The Ultimate Collection (AM675 version)

~ Veröffentlichung von Santana (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Jin‐Go‐Lo‐Ba
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. und EMI Songs Ltd.
4:11
2Evil Ways
Techniker(in):
Bob Breault und Eric Prestidge
Produzent(in):
Brent Dangerfield und Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1969-05-12)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1969-05-12)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1969-05-12)
Gitarre:
Carlos Santana (am 1969-05-12)
Klavier und Orgel:
Gregg Rolie (keyboardist and vocalist) (am 1969-05-12)
Schlagzeug:
Michael Shrieve (drummer) (am 1969-05-12)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1969-05-12) und Carlos Santana (am 1969-05-12)
arranger:
Alberto Gianquinto
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1969) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
aufgenommen bei:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten (am 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 69)
cover recording of:
Evil Ways (am 1969-05-12)
Texter und Komponist(in):
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music und Universal–Songs of PolyGram International, Inc.
4.153:58
3Soul Sacrifice
Produzent(in):
Brent Dangerfield und Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
recording of:
Soul Sacrifice
Komponist(in):
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie (keyboardist and vocalist) und Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music und Universal Music (plain logo: “Universal Music”)
43:16
4Black Magic Woman
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-04)
Conga:
Michael Carabello (percussionist) (am 1970-07-04) und Jose Chepito Áreas (am 1970-07-04)
Gitarre:
Carlos Santana (am 1970-07-04)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04)
membranophone:
Michael Shrieve (drummer) (am 1970-07-04)
Timbales:
Jose Chepito Áreas (am 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-04) und Carlos Santana (am 1970-07-04)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-04)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 28)
cover recording of:
Black Magic Woman (am 1970-07-04)
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
3.83:15
5Oye como va
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-08)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-08)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-08)
Gitarre:
Carlos Santana (am 1970-07-08)
Keyboard und Sologesang:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-08)
Perkussion:
Rico Reyes (am 1970-07-08)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-08)
tabla:
Steven Saphore (am 1970-07-08)
Hintergrundgesang:
Rico Reyes (am 1970-07-08) und Carlos Santana (am 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 479)
cover recording of:
Oye como va (am 1970-07-08)
Texter und Komponist(in):
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) und Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Chanchullo
basiert auf:
Te enseñaré
3.854:17
6Samba pa ti
Techniker(in):
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) und John Fiore (engineer)
Produzent(in):
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) und Carlos Santana
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1970-07-19)
Conga und Perkussion:
Michael Carabello (percussionist) (am 1970-07-19)
Conga, Perkussion und Timbales:
José “Chepito” Áreas (am 1970-07-19)
Gitarre:
Carlos Santana (am 1970-07-19)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1970-07-19)
Perkussion:
Rico Reyes (am 1970-07-19)
Schlagzeug:
Michael Shrieve (drummer) (am 1970-07-19)
tabla:
Steven Saphore (am 1970-07-19)
arranger:
Gregg Rolie (keyboardist and vocalist) und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1970-07-19)
recording of:
Samba pa ti (am 1970-07-19)
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
3.754:34
7Everybody’s Everything
recording engineer:
Mike Larner (am 1971-06-05)
Techniker(in):
Glen Kolotkin
Produzent(in):
Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1971-06-05)
Conga, Flügelhorn, Perkussion und Timbales:
Jose Chepito Áreas (am 1971-06-05)
Gitarre:
Carlos Santana (am 1971-06-05) und Neal Schon (am 1971-06-05)
Instrumente und Interpret(in):
Tower of Power Horn Section (am 1971-06-05)
Klavier und Orgel:
Gregg Rolie (keyboardist and vocalist) (am 1971-06-05)
membranophone:
Michael Carabello (percussionist) (am 1971-06-05), Coke Escovedo (am 1971-06-05), Jose Chepito Áreas (am 1971-06-05) und Michael Shrieve (drummer) (am 1971-06-05)
Perkussion [percussion assistance]:
Coke Escovedo (am 1971-06-05)
Tamburin:
Michael Carabello (percussionist) (am 1971-06-05)
Vibraphon:
Michael Shrieve (drummer) (am 1971-06-05)
Hintergrundgesang:
Coke Escovedo (am 1971-06-05) und Linda Tillery (AKA Sweet Linda Divine) (am 1971-06-05)
vocals:
Michael Carabello (percussionist) (am 1971-06-05), Jose Chepito Áreas (am 1971-06-05), Gregg Rolie (keyboardist and vocalist) (am 1971-06-05) und Carlos Santana (am 1971-06-05)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
aufgenommen bei:
Columbia Studios in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1971-06-05)
recording of:
Everybody’s Everything (reworded lyric version of The Emperors’ 1966 “Karate”) (am 1971-06-05)
zusätzlicher Texter:
Carlos Santana
Komponist(in):
Milton Brown (member of 1960s soul group The Emperors, co-songwriter with Tyrone Moss for “Karate”, “L’urlo”) und Tyrone Moss
publisher:
Careers–BMG Music Publishing, Inc., Dandelion Music Co. und Universal Music (plain logo: “Universal Music”)
basiert auf:
Karate
3.653:33
8No One to Depend On
recording engineer:
Mike Larner (am 1971-06-16)
Techniker(in):
Glen Kolotkin
Produzent(in):
Santana (US Latin, blues, & rock band)
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1971-06-16)
Conga:
Michael Carabello (percussionist) (am 1971-06-16)
Gitarre:
Carlos Santana (am 1971-06-16) und Neal Schon (am 1971-06-16)
Keyboard:
Gregg Rolie (keyboardist and vocalist) (am 1971-06-16)
membranophone:
Michael Shrieve (drummer) (am 1971-06-16)
Perkussion [percussion assistance]:
Coke Escovedo (am 1971-06-16)
Tamburin:
Greg Errico (am 1971-06-16)
Timbales:
Jose Chepito Áreas (am 1971-06-16)
Hintergrundgesang:
Coke Escovedo (am 1971-06-16) und Rico Reyes (am 1971-06-16)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1971) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
aufgenommen bei:
Columbia Studios in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1971-06-16)
recording of:
No One to Depend On (am 1971-06-16)
Verfasser(in):
Michael Carabello (percussionist), Coke Escovedo und Gregg Rolie (keyboardist and vocalist)
publisher:
Careers–BMG Music Publishing, Inc., Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
2.655:33
9Song of the Wind
Produzent(in):
Fred Catero und Carlos Santana
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recording of:
Song of the Wind
Komponist(in):
Gregg Rolie (keyboardist and vocalist), Carlos Santana und Neal Schon
publisher:
Careers–BMG Music Publishing, Inc.
6:05
10Love, Devotion & Surrender
Produzent(in):
Tom Coster, Carlos Santana und Michael Shrieve (drummer)
Akustikgitarre und E-Gitarre:
Carlos Santana (in 1973-05)
Bass:
Doug Rauch (in 1973-05)
Conga:
Armando Peraza (percussionist) (in 1973-05)
Hammond-Orgel:
Tom Coster (in 1973-05)
Hybrid-Piano:
Richard Kermode (in 1973-05)
Schlagzeug:
Maitreya Michael Shrieve (drummer) (in 1973-05)
Timbales:
José “Chepito” Áreas (in 1973-05)
vocals:
Wendy Haas (in 1973-05), Carlos Santana (in 1973-05) und Leo Thomas (in 1973-05)
phonographisches Urheberrecht (℗) von:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recording of:
Love Devotion and Surrender (in 1973-05)
Verfasser(in):
Richard Kermode und Carlos Santana
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
23:41
11Give and Take25:47
12Europa (Earth’s Cry Heaven’s Smile)
assistierende(r) Techniker(in):
Susan Foot (recording engineer)
Techniker(in):
Fred Catero und David Rubinson
Produzent(in):
David Rubinson und David Rubinson & Friends, Inc.
