Love 101: 101 Ways to Say I Love You

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1▼CD
#TitoloArtistaValutazioneDurata
1Without You
diritti fonografici (℗) detenuti da:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (nel 1991)
registrazione cover di:
Without You
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Air Supply4:36
2The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:36
3Way Back Into Love
assistente tecnico:
Arjun Agerwala e Rudyard Lee Cullers
tecnico:
Geoff Sanoff
produttore:
Steven M. Gold e Adam Schlesinger
tecnico di missaggio:
Bob Clearmountain
basso , batteria [drums] , chitarra , percussione e tastiera [keyboards] :
Adam Schlesinger
viola :
Katie Kresek
violino :
Janey Choi, Conrad Harris (American violinist) e Kiku Eromoto (violin player)
voce:
Haley Bennett e Hugh Grant (actor)
voce di accompagnamento:
Britta Phillips (singer-songwriter)
arrangiatore archi :
Bob Burke (arranger)
diritti fonografici (℗) detenuti da:
Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (nel 2007)
registrata presso:
Stratosphere Sound (NYC) in Chelsea, New York, New York, Stati Uniti
mixata presso:
Mix This in Pacific Palisades, Los Angeles, California, Stati Uniti
parte di:
Rolling Stone: The 50 Best Tunes by Made-Up Musicians (numero: 31)
registrazione di:
Way Back Into Love
compositore:
Adam Schlesinger
Hugh Grant & Haley Bennett3.94:39
4What Will I Do
CAGNET3:46
5If We Hold on Together
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
produttore:
Peter Asher
produttore esecutivo:
Diana Ross
voce principale:
Diana Ross
arrangiatore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
registrazione di:
If We Hold On Together (The Land Before Time)
paroliere e compositore:
James Horner (American score composer) e Will Jennings
editore:
USI A Music Publishing e USI B Music Publishing
Diana Ross4:12
6Miss You Like Crazy
registrazione di:
Miss You Like Crazy
autore:
Preston Glass, Gerry Goffin e Michael Masser
editore:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) e Prince Street Music (Also known as "Prince St. Music")
Natalie Cole3:56
7Crazy for You
registrazione di:
Crazy for You (Vision Quest)
paroliere:
John Bettis
compositore:
Jon Lind
editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner Olive Music LLC, Warner-Tamerlane Pub. Corp. (publisher; do NOT use as release label), Warner–Barham Music LLC, WB Music Corp. (1929–2019), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Madonna4:05
8Bad Day
tecnico di registrazione:
David Boucher e Jeff Dawson
programmazione:
Jeff Dawson
produttore:
Jeff Dawson e Mitchell Froom
tecnico di missaggio:
David Boucher
basso :
Davey Faragher e Darren Parris
batteria [drums] :
Matt Chamberlain (American drummer), Brendan Ostrander e Pete Thomas (drummer)
chitarra [guitars] :
Jeff Dawson e Val McCallum (guitarist & singer-songwriter)
tastiera [keyboards] :
Daniel Powter (Canadian singer-songwriter and pianist)
tastiera [keyboards] aggiunto:
Mitchell Froom
voce:
Daniel Powter (Canadian singer-songwriter and pianist)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2005) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2005)
registrata presso:
Area A. in Los Angeles, California, Stati Uniti e Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Bad Day
paroliere e compositore:
Daniel Powter (Canadian singer-songwriter and pianist)
editore:
Song 6 Music
Daniel Powter3.153:57
9Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.854:48
10There You’ll Be
tecnico di registrazione:
Bassy Bob Brockmann (engineer, producer, remixer)
assistente tecnico:
Jamie Duncan
produttore:
Byron Gallimore e Trevor Horn
tecnico di missaggio:
Steve MacMillan e Mike Shipley (audio engineer, mixer, producer)
basso :
Tony Shanahan
chitarra :
Tim Pierce (US session guitarist) e Ira Siegel
membranofono :
Rich Pagano
voce:
Faith Hill (country pop singer)
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
James S. Levine (film and television composer) e Fiachra Trench
orchestratore:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
registrazione di:
There You’ll Be
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Realsongs e Touchstone Pictures Music and Songs Inc.
