Haynes Driving Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Can’t Fight This Feeling
Produzent(in):
Kevin Cronin (guitarist, singer and songwriter), Alan Gratzer (drummer) und Gary Richards
arranger:
Kevin Cronin (guitarist, singer and songwriter) und REO Speedwagon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Can’t Fight This Feeling (in 1984-08)
Texter und Komponist(in):
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:53
2Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
3Livin’ Thing
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Hintergrundgesang:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) und Patti Quatro (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
Orchestrator(in):
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1976-07) und Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-07)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
edited at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Livin’ Thing (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.33:31
4Open Arms
recording of:
Open Arms
Verfasser(in):
Jonathan Cain und Steve Perry (former lead singer of Journey)
publisher:
Lacey Boulevard Music und Weed High Nightmare Publishing
Journey3:18
5Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:29
6Sharp Dressed Man
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
E-Bass:
Dusty Hill
E-Gitarre und Sologesang:
Billy Gibbons
Perkussion und Schlagzeug:
Frank Beard (ZZ Top drummer)
vocals:
Dusty Hill
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Sharp Dressed Man
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
Komponist(in):
Chrome Division (Norwegian heavy metal band)
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic und Stage Three Songs
sub-publisher:
BMG Gold Songs und Zazta Muzic Ltd.
ZZ Top4.64:13
7Keep Driving
Meat Loaf3:31
8American Heartbeat
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Volcano Entertainment III, L.L.C. (in 1982) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
American Heartbeat
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Figs. D Music, Rude Music (publisher; do NOT use as release label), Sony/ATV Harmony UK und Sony/ATV Melody
Survivor3.654:10
9Kyrie
Techniker(in):
Paul DeVilliers und Lois Oki
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
Mix:
Mick Guzauski
Bassgitarre und Sologesang:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
Gitarre:
Steve Farris (US session guitarist, member of Mr. Mister)
Keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
Schlagzeug:
Pat Mastelotto
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1985), BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
recording of:
Kyrie
Texter:
John Lang (US songwriter for Mr. Mister & Pages)
Komponist(in):
Steve George (US keyboardist for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Stemwa Famo Music (publisher; do NOT use as release label), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Mr. Mister4.24:24
10Carrie (single version)
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
recording of:
Carrie (Europe song)
Verfasser(in):
Mic Michaeli und Joey Tempest (Swedish singer)
publisher:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe3.94:30
11We Built This City
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
We Built This City
Verfasser(in):
Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) und Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship24:24
12Hold On
assistierende(r) Techniker(in):
Greg Webster (engineer)
Techniker(in):
Brad Aaron (engineer) und Davy Moire
Koproduzent(in):
Brad Aaron (engineer) und Davy Moire
Produzent(in):
Kansas (US prog rock band)
Bassgitarre:
Dave Hope
Bratsche / Viola und Geige / Violine:
Robby Steinhardt
Gitarre:
Kerry Livgren und Richard Williams (guitarist of Kansas)
Keyboard:
Kerry Livgren und Steve Walsh (original lead singer of Kansas)
Perkussion:
Phil Ehart, Kerry Livgren, Steve Walsh (original lead singer of Kansas) und Richard Williams (guitarist of Kansas)
Schlagzeug:
Phil Ehart
Vibraphon [vibes]:
Steve Walsh (original lead singer of Kansas)
Sologesang:
Robby Steinhardt und Steve Walsh (original lead singer of Kansas)
vocals:
Phil Ehart, Dave Hope, Kerry Livgren und Richard Williams (guitarist of Kansas)
zusätzlich vocals:
Terry Ehart, The Four Bassmen, Joey Jelf, Vicci Livgren, Lisa White (backing vocalist on 1980s Kansas albums) und Donna Williams (backing vocalist on 1980s Kansas albums)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
aufgenommen bei und mixed at:
Axis Studios in Atlanta, Georgia, Vereinigte Staaten
recording of:
Hold On
Texter und Komponist(in):
Kerry Livgren
publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), Blackwood Music Publishing (1953-02-07–1987-12-30) (vom 1980 bis ????), Don Kirshner Music Inc. (vom 1980 bis heute) und Kirshner CBS Music Publishing (vom 1980 bis heute)
Kansas3.53:50
13Godzilla
assistierende(r) Techniker(in):
Sam Ginsberg, Jay Krugman, Rod O’Brien, Gray Russell und David Thoener
Techniker(in):
John Jansen (US recording engineer and producer) und Shelly Yakus
zusätzliche(r) Techniker(in):
Thom Panunzio und Corky Stasiak
Produzent(in):
Blue Öyster Cult (US rock band), Murray Krugman, David Lucas (US producer, composer & engineer) und Sandy Pearlman
Mix:
Shelly Yakus
Bassgitarre:
Joe Bouchard (in 1977-07)
Gitarre:
Eric Bloom (Blue Öyster Cult) (in 1977-07), Joe Bouchard (in 1977-07), Buck Dharma (singer, lead guitarist and songwriter) (in 1977-07) und Allen Lanier (keyboard player, guitarist, vocalist, and songwriter) (in 1977-07)
Keyboard:
Allen Lanier (keyboard player, guitarist, vocalist, and songwriter) (in 1977-07)
Mundharmonika und Schlagzeug:
Albert Bouchard (in 1977-07)
Sologesang:
Eric Bloom (Blue Öyster Cult) (in 1977-07) und Buck Dharma (singer, lead guitarist and songwriter) (in 1977-07)
vocals:
Albert Bouchard (von 1977-06 bis 1977-07) und Joe Bouchard (in 1977-07)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1977-07)
recording of:
Godzilla (in 1977-07)
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing Group
Blue Öyster Cult3.93:41
14Mighty Wings
Techniker(in) und Mix:
Brian Reeves
leitende(r) Produzent(in):
Michael Dilbeck
Produzent(in):
Jerry Bruckheimer, Harold Faltermeyer und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Jon Brant
Gitarre:
Rick Nielsen und Robin Zander
Perkussion und Schlagzeug:
Bun E. Carlos
Hintergrundgesang:
Jon Brant und Rick Nielsen
Sologesang:
Robin Zander
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1985), CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Scund Summit in Lake Geneva, Wisconsin, Vereinigte Staaten
recording of:
Mighty Wings (Top Gun)
Texter:
Mark Spiro
Komponist(in):
Harold Faltermeyer
publisher:
Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Melody, Ensign Music Corporation (in 1986) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986)
Cheap Trick33:50
15The Wild Frontier
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
accordion, Hackbrett, Klavier und Sologesang:
Bruce Hornsby
Bassgitarre [bass]:
Joe Puerta
E-Gitarre:
George Marinelli
Geige / Violine und Gitarre:
David Mansfield
Perkussion und Schlagzeug:
John Molo
Hintergrundgesang:
George Marinelli und Joe Puerta
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Wild Frontier
Verfasser(in):
B.R. Hornsby und John Hornsby (American musician, composer, and actor)
publisher:
Basically Zappo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 日音 Synch事業部 (NICHION, INC. Synch Division), Basically Gasp Music (in 1986) und Zappo Music (in 1986)
Bruce Hornsby & the Range44:02
16All Right Now (single version)
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group) und John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff
Schlagzeug:
Simon Kirke
Sologesang:
Paul Rodgers
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:11
17Danger Zone
Synthesizer [synth]-Programmierung:
Hans Zimmer (German score composer)
Techniker(in):
Dave Concors, Dave Connors und Tom Whitlock
leitende(r) Produzent(in):
Michael Dilbeck
Produzent(in):
Giorgio Moroder und Tom Whitlock
Mix:
Giorgio Moroder und Brian Reeves
Gitarre:
Dann Huff und Kenny Loggins
Keyboard:
Giorgio Moroder
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug:
John Robinson (session drummer)
Synthesizer:
Tom Whitlock
Sologesang:
Kenny Loggins
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei:
Oasis Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
a cappella versions:
Danger Zone von Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Danger Zone (Top Gun)
Texter:
Thomas Whitlock
Komponist(in):
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) und GMPC (in 1986)
Kenny Loggins4.33:30
18Hitch a Ride
assistierende(r) Techniker(in):
Bruce Hensal, Deni King (engineer) und Doug Rider
Techniker(in):
Warren Dewey und Tom Scholz
Produzent(in):
John Boylan und Tom Scholz
assistierende(r) Mix:
Steve Hodge (engineer and producer)
Akustikgitarre, Bassgitarre, Gitarre [lead guitar], Gitarre [rhythm guitar] und Orgel:
Tom Scholz (von 1975 bis 1976)
Perkussion und Schlagzeug:
Sib Hashian (von 1975 bis 1976)
Sologesang und Sologesang [Harmony]:
Brad Delp (von 1975 bis 1976)
arranger:
Brad Delp und Tom Scholz
co-arranger:
Jim Masdea
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
Foxglove Studios in Watertown, Massachusetts, Vereinigte Staaten (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hitch a Ride (von 1975 bis 1976)
Texter und Komponist(in):
Tom Scholz
publisher:
Pure Songs und Screen Gems–EMI Music Ltd.