Bassgitarre:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (am 1975-12-16)
Conga:
Armando Peraza (percussionist) (am 1975-12-16)
Gitarre:
Carlos Santana (am 1975-12-16)
Keyboard:
Tom Coster (am 1975-12-16)
Klavier:
Leon Patillo (am 1975-12-16)
Perkussion:
Jose Chepito Áreas (am 1975-12-16) und Armando Peraza (percussionist) (am 1975-12-16)
Saxophon:
Jules Broussard (am 1975-12-16)
Schlagzeug:
Leon Ndugu Chancler (am 1975-12-16) und Michael Shrieve (drummer) (am 1975-12-16)
vocals:
Leon Patillo (am 1975-12-16) und Carlos Santana (am 1975-12-16)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (am 1975-12-16)
Komponist(in):
Tom Coster und Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. und Wixen Music Publishing, Inc.
4.15:04
13Dance Sister Dance (Baila mi hermana)
Produzent(in):
David Rubinson & Friends, Inc.
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
Dance Sister Dance (Baila mi hermana)
Verfasser(in):
Leon Ndugu Chancler, Tom Coster und David Rubinson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Light Music (US publishing label), Polo Grounds Music und Rondor Music (London) Ltd.
3:13
14Let the Children Play
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Let the Children Play
Verfasser(in):
Leon Patillo und Carlos Santana
publisher:
Light Music (US publishing label) und Rondor Music (London) Ltd.
2:39
15Revelations
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Revelations
Komponist(in):
Tom Coster und Carlos Santana
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rondor Music (London) Ltd.
3:18
16She’s Not There
Produzent(in):
Tom Coster, David Rubinson & Friends, Inc. und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
2.53:17
17I’ll Be Waiting
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
I’ll Be Waiting
Verfasser(in):
Carlos Santana
publisher:
Light Music (US publishing label) und Rondor Music (London) Ltd.
3:12
18Stormy
assistierende(r) Techniker(in):
Gary Boatner (engineer)
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1978-07 bis 1978-08)
recording of:
Stormy (von 1978-07 bis 1978-08)
Verfasser(in):
Buddy Buie und J. R. Cobb
publisher:
Low‐Sal Music, Inc.
14:47
19One Chain (Don’t Make No Prison)
recording of:
One Chain (Don’t Make No Prison)
Verfasser(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
publisher:
ABC/Dunhill Music, Inc. (beendet), MCA Music Ltd. (beendet), Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:40
2▼CD
Nr.TitelBewertungLänge
1Well All Right
assistierende(r) Techniker(in):
Gary Boatner (engineer)
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1978-07 bis 1978-08)
cover recording of:
Well… All Right (von 1978-07 bis 1978-08)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
2.654:12
2Open Invitation
assistierende(r) Techniker(in):
Gary Boatner (engineer)
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
Gitarre:
Carlos Santana (von 1978-07 bis 1978-08) und Chris Solberg (von 1978-07 bis 1978-08)
Instrumente:
Chris Rhyne (von 1978-07 bis 1978-08)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1978-07 bis 1978-08)
recording of:
Open Invitation (von 1978-07 bis 1978-08)
Verfasser(in):
D. Margen, D.C. Santana, Dennis Lambert, Brian Potter (US songwriter & producer) und Greg Walker (ex-member of Santana)
publisher:
Lambert & Potter Music Co.
14:49
3Aqua Marine
recording of:
Aqua Marine
Komponist(in):
Alan Pasqua und Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. und Wixen Music Publishing, Inc.