parte di:
The 74th Academy Award for Best Original Song (numero: 2)
Faith Hill43:44
11Hard to Say I’m Sorry
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrazione cover di:
Hard to Say I’m Sorry
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago53:51
12Don’t Know Much
tecnico di registrazione e tecnico di missaggio:
George Massenburg
co-produttore:
Steve Tyrell (American producer and vocalist)
produttore:
Peter Asher
chitarra basso [bass] :
Leland Sklar (bassist, session musician)
chitarra elettrica :
Mike Landau
percussione :
Mike Fisher (Percussionist)
pianoforte :
Don Grolnick
voce:
Linda Ronstadt
voce ospite:
Aaron Neville
orchestra:
Skywalker Symphony Orchestra
esecutore:
Aaron Neville e Linda Ronstadt
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione cover di:
Don’t Know Much
autore:
Barry Mann, Tom Snow (US keyboardist/songwriter) e Cynthia Weil
editore:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. e Snow Music
Linda Ronstadt & Aaron Neville33:36
13Against All Odds
tecnico:
Jeremy Smith (producer/engineer) e Lewis Hahn
produttore:
Arif Mardin
batteria e voce principale:
Phil Collins (of Genesis)
tastiera :
Rob Mounsey
direttore d'orchestra:
Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1999)
registrazione di:
Against All Odds (Take a Look at Me Now)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1984), Golden Torch Music Corp. (nel 1984) e Hit & Run Music (Publishing) Ltd (nel 1984)
sub-editore:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Phil Collins3.83:27
14How Am I Supposed to Live Without You
assistente tecnico:
John Kovorek (Engineer) e John Van Nest
tecnico e tecnico di missaggio:
Jürgen Koppers (engineer, producer)
produttore:
Robbie Buchanan (Canadian producer) e Jack White (German producer Horst Nußbaum)
batteria :
Doane Perry (nel 1982) e Carlos Vega (nel 1982)
chitarra :
Michael Landau (nel 1982)
chitarra basso :
Dennis Belfield (nel 1982)
percussione :
Lenny Castro (nel 1982)
sintetizzatore :
Michael Boddicker (nel 1982)
voce di accompagnamento:
Jim Haas (James Edwin Haas, lead vocal "Happy Days" theme song) (nel 1982), Jon Joyce (vocalist) (nel 1982) e Joe Pizzulo (nel 1982)
voce principale:
Laura Branigan (nel 1982)
registrata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti (nel 1982) e Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1982)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti e Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
How Am I Supposed to Live Without You (nel 1982)
autore:
Michael Bolton e Doug James (Songwriter / Composer / Keyboards)
editore:
EMI Blackwood Music Inc., EMI Songs Ltd. e Is Hot Music Ltd.
sub-editore:
フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Laura Branigan4:24
15And When She Danced
registrazione di:
And When She Danced
autore:
David Foster (Canadian music producer, arranger and composer) e Linda Thompson (UK folk vocalist, ex-wife of Richard Thompson)
David Foster & Marilyn Martin3:55
16Right Here Waiting for You
Richard Marx4:26
17Nothing’s Gonna Change My Love for You
produttore:
Michael Masser
tecnico di missaggio:
Bill Schnee
batteria :
Carlos Vega
chitarra :
Dann Huff e Paul Jackson (jazz bassist)
chitarra basso :
Nathan East
chitarra solista e voce principale:
George Benson (jazz guitarist/singer)
tastiera :
Robbie Buchanan (Canadian producer)
voce di accompagnamento:
Richard Marx e Deborah Thomas (soul/disco singer)
arrangiatore:
Robbie Buchanan (Canadian producer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985)
mixata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
George Benson4:02
2▼CD
#TitoloArtistaValutazioneDurata
1Superwoman
tecnico di registrazione e tecnico di missaggio:
Jon Gass
tecnico di registrazione aggiunto:
Bob Brown (recording, mixing and mastering engineer), Craig Burbidge (American recording engineer) e Tim Jaquette (Producer & engineer)
assistente tecnico:
Toni Greene (engineer) e Fred Howard (engineer)
produttore:
L.A. & Babyface (US R&B songwriting/production duo)
produttore esecutivo:
Benny Medina e Leonard Richardson (US hip-hop producer)
basso :
Kayo (Kevin Roberson)
batteria [drums] e percussione :
L.A.
