Now That’s What I Call Music! 1989

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Label: Virgin/EMI/Polygram

Label: Virgin/EMI/Polygram

Anmerkung zuletzt geändert am 2012-02-21 03:47 UTC.

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1If You Don’t Know Me by Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein (American sound/mixing engineer)
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce (drummer for Simply Red)
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:25
2All Around the World
Produzent(in) und Mix:
Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
arranger:
Ian Devaney und Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. (in 1989)
recording of:
All Around the World
Verfasser(in):
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) und Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) und BMG Music Publishing Ltd.
Lisa Stansfield3.754:27
3She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:32
4The Best
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:09
5Loco in Acapulco
recording engineer:
Rick Ruggieri
E-Bass:
Freddie Washington (US session bassist)
Gitarre:
Michael Landau, Paul Jackson (bassist) und David Williams (folk guitarist)
Keyboard:
Aaron Zigman (American score composer)
Schlagzeug und Hintergrundgesang:
Phil Collins (of Genesis)
Chorgesang:
Four Tops (Motown)
Gitarre arranger und Horn arranger:
Paul Riser
Perkussion arranger:
Aaron Zigman (American score composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
Verfasser(in):
Phil Collins (of Genesis) und Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4.354:30
6This Time I Know It’s for Real
recording of:
This Time I Know It's for Real
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman), Donna Summer (soul/disco diva) und Pete Waterman
Donna Summer3.353:35
7Sweet Surrender
recording of:
Sweet Surrender
Verfasser(in):
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell und Marti Pellow
publisher:
The Precious Music Company Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1989) und Precious Music Ltd. (publisher) (in 1989)
Wet Wet Wet4:22
8Stop
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1988)
recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Sam Brown43:59
9Miss You Like Crazy
Produzent(in):
Michael Masser
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
Verfasser(in):
Preston Glass, Gerry Goffin und Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) und Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:51
10Don’t Know Much
recording engineer und Mix:
George Massenburg
Koproduzent(in):
Steve Tyrell (American producer and vocalist)
Produzent(in):
Peter Asher
Bassgitarre [bass]:
Leland Sklar (bassist, session musician)
E-Gitarre:
Mike Landau
Klavier:
Don Grolnick
Perkussion:
Mike Fisher (Percussionist)
Gast vocals:
Aaron Neville
vocals:
Linda Ronstadt
Orchester:
Skywalker Symphony Orchestra
Interpret(in):
Aaron Neville und Linda Ronstadt
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
Verfasser(in):
Barry Mann, Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. und Snow Music
Linda Ronstadt & Aaron Neville33:31
11Back to Life (However Do You Want Me)
Techniker(in):
Arabella Rodriguez
Produzent(in) und Mix:
Nellee Hooper und Jazzie B
Gast Sologesang:
Caron Wheeler (English singer, songwriter, and record producer)
vocals und Interpret(in):
Caron Wheeler (English singer, songwriter, and record producer)
phonographisches Urheberrecht (℗) von:
10 Records (in 1989)
aufgenommen bei und mixed at:
Brittania Row (first location, 1975–1995 Islington) in Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Back to Life
Verfasser(in):
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo und Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul4.23:44
12I’m Every Woman
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
Bearbeitung von:
I’m Every Woman (remix version by Dancin’ Danny D) von Chaka Khan
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:32
13Ride on Time
recording of:
Ride on Time
Verfasser(in):
Daniele Davoli, Dan Hartman, Mirko Limoni und Valerio Semplici (Black Box)
publisher:
Discomagic Records und Lombardoni Edizioni Musicali
quotes lyrics from:
Love Sensation
Black Box54:29
14Pump Up the Jam
Produzent(in):
Jo Bogaert (Belgian producer)
vocals:
