Best Pop Ballads

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Do That to Me One More Time
tecnico di registrazione e tecnico di missaggio:
Roger Young (engineer)
assistente tecnico:
David Cole (American recording engineer and producer), Ira Leslie e Wayne Neuendorf
produttore:
Daryl Dragon
batteria [drums] :
Ralph Humphrey (American drummer and teacher)
chitarra acustica :
Lee Ritenour
chitarra basso :
Scott Edwards (bassist)
percussione :
Ken Watson (American percussionist)
piano Rhodes [Fender Rhodes electric piano] , voce di accompagnamento e voce principale:
Toni Tennille
sintetizzatore [Oberheim Four Voice] :
Daryl Dragon
sintetizzatore a fiato [flute synthesizer] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
assistente remixer:
Wayne Neuendorf
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979)
registrata presso:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
mixata presso:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
Do That to Me One More Time
paroliere e compositore:
Toni Tennille
editore:
Fujipacific Music, Inc. e Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.854:15
2Maggie May
produttore:
Rod Stewart
celesta :
Pete Sears (nel 1971)
chitarra a 12 corde , chitarra basso e chitarra elettrica :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971)
chitarra acustica :
Martin Quittenton (guitarist for Steamhammer) (nel 1971)
mandolino :
Ray Jackson (nel 1971) e David Lindley (nel 1971)
membranofono e piatti :
Micky Waller (nel 1971)
organo Hammond :
Ian McLagan (nel 1971)
voce principale:
Rod Stewart (nel 1971)
diritti fonografici (℗) detenuti da:
Mercury Records Inc. (copyrights use only) (nel 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1971) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1971)
registrazione di:
Maggie May (nel 1971)
editore:
Rod Stewart
autore:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:13
3I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Mercury Records Ltd. (London) (for copyrights use only) (nel 1975), Phonogram, Inc. (nel 1975), Phonogram Ltd. (not for release label use!) (nel 1979) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.856:06
4Can’t Get Enough of Your Love, Babe
produttore:
Barry White
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:30
5We’re All Alone
produttore:
David Anderle
diritti fonografici (℗) detenuti da:
A&M Records (nel 1977) e A&M Records, Inc. (Los Angeles) (nel 1977)
registrazione cover di:
We’re All Alone
paroliere e compositore:
Boz Scaggs
editore:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) e Boz Scaggs Music (publisher) (dal 1975 a oggi)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge43:39
6Every Kinda People
produttore:
Robert Palmer (English singer‐songwriter)
registrazione di:
Every Kinda People
paroliere e compositore:
Andy Fraser (English bassist, member of Free)
editore:
Island Music (Island Music Ltd.)
Robert Palmer43:25
7Pearl’s a Singer
registrazione cover di:
Pearl’s a Singer
autore:
Ralph Dino, Jerry Leiber, John Sembello e Mike Stoller
editore:
Sony/ATV Songs LLC
Elkie Brooks43:40
8Love’s Theme
tecnico:
Paul Elmore (engineer) e Frank Kegmer (engineer)
produttore:
Barry White
orchestra:
Love Unlimited Orchestra
direttore d'orchestra:
Barry White
arrangiatore:
Gene Page (conductor, composer, arranger and record producer) e Barry White
diritti fonografici (℗) detenuti da:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (nel 1973)
registrazione di:
Love’s Theme (instrumental version) (nel 1973)
compositore:
Barry White
editore:
January Music Corp. e Sa‐Vette Music Inc.
Love Unlimited Orchestra4.654:09
9Child of the Universe
Barclay James Harvest5:04
10Never Knew Love Like This Before
produttore:
Reggie Lucas e James Mtume (jazz/funk musician)
arrangiatore archi e arrangiatore strumenti a fiato [Horn Arrangements] :
Wade Marcus
arrangiatore voci:
Tawatha Agee, Reggie Lucas e James Mtume (jazz/funk musician)
diritti fonografici (℗) detenuti da:
20th Century-Fox Record Corporation (nel 1977)
registrata presso e mixata presso:
Sigma Sound Studios (New York) in New York, New York, Stati Uniti
registrazione di:
Never Knew Love Like This Before
autore:
Reggie Lucas e James Mtume (jazz/funk musician)
editore:
Frozen Butterfly Publishing Co.