tastiera [keyboards] :
Babyface (R&B musician Kenny Edmonds)
voce di accompagnamento:
Babyface (R&B musician Kenny Edmonds), Carmen Carter, Bunny Hull e Karyn White
mixata per:
Ratstyle Productions
è stato produttore per:
La'Face, Inc. (production company)
registrata presso:
Studio Masters in Los Angeles, California, Stati Uniti
mixata presso:
Elumba Recording Studio in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Superwoman (dal 1988-03 al 1988-04)
autore:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) e Daryl Simmons
editore:
Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White35:50
2Rush Rush
produttore:
Peter Lord e V. Jeffrey Smith (Vernon Jeffrey Smith, producer, writer, musician)
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1991)
campionamenti:
Kisses in the Moonlight di George Benson (jazz guitarist/singer)
parte di:
The Downloader’s Music Source Book (numero: 89)
registrazione di:
Rush Rush
paroliere e compositore:
Peter Lord Moreland
editore:
EMI April Music Inc.
Paula Abdul34:56
3That’s Why You Go Away
registrazione di:
That’s Why (You Go Away)
autore:
Jascha Richter
Michael Learns to Rock4:15
4What Can I Do
tecnico di registrazione:
Leo Pearson (Irish music producer)
produttore:
Jim Corr
assistente tecnico di missaggio:
Ryan Freeland
tecnico di missaggio:
Bob Clearmountain
bodhrán :
Caroline Corr
chitarra :
Anto Drennan e Jim Corr
tastiera :
Jim Corr
tin whistle e voce principale:
Andrea Corr
violino :
Sharon Corr
registrata presso:
Peak Studios in Dublin, County Dublin, Leinster, Irlanda
mixata presso:
Mix This! Studio in Pacific Palisades, Los Angeles, California, Stati Uniti
registrazione di:
What Can I Do (dal 1996 al 1997)
autore:
Andrea Corr, Caroline Corr, Jim Corr e Sharon Corr
editore:
Beacon Communications Music Co. (nel 1997) e Songs of PolyGram International, Inc. (nel 1997)
The Corrs4:18
5Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:10
6Jesus to a Child
registrazione di:
Jesus to a Child
paroliere e compositore:
George Michael
editore:
Dick Leahy Music Ltd.
George Michael4:16
7Holding Back the Years
assistente tecnico:
Chris Dickie
tecnico e tecnico di missaggio:
Femi Jiya
produttore:
Stewart Levine (record producer and saxophonist)
basso :
Tony Bowers (nel 1985)
batteria e percussione :
Chris Joyce (drummer for Simply Red) (nel 1985)
chitarra :
Sylvan (nel 1985)
tastiera e voce di accompagnamento:
Fritz McIntyre (nel 1985)
tromba :
Tim Kellett (nel 1985)
voce principale:
Mick Hucknall (lead singer of Simply Red) (nel 1985)
esecutore:
Simply Red (English soul and pop band) (nel 1985)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1985)
registrata presso:
RAK Studios in London (Greater London), England, Regno Unito (nel 1985) e Soundpush Studio in Blaricum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1985)
mixata presso:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito (nel 1985)
video musicali:
Holding Back the Years di Simply Red (English soul and pop band)
registrazione di:
Holding Back the Years (nel 1985)
paroliere:
Mick Hucknall (lead singer of Simply Red)
compositore:
Mick Hucknall (lead singer of Simply Red) e Neil Moss
editore:
EMI April Music Inc., EMI Songs Ltd. e So What Ltd
Simply Red44:31
8Love Is Love
produttore:
Steve Levine (producer)
registrazione di:
Love Is Love
autore:
Boy George, Mikey Craig (Culture Club bassist), Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
Cometmarket Ltd.
sub-editore:
Kobalt Music Publishing France
Culture Club43:53
9Pretty Boy
co-produttore:
David Kreuger e Per Magnusson (Swedish music producer and songwriter)
produttore esecutivo:
Max Martin (Swedish record producer)
tecnico di missaggio:
Bernard Löhr (engineer)
chitarra acustica e chitarra elettrica :
Esbjörn Öhrwall
fisarmonica :
Benny Andersson (ABBA)
tastiera :
Per Magnusson (Swedish music producer and songwriter)
voce di accompagnamento aggiuntiva:
Jeanette Olsson
diritti fonografici (℗) detenuti da:
Waterfall Productions a/s (nel 2000)
registrazione di:
Pretty Boy
compositore:
Bottolf Lødemel e Nora Skaug
M2M3.354:42
10Because I Love You (The Postman Song)
diritti fonografici (℗) detenuti da:
LMR Records (company, for copyrights purposes) (nel 1991)
registrazione di:
Because I Love You (The Postman Song)
autore:
Stevie B (Miami freestyle artist best known for Because I Love You (The Postman Song)) e Warren Allen Brooks
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MyaT Publishing Co. e SHR Publishing Co.