3:58
4All I Ever Wanted
recording of:
All I Ever Wanted
Verfasser(in):
Alex Ligertwood, Carlos Santana und Chris Solberg
publisher:
Light Music (US publishing label) und Urmila Music
3:37
5You Know That I Love You
recording of:
You Know That I Love You
Verfasser(in):
Alex Ligertwood, Alan Pasqua, Carlos Santana und Chris Solberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Light Music (US publishing label) und Urmila Music
3:31
6Winning
assistierende(r) Techniker(in) und assistierende(r) Mix:
Chris Minto (engineer)
Techniker(in), Produzent(in) und Mix:
Keith Olsen (US producer and engineer)
Partner-Produzent(in):
Devadip Carlos Santana
Bassgitarre:
David Margen (in 1980)
Bongos:
Armando Peraza (percussionist) (in 1980)
Conga:
Raul Rekow (in 1980)
E-Gitarre [lead guitar]:
Devadip Carlos Santana (in 1980)
Keyboard:
Alan Pasqua (in 1980)
Perkussion:
Devadip Carlos Santana (in 1980), Armando Peraza (percussionist) (in 1980), Raul Rekow (in 1980) und Orestes Vilató (percussionist playing bongos and timbales) (in 1980)
Schlagzeug:
Graham Lear (in 1980)
Synthesizer:
Richard Baker (US keyboardist for Santana) (in 1980)
Timbales:
Orestes Vilató (percussionist playing bongos and timbales) (in 1980)
Hintergrundgesang:
Alexander J. Ligertwood (in 1980), Devadip Carlos Santana (in 1980), Alan Pasqua (in 1980), Raul Rekow (in 1980) und Orestes Vilató (percussionist playing bongos and timbales) (in 1980)
Sologesang:
Alexander J. Ligertwood (in 1980)
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei:
The Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1980)
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
cover recording of:
Winning (in 1980)
Texter und Komponist(in):
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
33:31
7The Sensitive Kind
assistierende(r) Techniker(in):
Wayne Lewis (engineer)
Techniker(in) und Mix:
Fred Catero
Partner-Produzent(in):
Fred Catero und The Santana Band (US Latin, blues, & rock band)
Produzent(in):
Devadip Carlos Santana und Bill Graham (San Francisco Bay Area promoter)
Bassgitarre:
David Margen
Bongos:
Armando Peraza (percussionist)
Conga:
Raul Rekow
E-Gitarre [lead guitar]:
Devadip Carlos Santana
Keyboard:
Alan Pasqua
Orgel und Synthesizer:
Richard Baker (US keyboardist for Santana)
Perkussion:
Devadip Carlos Santana, Armando Peraza (percussionist), Raul Rekow und Orestes Vilató (percussionist playing bongos and timbales)
Schlagzeug:
Graham Lear
Timbales:
Orestes Vilató (percussionist playing bongos and timbales)
Sologesang:
Alexander J. Ligertwood
arranger:
Santana (US Latin, blues, & rock band)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
aufgenommen bei und mixed at:
The Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten
cover recording of:
The Sensitive Kind
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Warner Chappell Music, Inc. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
23:35
8Hold On
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
cover recording of:
Hold On
Texter und Komponist(in):
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. und フジパシフィックミュージック (Fujipacific Music, Inc.)