Ya Kid K (Belgian‐Congolese singer Manuela Kamosi)
Interpret(in):
Felly (Felly Kilingi, “frontwoman” for Technotronic in the early ’90s)
phonographisches Urheberrecht (℗) von:
ARS Productions Benelux (in 1989)
recording of:
Pump Up the Jam
Texter:
Manuela Kamosi (Belgian‐Congolese singer Manuela Kamosi)
Komponist(in):
Patrick de Meyer (Belgian electronic music producer) und Thomas de Quincey (Belgian producer Jo Bogaert [Technotronic])
basiert auf:
Technotronic
Technotronic feat. Felly3.653:34
15My Prerogative
Bearbeitung von:
My Prerogative von Bobby Brown (R&B singer, New Edition member)
recording of:
My Prerogative
Verfasser(in):
Bobby Brown (R&B singer, New Edition member), Gene Griffin und Teddy Riley (US R&B singer & producer)
publisher:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC und Virgin Music (Publishers) Ltd.
Bobby Brown3.53:27
16Buffalo Stance
recording of:
Buffalo Stance
Verfasser(in):
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) und Phil Ramacon (soul/R&B/reggae songwriter)
publisher:
April Music Ltd., BMG VM Music Ltd. und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), EMI Songs France (27, rue de Berri) und Warner Chappell Music France
basiert auf:
Looking Good Diving With The Wild Bunch
Neneh Cherry44:05
17Good Life
Techniker(in):
Ben Grosse (American producer and engineer)
Produzent(in):
Kevin Saunderson
Mix:
Ben Grosse (American producer and engineer) und Kevin "Master Reese" Saunderson
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
Verfasser(in):
Paris Grey, Roy Holmon, Jackson, Ann Saunderson und Kevin Saunderson
publisher:
Drive On Music und Virgin Songs
Inner City33:59
18Straight Up
Produzent(in):
Keith Cohen und Elliot Wolff
recording of:
Straight Up
Texter und Komponist(in):
Elliot Wolff
publisher:
Elliot Wolff Music und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Paula Abdul43:49
19Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.44:28
20If Only I Could
recording of:
If Only I Could
Verfasser(in):
Ralf Hamm, Markus Staab, Sydney Youngblood und Claus Zundel
Sydney Youngblood33:29
2▼CD
Nr.TitelKünstlerBewertungLänge
1Another Day in Paradise
recording of:
Another Day in Paradise
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (in 1989) und Philip Collins Ltd. (in 1989)
Phil Collins4:49
2Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:55
3The Living Years
recording of:
The Living Years
Verfasser(in):
B.A. Robertson und Mike Rutherford
publisher:
Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Hidden Pun Music, Inc., Michael Rutherford Ltd., R & BA Music Ltd. und R and B. A. Music Ltd.
Mike + the Mechanics5:12
4Sowing the Seeds of Love
recording of:
Sowing the Seeds of Love
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears5:06
5Getting Away With It
Musikvideos:
Getting Away With It (US version, 1990) von Electronic und Getting Away With It (European version, 1989) von Electronic
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 34)
recording of:
Getting Away With It
Komponist(in):
Johnny Marr, Bernard Sumner und Neil Tennant
Electronic4:15
6Song for Whoever
Techniker(in):
Ian Grimble
Produzent(in):
Mike Hedges (UK producer/recording engineer)
Akustikgitarre und E-Gitarre:
Dave Rotheray
Bassgitarre:
Sean Welch
Klavier:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Schlagzeug:
David Stead
vocals:
Paul Heaton und Dave Hemingway
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
Song for Whoever
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
publisher:
Go! Discs Music Ltd. (publisher) und Island Music Ltd.
The Beautiful South2.654:02
7I Don’t Want a Lover
recording of:
I Don’t Want a Lover
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas4:05
8You Got It
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) und Don Smith (producer, engineer and mixer)
Produzent(in):
Jeff Lynne
Akustikgitarre:
Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Bassgitarre, E-Gitarre, Keyboard und Klavier:
Jeff Lynne (in 1988-04)
Perkussion und Schlagzeug:
Phil Jones (Percussionist) (in 1988-04)
Hintergrundgesang:
Jeff Lynne (in 1988-04), Roy Orbison (in 1988-04) und Tom Petty (in 1988-04)
Sologesang:
Roy Orbison (in 1988-04)
phonographisches Urheberrecht (℗) von:
Roys Boy’s, LLC (in 1989, in 2014) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1989)
