100 Hits Legends: Frank Sinatra

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1I’ve Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
43:44
2I Get a Kick Out of You
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
2:54
3Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:19
4Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-08-15)
conductor:
Nelson Riddle (am 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (am 1955-08-15)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
32:38
5Young at Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-12-09)
conductor:
Nelson Riddle (am 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (am 1953-12-09)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.652:50
6You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
3.752:56
7Three Coins in the Fountain
recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
3:04
8April in Paris
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:42
9Lover
recording of:
Lover
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:39
10A Foggy Day (in London Town)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
cover recording of:
A Foggy Day (in London Town) (am 1953-11-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
12:37
11My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
2:32
12Old Devil Moon
recording of:
Old Devil Moon (from “Finian’s Rainbow”)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
3:57
13Just One of Those Things
recording of:
Just One of Those Things
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:14
14I Guess I’ll Have to Dream the Rest
recording of:
I Guess I’ll Have to Dream the Rest
Texter:
Martin Block (disc jockey) und Mickey Stoner
Komponist(in):
Bud Green
2:40
15Learnin’ the Blues
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-23)
Rohrblattinstrumente:
Plas Johnson (am 1955-03-23)
Trompete:
Harry “Sweets” Edison (am 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-03-23)
Orchester:
The Nelson Riddle Orchestra (am 1955-03-23)
conductor:
Nelson Riddle (am 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (am 1955-03-23)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
23:04
16Too Marvellous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:28
17Taking a Chance on Love
recording of:
Taking a Chance on Love
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
2:13
18You’re Getting to Be a Habit With Me
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-10)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-10)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-10), Dave Sterkin (am 1956-01-10) und Milton Thomas (violist) (am 1956-01-10)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-10), Edgar Lustgarten (am 1956-01-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-10)
Geige / Violine:
Victor Bay (am 1956-01-10), Alex Beller (am 1956-01-10), Harold Dicterow (am 1956-01-10), David Frisina (am 1956-01-10), Alex Murray (violinist) (am 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-10), Nathan Ross (am 1956-01-10), Mischa Russell (violinist) (am 1956-01-10), Paul Shure (am 1956-01-10) und Felix Slatkin (am 1956-01-10)
Gitarre:
George van Eps (am 1956-01-10)
Harfe:
Kathryn Julye (am 1956-01-10)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-10)
Posaune:
Milt Bernhart (am 1956-01-10), Jim Priddy (am 1956-01-10) und Juan Tizol (am 1956-01-10)
Rohrblattinstrumente:
Justin Gordon (am 1956-01-10), Harry Klee (am 1956-01-10), Morton Friedman (am 1956-01-10), Wilbur Schwartz (am 1956-01-10) und James Williamson (Saxophone player) (am 1956-01-10)
Schlagzeug:
Alvin Stoller (am 1956-01-10)
Trompete:
Harry “Sweets” Edison (am 1956-01-10), Conrad Gozzo (am 1956-01-10), Mickey Mangano (am 1956-01-10) und Zeke Zarchy (am 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-10)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-10)
cover recording of:
You’re Getting to Be a Habit With Me (am 1956-01-10)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
22:17
19Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:32
20It Happened in Monterey
recording of:
It Happened in Monterey
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. und EMI United Partnership Ltd.
2:36
2▼CD
Nr.TitelBewertungLänge
1(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-13)
Rohrblattinstrumente:
Plas Johnson (am 1955-09-13)
Trompete:
Harry “Sweets” Edison (am 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-09-13)
Orchester:
The Nelson Riddle Orchestra (am 1955-09-13)
conductor:
Nelson Riddle (am 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (am 1955-09-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
23:00
2Anything Goes
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
Anything Goes (am 1956-01-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
32:42
3I’ve Got the World on a String
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Bass:
Philip Stephens (bass and tuba player) (am 1953-04-30)
Gitarre:
Al Hendrickson (am 1953-04-30)
Klavier:
Bill Miller (pianist) (am 1953-04-30)
Posaune:
Milt Bernhart (am 1953-04-30), Francis Howard (trombone) (am 1953-04-30), Jimmy Priddy (am 1953-04-30) und Si Zentner (am 1953-04-30)
Rohrblattinstrumente:
Jack Dumont (am 1953-04-30), Skeets Herfurt (am 1953-04-30), Plas Johnson (am 1953-04-30), Joe Koch (am 1953-04-30), Ernest Romersa (am 1953-04-30) und Theodore Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-30)
Schlagzeug:
Alvin Stoller (am 1953-04-30)
Trompete:
Harry “Sweets” Edison (am 1953-04-30), Conrad Gozzo (am 1953-04-30), Vito "Mickey" Mangano (am 1953-04-30) und Rubin "Zeke" Zarchy (am 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
Orchester:
The Nelson Riddle Orchestra (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (am 1953-04-30)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.752:11
4I Thought About You
recording of:
I Thought About You
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
2:29
5They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
1:56
6Last Night When We Were Young
recording of:
Last Night When We Were Young
Texter:
Yip Harburg
Komponist(in):
Harold Arlen
publisher:
Bourne Co. (not for release label use, this is a music publisher) und S.A. Music Co.
