Kuscheljazz 7

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1High and Dry
cover recording of:
High and Dry
Verfasser(in):
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) und Thom Yorke
publisher:
Warner Chappell Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
50/50
Jamie Cullum4:55
2Baby I'm a Fool
Bass:
Ken Pendergast (bass player, vocalist)
Bratsche / Viola:
Alma Fernandez, Samuel Formicola (violist), Roland Kato und Dave Walther (Musician - Viola Player)
Cello:
Larry Corbett, Christina Soule (cello) und Cécilia Tsan (cellist)
Geige / Violine:
Darius Campo, Roberto Cani (violinist), Kevin Connolly (violinist), Joel Derouin, Miran H. Kojian, Natalie Leggett, Liane Mautner, Robin Olson, Katia Popov und Audrey Solomon
Harfe:
Amy Shulma (Musican - Harp Player)
Kontrabass:
Nico Abandolo (Musician - Bass Player) und Drew Dembowski
Schlagzeug:
Charlie Patterno (Musician - Drummer)
vocals:
Melody Gardot
recording of:
Baby I'm a Fool
Texter und Komponist(in):
Melody Gardot
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Melody Gardot3.653:32
3Your Way to Say Goodbye
Till Brönner3:27
4Fields of Gold
Eva Cassidy4:42
5(Another Song) All Over Again
zusätzlich recording engineer:
Dana Nielson
sonstige Unterstützung:
Lindsay Chase
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Mix:
Andrew Scheps
Bass:
Melvin Dunlap
Bratsche / Viola:
Darin McCann, Andrew Duckles und Matt Funes
Cello:
Suzie Katayama und Timothy Landauer
Geige / Violine:
Natalie Leggett, Jennifer Levin, Mario De Leon, Michele Richards, Tereza Stanislav (violinist), Josefina Vergara (Chilean-American violinist) und John Wittenberg
Gitarre:
Benorce Blackmon (guitarist, producer, writer) und Smokey Hormel
Klavier:
Justin Timberlake
Orgel:
Clarence McDonald
Perkussion:
Lenny Castro
Schlagzeug:
James Gadson (American drummer)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Zomba Recording LLC (in 2006)
aufgenommen bei:
Akademie Mathematique of Philosphical Sound Research in Los Angeles, California (Kalifornien), Vereinigte Staaten, Arch Angel Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und The Document Room in Malibu, California (Kalifornien), Vereinigte Staaten
recording of:
(Another Song) All Over Again
Verfasser(in):
Matt Morris (alternative artist from Denver, CO, USA) und Justin Timberlake
publisher:
Mass Transit Music, Tennman Tunes und Zomba Enterprises, Inc.
Justin Timberlake35:47
6The Closest Thing to Crazy
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Sologesang:
Katie Melua
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
Dramatico Entertainment Ltd. (not release label) (in 2003) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) und Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:13
7Upside Out
Viktoria Tolstoy3:56
8The Way I Am
recording engineer:
Mark Turrigiano
Produzent(in):
Chris Kuffner, Ingrid Michaelson und Mark Turrigiano
Mix:
Dan Romer
Gast-Perkussion:
Scott Persson (Fairfield, CT session drummer)
vocals:
Ingrid Michaelson
phonographisches Urheberrecht (℗) von:
Cabin 24 Records
aufgenommen bei:
Irving Place in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
The Way I Am (music video) von Ingrid Michaelson
recording of:
The Way I Am
Texter, Verfasser(in) und Komponist(in):
Ingrid Michaelson
Ingrid Michaelson42:14
9Don't Want You to Wake Up
Teitur5:13
10Mrs. Cold
Assistent recording engineer und assistierende(r) Mix:
Carlo Pinna (engineer)
recording engineer und Mix:
Davide Bertolini (sound engineer)