3:54
9Nowhere to Run
Produzent(in):
John Ryan (producer a/k/a “The Chicago Kid”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
cover recording of:
Nowhere to Run (in 1985)
Texter und Komponist(in):
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
2:54
10What Does It Take (to Win Your Love)
cover recording of:
What Does It Take (to Win Your Love)
Verfasser(in):
Johnny Bristol, Vernon Bullock (Soul and R&B singer-songwriter and producer) und Harvey Fuqua
publisher:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
3:25
11Say It Again
cover recording of:
Say It Again
Verfasser(in):
Val Garay, Steve Goldstein und Anthony La Peau
publisher:
Black Mountain Road Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:28
12How Long
Assistent recording engineer:
Duane Seykora (von 1984-03-28 bis 1984-11-01)
recording engineer:
Richard Bosworth (von 1984-03-28 bis 1984-11-01) und Val Garay (von 1984-03-28 bis 1984-11-01)
Mix:
Val Garay
Bass-Synthesizer und drum machine:
David Adelstein (von 1984-03-28 bis 1984-11-01)
Gitarre:
Carlos Santana (von 1984-03-28 bis 1984-11-01) und John Woodhead (von 1984-03-28 bis 1984-11-01)
Synthesizer:
David Adelstein (von 1984-03-28 bis 1984-11-01) und Steve Goldstein (von 1984-03-28 bis 1984-11-01)
vocals:
Alex Ligertwood (von 1984-03-28 bis 1984-11-01)
arranger:
David Adelstein, Val Garay, Robbie Patton und Santana (US Latin, blues, & rock band)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-03-28 bis 1984-11-01)
mixed at:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
How Long (von 1984-03-28 bis 1984-11-01)
Verfasser(in):
Robbie Patton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd. und Red Snapper Music
3:59
13I’m the One Who Loves You
cover recording of:
I’m the One Who Loves You
Verfasser(in):
Curtis Mayfield
publisher:
EMI Music Publishing (do not use as a release label!) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:14
14Veracruz
Produzent(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Carlos Santana
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
recording of:
Veracruz (in 1987)
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter), Buddy Miles, Gregg Rolie (keyboardist and vocalist), Carlos Santana und Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), BMG Music Publishing Ltd., EMI Songs Ltd., Justa Publishing Co., Light Music (US publishing label), Rondor Music (London) Ltd., Urmila Music und When Words Collide Music
3:47
15Gypsy Woman
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
cover recording of:
Gypsy Woman
Texter und Komponist(in):
Curtis Mayfield
publisher:
EMI Tunes Ltd, EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Curtom Publishing Co Inc (vom 1961 bis ????)
4:30
16Right On
cover recording of:
Right On
Komponist(in):
Earl DeRouen (percussionist, composer) und Marvin Gaye
4:46
17Havana Moon
assistierende(r) Techniker(in):
Maureen Droney, Wayne Lewis (engineer) und Jeffrey Norman
Techniker(in) und Mix:
Jim Gaines
Produzent(in):
Barry Beckett und Jerry Wexler
assistierende(r) Mix:
Jeffrey Norman
Bass:
Keith Ferguson (bassist)
Gitarre:
Carlos Santana und Jimmie Vaughan (blues guitarist and singer)
Keyboard und Sologesang:
Booker T. Jones
Mundharmonika:
Kim Wilson
Perkussion:
Armando Peraza (percussionist), Raul Rekow und Orestes Vilató (percussionist playing bongos and timbales)
Schlagzeug:
Fran Christina
Hintergrundgesang:
Booker T. Jones, Raul Rekow, Carlos Santana, Orestes Vilató (percussionist playing bongos and timbales) und Kim Wilson
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
The Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten
cover recording of:
Havana Moon
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) und Tristan Music Ltd.
4:12
18Daughter of the Night
Techniker(in):
Maureen Droney und Ken Kessie
Produzent(in):
Carlos Santana
vocals:
Ernie Johnson
remixer:
Jim Gaines (in 1987-11)
remixed at:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1987-11)
cover recording of:
Daughter of the Night (vom 1982-01 bis ????)
Verfasser(in):
Hasse Huss und Mikael Rickfors
4:51
19They All Went to Mexico
recording of:
They All Went to Mexico
Verfasser(in):
Greg Brown (American folk singer)
4:43
3▼CD
Nr.TitelBewertungLänge
1Jingo
Produzent(in):
David Rubinson
Mix:
Vic Anesini
aufgenommen bei:
Fillmore West in San Francisco, California (Kalifornien), Vereinigte Staaten (von 1968-12-19 bis 1968-12-22)
mixed at:
Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, Vereinigte Staaten
live cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (von 1968-12-19 bis 1968-12-22)
Texter und Komponist(in):
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. und EMI Songs Ltd.