Boston2.754:12
19Hold the Line (single version)
Produzent(in):
Toto (US rock group)
Bass:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich und Steve Porcaro
Perkussion und Schlagzeug:
Jeff Procaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recording of:
Hold the Line
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto3.73:31
20I Drove All Night
recording engineer und Mix:
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Jeff Lynne
Gitarre und Sologesang:
Roy Orbison (in 1987)
Instrumente:
Jeff Lynne (von 1987 bis 1991)
phonographisches Urheberrecht (℗) von:
Estate Of Roy Orbison (Rights company of the late Roy Orbison) (in 1991)
produced for:
Trembler Prods. Inc. (Jeff Lynne production company)
recording of:
I Drove All Night (von 1987 bis 1991)
Verfasser(in):
Tom Kelly (songwriter) und Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing Ltd. und Warner Chappell Music Ltd.
Roy Orbison4.653:47
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Road to Hell, Part 2
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1989)
recording of:
The Road to Hell, Part 2
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher) (in 1989)
Teil von:
The Road to Hell
Chris Rea4:26
2Driving in My Car
Musikvideos:
Driving in My Car von Madness (English pop/ska band)
recording of:
Driving in My Car
Texter und Komponist(in):
Mike Barson
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness2.53:19
3Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:53
4Up the Junction
Produzent(in):
Squeeze (UK new wave band) und John Wood (UK producer)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Musikvideos:
Up the Junction von Squeeze (UK new wave band)
recording of:
Up the Junction
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Deptford Songs
Squeeze4.53:10
5Whiskey in the Jar
Produzent(in):
Phil Lynott und Nick Tauber
Akustikgitarre und Bassgitarre:
Phil Lynott
Gitarre:
Eric Bell (Thin Lizzy cofounder)
vocals:
Phil Lynott
arranger:
Eric Bell (Thin Lizzy cofounder), Brian Downey (Thin Lizzy drummer) und Phil Lynott
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1972) und Decca Records (in 1972)
Teil von:
AUX: 10 Cover Songs Better Than The Orignials
recording of:
Whiskey in the Jar (rock version, arranged by Thin Lizzy)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Thin Lizzy (Irish hard rock band)
publisher:
Pippin the Friendly Ranger Music Co. Ltd., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Version von:
Whiskey in the Jar (traditional)
Thin Lizzy & Derek Varnals4.355:43
6I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
7Hit Me With Your Rhythm Stick
Produzent(in):
Laurie Latham
E-Bass:
Norman Watt-Roy (in 1978)
Gitarre:
John Turnbull (in 1978)
Hammond-Orgel:
Mick Gallagher (UK hammond organ player) (in 1978)
Klavier:
Chaz Jankel (English musician and songwriter) (in 1978)
Saxophon:
Davey Payne (UK saxophonist) (in 1978)
Schlagzeug:
Charley Charles (UK drummer) (in 1978)
Sologesang:
Ian Dury (in 1978)
phonographisches Urheberrecht (℗) von:
Templemill Music Ltd (in 1979)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:42
8Cars and Girls
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Paddy McAloon
Mix:
Richard Moakes
Keyboard:
Gary Moberley, Prefab Sprout und Paul Wickens
Perkussion:
Luís Jardim
Sologesang:
Paddy McAloon
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 53)
recording of:
Cars and Girls
Texter und Komponist(in):
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout44:26
9Stand and Deliver
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre und Sologesang:
Adam Ant (English new wave singer and actor)
Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Chris Hughes (producer, aka “Merrick”) und Terry Lee Miall
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
Teil von:
The Downloader’s Music Source Book (Nummer: 145)
recording of:
Stand and Deliver
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:07
10Black Betty
Produzent(in):
Jerry Kasenetz und Jeff Katz (music producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (vom 1977 bis heute) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
cover recording of:
Black Betty
Texter und Komponist(in):
[traditional] (special purpose artist) und Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (vom 1977 bis heute) und TRO (publisher) (vom 1977 bis heute)
Ram Jam4.52:29
11Search and Destroy (Iggy Pop mix)
Produzent(in):
Iggy Pop
Bassgitarre:
Ron Asheton
E-Gitarre:
James Williamson (Iggy and The Stooges guitarist)
Schlagzeug:
Scott Asheton
Sologesang:
Iggy Pop
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