3:14
7I Get Along Without You Very Well
recording of:
I Get Along Without You Very Well
Texter:
Jane Brown Thompson
Komponist(in):
Hoagy Carmichael (in 1939)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Songs of Peer, Ltd. (ASCAP) und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:40
8Love Is Here to Stay
recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
2:40
9Makin’ Whoopee
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
recording of:
Makin’ Whoopee! (am 1956-01-16)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
2.53:05
10Jeepers Creepers
recording of:
Jeepers Creepers
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
2:22
11The Gal That Got Away
recording of:
The Man That Got Away (A Star Is Born)
Texter:
Ira Gershwin (in 1953)
Komponist(in):
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 2)
3:10
12Don’t Worry ’bout Me
recording of:
Don’t Worry ’Bout Me
Texter:
Ted Koehler (in 1939)
Verfasser(in):
Rube Bloom (American songwriter, pianist and vocalist) und Ted Koehler
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Cinephonic Music Co., Ltd. und Redwood Music Ltd. (Carlin)
3:10
13How About You?
recording of:
How About You?
Texter:
Ralph Freed
Komponist(in):
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1942 nominee)
2:47
14Pennies From Heaven
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
2:43
15Violets for Your Furs
recording of:
Violets for Your Furs
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:05
16The Girl Next Door
recording of:
The Girl Next Door
Komponist(in):
Ralph Blane und Hugh Martin
publisher:
EMI Feist Catalog Inc. und EMI United Partnership Ltd.
2:38
17From Here to Eternity
recording of:
From Here to Eternity
Texter:
Robert Wells (songwriter)
Komponist(in):
Freddie Karger (Frederick Maxwell Karger, Jr)
publisher:
Barton Music Corp.
2:59
18Someone to Watch
2:57
19You Brought a New Kind of Love to Me
recording of:
You Brought a New Kind of Love to Me
Texter:
Irving Kahal (in 1930)
Komponist(in):
Pierre Norman Connor (in 1930) und Sammy Fain (in 1930)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Sony/ATV Harmony (in 1930)
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:48
20When You’re Smiling (The Whole World Smiles With You)
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
2:29
3▼CD
Nr.TitelBewertungLänge
1Well Did You Evah?
recording of:
Well, Did You Evah! (High Society)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Chappell & Co. (in 1956)
Teil von:
DuBarry Was a Lady (1939 stage musical)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
3:53
2The Birth of the Blues
recording of:
Birth of the Blues
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
3:27
3Begin the Beguine
recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
2:55
4Some Enchanted Evening
recording of:
Some Enchanted Evening (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
3:04
5Bye Bye Baby
recording of:
Bye Bye Baby (Gentlemen Prefer Blondes)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Jule Styne
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Teil von:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
2:37
6You’re Sensational
recording of:
You’re Sensational (High Society musical romantic comedy film)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp.
Teil von:
High Society (stage musical)
3:55
7Who Wants to Be a Millionaire?
recording of:
Who Wants to Be a Millionaire? (High Society)
Texter und Komponist(in):
Cole Porter (composer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Chappell & Co. (in 1955)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
2:06
8Nancy (With the Laughing Face)
recording of:
Nancy (With the Laughing Face)
Texter:
Phil Silvers (actor)
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
3:17
9What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:32
10I Could Write a Book
recording of:
I Could Write a Book
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
2:41
11I’m a Fool to Want You
recording of:
I’m a Fool to Want You
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
2:55
12You Do Something to Me
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
2:34
13Should I (Reveal)
recording of:
Should I
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
2:24
14London by Night
recording of:
London by Night
Texter und Komponist(in):
Carroll Coates
publisher:
Barton Music Corp.
3:08
15I Am Loved
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1950-11-11)
conductor:
Axel Stordahl (am 1950-11-11)
arranger:
Axel Stordahl
recording of:
I Am Loved (am 1950-11-11)
Texter und Komponist(in):
Cole Porter (composer)
publisher:
Buxton Hill Music Corp.