Stevie B55:04
11I Love You (Always and Forever)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 408)
registrazione di:
I Love You Always Forever
paroliere e compositore:
Donna Lewis
editore:
donna lewis ltd e Warner/Chappell Music, Inc.
Donna Lewis3.94:01
12Just Another Day
produttore:
Jorge Casas, Emilio Estefan, Jr. e Clay Ostwald
registrazione di:
Just Another Day
autore:
Miguel A. Morejón e Jon Secada
Jon Secada3.54:21
13One More Try
registrazione di:
One More Try
paroliere e compositore:
Timmy T
editore:
Bedroom Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Not My Music, RMI Songs e Six Palms Music Corporation
Timmy T3:32
14Goodbye My Lover
assistente tecnico:
John Morrical
tecnico:
Mike Tarantino
produttore e tecnico di missaggio:
Tom Rothrock (American musician, composer and record producer)
archi :
E. Gorfain e The Section
batteria [drums] :
C. Paxon
campionatore [sample guitar] :
M. Chait
chitarra [sustain guitar] :
Mr Nau
chitarra a 12 corde , organo , piano Rhodes [Rhodes] e pianoforte :
J. Blunt
voce:
James Blunt
video musicali:
Goodbye My Lover di James Blunt
registrazione di:
Goodbye My Lover
paroliere e compositore:
James Blunt
compositore aggiunto:
Sacha Skarbek
editore:
EMI Blackwood Music Inc. e Universal–Songs of PolyGram International, Inc.
James Blunt3.44:21
15A Shoulder to Cry On
Tommy Page3:25
16Lost in Your Eyes
tecnico di registrazione:
Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione degli strumenti:
Fred Zarr
tecnico:
Bill Esses, Jim Goatley e Matt Malles
produttore:
Debbie Gibson
tecnico di missaggio:
Debbie Gibson, Bob Rosa e Tom Vercillo
chitarra elettrica :
Tommy Williams (former Debbie Gibson musical director)
percussione :
Bashiri Johnson
pianoforte e voce di accompagnamento:
Debbie Gibson
tastiera :
Fred Zarr
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione di:
Lost in Your Eyes
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:35
17Hold On
produttore:
Glen Ballard
produttore esecutivo:
Charles Koppelman (American businessman and musician)
voce:
Chynna Phillips, Carnie Wilson e Wendy Wilson
diritti fonografici (℗) detenuti da:
SBK Records (nel 1990)
registrazione di:
Hold On
autore:
Glen Ballard, Chynna Phillips e Carnie Wilson
editore:
Get Out Songs, Smooshie Music, Aerostation Corporation (nel 1990), EMI Blackwood Music Inc. (nel 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1990, nel 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1990, nel 2003), Wilphill Music (nel 1990) e Universal Music Corp. (USA, affiliated with ASCAP) (nel 2003)
Wilson Phillips33:40
3▼CD
#TitoloArtistaValutazioneDurata
1Stories
Viktor Lazlo4:44
2Circle in the Sand
produttore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrazione di:
Circle in the Sand
autore:
Rick Nowels e Ellen Shipley
editore:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
Belinda Carlisle3.653:42
3Key Largo
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981) e Sony Music Special Products (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 75)
registrazione di:
Key Largo
autore:
Bertie Higgins e Sonny Limbo
editore:
Chappell & Co., Jen‐Lee Music Company, Lowery Music Co. Inc. e Sony/ATV Tunes LLC (ASCAP)
Bertie Higgins3:24
4The Power of Love
produttore:
David Kershenbaum
registrazione cover di:
The Power of Love (Jennifer Rush song)
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende e Jennifer Rush
editore:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (fino al 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Laura Branigan5:29
5I Swear
produttore:
David Foster (Canadian music producer, arranger and composer)
parte di:
The Downloader’s Music Source Book (numero: 389)
registrazione cover di:
I Swear
autore:
Gary Baker (songwriter) e Frank J. Meyers (country music singer, songwriter, record producer)
editore:
MorganActive Songs, Inc. e Rick Hall Music, Inc.
