105 Disco Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Turn the Beat Around
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 2)
registrazione di:
Turn the Beat Around
autore:
Gerald Jackson (American pianist and singer with group Touch of Class) e Pete Jackson (US disco producer)
Vicki Sue Robinson3:26
2The Love I Lost
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973)
edit di:
The Love I Lost di Harold Melvin & The Blue Notes
registrazione di:
The Love I Lost
autore:
Gamble & Huff, Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.653:34
3Lovely Day
produttore:
Clarence McDonald e Bill Withers
batteria e shaker :
Russell Kunkel (session drummer) (nel 1977)
chitarra :
Ray Parker (nel 1977)
chitarra basso :
Jerry Knight (nel 1977)
percussione :
Ralph MacDonald (nel 1977)
tastiera :
Clarence McDonald (nel 1977)
voce principale:
Bill Withers (nel 1977)
arrangiatore:
Clarence McDonald
primo violino:
Charles Veal (violinist, conductor and arranger) (nel 1977)
diritti fonografici (℗) detenuti da:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1977), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1977)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 402)
registrazione di:
Lovely Day (nel 1977)
autore:
Skip Scarborough e Bill Withers
editore:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:10
4Holdin’ Out for Love
Angela Bofill3:24
5I Feel Sanctified
tecnico di missaggio:
Ken Hamann (engineer), Carl Maduri e Robert Parissi (Rob Parissi)
basso elettrico e sintetizzatore :
Allen Wentz (Bass player for wild cherry)
chitarra elettrica :
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat)
chitarra elettrica solista e voce principale:
Robert W. Parissi (Rob Parissi)
membranofono :
Ronald Beitle (drummer for Wild Cherry)
voce aggiuntiva:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat), Ronald Beitle (drummer for Wild Cherry) e Allen Wentz (Bass player for wild cherry)
Wild Cherry3:50
6Let’s GrooveEarth, Wind & Fire5:38
7Rivers of Babylon
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett, Frank Farian e Liz Mitchell
diritti fonografici (℗) detenuti da:
Hansa (nel 1978)
registrazione cover di:
Rivers of Babylon (Boney M. version)
paroliere:
Brent Dowe e Trevor McNaughton
compositore:
Brent Dowe, Frank Farian, Trevor McNaughton e George Reyam
editore:
Blue Mountain Music e FAR Music (publisher for Frank Farian)
si basa su:
Rivers of Babylon
Boney M.44:21
8How ’Bout Us
produttore:
Leo Graham (producer / composer / lyricist)
sassofono contralto solista :
Ken Soderbloom
arrangiatore:
James Mack (Composer, arranger, conductor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
edit di:
How ’Bout Us di Champaign
registrazione cover di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign43:22
9TSOP (The Sound of Philadelphia)
registrazione di:
TSOP (The Sound of Philadelphia)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mighty Three Music, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB3:47
10Jump (For My Love)
tecnico:
Gary Skardina
produttore:
Richard Perry (producer)
produttore associato:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) e Gary Skardina
tecnico di missaggio:
Michael Brooks (mixer) e James C. Tract
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1982)
registrazione di:
Jump (for My Love)
autore:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron e Gary Skardina
editore:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Songs LLC
The Pointer Sisters43:59
11Instant Replay
registrazione di:
Instant Replay
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc.