Stephanie Mills5:25
11Baby Come Back
tecnico:
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) e Joe Sidore
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
batteria , congas e maracas :
John Friesen (drummer)
chitarra :
Peter Beckett (lead singer of Player)
chitarra basso :
Ronn Moss
clavinet , pianoforte elettrico e sintetizzatore :
Wayne Cook
voce:
Peter Beckett (lead singer of Player) e Ronn Moss
voce di accompagnamento e voce principale:
J.C. Crowley
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 7) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 24)
registrazione di:
Baby Come Back (Player song)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player4.354:11
12Babe
tecnico:
Rob Kingsland e Gary Loizzo
produttore:
Styx (rock band from Chicago)
esecutore:
Styx (rock band from Chicago)
diritti fonografici (℗) detenuti da:
A&M Records
registrata presso:
Pumpkin Studios in Oak Lawn, Illinois, Stati Uniti
registrazione di:
Babe
paroliere e compositore:
Dennis DeYoung
editore:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) e Stygian Songs (publishing company for the rock band Styx) (nel 1979)
Styx3.354:26
13Reunited
produttore:
Freddie Perren
registrazione di:
Reunited
autore:
Dino Fekaris e Freddie Perren
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb5:45
14Sugar Baby Love
tecnico:
John Mackswith (English sound engineer)
produttore:
Wayne Bickerton
registrazione di:
Sugar Baby Love (The Rubettes)
paroliere:
Wayne Bickerton
compositore:
Tony Waddington
eseguita per la prima volta da:
The Rubettes (nel 1974-01)
editore:
Arlovol Music, Budde Music Inc. (US publisher) e WB Music Corp. (1929–2019)
The Rubettes3:31
15Maybe
produttore:
Don Perry (US producer and engineer)
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1979)
registrazione di:
Maybe (The Life and Times of Grizzly Adams)
paroliere e compositore:
Thom Pace
editore:
Warner Bros. Music Germany (publisher) (nel 1979)
Thom Pace2:35
2▼CD
#TitoloArtistaValutazioneDurata
1Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:48
2Miss You So
registrazione di:
Miss You So
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge) e Gunther Mende
editore:
EMI Songs Musikverlag GmbH e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Bonnie Bianco4:54
3Nothing’s Gonna Change My Love for You
diritti fonografici (℗) detenuti da:
Amherst Records, Inc. e PolyGram International Music B.V. (not for release label use!) (nel 1988)
registrazione cover di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Glenn Medeiros3.53:49
4Cherish
diritti fonografici (℗) detenuti da:
Delite Recorded Sound (not for release) (nel 1984) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1984)
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang4.54:49
5Piano in the Dark
tecnico di registrazione:
Csaba Petocz, Bill Schnee, Steve Sykes (US engineer), Janne Ugand e Gary Wagner (recording engineer)
produttore:
Andre Fischer (US drummer and funk/soul/pop producer), Jeff Hull (songwriter and producer) e Brenda Russell (US singer-songwriter & keyboardist)
registrazione di:
Piano in the Dark
autore:
Scott Cutler, Jeff Hull (songwriter and producer) e Brenda Russell (US singer-songwriter & keyboardist)
editore:
Dwarf Village Music
Brenda Russell45:20
6I’ll Find My Way Home
produttore:
Vangelis (Greek composer of electronic, new age and classical)
strumenti e esecutore:
Vangelis (Greek composer of electronic, new age and classical)
voce:
Jon Anderson (Yes/Jon & Vangelis)
voce principale:
Jon Anderson (Yes/Jon & Vangelis)
arrangiatore:
Vangelis (Greek composer of electronic, new age and classical)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1981) e Spheric B.V. (nel 1981)
registrazione di:
I’ll Find My Way Home
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell North America
Jon & Vangelis44:29
7Stop
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione di:
Stop
autore:
Bruce Brody, Sam Brown (UK singer/songwriter) e Gregg Sutton
editore:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) e WayBlue Ltd. (publisher)
Sam Brown44:00
8I Should Have Known Better
basso elettrico :
John McKenzie (English blues bassist)
chitarra acustica :
Graham Lyle
membranofono :
Simon Kirk
percussione :
Martin Ditcham
registrata presso:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
registrazione di:
I Should Have Known Better (1984 song)
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Graham Lyle
editore:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) e Rondor Music (London) Ltd.
Jim Diamond54:10
9Moonshine Still
Phil Carmen4:01
10You’re the Only Woman I Need
tecnico di registrazione e tecnico di missaggio:
Mick Guzauski
tecnico di registrazione aggiunto:
Bino Espinoza e Don Murray (producer / engineer)
programmazione:
Casey Young
produttore:
Greg Mathieson
produttore esecutivo:
Dennis Lambert
produttore esecutivo associato:
Commodores (US funk/soul band with Lionel Richie)
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Greg Mathieson e Casey Young
voce di accompagnamento:
Bill Champlin
voce principale:
Walter Orange
arrangiatore:
Greg Mathieson
è stato produttore per:
Tuneworks Records Inc.
registrazione di:
You’re the Only Woman I Need
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
C & D Music Ltd. (nel 1986)
Commodores4:39
11Dreamin’
registrazione di:
Dreamin’
autore:
Lisa Montgomery e Geneva Paschal
editore:
Jobete Music Co., Inc.
Vanessa Williams44:24
12Take That Look Off Your Face
registrazione di:
Take That Look Off Your Face
paroliere:
Don Black (English lyricist)
paroliere aggiunto:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e The Really Useful Company Ltd. (The Really Useful Company Limited)
parte di:
Song & Dance (Andrew Lloyd Webber musical)
parte di:
Tell Me on a Sunday (full musical)
Marti Webb2:59
13Room With a View
registrazione di:
Room With a View
paroliere e compositore:
Tony Carey
editore:
Red Rooster (publisher)
parte di:
Reprise
Tony Carey3:22
14Woman in Chains
edit di:
Woman in Chains di Tears for Fears feat. Oleta Adams
registrazione di:
Woman in Chains
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
EMI Virgin Music Publishing
Tears for Fears45:28
15Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:52

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