All‐4‐One44:21
6Still Got the Blues
assistente tecnico e assistente tecnico di missaggio:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris e Greg Muden
tecnico e tecnico di missaggio:
Ian Taylor (rock producer/engineer)
produttore:
Gary Moore (Thin Lizzy, blues guitar) e Ian Taylor (rock producer/engineer)
archi ospite :
Gavyn Wright (UK violinist, conductor)
batteria :
Graham Walker (UK drummer)
chitarra e voce principale:
Gary Moore (Thin Lizzy, blues guitar)
chitarra basso :
Andy Pyle
pianoforte :
Nicky Hopkins (pianist and organist)
tastiera :
Don Airey
direttore d'orchestra:
Don Airey
arrangiatore archi :
Don Airey e Gary Moore (Thin Lizzy, blues guitar)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1990)
registrazione di:
Still Got the Blues (for You)
paroliere e compositore:
Gary Moore (Thin Lizzy, blues guitar)
editore:
BMG 10 Music Ltd., BMG Platinum Songs, BMG VM Music France, Bonuswise Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Music Publishing Scandinavia AB, Gary Moore Songs e Mushroom Music Pty. Ltd.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gary Moore44:12
7If Ever You’re in My Arms Again
registrazione di:
If Ever You're in My Arms Again
autore:
Michael Masser, Tom Snow (US keyboardist/songwriter) e Cynthia Weil
Peabo Bryson44:19
8Baby Come to Me
voce ospite:
Patti Austin
registrazione di:
Baby, Come to Me
paroliere e compositore:
Rod Temperton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) e Rondor Music (London) Ltd.
Patti Austin & James Ingram3:40
9Mystery
tecnico:
Barney Perkins
produttore:
Michael J. Powell
chitarra :
Michael J. Powell
chitarra basso :
David B. Washington
membranofono :
Arthur Marbury
percussione :
Larry Fratangelo (American percussionist)
tastiera :
Vernon Fails
voce di accompagnamento:
Natalie D. Jackson
voce di accompagnamento e voce principale:
Anita Baker
registrazione di:
Mystery
autore:
Leon Carr, Earl S. Shuman (composer / lyricist) e Rod Temperton
editore:
Rodsongs (publisher), Sony/ATV Harmony, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anita Baker44:59
10To Where You Are
programmazione degli strumenti:
Matthew Prock e Matt Walker (US drummer)
tecnico:
Felipe Elgueta, Humberto Gatica, Matthew Prock e Alejandro Rodríguez (engineer based in Los Angeles)
produttore:
Richard Marx
tecnico di missaggio:
David Cole (American recording engineer and producer)
chitarra :
Michael Thompson (guitar/bass/mandolin player, related to Austin Peay State University)
tastiera e pianoforte :
Richard Marx
direttore d'orchestra:
William Ross (composer, orchestrator, arranger, conductor)
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e Richard Marx
orchestratore:
William Ross (composer, orchestrator, arranger, conductor)
registrazione di:
To Where You Are
paroliere:
Linda Thompson (American actress, lyricist)
compositore:
Richard Marx
editore:
Brandon Brody Music, Chi‐Boy Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Josh Groban3:56
11If You Don’t Know Me by Now
assistente tecnico:
Clark Germain e Karl Lever
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
produttore:
Stewart Levine (record producer and saxophonist)
produttore aggiunto:
Mick Hucknall (lead singer of Simply Red)
basso :
Tony Bowers
batteria :
Chris Joyce (drummer for Simply Red)
chitarra :
Heitor T. P.