Dan Hartman4.53:24
12Disco Nights (Rock Freak)
GQ3:55
13I Can’t Stand the Rain
Eruption3:07
14Blame It on the Boogie
tecnico:
Don Murray (producer / engineer)
produttore esecutivo:
Mike Atkinson e Bobby Colomby
tecnico di missaggio:
John Luongo
basso :
Gary King (jazz bassist, arranger and songwriter) (nel 1978) e Nathan Watts (nel 1978)
batteria e percussione :
Rick Morotta (US drummer/percussionist) (nel 1978)
chitarra :
Roland Bautista (nel 1978), Tito Jackson (nel 1978) e Mike Sembello (nel 1978)
congas :
Laudir de Oliveira (nel 1978) e Claudio Slon (nel 1978)
flauto , sassofono e tromba :
Seawind Horns
tastiera :
Greg Phillinganes (nel 1978)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Marlon Jackson e Randy Jackson (brother of Michael and Janet)
voce principale:
Michael Jackson (“King of Pop”) (nel 1978)
arrangiatore corno :
Jerry Hey
arrangiatore:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Dawnbreakers Studios in Los Angeles, California, Stati Uniti, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, Stati Uniti, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti e Total Experience Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione cover di:
Blame It on the Boogie (nel 1978)
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
registrazione di:
Blame It on the Boogie
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
The Jackson 54.153:36
15You Little Trustmaker
registrazione di:
You Little Trustmaker
paroliere e compositore:
Christopher Mark Jackson (funk/soul songwriter, active in the ’60s and ’70s)
The Tymes2:50
16Family Affair
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 138)
registrazione di:
Family Affair
paroliere e compositore:
Sylvester Stewart
editore:
Mijac Music
Sly & the Family Stone4.353:04
17Loco in Acapulco
registrazione di:
Loco in Acapulco
autore:
Phil Collins (of Genesis) e Lamont Dozier
editore:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4:36
18Another Night
produttore:
Olaf Jeglitza, Quickmix e Jürgen Wind
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 484)
registrazione di:
Another Night
autore:
Frank Hassas, Olaf Jeglitza e Jürgen Wind
editore:
Diamond Cut e Universal Music Corp. (USA, affiliated with ASCAP)
Real McCoy4.53:57
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#TitoloArtistaValutazioneDurata
1Loves Really Hurts Witout You
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3:02
2Disco Lady
Johnnie Taylor4:30
3Shame
Evelyn “Champagne” King2:59
4Boogie Wonderland
produttore:
Al McKay e Maurice White (Earth, Wind & Fire)
voce:
The Emotions (Chicago soul, disco and R&B female vocal group) (nel 1979)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1979)
campionamenti da:
I Am di Earth, Wind & Fire (nel 1979)
registrazione di:
Boogie Wonderland (nel 1979)
paroliere:
Allee Willis
compositore:
Jon Lind
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., International Music Network, Irving Music (BMI) e Rondor Music (London) Ltd.
Earth, Wind & Fire4.24:47
5She’s a Winner
registrazione di:
She’s a Winner
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
The Intruders2:27
6Lady Marmalade
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
Labelle3.33:54
7Say You Love Me Girl
Breakwater4:43
8Kissin’ in the Back Row of the Movies
voce:
Bill Fredericks e Butch Mann
voce di baritono:
Grant Kitchings
voce di tenore:
Butch Leake
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters)
arrangiatore:
Tony King (songwriter, arranger)
registrazione di:
Kissin’ in the Back Row of the Movies
compositore:
Roger Greenaway e Tony Macaulay
The Drifters3.653:33
9Got to Be Real
Cheryl Lynn3:46
10Shine On
George Duke5:15
11Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.152:59
12Sorry I’m a Lady
registrazione di:
Sorry, I’m a Lady (nel 1977)
paroliere:
Frank Dostal e Rolf Soja
compositore:
Rolf Soja
Baccara33:40
13Rock the Boat
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974)
registrazione di:
Rock the Boat
paroliere e compositore:
Wally Holmes (songwriter)
editore:
Origin Network Pty Ltd e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation4.43:08
14Juicy Fruet
registrazione di:
Juicy Fruit
compositore:
James Mtume (jazz/funk musician)
Mtume4:33
15It’s Raining Men
The Weather Girls5:25
16Till You Taka My Love
Harvey Mason3:39
17Baby Don’t Change Your Mind
registrazione cover di:
Baby Don’t Change Your Mind
paroliere e compositore:
Van McCoy
Gladys Knight & the Pips3:05
3▼CD
#TitoloArtistaValutazioneDurata
1Daddy Cool
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett (nel 1976), Frank Farian (nel 1976) e Liz Mitchell (nel 1976)
arrangiatore:
Steven Hammer