59:40
2Soul Sacrifice
assistierende(r) Techniker(in):
Tom Flye und Dave Ragno (Engineer)
Techniker(in):
Eddie Kramer (engineer) und Lee Osborne
Produzent(in):
Eric Blackstead
aufgenommen bei:
Woodstock Music & Art Fair (1969-08-15 – 1969-08-18) (1969)
aufgenommen bei:
Yasgur’s Farm in Bethel, New York, Vereinigte Staaten (am 1969-08-16)
live recording of:
Soul Sacrifice (am 1969-08-16)
Komponist(in):
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie (keyboardist and vocalist) und Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music und Universal Music (plain logo: “Universal Music”)
8:50
3Them Changes
früheste Veröffentlichung:
Them Changes von Carlos Santana & Buddy Miles
live recording of:
Them Changes
Texter und Komponist(in):
Buddy Miles
publisher:
Bughouse und Miles Ahead Music
5:54
4Samba pa ti
recording engineer:
鈴木智雄 (Tomoo Suzuki)
Produzent(in):
Santana (US Latin, blues, & rock band)
Bass:
Doug Rauch (von 1973-07-03 bis 1973-07-04)
Conga:
Armando Peraza (percussionist) (von 1973-07-03 bis 1973-07-04)
Gitarre:
Carlos Santana (von 1973-07-03 bis 1973-07-04)
Hammond-Orgel:
Tom Coster (von 1973-07-03 bis 1973-07-04)
Hybrid-Piano:
Richard Kermode (von 1973-07-03 bis 1973-07-04)
Maracas / Rumba-Rasseln:
Leon Thomas (American jazz vocalist) (von 1973-07-03 bis 1973-07-04)
Schlagzeug:
Michael Shrieve (drummer) (von 1973-07-03 bis 1973-07-04)
Timbales:
José “Chepito” Áreas (von 1973-07-03 bis 1973-07-04)
aufgenommen bei:
大阪厚生年金会館 (original complex) in Shinmachi, Osaka (Osaka City), Osaka (Osaka Prefecture), Japan (von 1973-07-03 bis 1973-07-04)
live recording of:
Samba pa ti (von 1973-07-03 bis 1973-07-07)
Komponist(in):
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) und Universal Music Careers
28:57
5Black Magic Woman / Gypsy Queen
Produzent(in):
Tom Coster und Carlos Santana
Mix:
Chris Minto (engineer) und Tommy Vicari
Bass:
Pablo Tellez
mixed at:
The Automatt in San Francisco, California (Kalifornien), Vereinigte Staaten
live medley including a cover recording of:
Black Magic Woman
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. und Murbo Music Publishers, Inc.
live medley including a cover recording of:
Gypsy Queen
Komponist(in):
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. und Wixen Music Publishing, Inc.
16:36
6She’s Not There
Techniker(in):
Bryan Bell (engineer) und Guy Charbonneau
Produzent(in):
Santana (US Latin, blues, & rock band)
Mix:
Jim Gaines (in 1988-01)
aufgenommen bei:
Warfield Theatre in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1985-08-09)
mixed at:
The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1988-01)
live cover recording of:
She’s Not There (am 1985-08-09)
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
4:23
7Esperando
assistierende(r) Techniker(in):
Judy Kirschner und Kent Matcke
Techniker(in) und Mix:
Jim Gaines
zusätzliche(r) Techniker(in):
Wally Buck
Produzent(in):
Carlos Santana und Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
aufgenommen bei:
Palacio de los Deportes (Mexico City) in Ciudad de México (Mexiko-Stadt), Mexiko (von 1993-05-22 bis 1993-05-23)
live recording of:
Esperando (von 1993-05-22 bis 1993-05-23)
Verfasser(in):
Karl Perazzo, Carlos Santana und Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
publisher:
Light Music (US publishing label) und Urmila Music
6:01

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/732966 [Info]

Veröffentlichungsgruppe

Wikipedia:en: The Ultimate Collection (Santana album) [Info]
Wikidata:Q2895684 [Info]