percussione :
Lennie Castro
sassofono :
Ian Kirkham
tastiera :
Tim Kellett e Fritz McIntyre
tromba :
Tim Kellett
voce di accompagnamento:
Fritz McIntyre e Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
voce principale:
Mick Hucknall (lead singer of Simply Red)
esecutore:
Simply Red (English soul and pop band)
diritti fonografici (℗) detenuti da:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (nel 1989), Warner Music UK Ltd. (not for release label use!) (nel 1989) e WEA Records Ltd. (holding company based in the UK) (nel 1989)
è stato produttore per:
Oliverea Productions Ltd
registrazione cover di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
registrazione di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:28
12When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:15
13Foolish Beat
tecnico di registrazione:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione:
Fred Zarr
assistente tecnico:
Bill Esses
produttore:
Debbie Gibson
assistente tecnico di missaggio:
Jim Goatley
tecnico di missaggio:
Phil Castellano (brother of John, uncle of Richie) e Debbie Gibson
chitarra acustica e chitarra elettrica :
Ira Siegel
percussione :
Bashiri Johnson
sassofono :
Jeff Smith (US saxophonist)
tastiera e sintetizzatore :
Fred Zarr
voce di accompagnamento:
Carrie Johnson e Tim Lawless
voce di accompagnamento e voce principale:
Debbie Gibson
arrangiatore:
Debbie Gibson e Fred Zarr
registrata presso:
Z Studio in Brooklyn, New York, New York, Stati Uniti
mixata presso:
Sorceror Studios in New York, New York, Stati Uniti
registrazione di:
Foolish Beat
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (dal 1987 al ????) e Deborah Ann’s Music (dal 1987 al ????)
Debbie Gibson4.54:26
14Fallen
registrazione di:
Fallen (Pretty Woman)
paroliere e compositore:
Lauren Wood a/k/a “Chunky”
editore:
Creeping Licking Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Lauren Wood4:02
15Always
tecnico:
Rory Young
produttore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
registrazione di:
Always
autore:
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:50
16Lead Me On
registrazione di:
Lead Me On (I have often heard you say you love me as a friend...)
autore:
David Lasley e Allee Willis
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
registrazione strumentale di:
Lead Me On (I have often heard you say you love me as a friend...)
autore:
David Lasley e Allee Willis
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Maxine Nightingale2:47
17From a Distance
produttore:
Arif Mardin e Bette Midler
voce principale:
Bette Midler (nel 1990)
arrangiatore:
Arif Mardin e Steve Skinner
arrangiatore voci:
Marc Shaiman (American score composer and lyricist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
registrazione cover di:
From a Distance (nel 1990)
paroliere e compositore:
Julie Gold (nel 1985)
editore:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:40
4▼CD
#TitoloArtistaValutazioneDurata
1Little Girl
registrazione di:
Little Girl
paroliere:
Klaus Hirschburger
compositore:
Michael Cretu (Romanian-born German musician, composer and record producer), Hubert Kemmler (singer, songwriter, producer) e Markus Löhr
editore:
Data Alfa Edition
Sandra3:14
2Sukiyaki
registrazione di:
Sukiyaki
paroliere:
Janice Marie Johnson (Member of "A Taste of Honey")
compositore:
中村八大 (Hachidai Nakamura)
versione di:
上を向いて歩こう
registrazione cover di:
Sukiyaki
paroliere:
Janice Marie Johnson (Member of "A Taste of Honey")
compositore:
中村八大 (Hachidai Nakamura)
versione di:
上を向いて歩こう
A Taste of Honey3:44
3Casablanca
tecnico:
Doug Johnson (audio engineer)
produttore:
Sonny Limbo
registrata presso:
Pyramid Studios in Lookout Mountain, Tennessee, Stati Uniti (dal 1981-01 al 1981-11) e Southern Tracks in Atlanta, Georgia, Stati Uniti (dal 1981-01 al 1981-11)
registrazione di:
Casablanca
autore:
John Healy ("Casablanca" writer), Bertie Higgins e Sonny Limbo
editore:
Bike Music, Chappell & Co., Inc. (USA) e Jen‐Lee Music Company
Bertie Higgins4:39
4If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:57
5True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:42
6Turn Back the Clock
registrazione di:
Turn Back the Clock
paroliere e compositore:
Clark Datchler
arrangiatore archi :
Anne Dudley (English score composer)
Johnny Hates Jazz4:27
7Come Undone
registrazione di:
Come Undone
paroliere e compositore:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes e John Taylor (UK bassist for Duran Duran)
Duran Duran34:18
8Love Changes Everything
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
9Missing You
assistente tecnico:
Ken Stiger (engineer)
tecnico:
Gary Hellman
produttore:
Gary Gersh, David Thoener e John Waite
tecnico di missaggio e editor:
John Luongo
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1984), EMI America Records (holding – file NO releases here!) (nel 1984) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1984)
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite54:05
10Words
produttore:
Jean-Michel Gallois-Montbrun (Rolando Tambin) e Frédéric Leibovitz
arrangiatore:
Daniel Darras, F.R. David e Frédéric Leibovitz
diritti fonografici (℗) detenuti da:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) (nel 1982)
registrazione di:
Words
paroliere:
Martin Kupersmith e Louis Sandy Yagura
autore:
Martin Kupersmith, Louis Sandy Yagura e Robert Fitoussi (French artist)
compositore:
Robert Fitoussi (French artist)
editore:
Fable Music e Warner Chappell
versione tradotta di:
Sen můj a Lízin
F.R. David4.43:31
11Can’t Help Falling in Love
registrazione cover di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
registrazione di:
Can’t Help Falling in Love
autore:
Luigi Creatore, Hugo Peretti e George David Weiss
editore:
Aberbach Musikverlag (German publisher), ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. (German publisher), Luigi Creatore Music (ASCAP) e The Manor Music Co. Ltd.
