All Time Greatest Hits

~ Pubblicazione di Buddy Holly (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloValutazioneDurata
1Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
4.52:32
2That’ll Be the Day
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-02-25)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
4.62:18
3Rave On
registrata a:
New York, New York, Stati Uniti (il 1958-01-25)
produttore:
Milton DeLugg, Norman Petty e Bob Thiele (producer & songwriter)
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1958-01-25, il 1958-01-26)
batteria :
Jerry Allison (il 1958-01-25, il 1958-01-26)
chitarra :
Donald Amone (il 1958-01-25), Al Caiola (il 1958-01-25) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-01-26)
pianoforte :
Norman Petty (il 1958-01-25, il 1958-01-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-01-25, il 1958-01-26)
voce di accompagnamento:
Robert Bollinger (il 1958-01-25), Robert Harter (il 1958-01-25), Abby Hoffer (il 1958-01-25), William Marine (il 1958-01-25) e Merril Ostrus (il 1958-01-25)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Bell Sound Studios in New York, New York, Stati Uniti (il 1958-01-26)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 154)
registrazione cover di:
Rave On (il 1958-01-26)
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) e Wren Music Co.
4.21:51
4Oh Boy
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce di accompagnamento:
Bob Lapham (il 1957-08-18), Bill Pickering (il 1957-08-18) e John Pickering (vocalist and leader of The Picks) (il 1957-08-18)
voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-06-29 al 1957-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01, il 1957-08-18)
registrazione di:
Oh, Boy! (dal 1957-07-01 al 1957-08-18)
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
42:10
5Brown Eyed Handsome Man
tecnico di registrazione:
Norman Petty (dal 1956-12 al 1957-01)
produttore:
Norman Petty
basso :
Larry Welborn (dal 1956-12 al 1957-01)
batteria :
Jerry Allison (dal 1956-12 al 1957-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-12 al 1957-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-12 al 1957-01)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1963) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1956-12 al 1957-01)
registrazione cover di:
Brown Eyed Handsome Man (dal 1956-12 al 1957-01)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:05
6It Doesn’t Matter Any More
produttore:
Dick Jacobs (arranger, musician and bandleader) e Norman Petty
arpa :
Doris Johnson (harpist) (il 1958-10-21)
batteria :
Cliff Leeman (il 1958-10-21)
chitarra :
Al Caiola (il 1958-10-21)
chitarra basso :
Sanford Bloch (Bass player) (il 1958-10-21)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-10-21)
sassofono tenore :
Abraham “Boomie” Richman (il 1958-10-21)
viola :
Howard Kay (Violin player) (il 1958-10-21) e David Schwartz (violist) (il 1958-10-21)
violino :
Herbert Bourne (il 1958-10-21), Ray Free (il 1958-10-21), Julius Held (il 1958-10-21), Leo Kruczek (il 1958-10-21), Leonard Posner (il 1958-10-21), Sylvia Shulman (il 1958-10-21), Irving Spice (violinist, concertmaster and strings) (il 1958-10-21) e Paul Winter (violin) (il 1958-10-21)
violoncello :
Maurice Bialkin (il 1958-10-21) e Maurice Brown (jazz cellist) (il 1958-10-21)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (il 1958-10-21)
direttore d'orchestra:
Dick Jacobs (arranger, musician and bandleader) (il 1958-10-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1959) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1959)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1958-10-21)
registrazione di:
It Doesn’t Matter Anymore (il 1958-10-21)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
2.752:05
7Everyday
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
celesta :
Vi Petty (il 1957-05-29)
chitarra e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
percussione [cardboard box percussion] :
Jerry Allison (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-29)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 236)
registrazione di:
Everyday (il 1957-05-27)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Peer International Corporation (BMI) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:09
8Well All Right
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1958-02-12)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
piatti :
Jerry Allison (il 1958-02-12)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1958-02-12)
registrazione di:
Well… All Right (il 1958-02-12)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Music Publishing Inc.
42:16
9Heartbeat
produttore:
Norman Petty
basso :
George Atwood (dal 1958-05-25 al 1958-05-26)
batteria :
Jerry Allison (dal 1958-05-25 al 1958-05-26)
chitarra :
Tommy Allsup (dal 1958-05-25 al 1958-05-26) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-05-25 al 1958-05-26)
registrazione di:
Heartbeat (dal 1958-05-25 al 1958-05-26)
autore:
Bob Montgomery (USA) e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
4.652:11
10Think It Over
registrazione di:
Think It Over
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Cedarwood Pub. Co., Inc.
