussionist) (am 1955-03-04)
Trompete:
Harry “Sweets” Edison
Waldhorn:
John Cave (french horn) (am 1955-03-04), Vincent DeRosa (am 1955-03-04), Joseph Eger (horn player) (am 1955-03-04) und Richard Perissi (am 1955-03-04)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-03-04)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-03-04)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-04)
cover recording of:
I’ll Never Be the Same (am 1955-03-04)
Texter:
Gus Kahn
Komponist(in):
Matty Malneck und Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) und France Mélodie
13:03
16This Love of Mine
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
cover recording of:
This Love of Mine (am 1955-02-17)
Texter:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
Komponist(in):
Sol Parker (songwriter) und Henry Sanicola
publisher:
Embassy Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
13:35
17Three Coins in the Fountain
recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
23:08
18Young at Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-12-09)
conductor:
Nelson Riddle (am 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (am 1953-12-09)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.652:54

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ASIN:UK: B000XUDE6E [Info]