Search and Destroy
Verfasser(in) und Komponist(in):
Iggy Pop und James Williamson (Iggy and The Stooges guitarist)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner Chappell Music Ltd. (no slash; used 1988–1996), Bug Music (music publishing) (bis 2011) und BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management) (vom 2011 bis heute)
The Stooges3:28
12Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:37
13Roll Away the Stone
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
recording of:
Roll Away the Stone
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
Island Music Limited (Island Music Ltd.) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Mott the Hoople3.53:10
14On the Road Again (single version)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1968)
aufgenommen bei:
Suffolk Meadows in Long Island, New York, Vereinigte Staaten (am 1979-09-08)
live recording of:
On the Road Again (am 1979-09-08)
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat3.353:23
15My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.23:59
16Ask the Angels (digitally remastered 1996)
assistierende(r) Techniker(in):
Sam Ginsberg und Rod O’Brien
Techniker(in):
Jay Messina
Produzent(in):
Jack Douglas
engineered at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Ask the Angels
Verfasser(in):
Ivan Král (Czech-American composer, filmmaker, musician) und Patti Smith
publisher:
Linda's Music Corp.
Patti Smith53:09
17Bang Your Head (Metal Health)
Produzent(in):
Spencer Proffer
Bassgitarre [bass]:
Chuck Wright
Gitarre:
Carlos Cavazo
Schlagzeug [drums]:
Frankie Banali (US drummer)
vocals:
Kevin DuBrow
recording of:
Metal Health (Bang Your Head)
Verfasser(in):
Frankie Banali (US drummer), Carlos Cavazo, Tony Cavazo und Kevin DuBrow
publisher:
Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Quiet Riot43:54
18Under My Wheels (live at the Marquee)
live cover recording of:
Under My Wheels
Verfasser(in):
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Bob Ezrin
publisher:
All by Myself Publishing Company, Almo Music Corp. (USA, affiliated with ASCAP), Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Boosey & Hawkes (publisher; do NOT use as release label), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Hanoi Rocks2:48
19Take On the World
recording of:
Take On the World
Verfasser(in):
Rob Halford und Glenn Tipton
publisher:
EMI Music Publishing (do not use as a release label!) und EMI Songs Ltd.
Judas Priest3:02
20Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:49
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Perfect DayLou Reed3:41
2Suspicious Minds
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-23) und Mike Leech (Nashville session musician and arranger) (am 1969-01-23)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech (Nashville session musician and arranger) und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23) und United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 363)
cover recording of:
Suspicious Minds (von 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Elvis Presley4.14:30
3Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Techniker(in) und Produzent(in):
Al Kooper
E-Bass:
Leon Wilkeson (in 1973-07)
E-Gitarre:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) und Gary Rossington (in 1973-07)
Keyboard:
Billy Powell (in 1973-07)
Schlagzeug:
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
Hintergrundgesang:
Merry Clayton (in 1973-07) und Clydie King (in 1973-07)
Sologesang:
Ronnie Van Zant (in 1973-07)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
aufgenommen bei:
Studio One (Doraville, GA) in Doraville, Georgia, Vereinigte Staaten (in 1973-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 398)
recording of:
Sweet Home Alabama (in 1973-07)
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:44
4She’s Not There (single version)
Produzent(in):
Tom Coster, David Rubinson & Friends, Inc. und Carlos Santana
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
Texter und Komponist(in):
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA und Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Santana2.53:13
5Highway 61 Revisited
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer) (von 1965-07-29 bis 1965-08-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 365)
recording of:
Highway 61 Revisited (am 1965-08-02)
Texter und Komponist(in):
Bob Dylan (von 1965-06 bis 1965-07)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
Bob Dylan43:25
6Ride Away
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1965-07-08)
