The Female Touch 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Maria
recording engineer und Produzent(in):
Craig Leon (musician, arranger, composer and producer)
Mix:
Steve Shipley
Bassgitarre:
Leigh Foxx
Gitarre:
Paul Carbonara
Interpret(in):
Clem Burke, Jimmy Destri, Deborah Harry und Chris Stein
phonographisches Urheberrecht (℗) von:
Beyond Music (US rock label) (in 1998)
aufgenommen bei:
Chung King House of Metal in New York, New York, Vereinigte Staaten, Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und Red Night Recording in New York, New York, Vereinigte Staaten
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Maria (Blondie)
Texter und Komponist(in):
Jimmy Destri
publisher:
Dick Johnson Songs
Blondie4.44:08
2Believe
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3:37
3What Can I Do (Tin Tin Out remix)
Produzent(in):
Jim Corr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
recording of:
What Can I Do
Verfasser(in):
Andrea Corr, Caroline Corr, Jim Corr und Sharon Corr
publisher:
Beacon Communications Music Co. (in 1997) und Songs of PolyGram International, Inc. (in 1997)
The Corrs34:15
4When I Grow Up
assistierende(r) Techniker(in):
Mike Zirkel
Techniker(in):
Billy Bush (mixing engineer)
Produzent(in):
Duke Erikson (member of Garbage), Garbage (US rock band), Shirley Manson, Steve Marker und Butch Vig
vocals:
Shirley Manson
Interpret(in):
Garbage (US rock band)
aufgenommen bei und mixed at:
Smart Studios in Madison, Wisconsin, Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 13)
recording of:
When I Grow Up (Garbage)
Verfasser(in):
Duke Erikson (member of Garbage), Shirley Manson, Steve Marker und Butch Vig
publisher:
Deadarm Music und Vibecrusher Music
Garbage3.53:22
5Big Mistake
recording of:
Big Mistake
Verfasser(in):
Mark Goldenberg und Natalie Imbruglia
publisher:
BMG Music, BMG Music Publishing Ltd., Mushroom Music (Mushroom label’s publishing company) und Windswept Pacific
Natalie Imbruglia33:31
6Mulder and Scully
assistierende(r) Techniker(in):
Jason Harris (engineer)
Techniker(in):
Joe Gibb
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
Mix:
Roland Herrington und TommyD
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
aufgenommen bei:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Mulder and Scully
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.54:10
7Bitch
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks3:49
8Drop Dead Gorgeous
Gast-Instrumente:
Johnny Male
Gast-Keyboard:
Pete Davis (solo project of math rock band Invalids)
Keyboard:
Tim Dorney und Andy Todd (UK electronic producer/keyboardist, member of Republica)
Schlagzeug:
Dave Barbarossa
Sologesang:
Saffron (singer of Republica)
recording of:
Drop Dead Gorgeous
Verfasser(in):
Tim Dorney, Johnny Male, Saffron (singer of Republica) und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd. und Momentum Music (publisher)
Republica33:33
9Cornflake Girl
recording engineer:
John Beverly Jones, Paul McKenna (mixing engineer) und Eric Rosse
Programmierung:
Eric Rosse
Mix:
Kevin Killen
Bass:
George Porter, Jr. (von 1993-02 bis 1993-10)
guitar family und Mandoline:
Steve Caton (von 1993-02 bis 1993-10)
Klavier und Sologesang:
Tori Amos (von 1993-02 bis 1993-10)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (von 1993-02 bis 1993-10)
Schlagzeug:
Carlo Nuccio (von 1993-02 bis 1993-10)
Gast vocals:
Merry Clayton (von 1993-02 bis 1993-10)
Herausgeber:
Sword and Stone
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
The Fishhouse in New Mexico, Vereinigte Staaten (von 1993-02 bis 1993-10)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Cornflake Girl (von 1993-02 bis 1993-10)
Texter und Komponist(in):
Tori Amos
publisher:
Sword and Stone
Tori Amos3.95:06
10Sober
recording of:
Sober
Texter und Komponist(in):
Andy Goldmark und Wayne Kirkpatrick (American songwriter, musician and producer)
Jennifer Paige33:38
11What’s Up
recording engineer:
David Tickle (in 1992)
Mastering:
Stephen Marcussen (mastering engineer)
Techniker(in):
Mark Hensley
zusätzliche(r) Techniker(in):
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
vocals:
Christa Hillhouse (in 1992) und Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat und Stuck in the Throat Music