diritti fonografici (℗) detenuti da:
Far Music Productions GmbH (nel 1976) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1976)
parte di:
Cachitos Nochevieja 2022 (numero: 153)
registrazione di:
Daddy Cool (nel 1976)
paroliere:
George Reyam
compositore:
Frank Farian
editore:
BMG Music, Far Musikverlag GmbH e Intro (German publisher) (nel 1976)
Boney M.4.13:30
2Jack and Jill
Raydio4:34
3I’m Always Dancin’ to the Music
Benny Golson6:19
4When Will I See You Again
registrazione di:
When Will I See You Again
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees2:38
5Pipeline
Bruce Johnston3:59
6We Gettin’ Down
Weldon Irvine5:48
7Use It Up and Wear It Out (12″ single version)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980)
edit di:
Use It Up and Wear It Out di Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
registrazione di:
Use It Up and Wear It Out
autore:
Lawrence Russell Brown (lyricist) e Sandy Linzer
editore:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.54:59
8You
Samuel Jonathan Johnson5:52
9Gone Gone GoneJohnny Mathis3:37
10Its in His Kiss
Linda Lewis3:21
11It’s a Disco Night (Rock Don’t Stop)The Isley Brothers44:12
12Shake You Down
produttore:
Gregory Abbott
basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
membranofono :
David Beal
voce di accompagnamento:
Gregory Abbott, Robert Deadmon e Aida Foreman
voce principale:
Gregory Abbott
arrangiatore:
Gregory Abbott
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
The Downloader’s Music Source Book (numero: 69)
registrazione di:
Shake You Down
paroliere e compositore:
Gregory Abbott
editore:
EMI Songs Ltd. e Grabbitt Music (publisher)
Gregory Abbott3.34:06
13(Ooh Wee) He’s Killing Me
Patti Austin3:27
14Can You Feel It
voce principale:
Michael Jackson (“King of Pop”)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jackson 553:59
15The Groove Line
assistente tecnico:
Mike Hedges (UK producer/recording engineer) e Andy Jackson (UK recording engineer/prog musician)
tecnico e tecnico di missaggio:
James Guthrie
produttore:
Barry Blue (singer, producer, and songwriter)
assistente tecnico di missaggio:
Andy Jackson (UK recording engineer/prog musician)
direttore d'orchestra:
John Cameron (British composer, arranger and conductor)
orchestratore:
John Cameron (British composer, arranger and conductor)
primo violino:
Pat Halling
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrazione di:
The Groove Line
paroliere e compositore:
Rod Temperton
editore:
Rodsongs (publisher), Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4.654:21
16Dance Little Lady Dance
registrazione di:
Dance Little Lady Dance
autore:
Biddu (composer, songwriter, producer and musician), Ron Roker e Gerry Shury
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Music Ltd., Rondor Music Ltd. (publisher), Subiddu Music (publisher) e Warner/Chappell Music Ltd. (1996–2019)
Tina Charles3:09
17Party All the Time
Eddie Murphy4:00
18Be My Lover
tecnico:
Bernd Berwanger e Tobias. (German producer Tobias Freund)
produttore e tecnico di missaggio:
FMP
diritti fonografici (℗) detenuti da:
BMG Ariola (company mostly named as distributor in Europe) (nel 1995) e BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1995)
registrazione di:
Be My Lover
paroliere:
Lane McCray e Melanie Thornton (American‐German Euro‐dance artist)
compositore:
Ulli Brenner e Amir Saraf
editore:
Beam Edition, Far Musikverlag GmbH und Co., KG, Neue Welt Musikverlag GmbH (2017 – present), Warner Chappell, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
La Bouche3.74:00
4▼CD
#TitoloArtistaValutazioneDurata
1Relight My Fire
registrazione di:
Relight My Fire (nel 1979)
paroliere e compositore:
Dan Hartman
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Dan Hartman4.653:45
2Night’s (Feel Like Gettin’ Down)
produttore:
Nigel Martinez
tastiera aggiunto:
Nigel Martinez
voce principale:
Billy Ocean
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1981)
registrazione di:
Nights (Feel Like Getting Down)
autore:
Nigel Martinez e Billy Ocean
editore:
Aqua Music Ltd., EMI Blackwood Music Inc., Interworld Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Ocean54:43
3Centipede
Rebbie Jackson3:10
4Sun Goddess
Earth, Wind & Fire8:30
5One Way Ticket
registrazione di:
One Way Ticket
autore:
Eruption (British disco/R&B band)
registrazione cover di:
One Way Ticket (to the Blues)
autore:
Hank Hunter e Jack Keller
editore:
Colgems-EMI Music Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Eruption33:34
6I Thought It Was You
registrazione di:
I Thought It Was You
autore:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter), Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Melvin Ragin
