Classic Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

This was a release available at Santiy music stores containing 3 volumes of Classic 80's.

3 Jewel Cases in a cardboard slipcase.

Cat# / barcode (CD 1): 7243 8 57936 2 2 / 724385793622
Cat# / barcode (CD 2): 7243 8 57937 2 1 / 724385793721
Cat# / barcode (CD 3): 7243 8 57938 2 0 / 724385793820

Anmerkung zuletzt geändert am 2025-08-15 23:26 UTC.

Titelliste

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1▼CD: Volume One
Nr.TitelKünstlerBewertungLänge
1Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Vereinigte Staaten (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, Vereinigte Staaten
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood and the Destroyers4.24:52
2Morning Train (9 to 5)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton3:19
3Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
J. Geils Band43:37
4Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
The Vapors3.63:47
5Let's Go All the Way
recording of:
Let’s Go All the Way
Texter und Komponist(in):
Gary “Mudbone” Cooper
publisher:
EMI Music Publishing (do not use as a release label!)
Sly Fox3:59
6Listening
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!)
recording of:
Listening
Verfasser(in):
Brian Canham (Australian singer ex. Pseudo Echo) und Tony Lugton
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Pty. Ltd.
Pseudo Echo5:34
7Queen of Hearts
recording engineer:
Joe Chiccarelli
Partner-Produzent(in):
Otha Young
Produzent(in):
Richard Landis
Mix:
Michael Verdick
arranger:
Charles Calello
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, Vereinigte Staaten
cover recording of:
Queen of Hearts (am 1980-10-21)
Texter und Komponist(in):
Hank DeVito
publisher:
Bug Music (music publishing) und Drunk Monkey Music (in 1979)
Juice Newton3.83:26
8Too Late for Goodbyes
recording of:
Too Late for Goodbyes
Texter und Komponist(in):
Julian Lennon
publisher:
Charisma Music Publishing Ltd und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Julian Lennon6:00
9Down on the Border
Techniker(in) und Mix:
Ern Rose
Produzent(in):
Little River Band und Ern Rose
Akustikgitarre:
Beeb Birtles (in 1982-03) und Graham Goble (in 1982-03)
Bass:
Wayne Nelson (in 1982-03)
E-Gitarre:
Stephen Housden (guitarist) (in 1982-03)
Perkussion und Schlagzeug:
Derek Pellicci (in 1982-03)
Hintergrundgesang:
Beeb Birtles (in 1982-03), John Farnham (in 1982-03) und Graham Goble (in 1982-03)
Sologesang:
John Farnham (in 1982-03)
vocals arranger:
Graeham Goble
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Capitol Records (imprint of Capitol Records, Inc.) (in 2002)
aufgenommen bei und mixed at:
AAV Australia (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
recording of:
Down on the Border (in 1982-03)
Texter und Komponist(in):
Graeham Goble
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Universal/MCA Music Publishing Pty Ltd
Little River Band2:52
10Don't Worry Be Happy
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4:21
11Don't Look Back
Sologesang:
Mick Jagger (The Rolling Stones) und Peter Tosh
cover recording of:
Don’t Look Back
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Peter Tosh3:44
12Electric Avenue
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 23)
recording of:
Electric Avenue
Texter und Komponist(in):
Eddy Grant
publisher:
Warner/Chappell Music Ltd. (1996–2019)
was commissioned by:
Greenheart Music
Eddy Grant53:45
13True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet5:44
14Under the Milky Way
assistierende(r) Techniker(in):
Duane Seykora
Techniker(in):
Shep Lonsdale
Produzent(in):
The Church, Greg Ladanyi und Waddy Wachtel
Mix:
Greg Ladanyi, Shep Lonsdale und Waddy Wachtel
Bass und Sologesang:
Steve Kilbey
Gitarre:
Peter Koppes und Marty Willson-Piper
Keyboard:
Greg Kuehn
Schlagzeug:
Richard Ploog
Synclavier:
Awesome Welles
phonographisches Urheberrecht (℗) von:
The Church (in 2009)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) und The Church Pty Limited (in 1988, in 2005)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 29) und VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 84)
recording of:
Under the Milky Way
Verfasser(in):
Karin Jansson und Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) und Universal/MCA Music Publishing Pty Ltd
The Church4.354:59
15Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexy's Midnight Runners33:27
2▼CD: Volume Two
Nr.TitelKünstlerBewertungLänge
1Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
2Respectable
Produzent(in):
Stock Aitken Waterman
arranger:
Stock Aitken Waterman
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
produced for:
PWL
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 37)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel and Kim2.55:33
3Atomic
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Hintergrundgesang:
Ellie Greenwich (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Atomic (von 1979-05 bis 1979-06)
Verfasser(in):
Jimmy Destri und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc
Blondie3.84:41
4Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:44
5Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:28
6I’m on My Way
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
I’m on My Way
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Proclaimers33:41
7Ship of Fools
recording of:
Ship of Fools
Texter und Komponist(in):
Karl Wallinger
publisher:
Polygram Music, PolyGram Music Publishing Ltd. und Welk Music Ltd.
World Party4.354:30
8Everywhere I Go