Produzent(in):
Davide Bertolini (sound engineer), Robert Jønnum und Kings of Convenience
Bratsche / Viola:
Tobias Hett (German viola player, songwriter, producer and engineer)
klassiche Gitarre [nylon string guitar] und Sologesang:
Erlend Øye
Kontrabass [upright bass]:
Davide Bertolini (sound engineer)
steel-string acoustic guitar und Hintergrundgesang:
Eirik Glambek Bøe
aufgenommen bei und mixed at:
Esagono Recording Studio (Recording Studio Reggio emilia) in Reggio Emilia, Reggio Emilia, Emilia-Romagna, Italien
recording of:
Mrs. Cold
Verfasser(in):
Eirik Glambek Bøe und Erlend Øye
Kings of Convenience3:08
11Pornographer's Dream
Programmierung:
Pete Davis (UK engineer, programmer, keyboards)
Akustikgitarre:
Gerry Leonard
Bass:
Michael Visceglia
Klavier:
Martin Slattery
Perkussion:
Jimmy Hogarth (producer and songwriter)
Saiteninstrumente:
London Studio Orchestra
Schlagzeug und Perkussion:
Doug Yowell
zusätzlich conductor:
Wil Malone
Saiteninstrumente arranger:
Wil Malone
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 72)
recording of:
Pornographer’s Dream
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
Suzanne Vega13:24
12Take On Me
cover recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
Graziella Schazad3:34
13Lovely Head
recording engineer:
Goldfrapp
Programmierung:
Nick Batt
zusätzliche Programmierung:
Chris Weston
zusätzliche(r) Techniker(in):
Luke Gordon (UK engineer/producer and performer as Spacer), David Lord (British composer, engineer and producer) und Kevin Paul
Produzent(in):
Alison Goldfrapp und Will Gregory (saxophonist and member of Goldfrapp)
zusätzliche(r) Produzent(in):
Nick Batt
Bass:
Nick Batt
Bassgitarre:
Adrian Utley
Bratsche / Viola und Geige / Violine:
Stuart Gordon
Keyboard:
Alison Goldfrapp und Will Gregory (saxophonist and member of Goldfrapp)
Schlagzeug:
John Parish
vocals:
Alison Goldfrapp
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Will Gregory (saxophonist and member of Goldfrapp)
arranger:
Goldfrapp
phonographisches Urheberrecht (℗) von:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 2000)
aufgenommen bei und mixed at:
The Bungalow in Bristol, England, Vereinigtes Königreich
recording of:
Lovely Head
Verfasser(in):
Alison Goldfrapp und Will Gregory (saxophonist and member of Goldfrapp)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Ltd. (1996–2019)
Goldfrapp3.73:44
14In the Waiting Line
Produzent(in) und Mix:
Zero 7
Zusammensteller:
Aurore Leblanc
Bass:
Pete Trotman
Gitarre:
Dedi Madden
Schlagzeug:
Jeremy Stacey
vocals:
Sophie Barker (UK electronic vocalist)
phonographisches Urheberrecht (℗) von:
Ultimate Dilemma Records (in 2001)
mixed at:
Shabang Studios
produced at:
Shabang Studios
Musikvideos:
In the Waiting Line (Music video) von Zero 7
recording of:
In the Waiting Line
Verfasser(in):
Sophie Barker (UK electronic vocalist), Henry Binns und Sam Hardaker
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Zero 74.64:34
15Underwater Love
Mix:
Ben Hillier (UK Producer)
recording of:
Underwater Love
Verfasser(in):
Luiz Bonfá, Marc Brown (UK electronic DJ/producer) und Nina Miranda (Brazilian singer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Westbury Music
Smoke City3:59
16Slip Into Something More Comfortable
recording of:
Slip Into Something More Comfortable
Verfasser(in):
Mark Blackburn, Fred Karger (Frederick Maxwell Karger, Jr), Julius Waters (Production music composer) und Robert Wells (songwriter)
publisher:
Barton Music Corp. und Imagem London Ltd.