4 Non Blondes4.354:23
12Stolen Car
recording of:
Stolen Car
Verfasser(in):
Ted Barnes, Will Blanchard, Beth Orton und Sean Read
Beth Orton4:31
13Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.43:02
14I Don’t Want to Talk About It
Produzent(in):
Ben Watt (von 1987-09 bis 1987-12)
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich (von 1987-09 bis 1987-12)
cover recording of:
I Don’t Want to Talk About It (von 1987-09 bis 1987-12)
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Everything but the Girl44:15
15Fields of Gold
Akustikgitarre:
Eva Cassidy
E-Gitarre:
Keith Grimes
vocals:
Eva Cassidy
Remaster von:
Fields of Gold von Eva Cassidy
cover recording of:
Fields of Gold
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) und Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:40
16Hands
recording of:
Hands
Verfasser(in):
Jewel Kilcher (singer-songwriter Jewel Kilcher) und Patrick Leonard (producer, songwriter and pianist)
publisher:
No Tomato Music, WB Music Corp. (1929–2019) und Wiggly Tooth Music
Jewel3:22
17Hedonism (Just Because You Feel Good)
Programmierung:
Darren Vaz und Skunk Anansie
Techniker(in):
Mr. Colson, GGGarth (Canadian music producer and engineer) und Andrew Scarth
Produzent(in):
GGGarth (Canadian music producer and engineer)
assistierende(r) Mix:
Chad Bamford und Guido South
Mix:
Joe Barresi (recording engineer, mixer, producer)
Bassgitarre:
Cass Lewis
Gitarre:
Ace (Member of Skunk Anansie)
Perkussion und Schlagzeug:
Mark Richardson (UK drummer)
Sologesang:
Skin (Skunk Anansie singer)
Saiteninstrumente arranger:
Wil Malone
aufgenommen bei:
Great Linford Manor in Milton Keynes, England, Vereinigtes Königreich
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Hedonism (Just Because You Feel Good) (uncut version) von Skunk Anansie
recording of:
Hedonism (Just Because You Feel Good)
Verfasser(in):
Len Arran und Skin (Skunk Anansie singer)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Skunk Anansie43:24
18One of Us
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne44:16
19True Colors
Techniker(in) und Mix:
Bryan McGee (sound engineer)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recording of:
True Colors
Verfasser(in):
Billy Steinberg und Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (beendet), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Tennman Tunes
Cyndi Lauper4.63:45
20Damn, I Wish I Was Your Lover
recording of:
Damn I Wish I Was Your Lover
Texter und Komponist(in):
Sophie B. Hawkins
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Broken Plate Music Inc. (in 1992) und The Night Rainbow Music (publisher) (in 1992)
Sophie B. Hawkins3:59
2▼CD
Nr.TitelKünstlerBewertungLänge
1How Do I Live
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 6)
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes3:58
2There Must Be an Angel (Playing with My Heart)
recording of:
There Must Be an Angel (Playing With My Heart)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics4:17
3The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:08
4Feel So High
Produzent(in):
Ashley Ingram
zusätzliche(r) Produzent(in):
Phil Legg
Mix:
Phil Legg
Bass, Gitarre, Keyboard und membranophone:
Ashley Ingram
Perkussion:
Harry Morgan
arranger:
Michael Graves
recording of:
Feel So High
Verfasser(in):
Des’ree und Michael Graves
Des’ree33:54
5Get Here
Produzent(in):
David Bascombe und Roland Orzabal (UK musician, songwriter and producer)
Bass:
Pino Palladino
Keyboard und Klavier:
Oleta Adams
Perkussion:
Luís Jardim
Schlagzeug:
John Cushon
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!), Mercury Records Ltd. (not for release label use!) (in 1990) und Mercury Records Ltd. (London) (for copyrights use only) (in 1990)
Teil von:
The Downloader’s Music Source Book (Nummer: 191)
cover recording of:
Get Here
Texter und Komponist(in):
Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Rutland Road Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Oleta Adams44:32
6Little Lies
recording of:
Little Lies
Texter und Komponist(in):
Christine McVie und Eddy Quintela
publisher:
BMG Songs, Inc. und Careers–BMG Music Publishing, Inc.