Produzent(in):
Wesley Rose (producer, label executive) und Jim Vienneau
recording of:
Ride Away (am 1965-07-08)
Verfasser(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Orbi Lee Publishing, R Key Darkus Publishing, Roys Boy’s, LLC und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Roy Orbison53:26
7Long Train Runnin’
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:26
8Ventura Highway
aufgenommen bei:
XM Performance Theater in Washington, D.C., Vereinigte Staaten (in 2005-08)
live recording of:
Ventura Highway (in 2005-10)
Texter und Komponist(in):
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
America43:45
9Frozen Heart
FM5:05
10Out of Touch (remastered 2003)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recording of:
Out of Touch
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. und Warner/Chappell North America
Daryl Hall & John Oates4:07
11The Reason
recording of:
The Reason
Texter:
Doug Robb
Komponist(in):
Dan Estrin
Hoobastank43:53
12Free Ride
recording of:
Free Ride
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und Silver Steed Music
The Edgar Winter Group4.653:07
13Truckin’
recording of:
Truckin’ (Bread song)
Verfasser(in):
James Griffin (soft rock singer/songwriter/guitarist) und Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
Bread32:30
14Once Bitten, Twice Shy
assistierende(r) Techniker(in):
Gary Edwards, Pete Henderson (engineer), Jon Kelly (engineer at Air London Studios), Sean Milligan, Mike Sellers (Michael Peter Anthony Sellers; actor, author and the son of actor Peter Sellers) und Mike Stafford
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Ian Hunter (Mott the Hoople) und Mick Ronson (British guitarist)
arranger:
Mick Ronson (British guitarist)
Bearbeitung von:
Once Bitten Twice Shy von Ian Hunter (Mott the Hoople)
recording of:
Once Bitten Twice Shy
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. und Ian Hunter Music Inc.
Ian Hunter3:51
15Rocky Mountain Way
recording of:
Rocky Mountain Way
Verfasser(in):
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale und Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3:41
16You’re the Best
recording of:
You’re the Best
Verfasser(in):
Bill Conti und Allee Willis
Joe “Bean” Esposito32:58
17Life Is a Highway
Techniker(in) und Mix:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
Produzent(in):
Tom Cochrane (of Red Rider) (Aufgabe: pre-production), Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) und John Webster (Canadian keyboardist) (Aufgabe: pre-production)
Bassgitarre [bass]:
Spider Sinneave
E-Gitarre und Mundharmonika:
Tom Cochrane (of Red Rider)
Orgel und Perkussion:
John Webster (Canadian keyboardist)
Schlagzeug [drums]:
Mickey Curry
Hintergrundgesang:
Tom Cochrane (of Red Rider), John Cody (Canadian-born singer/songwriter/producer) und Molly Johnson (Canadian jazz chanteuse)
vocals:
Tom Cochrane (of Red Rider)
Schlagzeug [drums] arranger:
John Webster (Canadian keyboardist)
arranger:
Tom Cochrane (of Red Rider)
recording of:
Life Is a Highway
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
publisher:
PW Arrangements und Universal Music Publishing Canada
Tom Cochrane54:25
18Take Me Home, Country Roads (remastered)
recording engineer:
Ray Hall (engineer)
assistierende(r) Produzent(in):
Jean Kaplow
Produzent(in):
Milt Okun
Akustikgitarre [6-string guitar] und Sologesang:
John Denver
Banjo und Pedal-Steel-Gitarre:
Eric Weissberg
Gitarre:
Bill Danoff und Michael Taylor (Guitarist & former member of the John Denver Band)
Klavier:
Frank Owens (American pianist)
Kontrabass:
Dick Kniss
membranophone:
Gary Chester (studio drummer and educator)
Hintergrundgesang:
Bill Danoff, Taffy Nivert und Starland Vocal Band
vocals:
John Denver
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 94) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 358)
recording of:
Take Me Home, Country Roads (am 1971-02-04)
Nationalhymne von:
West Virginia, Vereinigte Staaten
Verfasser(in):
Bill Danoff, John Denver und Taffy Nivert
publisher:
BMG Ruby Songs, Cherry Lane Music Ltd., Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music und Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.43:08
19Hallelujah (radio edit)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994, in 2008) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
cover recording of:
Hallelujah
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:15
20The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:33

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2010)
kostenlos streamen:https://open.spotify.com/album/6yQdmVrebVe9lwUIy59GJU [Info]