sub-editore:
日音 (NICHION INC.) (conclusa), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Plaisir d’amour (Romance du chevrier)
UB403.253:30
12Runaway
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1995) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1995)
edit di:
Runaway (album version) di The Corrs
registrazione di:
Runaway
autore:
Andrea Corr, Caroline Corr, Jim Corr e Sharon Corr
editore:
PolyGram Music Publishing
The Corrs3:48
13Hands to Heaven
registrazione di:
Hands to Heaven
autore:
David Glasper (Singer - Performer, author & lyricist) e Marcus Lillington
editore:
Virgin Music (Publishers) Ltd. (nel 1988)
Breathe4:22
14Forever Young
tecnico di registrazione, programmazione e tecnico di missaggio:
Wolfgang Loos (dal 1984-07 al 1984-08)
tecnico di registrazione aggiunto:
Uli Rudolf (dal 1984-07 al 1984-08)
assistente alla programmazione:
Boris Balin e Thomas Beck (technical assistant, likely German)
produttore:
Wolfgang Loos e Colin Pearson (producer and violinist)
basso :
Ken Taylor (dal 1984-07 al 1984-08)
batteria :
Curt Cress (dal 1984-07 al 1984-08)
drum machine :
Bernhard Lloyd (dal 1984-07 al 1984-08)
tastiera :
Bernhard Lloyd (dal 1984-07 al 1984-08) e Frank Mertens (German synthpop keyboardist Frank Sorgatz) (dal 1984-07 al 1984-08)
tastiera aggiunto:
Wolfgang Loos (dal 1984-07 al 1984-08)
voce di accompagnamento:
Gulfstream (dal 1984-07 al 1984-08) e The Rosie Singers (dal 1984-07 al 1984-08)
voce principale:
Marian Gold (dal 1984-07 al 1984-08)
arrangiatore:
Alphaville (German synth pop band) e Wolfgang Loos
diritti fonografici (℗) detenuti da:
WEA MUSIK GMBH (company, not a label) (dal 1984 a oggi) e wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (nel 1984, nel 1994)
registrata presso e mixata presso:
Studio 54 (Berlin recording studio) in Germania (dal 1984-07 al 1984-08)
registrazione di:
Forever Young (dal 1984-07 al 1984-08)
paroliere:
Marian Gold
compositore:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold e Bernhard Lloyd
editore:
Downtown DMP Songs, Fable Music Pty. Ltd. e Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.553:48
15I Wanna Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:00
16I Just Died in Your Arms Tonight
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:38
17To Be With You
assistente tecnico:
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick e Andy Udoff
tecnico e tecnico di missaggio:
Kevin Elson e Tom Size (US audio engineer)
produttore:
Kevin Elson
batteria [drums] :
Pat Torpey
chitarra :
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
chitarra basso [bass] :
Billy Sheehan
voce principale [vocals]:
Eric Martin (vocalist for Mr. Big)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1991), Warner Music International (trademark of Warner Music International the company) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
video musicali:
To Be With You di Mr. Big (American hard rock band)
registrazione di:
To Be With You
autore:
David Grahame e Eric Martin (vocalist for Mr. Big)
editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Dog Turner Music (dal 1991 a oggi), EMI April Music Inc. (dal 1991 a oggi), Eric Martin Songs (dal 1991 a oggi), Tasmanian Compositions (dal 1991 a oggi), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Mr. Big4.43:27
5▼CD
#TitoloArtistaValutazioneDurata
1You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:21
2Tonight I Celebrate My Love
tecnico di registrazione:
Alan R. Hirshberg (nel 1983)
tecnico:
Howard Wolin e Jeremy Smith (producer/engineer)
produttore:
Michael Masser
tecnico di missaggio:
Dick Bogart (Recording and mixing engineer) e Russ Terrano
batteria :
Carlos Vega (nel 1983)
chitarra :
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (nel 1983)
chitarra basso [bass] :
Nathan East (nel 1983)
pianoforte :