Teil von:
Out of This World
12:26
16Deep Night
recording of:
Deep Night
Texter:
Rudy Vallée
Komponist(in):
Charles Henderson
publisher:
Advanced Music corp.
3:14
17Hello Young Lovers
recording of:
Hello, Young Lovers (The King and I)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
3:31
18It All Depends on You
recording of:
It All Depends on You
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
publisher:
Ross Jungnickel, Inc.
2:43
19Dancing on the Ceiling
recording of:
Dancing on the Ceiling (1930 Rodgers & Hart song)
Texter:
Lorenz Hart (in 1930)
Komponist(in):
Richard Rodgers (composer) (in 1930)
2:55
20In the Wee Small Hours of the Morning
recording of:
In the Wee Small Hours of the Morning
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:58
4▼CD
Nr.TitelBewertungLänge
1Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
23:59
2I Got Plenty O’Nuttin’
recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music und Gershwin Publishing Corp (in 1935)
basiert auf:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
3:10
3I Guess I’ll Have to Change My Plan
recording of:
I Guess I’ll Have to Change My Plan
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
2:23
4Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:21
5I Couldn’t Sleep a Wink Last Night
recording of:
I Couldn’t Sleep a Wink Last Night
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Higher and Higher (1944 film)
3:25
6The End of a Love Affair
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1956-04-05)
Celesta und Klavier:
Bill Miller (pianist)
Cello:
Gerald Vinci (American violinist and strings conductor) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-04-05)
Geige / Violine:
Paul Shure (am 1956-04-05) und Felix Slatkin (am 1956-04-05)
Gitarre:
Bob Bain (guitarist)
Harfe:
Kathryn Julye
Instrumente:
The Hollywood String Quartet (am 1956-04-05)
Kontrabass:
Sam Cheifetz (jazz bassist)
Oboe:
Champ Webb
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-04-05)
conductor:
Nelson Riddle (am 1956-04-05)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-04-05)
cover recording of:
The End of a Love Affair (am 1956-04-05)
Texter und Komponist(in):
Edward Redding
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
4:13
7From This Moment On
recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
3:51
8If I Had You
recording of:
If I Had You (jazz standard)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) und Robbins Music Corp.
2:35
9Stars Fell on Alabama
Produzent(in):
Voyle Gilmore
alto saxophone:
Jack Dumont und Dominic Mumolo
baritone saxophone:
Robert Lawson
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Maxine Johnson und Lou Kievman (violist)
Cello:
James Arkatov (American cellist and photographer), Ennio Bolognini (Argentine-American cellist and composer) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Alex Beller, Kurt Dieterle, Walter Edelstein, Henry Hill (Violin player), Alex Murray (violinist), Erno Neufeld, Lou Raderman, Nathan Ross und Eudice Shapiro (Violinist)
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
George Arus, Ed Kusby und Dick Noel (trombone)
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Don Raffell (reeds) und Buck Skalak
Trompete:
Conrad Gozzo, Mickey Mangano, Shorty Sherock und Harry “Sweets” Edison (am 1956-11-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-15)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-15)
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-15)
cover recording of:
Stars Fell on Alabama (am 1956-11-15)
Texter:
Mitchell Parish
Komponist(in):
Frank S. Perkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Mills Music Inc. (ASCAP-affiliated) und Mills Music
12:38
10You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:03
11It’s Easy to Remember
3:34
12Baby, Won’t You Please Come Home?
Bratsche / Viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff und Ray Kramer
flute:
Dent Eckels, Clyde Hylton und Matty Matlock
Geige / Violine:
Leonard Atkins, Alex Beller, Emil Briano (Violinist), Howard Colf (cellist), Harold Dicterow, Walter Edelstein, David Frisina, Jacques Gasselin, Ben Gill, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Amerigo Marino, Achille Mierlot Jr. (violinist), Mischa Russell (violinist) und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Thompson (harpist)
Holzblasinstrumente:
Jack Chaney, Dent Eckels, Clyde Hylton, Matty Matlock und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
Vincent DeRosa, Arthur Frantz und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Gordon Jenkins
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-29)
cover recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
13:00
13I Won’t Dance
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:24
14We’ll Be Together Again
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
cover recording of:
We’ll Be Together Again (am 1956-01-16)
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
14:24
15I Cover the Waterfront
recording of:
I Cover the Waterfront
Texter:
Edward Heyman
Komponist(in):
Johnny Green (composer and conductor, often credited as John Green) und Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music, Inc.