1:48
11Not Fade Away
registrazione di:
Not Fade Away
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
2:21
12What to Do
registrazione di:
What to Do
autore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
Southern Music (publisher)
51:55
13True Love Ways
produttore:
Dick Jacobs (arranger, musician and bandleader)
arpa :
Doris Johnson (harpist) (il 1958-10-21)
batteria :
Cliff Leeman (il 1958-10-21)
chitarra :
Al Caiola (il 1958-10-21)
chitarra basso :
Sanford Bloch (Bass player) (il 1958-10-21)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-10-21)
sassofono tenore :
Abraham “Boomie” Richman (il 1958-10-21)
violino :
Herbert Bourne (il 1958-10-21), Ray Free (il 1958-10-21), Julius Held (il 1958-10-21), Leo Kruczek (il 1958-10-21), Leonard Posner (il 1958-10-21), Sylvia Shulman (il 1958-10-21), Irving Spice (violinist, concertmaster and strings) (il 1958-10-21) e Paul Winter (violin) (il 1958-10-21)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (il 1958-10-21)
direttore d'orchestra:
Dick Jacobs (arranger, musician and bandleader) (il 1958-10-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1960) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1960)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1958-10-21)
registrazione di:
True Love Ways (il 1958-10-21)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.52:52
14Raining in My Heart
produttore:
Dick Jacobs (arranger, musician and bandleader)
arpa :
Doris Johnson (harpist) (il 1958-10-21)
batteria :
Cliff Leeman (il 1958-10-21)
chitarra :
Al Caiola (il 1958-10-21)
chitarra basso :
Sanford Bloch (Bass player) (il 1958-10-21)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-10-21)
sassofono tenore :
Abraham “Boomie” Richman (il 1958-10-21)
viola :
Howard Kay (Violin player) (il 1958-10-21) e David Schwartz (violist) (il 1958-10-21)
violino :
Herbert Bourne (il 1958-10-21), Ray Free (il 1958-10-21), Julius Held (il 1958-10-21), Leo Kruczek (il 1958-10-21), Leonard Posner (il 1958-10-21), Sylvia Shulman (il 1958-10-21), Irving Spice (violinist, concertmaster and strings) (il 1958-10-21) e Paul Winter (violin) (il 1958-10-21)
violoncello :
Maurice Bialkin (il 1958-10-21) e Maurice Brown (jazz cellist) (il 1958-10-21)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (il 1958-10-21)
direttore d'orchestra:
Dick Jacobs (arranger, musician and bandleader) (il 1958-10-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1959) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1959)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1958-10-21)
registrazione di:
Raining in My Heart (il 1958-10-21)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC e Sony/ATV Music Publishing (UK) Ltd.
52:50
15Reminiscing
registrazione di:
Reminiscing
paroliere e compositore:
King Curtis (saxophonist)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) e Nor-Va-Jak Music, Inc
2:00
2▼CD
#TitoloValutazioneDurata
1Wishing
registrata a:
Clovis, New Mexico, Stati Uniti (il 1958-06-02)
produttore:
Norman Petty
basso :
George Atwood (il 1958-06-02)
batteria :
Bo Clarke (il 1958-06-02)
chitarra :
Tommy Allsup (il 1958-06-02) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-06-02)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-06-02)
esecutore:
The Fireballs (USA 1960s surf rock band) (nel 1963)
registrazione di:
Wishing (dal 1958-06-02 al 1963)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Bob Montgomery (USA)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
2:04
2It’s So Easy
registrazione di:
It’s So Easy
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Publications Inc., Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1958)
2:12
3Because I Love You
registrazione di:
Because I Love You
autore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
APRS (American Performing Rights Society, Inc.(BMI))
2:41
4Words of Love
registrazione di:
Words of Love (Buddy Holly song)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. e Southern Music Publishing Company Limited
1:56
5Listen to Me
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1969)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
registrazione di:
Listen to Me (dal 1957-06-29 al 1957-07-01)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
autore:
Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) e Wren Music Co.
3.52:23
6Maybe Baby
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-09-29)
batteria :
Jerry Allison (il 1957-09-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29) e Niki Sullivan (il 1957-09-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14) e John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (il 1957-09-29) e Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 14)
registrazione di:
Maybe Baby (dal 1957-09-29 al 1957-10-14)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Pub e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:04
7Bo Diddley
registrazione cover di:
Bo Diddley
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
2:22
8Peggy Sue Got Married
registrazione di:
Peggy Sue Got Married
compositore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
1:46
9Love’s Made a Fool of You
registrazione di:
Love’s Made a Fool of You
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Bob Montgomery (USA)
editore:
Southern Music Ltd. (publisher) (nel 1981)
2:00
10Slippin’ & Slidin’
registrazione cover di:
Slippin’ and Slidin’
autore:
Edwin Bocage, Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”), Richard Wayne Penniman e James Smith (composer of “Slippin’ and Slidin’”)
editore:
Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing MGB Ltd. e Venice Music
2:34
11Fool’s Paradise
registrazione di:
Fool’s Paradise
autore:
Sonny LeGlaire, Horace Linsley (songwriter) e Norman Petty
editore:
McCartney Music, Inc. e Southern Music Publ. Co. Ltd.
2:31
12I’m Gonna Love You Too
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
registrazione di:
I’m Gonna Love You Too (dal 1957-06-29 al 1957-07-01)
autore:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty e Niki Sullivan
editore:
MPL (Paul McCartney-related) (conclusa), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1957, nel 1958)
4.52:15
13Tell Me How
registrazione di:
Tell Me How
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
BMG Platinum Songs US e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:02
14Early in the Morning
registrazione cover di:
Early in the Morning
autore:
Bobby Darin e Woody Harris
editore:
Good Music Ltd., Royalty e United Artists Music Co., Inc.
2:08
15Looking for Someone to Love
registrazione di:
I’m Lookin’ for Someone to Love
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e Wren Music Co.
1:57

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Allmusic:https://www.allmusic.com/album/mw0001625626 [info]