Fleetwood Mac3:37
7Rooms on Fire
recording engineer und Mix:
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
assistierende(r) Mix:
Derek Murphy
Akustikgitarre:
Rick Nowels
Bassgitarre [bass]:
Vail Johnson
Gitarre:
Rick Nowels und Jamie West‐Oram
Keyboard [keyboards]:
Rupert Hine
Perkussion:
Rupert Hine und Stevie Nicks
Schlagzeug [drums]:
Geoff Dugmore
Hintergrundgesang [backing vocals]:
Sharon Celani und Lori Perry-Nicks
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1989)
mixed at:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
recording of:
Rooms on Fire
Verfasser(in):
Stevie Nicks und Rick Nowels
publisher:
EMI Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Screen Gems–EMI Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Welsh Witch Music (BMI affiliated)
Stevie Nicks4.354:35
8Big Yellow Taxi
assistierende(r) Techniker(in):
John Dickson (engineer), Scott Link, Mark J. Capps (recording engineer) und Keith Robichaux (Engineer)
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer)
zusätzliche(r) Techniker(in):
James Dineen III
leitende(r) Produzent(in):
Brown Bannister, Michael Blanton (Contemporary Christian Producer) und Amy Grant
Produzent(in):
Michael Omartian
Bass:
Danny O’Lannerghty
Gitarre:
Jerry McPherson und Brent Rowan
Keyboard:
Michael Omartian
Lap-Steel-Gitarre [lap steel]:
Gary Chapman (singer-songwriter & tv presenter)
Mandoline:
Brent Rowan
Perkussion:
Eric Darken
Schlagzeug:
Chris McHugh
Hintergrundgesang:
Lisa Bevill (an American Contemporary Christian artist.), Gary Chapman (singer-songwriter & tv presenter), Ashley Cleveland und Michael Mellet
aufgenommen bei:
Tejas Recorders in Franklin, Tennessee, Vereinigte Staaten
mixed at:
Secret Sound in Franklin, Tennessee, Vereinigte Staaten und The Soundshop (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten
engineered at:
The Soundshop (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Big Yellow Taxi
Texter und Komponist(in):
Joni Mitchell
publisher:
Siquomb Pub. Corp.
Amy Grant53:02
9I Feel the Earth Move
Techniker(in):
Hank Cicalo
Produzent(in):
Lou Adler
E-Bass:
Charles Larkey
E-Gitarre:
Danny Kortchmar (Danny Kootch)
Keyboard:
Carole King
Schlagzeug:
Joel O'Brien
vocals:
Carole King
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Feel the Earth Move
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Screen Gems–EMI Music Ltd. (in 1988)
Carole King3.852:57
10The Right Thing to Do
recording engineer und Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Conga:
Ray Cooper (percussionist) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Schlagzeug:
Andy Newmark (von 1972-09 bis 1972-10)
Hintergrundgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1972-09 bis 1972-10), Carly Simon (von 1972-09 bis 1972-10) und Liza Strike (von 1972-09 bis 1972-10)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Kirby Johnson
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
recording of:
The Right Thing to Do (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’Est Music und Universal Music Corporation (USA, affiliated with ASCAP)
Carly Simon3.52:56
11Blue Bayou
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Mark Howlett
Produzent(in):
Peter Asher
Akustikgitarre:
Waddy Wachtel (von 1977-05-23 bis 1977-07-22)
Bassgitarre [bass] und Mandoline:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22)
cowbell, elektronisches Schlagzeug / E-Drums [syn-drums] und Schlagzeug:
Rick Marotta (US drummer/percussionist) (von 1977-05-23 bis 1977-07-22)
Hybrid-Piano:
Don Grolnick (von 1977-05-23 bis 1977-07-22)
Marimba:
Steve Forman (US percussionist) (von 1977-05-23 bis 1977-07-22)
Steel-Gitarre:
Dan Dugmore (von 1977-05-23 bis 1977-07-22)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1977-05-23 bis 1977-07-22) und Don Henley (von 1977-05-23 bis 1977-07-22)
Sologesang:
Linda Ronstadt (von 1977-05-23 bis 1977-07-22)
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 2017)
aufgenommen bei:
Sound Factory, LA (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1977-05-23 bis 1977-07-22)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 61)
cover recording of:
Blue Bayou (English) (von 1977-05-23 bis 1977-07-22)
Texter:
Joe Melson (in 1963) und Roy Orbison (in 1963)
Komponist(in):
Joe Melson und Roy Orbison
publisher:
Acuff-Rose Publications, Inc. (BMI) (in 1961)
Linda Ronstadt4.253:53
12Trouble in the Fields
recording of:
Trouble in the Fields
Verfasser(in):
Nanci Griffith und Rick West (guitar player)
Nanci Griffith3:19
13Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:55
14Sleeping Satellite
recording of:
Sleeping Satellite
Verfasser(in):
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) und John Hughes (Writer, Producer, Musician)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4:15
15Change
Produzent(in):
Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
Mix:
Bobby Boughton, Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
Herausgeber:
Big Life Music Ltd.
recording of:
Change
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
publisher:
Big Life Music Ltd.
Lisa Stansfield4:17
16Chains
Programmierung und Produzent(in):
David Tyson (Canadian producer/songwriter)
Techniker(in):
Greg Droman (American producer, mixing and audio engineer)
assistierende(r) Mix:
Steve Gallagher (engineer)
Mix:
Chris Lord‐Alge
Gitarre:
Tim Pierce (US session guitarist)
Keyboard:
David Tyson (Canadian producer/songwriter)
Hintergrundgesang:
Tina Arena und Marilyn Martin
arranger:
David Tyson (Canadian producer/songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1994) und Sony Music Productions Ltd. (for copyrights use only) (in 1994)
mixed at:
Image Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Chains
Verfasser(in):
Tina Arena (in 1993-10), Pam Reswick (American songwriter) (in 1993-10) und Steve Werfel (in 1993-10)
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena34:21
17Hold On
leitende(r) Produzent(in):
Charles Koppelman (American businessman and musician)
Produzent(in):
Glen Ballard
vocals:
Chynna Phillips, Carnie Wilson und Wendy Wilson
phonographisches Urheberrecht (℗) von:
SBK Records (in 1990)
recording of:
Hold On
Verfasser(in):
Glen Ballard, Chynna Phillips und Carnie Wilson
publisher:
Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (in 1990, in 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1990, in 2003), Wilphill Music (in 1990) und Universal Music Corp. (USA, affiliated with ASCAP) (in 2003)
Wilson Phillips33:35
18Promise Me
Techniker(in):
Barry Hammond
Produzent(in):
Paul Samwell-Smith
Mix:
Frank Filipetti
Gast-Bassgitarre:
Maartin Allcock
Gast-Gitarre:
Simon Nicol (singer, multi-instrumentalist and producer from England)
Gast-Keyboard:
Bias Boshell
Gast-Schlagzeug:
Dave Mattacks
Pianoakkordeon, Hintergrundgesang und Sologesang:
Beverley Craven
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1990)
recording of:
Promise Me
Texter und Komponist(in):
Beverley Craven
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Beverly Craven43:35
19Anything for You
recording of:
Anything for You
Texter und Komponist(in):
Gloria M. Estefan
Gloria Estefan3:37
20The Power of Love
Produzent(in):
Wolfgang Detmann (aka Candy de Rouge) und Gunther Mende
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jennifer Rush2.54:26

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