editore:
Hancock Music Co., Notting Hill Music (UK) Ltd., Sony/ATV Music Publishing Ltd. e Wah Watson Music
Herbie Hancock feat. Corinne Bailey Rae3:40
7Dazz
Brick5:38
8Back Stabbers
tecnico di registrazione:
Joe Tarsia (engineer) (nel 1972)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Back Stabbers (nel 1972)
autore:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden e John Whitehead
editore:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:06
9I Lost My Heart
Sarah Brightman4:20
10Wild Dog
Stanley Clarke3:33
11Sexual Healing
assistente tecnico:
Henri Van Durme e Didier Leonard
tecnico:
Dan Bates (strumenti a fiato [horns]), Mike Butcher (recording engineer and guitarist) e John Kovorak
produttore:
Marvin Gaye
produttore esecutivo:
Larkin Arnold
tecnico di missaggio e editor:
Harvey Fuqua
batteria , bonghi , campana [bells] , campana [orchestra bells] , cimbalini a dita , congas , glockenspiel , organo , pianoforte elettrico [Fender Rhodes] e sintetizzatore :
Marvin Gaye
chitarra :
Gordon Banks
strumenti a fiato [horns] :
The L.A. Horn Section e David Stout (American trombonist)
voce:
Marvin Gaye
voce di accompagnamento:
Gordon Banks, Harvey Fuqua e Marvin Gaye
direttore d'orchestra:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (strumenti a fiato [horns])
arrangiatore strumenti a fiato [horns] :
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment Inc. (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Arco Studios in München (Munich), Bayern (Baviera), Germania (voce principale, voce di accompagnamento), Kendun Recorders in Burbank, California, Stati Uniti (strumenti a fiato [horns]), Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio e Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio (voce principale, voce di accompagnamento)
mixata presso:
Studio Katy in Waterloo, Brabant wallon (Provincia del Brabante Vallone), Wallonie (Wallonia), Belgio
editing effettuato presso e remixata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.654:00
12Love Come Down
registrazione di:
Love Come Down
paroliere e compositore:
Kashif (Michael Jones, B.T. Express)
editore:
MCA Music Ltd.
Evelyn “Champagne” King3:39
13Never Too Much
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross3:51
14Work to Do
The Main Ingredient3:17
15More, More, More
produttore:
Gregg Diamond
tecnico di missaggio:
Tom Moulton
arrangiatore:
Gregg Diamond
diritti fonografici (℗) detenuti da:
Buddah Records, Inc. (nel 1976)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
More, More, More
paroliere e compositore:
Gregg Diamond
editore:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (nel 1976) e Gee Diamond Music (nel 1976)
Andrea True Connection4.753:02
16Play That Funky Music
tecnico di missaggio:
Ken Hamann (engineer), Carl Maduri e Robert Parissi (Rob Parissi)
basso elettrico e sintetizzatore :
Allen Wentz (Bass player for wild cherry)
chitarra elettrica :
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat) e Robert W. Parissi (Rob Parissi)
membranofono :
Ronald Beitle (drummer for Wild Cherry)
voce aggiuntiva:
Bryan Bassett (guitarist for Wild Cherry, Molly Hatchet and Foghat), Ronald Beitle (drummer for Wild Cherry) e Allen Wentz (Bass player for wild cherry)
voce principale:
Robert W. Parissi (Rob Parissi)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976, nel 2002)
registrazione di:
Play That Funky Music (nel 1976)
paroliere e compositore:
Robert W. Parissi (Rob Parissi)
editore:
Bema Music (publisher), RWP Music, Sweet City Records Inc. e Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry45:01
17Shame, Shame, Shame
Linda Fields & The Funky Boys3:58
5▼CD
#TitoloArtistaValutazioneDurata
1I’m So Excited
produttore:
Richard Perry (producer)
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Doering e Lee Ritenour
chitarra basso :
Nathan East
pianoforte :
William D. “Smitty” Smith (organist/keyboardist)
sintetizzatore e tastiera [keyboards] :
Michael Boddicker e Greg Phillinganes
voce di accompagnamento:
June Pointer e Ruth Pointer
voce principale:
Anita Pointer
diritti fonografici (℗) detenuti da:
BMG Music (nel 1982)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 258)
registrazione di:
I’m So Excited
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters4.83:56
2Boogie Nights
registrazione di:
Boogie Nights
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music, Tincabell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave3:39
3Thanks for Saving My Life
Billy Paul2:59
4Best Love
registrazione di:
Best Love
autore:
Ron Artis e Robert Daniels (soul/funk singer & songwriter)
editore:
Artis Gallery Music, Bigg Kidd Music e EMI Virgin Songs, Inc.