Kinobe3.84:54
17Undress Me Now
recording of:
Undress Me Now
Orchestrator(in):
Nick Ingman
Texter:
Paul Godfrey und Skye (Skye Edwards, singer for Morcheeba)
Komponist(in):
Ross Godfrey und Kurt Wagner
publisher:
Bug Music (music publishing) und Chrysalis Music (music publisher, ASCAP-affiliated)
Morcheeba3:26
18Back to the Moon
Jazzamor4:13
2▼CD
Nr.TitelKünstlerBewertungLänge
1All the Way
Produzent(in):
James Brown (The Godfather of Soul)
Bassgitarre:
Lee Tucker
Klavier:
Frank Vincent
membranophone:
Dee Felice (American jazz drummer and bandleader)
vocals:
James Brown (The Godfather of Soul)
cover recording of:
All the Way (from “The Joker Is Wild”)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
James Brown3:44
2I'm Just a Lucky So and So
Produzent(in):
Jim West (canadian producer, Justin Time Records)
Klavier:
Diana Krall (in 1992-10)
Kontrabass [bass]:
John Clayton (US jazz and classical double bassist) (in 1992-10)
Schlagzeug:
Jeff Hamilton (jazz drummer) (in 1992-10)
vocals:
Diana Krall (in 1992-10)
cover recording of:
I’m Just a Lucky So and So (in 1992-10)
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Diana Krall4:22
3What a Difference a Day Made
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-10)
Produzent(in):
Robert Mersey
Sologesang:
Aretha Franklin (am 1964-02-10)
conductor:
Robert Mersey
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964, in 1992)
cover recording of:
What a Diff’rence a Day Made (am 1964-02-10)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Aretha Franklin33:33
4Cowboys & Angels
Produzent(in):
George Michael
vocals:
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1990)
recording of:
Cowboys and Angels
Texter und Komponist(in):
George Michael
George Michael2.57:14
5By Your Side
recording of:
By Your Side
Texter:
Sade Adu
Komponist(in):
Sade Adu, Andrew Paul Hale (keyboardist/composer), Paul Spencer Denman und Stuart Colin Matthewman
Sade4:21
6My Song to You
Tom Gaebel4:09
7Sunny
cover recording of:
Sunny
Texter und Komponist(in):
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Paul Carrack3:20
8Yellow Moon
The Neville Brothers4:04
9How Come You Don't Call Me
Alicia Keys4:00
10(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
11Do You Want to Dance
recording of:
Do You Want to Dance
Texter und Komponist(in):
Bobby Freeman
publisher:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp. und Sherwin Music (publisher)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Bette Midler2:45
12The Air That I Breathe
Bass:
David Piltch
Gitarre:
Kevin Breit
Keyboard:
Teddy Borowiecki
Schlagzeug:
Abraham Laboriel Jr.
Orchestrator(in):
Jimmie Haskell
cover recording of:
The Air That I Breathe
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
k.d. lang56:01
13Finally Home
Vonda Shepard2:13
14Spoiled
Joss Stone4:05
15Human Nature
Techniker(in) und Mix:
Ron Lorman und Tom Swift (engineer)
Koproduzent(in):
Vince Wilburn, Jr. (drummer)
Produzent(in):
Miles Davis (jazz trumpeter, bandleader, songwriter) und Robert Irving III (keyboardist)
Bass:
Darryl Jones (bassist for The Rolling Stones) (von 1984-12-26 bis 1984-12-27)
Gitarre:
John Scofield (US guitarist/composer)
Perkussion:
Steve Thornton (percussionist) (von 1984-12-26 bis 1984-12-27)
Schlagzeug:
Vince Wilburn, Jr. (drummer)
Synthesizer:
Robert Irving III (keyboardist) (von 1984-12-26 bis 1984-12-27)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (von 1984-12-26 bis 1984-12-27)
arranger:
Miles Davis (jazz trumpeter, bandleader, songwriter) und Robert Irving III (keyboardist)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-12-26 bis 1984-12-27)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
instrumental cover recording of:
Human Nature (von 1984-12-26 bis 1984-12-27)
Texter:
John Bettis
Komponist(in):
Steve Porcaro
publisher:
John Bettis Music und Mystical Light Music
sub-publisher:
Sony Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (, vom 2017-04-01 bis heute), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31)
Teil von:
MJ: The Musical
Miles Davis54:31
16Bin heute Abend bei dir
Techniker(in):
Geoff Peacey
Produzent(in):
Matthias Haß und Frank Ramond
Mix:
Jeo
Bass:
Hervé Jeanne
Blechblasinstrumente:
Axel Beineke und Dirk Lentschat
Gitarre:
Edward Harris (guitarist)
Holzblasinstrumente:
Stephan Abel, Ulli Orth und Thomas Zander
Keyboard [keyboards]:
Lutz Krajenski
membranophone:
Matthias Meusel (Maze)
Posaune:
Andreas Barkhoff und Uwe Granitza
Rohrblattinstrumente:
Markus Steinhauser
Saiteninstrumente:
Strings DeLuxe
vocals:
Roger Cicero
arranger:
Lutz Krajenski
phonographisches Urheberrecht (℗) von:
Starwatch Music
aufgenommen bei:
Peer Studio in Hamburg, Deutschland
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland
recording of:
Bin heute Abend bei dir
Texter:
Frank Ramond
Komponist(in):
Matthias Haß
Roger Cicero43:11
17Nothing Has Been Proved
recording of:
Nothing Has Been Proved
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
Cage Music Ltd.
Dusty Springfield24:42
18Sunshine Cake
recording of:
Sunshine Cake
Verfasser(in):
Johnny Burke (American lyricist, 1908–1964) und Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc.
Frank Sinatra & Paula Kelly3:08

Nennungen

Veröffentlichungsgruppe

Teil von:Kuscheljazz (Nummer: 7) (Reihenfolge: 7)