2:58
16Laura
recording of:
Laura (1945 song)
Texter:
Johnny Mercer (in 1945)
Komponist(in):
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. und United Partnership Ltd.
Version von:
Laura (original 1944 film theme)
3:27
17South of the Border
2:50
18Rain (Falling From the Skies)
3:23
19I Got It Bad and That Ain’t Good
recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:21
20Autumn Leaves
baritone saxophone:
Matty Matlock
Bratsche / Viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn und Dave Sterkin
Cello:
Cy Bernard und Armand Kaproff
flute:
Dent Eckels
Geige / Violine:
Victor Arno, Harry Bluestone, Kurt Dieterle, Walter Edelstein, Ben Gill, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Nicholas Pisani, Mischa Russell (violinist), Felix Slatkin und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente:
Wilbur Schwartz
Klarinette:
Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
John Cave (french horn), Vincent DeRosa und Arthur Frantz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-04-10)
conductor:
Gordon Jenkins (am 1957-04-10)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-10)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (am 1957-04-10)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
32:51
5▼CD
Nr.TitelBewertungLänge
1One for My Baby (and One More for the Road)
4:03
2All of Me
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1947-10-19)
conductor:
Axel Stordahl (am 1947-10-19)
arranger:
George Siravo
recording of:
All of Me (am 1947-10-19)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
cover recording of:
All of Me (am 1954-04-19)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
32:45
3Let’s Take an Old‐Fashioned Walk
recording of:
Let’s Take an Old-Fashioned Walk
Texter und Komponist(in):
Irving Berlin
2:59
4What I’ll Do?
recording of:
What’ll I Do?
Texter und Komponist(in):
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen und Williamson Music Company
3:05
5But Beautiful
recording of:
But Beautiful
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) und Onyx Music Corporation (in 1947)
3:12
6I’ve Got a Crush on You
recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
3:15
7Almost Like Being in Love
recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:44
8Once in Love With Amy
recording of:
Once in Love With Amy (Where’s Charly?)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:02
9We Kiss in a Shadow
recording of:
We Kiss in a Shadow (The King and I)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company
Teil von:
The King and I (Rodgers & Hammerstein musical)
3:35
10I Hear a Rhapsody
recording of:
I Hear a Rhapsody
Texter und Komponist(in):
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos und Dick Gasparre
publisher:
Broadcast Music Inc.
3:05
11The Song Is You
recording of:
The Song Is You
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
3:15
12My Romance
recording of:
My Romance
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Chappell & Co., Inc. (USA), Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell Music Ltd. (no slash; used 1988–1996), Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Jumbo
3:16
13The Coffee Song
recording of:
The Coffee Song (1946 song)
Texter:
Bob Hilliard
Komponist(in):
Dick Miles (songwriter, composer)
publisher:
Cromwell Music, Inc.
2:32
14The Things We Did Last Summer
recording of:
The Things We Did Last Summer
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:16
15Oh, What It Seemed to Be
recording of:
Oh, What It Seemed to Be
Verfasser(in):
Bennie Benjamin, Frankie Carle und George David Weiss
publisher:
Anne-Rachel Music Corp., Santly-Joy, Inc. und The Songwriters Guild
2:59
16They Say It’s Wonderful
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-03-10)
Bass:
Phil Stephens (bass and tuba player) (am 1946-03-10)
Bratsche / Viola:
Alexander Neiman (violist) (am 1946-03-10), Leonard Selic (am 1946-03-10) und Dave Sterkin (am 1946-03-10)
Cello:
Fred Goerner (am 1946-03-10), Jack Sewell (am 1946-03-10) und Julius Tannenbaum (am 1946-03-10)
Geige / Violine:
William Bloom (violinist, worked with Frank Sinatra) (am 1946-03-10), Harry Bluestone (am 1946-03-10), Sam Freed, Jr. (Violinist) (am 1946-03-10), Gerald Joyce (am 1946-03-10), George Kast (am 1946-03-10), Sol Kindler (am 1946-03-10), Samuel Levine (violinist) (am 1946-03-10), Sam Middleman (am 1946-03-10), Nicholas Pisani (am 1946-03-10), Eugene Powers (violinist) (am 1946-03-10), Mischa Russell (violinist) (am 1946-03-10) und Olcott Vail (am 1946-03-10)
Gitarre:
Dave Barbour (am 1946-03-10)
Harfe:
May Cambern (am 1946-03-10)
Holzblasinstrumente:
Heinie Beau (am 1946-03-10), Herbie Haymer (am 1946-03-10), Jules Kinsler (am 1946-03-10), Harry Schuchman (am 1946-03-10) und Arthur Smith (Saxophonist) (am 1946-03-10)
Instrumente:
Mark McIntyre (American pianist, orchestra leader and songwriter.) (am 1946-03-10)
Posaune:
Hoyt Bohannon (am 1946-03-10), Les Jenkins (am 1946-03-10) und Elmer Smithers (am 1946-03-10)
Schlagzeug:
Ray Hagan (am 1946-03-10)
Trompete:
Max Herman (am 1946-03-10), Ray Linn (am 1946-03-10) und Rubin "Zeke" Zarchy (am 1946-03-10)
Waldhorn:
Richard Perissi (am 1946-03-10)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1946-03-10)
conductor:
Axel Stordahl (am 1946-03-10)
arranger:
Axel Stordahl
cover recording of:
They Say It’s Wonderful (from “Annie Get Your Gun”) (am 1946-03-10)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Co. und Irving Berlin Music Corp.
