The Good Life

~ Veröffentlichung von Paul Smith (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Paul Smith (p) Barney Kessel (g) Monty Budwig (b) Frank Capp (d) Hollywood, CA, April 9 & 10, 1979.

Anmerkung zuletzt geändert am 2020-04-29 18:00 UTC.

Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1Boppo for J. J.
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
A2I Hadn't Anyone 'Til You
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
instrumental recording of:
I Hadn’t Anyone Till You (in 1979-04)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
A3Madame Butterfly
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
A4Some Day My Prince Will Come
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
instrumental recording of:
Someday My Prince Will Come (in 1979-04)
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
A5What I Did For Love
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
B1The Good Life
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
B2Perdido
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
recording of:
Perdido (original instrumental version) (in 1979-04)
Komponist(in):
Juan Tizol
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
B3Here's That Rainy Day
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
instrumental recording of:
Here’s That Rainy Day (in 1979-04)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
B4The Fourth Way
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??
B5Send In The Clowns
recording engineer:
Rick Ruggieri
Techniker(in):
digital engineer (engineer/editor)
leitende(r) Produzent(in):
Jim Hall (US jazz guitarist, composer & arranger) und Dr. Bruce Maier
Produzent(in):
Jeffrey Weber
Editing:
digital editing und digital editing (editor)
Gitarre:
Barney Kessel (in 1979-04)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
Kontrabass [bass]:
Monty Budwig (in 1979-04)
Schlagzeug:
Frank Capp (in 1979-04)
aufgenommen bei:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1979-04-09 bis 1979-04-10)
instrumental recording of:
Send In the Clowns (A Little Night Music) (in 1979-04)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
Paul Smith with Monty Budwig, Frank Capp, Barney Kessel?:??