Rose Royce53:48
5I’ll Always Love My Mama
produttore:
Gamble-Huff
esecutore:
MFSB (Mother Father Sister Brother) (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
I’ll Always Love My Mama (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden e John Whitehead
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Intruders6:38
6Cherchez La Femme
Dr. Buzzard’s Original Savannah Band5:47
7What a Difference a Day MakesEsther Phillips4:31
8Action Speaks Louder Than Words
Chocolate Milk3:32
9I Love You More
George Duke3:07
10This Is It
registrazione di:
This Is It
paroliere e compositore:
Van McCoy
Melba Moore3:31
11Brother Louie
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd., Ariola Eurodisc GmbH (not for release label use!) (nel 1986) e BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1986)
registrazione di:
Brother Louie (Deep love is a burnin' fire stay... 'cause then the flame grows higher babe)
paroliere e compositore:
Dieter Bohlen
editore:
Hanseatic (publisher) e Intersong Music Ltd.
Modern Talking3.253:38
12That LadyThe Isley Brothers5:37
13I’m in the Mood for Dancing
The Nolans3:20
14Shake Your Body (Down to the Ground)
registrata a:
Los Angeles, California, Stati Uniti (nel 1978-08)
batteria :
Ed Green (US violinist/percussionist) (nel 1978-08)
chitarra :
Tito Jackson (nel 1978-08)
percussione :
Paulinho da Costa (Brazilian percussionist) (nel 1978-08)
sintetizzatore e tastiera :
Mike Boddicker (nel 1978-08) e Greg Phillinganes (nel 1978-08)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5) (nel 1978-08), Marlon Jackson (nel 1978-08), Randy Jackson (brother of Michael and Janet) (nel 1978-08) e Tito Jackson (nel 1978-08)
voce principale:
Michael Jackson (“King of Pop”) (nel 1978-08)
registrazione di:
Shake Your Body (Down to the Ground) (nel 1978-08)
paroliere e compositore:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
editore:
Mijac Music, Peacock Music Publishing Company, Ranjack Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jackson 54.253:47
15You Spin Me Round (Like a Record)
Dead or Alive4:29
16Give Me Your Love
produttore:
Curtis Mayfield
registrazione cover di:
Give Me Your Love
paroliere e compositore:
Curtis Mayfield
editore:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Camad Music Company (dal 1972 al ????)
registrazione di:
Give Me Your Love
paroliere e compositore:
Curtis Mayfield
editore:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Camad Music Company (dal 1972 al ????)
Barbara Mason2:59
17Dance to the Music
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 223)
registrazione di:
Dance to the Music
paroliere, autore e compositore:
Sylvester Stewart
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
compresa in:
Dance for Me
Sly & the Family Stone4.153:01
18Scatman’s World
registrazione di:
Scatman's World
paroliere e compositore:
Antonio Nunzio Catania (Italian producer, composer and musician) e John Larkin
editore:
BMG Music Publishing Ltd., BMG UFA (not for release label use! this is a music publisher), Edition Scales, EMI Music Publ. Germany (GmbH & Co. KG) e Iceberg Music Publ., DK
Scatman John3:42
6▶CD

Accreditamenti