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1984)
recording of:
Everywhere I Go
Verfasser(in):
Tony Backhouse und Jenny Morris (NZ‐born Australian singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
QED3:33
9Talk Talk (single version)
Produzent(in):
Rhett Davies
recording of:
Talk Talk (Talk Talk)
Texter und Komponist(in):
Ed Hollis (British songwriter and producer) und Mark Hollis
Talk Talk52:59
10Vienna
recording of:
Vienna
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox5:00
11Human
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986, in 2003)
Musikvideos:
Human von The Human League
recording of:
Human
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Flyte Tyme Tunes
The Human League3.53:49
12No Tragedy
phonographisches Urheberrecht (℗) von:
EMI Music Australia Pty. Limited (not for release label use!) (in 1983)
recording of:
No Tragedy
Verfasser(in):
Geoff Turner (Australian)
publisher:
Rondor Music (Australia) Pty Ltd
The Radiators4:05
13Senses Working Overtime
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Bearbeitung von:
Senses Working Overtime von XTC (English rock band)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:37
14One Perfect Day
Bass:
Peter Leslie (bassist)
Keyboard:
Martin Fisher (keyboards, in Dear Enemy)
Schlagzeug:
Alan "Clutch" Robertson
vocals:
Roger Hart (Australian guitarist, vocalist, songwriter)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!) (in 1982) und EMI Music Australia Pty. Limited (not for release label use!) (in 1982)
recording of:
One Perfect Day (Little Heroes song)
Verfasser(in):
Roger Wells (Roger Garfield Ferrier)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Orient Pacific Music Pty. Ltd.
The Little Heroes3:41
3▼CD: Volume Three
Nr.TitelKünstlerBewertungLänge
1Hot in the City
assistierende(r) Techniker(in):
Steve Bates (engineer)
Techniker(in):
Brian Reeves
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bassgitarre:
Phil Feit
Gitarre:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
Schlagzeug:
Steve Missal
Sologesang:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982), Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984)
aufgenommen bei und mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Hot in the City (extended version) von Billy Idol (English rock singer‐songwriter)
Musikvideos:
Hot in the City (uncensored version) von Billy Idol (English rock singer‐songwriter)
recording of:
Hot in the City
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Mushroom Music (Mushroom label’s publishing company) und Rare Blue Music Inc
Billy Idol3.83:39
2Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:56
3The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Huey Lewis and the News43:56
4I Want That Man
recording of:
I Want That Man
Texter und Komponist(in):
Tom Bailey (Thompson Twins) und Alannah Currie
publisher:
BMG Music, Point Music Ltd. und Point Music America Inc. (in 1989)
Deborah Harry3:40
5Save a Prayer
Techniker(in) und Produzent(in):
Colin Thurston
arranger:
Duran Duran (English rock band)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (vom 1982 bis heute)
recording of:
Save a Prayer (Duran Duran)
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran4.055:28
6Strut
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
Strut
Verfasser(in):
Charlie Dore und Julian Littman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und PolyGram Music Publishing
Sheena Easton4:02
7A Message to You Rudy
Produzent(in):
Elvis Costello
Gast-Posaune:
Rico Rodriguez (Jamaican trombonist)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 132)
cover recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
recording of:
A Message to You, Rudy
Texter und Komponist(in):
Dandy Livingstone
The Specials42:55
8Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
9Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:25
10Reckless (Don't You Be So...)
phonographisches Urheberrecht (℗) von:
EMI Music Australia (defunct holding company, not for release label use!)
recording of:
Reckless (Don't Be So...)
Texter und Komponist(in):
James Reyne
publisher:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Australian Crawl5:04
11Black Man Ray
recording of:
Black Man Ray
Verfasser(in):
Gary Daly, Gazza Johnson und Eddie Lundon (China Crisis)
China Crisis3:39
12Forever Your Girl
Produzent(in):
Oliver Leiber
arranger:
Oliver Leiber
Teil von:
The Downloader’s Music Source Book (Nummer: 83)
recording of:
Forever Your Girl
Texter und Komponist(in):
Oliver Leiber
Paula Abdul35:00
13Tired of Toein' the Line
recording of:
Tired of Toein’ the Line
Verfasser(in):
Rocky Burnette und Ronald Donavon Coleman
publisher:
Cheshire Music Inc., NFC, Onward Music Ltd. und キュー・ミュージック・ジャパン (Q Music Japan)
Rocky Burnette4.53:34
14The One That You Love
recording of:
The One That You Love
Texter und Komponist(in):
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers, Warner/Chappell Music Ltd. (1996–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Careers Music, Inc. (vom 1981 bis ????) und Bestall Reynolds Music (vom 1981 bis heute)
Air Supply4:18
15Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:26

Nennungen

Veröffentlichung

gedruckt in:Australien
hergestellt von und vertrieben von:EMI Music Group Australasia (not for release label use! manufacturer and distributor)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Music Australia (defunct holding company, not for release label use!) (in 1997)
Discogs:https://www.discogs.com/release/5671200 [Info]