aufgenommen bei:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Vereinigtes Königreich (in 1988-04), M.C. Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04) und Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1988-04)
recording of:
You Got It (in 1988-04)
Verfasser(in):
Jeff Lynne, Roy Orbison und Tom Petty
publisher:
EMI Songs, Gone Gator Music (ASCAP affiliated), Island Music Ltd., MCA Gilbey, Mushroom Music (Mushroom label’s publishing company) und SBK Songs Ltd.
Roy Orbison4.553:30
9The Road to Hell, Part 2
recording of:
The Road to Hell, Part 2
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher) (in 1989)
Teil von:
The Road to Hell
Chris Rea4:20
10Right Here Waiting
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
Texter:
Richard Marx
Komponist(in):
Bruce Gaitsch (American guitarist, producer, engineer and arranger) und Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. und EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:05
11Need You Tonight
assistierende(r) Techniker(in):
Paula Jones (Australian audio engineer, producer)
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain und Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
INXS (label and copyrights holder for INXS) (in 1987, in 1997), PolyGram International Music B.V. (not for release label use!) (in 1987) und Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1999)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Need You Tonight (music video) von INXS
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 16) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 114)
recording of:
Need You Tonight
Texter und Komponist(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (in 1987) und Chardonnay Investments Ltd. (in 1987)
INXS4.153:00
12Leave a Light On
recording of:
Leave a Light On
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) und Virgin Songs, Inc. (in 1989)
Belinda Carlisle4:00
13I Want That Man
recording of:
I Want That Man
Texter und Komponist(in):
Tom Bailey (Thompson Twins) und Alannah Currie
publisher:
BMG Music, Point Music Ltd. und Point Music America Inc. (in 1989)
Deborah Harry3:23
14Baby I Don’t Care
recording of:
Baby I Don’t Care (Transvision Vamp)
Texter und Komponist(in):
Nick Christian Sayer
publisher:
Notting Hill Music (publisher)
Transvision Vamp3:41
15The Look
Programmierung:
Anders Herrlin (in 1988-08) und Clarence Öfwerman (in 1988-08)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1988-08)
E-Gitarre:
Jonas Isacsson (in 1988-08)
Hi-Hat und Schlagzeug:
Pelle Alsing (in 1988-08)
Keyboard:
Clarence Öfwerman (in 1988-08)
klassiche Gitarre:
Erik Borelius (in 1988-08)
Saxophon:
Erik Häusler (in 1988-08)
Slide-Gitarre:
Janne Oldaeus (in 1988-08)
Hintergrundgesang:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) und Clarence Öfwerman (in 1988-08)
Sologesang:
Marie Fredriksson (in 1988-08) und Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographisches Urheberrecht (℗) von:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) und EMI Svenska AB (not for release label use!)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
The Look (in 1988-08)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:50
16You’re History
recording of:
You’re History
Verfasser(in):
Marcella Detroit, Siobhan Fahey und Richard Feldman
Shakespears Sister4:06
17Stop!
assistierende(r) Mix:
Cameron Jenkins (UK engineer) und Jock Loveband
Mix:
Phil Legg, Alan Moulder (producer and engineer) und Mark Saunders (UK record producer)
recording of:
Stop!
Verfasser(in):
Andy Bell (singer / songwriter for Erasure) und Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
Erasure52:47
18Hand on Your Heart
recording of:
Hand on Your Heart
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys USA Music (in 1989)
Kylie Minogue3:39
19Too Many Broken Hearts
recording of:
Too Many Broken Hearts
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Jason Donovan3:11
20Especially for You
recording of:
Especially for You
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Sony/ATV Songs LLC, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und All Boys USA Music (in 1988)
Kylie Minogue & Jason Donovan3:34

Nennungen

Veröffentlichungsgruppe

Teil von:Now That’s What I Call Music! 10th Anniversary Series (UK) (Nummer: 1989) (Reihenfolge: 7)
Discogs:https://www.discogs.com/master/668961 [Info]