Teil von:
Annie Get Your Gun
13:05
17That Old Black Magic
recording of:
That Old Black Magic
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:32
18Five Minutes More
recording of:
Five Minutes More
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Melrose Music Corp.
2:35
19Mam’selle
recording of:
Mam’selle
Texter:
Mack Gordon
Komponist(in):
Edmund Goulding
publisher:
Leo Feist, Inc.
3:19
20You’ll Never Walk Alone
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1945-05-01)
Bass:
Arthur "Artie" Shapiro (am 1945-05-01)
Bratsche / Viola:
Allan Harshman (violist) (am 1945-05-01), Maurice Perlmutter (am 1945-05-01) und Dave Sterkin (am 1945-05-01)
Cello:
Fred Goerner (am 1945-05-01), Arthur Kafton (am 1945-05-01) und Jack Sewell (am 1945-05-01)
Geige / Violine:
Victor Arno (am 1945-05-01), Peter Ellis (1940s violinist) (am 1945-05-01), Sam Freed, Jr. (Violinist) (am 1945-05-01), Gerald Joyce (am 1945-05-01), George Kast (am 1945-05-01), Sol Kindler (am 1945-05-01), Samuel Levine (violinist) (am 1945-05-01), Anthony Perrotti (am 1945-05-01), Nicholas Pisani (am 1945-05-01), Ted Rosen (am 1945-05-01), Mischa Russell (violinist) (am 1945-05-01) und Olcott Vail (am 1945-05-01)
Gitarre:
Dave Barbour (am 1945-05-01)
Harfe:
Irma Clow (am 1945-05-01)
Holzblasinstrumente:
Heinie Beau (am 1945-05-01), Mannie Gershman (am 1945-05-01), Leonard Hartman (am 1945-05-01), Herbie Haymer (am 1945-05-01) und Willie Smith (US jazz alto saxophonist, 1910-1967) (am 1945-05-01)
Klavier:
Sam Furman (am 1945-05-01)
Posaune:
Carl Loeffler (am 1945-05-01), Jimmy Skiles (am 1945-05-01) und Paul Weigand (am 1945-05-01)
Schlagzeug:
Ray Hagan (am 1945-05-01)
Trompete:
Charles Griffard (am 1945-05-01), Leonard Mach (am 1945-05-01) und Horace Nelson (am 1945-05-01)
Waldhorn:
James Stagliano (am 1945-05-01)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1945-05-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”), Marvin Bailey (am 1945-05-01), Ruth Clark (am 1945-05-01), Lee Gotch (am 1945-05-01), Ken Lane Singers (am 1945-05-01), Ken Lane (am 1945-05-01), Beverly Mahr (am 1945-05-01), Dorothy McCarty (am 1945-05-01), Mack McLean (am 1945-05-01), Elizabeth Rinkee (am 1945-05-01) und Chuck Schrouder (am 1945-05-01)
conductor:
Axel Stordahl (am 1945-05-01)
Interpret(in):
Axel Stordahl and His Orchestra
arranger:
Axel Stordahl
Teil von:
V Disc (by matrix number) (Nummer: VP 1496 (1))
recording of:
You’ll Never Walk Alone (Carousel) (am 1945-05-01)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
3:25

Nennungen

Veröffentlichungsgruppe

Teil von:100 Hits Legends (Nummer: 4) (Reihenfolge: 4)