Randy Kerber (nel 1983)
voce:
Peabo Bryson (nel 1983) e Roberta Flack (singer and pianist) (nel 1983)
arrangiatore:
Michael Masser e Gene Page (conductor, composer, arranger and record producer)
orchestratore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
A&M Records Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1983) e Studio Sound in North Hollywood, Los Angeles, California, Stati Uniti (nel 1983)
mixata presso:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, Stati Uniti
registrazione di:
Tonight, I Celebrate My Love (nel 1983)
paroliere:
Gerry Goffin
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-editore:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:33
3Your Eyes
registrazione di:
Your Eyes (la boum 2)
paroliere:
Jeff Jordan (Vladimir Cosma)
compositore:
Vladimir Cosma (French-Romanian composer, conductor and violinist)
editore:
Laghetto
Cook da Books34:45
4Goodbye
Air Supply4:07
5For Just the Moment
co-produttore:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
voce:
Donny Gerrard e Amy Holland
registrazione di:
Love Theme from St. Elmo’s Fire (For Just a Moment) (lyric version)
paroliere:
Cynthia Weil
compositore:
David Foster (Canadian music producer, arranger and composer)
editore:
Dyad Music Ltd., Foster Frees Music Inc. e Gold Horizon Music Corp.
versione di:
Love Theme From St. Elmo's Fire
David Foster3:49
6Waiting for a Girl Like You
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby
tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Bob Mayo (US session keyboardist & guitarist)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.354:50
7How Do I Live
registrazione di:
How Do I Live
paroliere e compositore:
Diane Warren (US songwriter)
editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Realsongs (dal 1997 a oggi)
parte di:
The 70th Academy Award for Best Original Song (numero: 2)
LeAnn Rimes44:59
8Kiss Me
tecnico e tecnico di missaggio:
Russ Long (engineer)
batteria e percussione :
Dale Baker (Drummer; The Maudlin Fee)
voce:
Leigh Nash (vocalist of Sixpence None the Richer)
diritti fonografici (℗) detenuti da:
Squint Entertainment (nel 1998)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 15)
registrazione di:
Kiss Me
paroliere e compositore:
Matt Slocum (lead guitarist for Sixpence None the Richer)
editore:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs e Le Tigre Sur un Ballon Publishing (nel 1999)
Sixpence None the Richer4.43:30
9I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:38
10Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:55
11I Don’t Want to Lose Your Love
tecnico:
Kent Nebergall
produttore:
Joey Carbone e Richie Zito
tecnico di missaggio:
Lee Herschberg
batteria :
Carlos Vega
chitarra :
Richie Zito
voce principale:
John O’Banion
arrangiatore:
Joey Carbone e Richie Zito
arrangiata per e è stato produttore per:
Carbone and Zito Productions, Inc.
registrazione di:
I Don’t Want to Lose Your Love
paroliere e compositore:
Joey Carbone
editore:
Joey Carbone Music Inc. e 大洋音楽 (Taiyō Music)
John O’Banion3:23
12I Don’t Have the Heart
registrazione di:
I Don't Have the Heart
autore:
Jud Friedman e Allan Rich
editore:
Music By Candlelight, Nelana Music, Songs of Peer, Ltd. (ASCAP) e Spirit One Music
James Ingram4:15
13The Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:23
14You Took My Heart Away
Michael Learns to Rock4:32
15I’d Love You to Want Me
registrazione di:
I’d Love You to Want Me
paroliere e compositore:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
editore:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo34:01
16If
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1971)
registrazione di:
If
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
Colgems-EMI Music Inc., Laetrec Music, S. Gems Col. Inc, Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread3.52:35
6▶CD