Ö3 Greatest Hits, Volume 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Alone
recording engineer:
John Merchant und Dave O’Donnell
Schlagzeug-Programmierung:
Jimmy Bralower und Barry Gibb
assistierende(r) Techniker(in):
Jason Goldstein (engineer)
Produzent(in):
Barry Gibb, Maurice Gibb, Robin Gibb und Russ Titelman
assistierende(r) Mix:
Joe Lizzi
Mix:
Dave O’Donnell und Russ Titelman
Bass-Synthesizer:
Jeff Bova
Gitarre:
Barry Gibb
Gitarre und Keyboard:
Maurice Gibb
Hi-Hat und Tom Tom:
Dave Halpern
Keyboard:
Alan Clark (keyboardist) und Robbie Kondor
Schlagzeug und Tamburin:
David Elliott (drummer)
Tamburin:
Ralph MacDonald
vocals:
Barry Gibb, Maurice Gibb und Robin Gibb
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1997), Maurice Gibb (in 1997) und Robin Gibb (in 1997)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1997)
recording of:
Alone
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Bee Gees3.154:50
2Picture of You
assistierende(r) Techniker(in):
Tim Wills
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
Mix:
Absolute (UK house/garage/production/songwriting team) und Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Sologesang:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham und Shane Lynch
recording of:
Picture of You
Verfasser(in):
Ronan Keating, Eliot Kennedy (songwriter, producer), Andrew Watkins (writer, musician, producer-Flies on you) und Paul Wilson (member of “Absolute”)
publisher:
19, ATV Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), PolyGram Music Publishing Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
Boyzone2.53:31
3Walking in Memphis
Mix:
Heff Moraes
cover recording of:
Walking in Memphis
Texter und Komponist(in):
Marc Cohn
publisher:
BMG Music und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Cher3.63:57
4Missing (remix)
Produzent(in):
John Coxon und Everything but the Girl
zusätzliche(r) Produzent(in):
Todd Terry (US house DJ, producer and remixer)
Editing:
Ben Watt
vocals:
Tracey Thorn (of Everything but the Girl) und Ben Watt
remixer:
Todd Terry (US house DJ, producer and remixer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1994, in 1995)
Bearbeitung von:
Missing (Todd Terry club mix) von Everything but the Girl
recording of:
Missing
Texter:
Tracey Thorn (of Everything but the Girl)
Komponist(in):
Tracey Thorn (of Everything but the Girl) und Ben Watt
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.553:57
5MMMBop
Programmierung und Techniker(in):
Mac Quale (US composer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
recording of:
MMMBop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.24:00
6She Drives Me Crazy
Techniker(in):
David Z. (producer/engineer David Rivkin)
Koproduzent(in):
Fine Young Cannibals und David Z. (producer/engineer David Rivkin)
Bass, drum machine und Keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, Gitarre und Tamburin:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographisches Urheberrecht (℗) von:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) und London Records Ltd. (not release label) (in 1989)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:38
7Lonely
recording of:
Lonely
Verfasser(in):
Nana Kwame Abrokwa, Bülent Aris und Toni Cottura
publisher:
Booya Music, Hanseatic (publisher) und Warner Chappell (Warner/Chappell Music, Inc.)
Nana3:52
8Dancing on the Ceiling
Produzent(in):
James Anthony Carmichael und Lionel Richie
Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael, Lionel Richie und Carlos Rios (producer/guitarist)
Hintergrundgesang arranger:
Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Dancing on the Ceiling
Texter:
Lionel Richie
Komponist(in):
Michael Frenchik, Lionel Richie und Carlos Rios (producer/guitarist)
publisher:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music und Brockman Music (in 1986)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie3.94:33
9Would I Lie to You
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson und Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L und BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie4:16
10'74-'75
recording engineer und Mix:
Lou Giordano (Boston engineer)
Techniker(in):
David Cook (engineer, producer)
Produzent(in):
The Connells und Lou Giordano (Boston engineer)
phonographisches Urheberrecht (℗) von:
TVT Records (in 1993)
recording of:
’74–’75
Texter und Komponist(in):
Mike Connell
publisher:
EMI Music Publishing (do not use as a release label!)
The Connells2.84:38
11One of Us
recording of:
One of Us
Texter und Komponist(in):
Eric Bazilian
Joan Osborne44:18
12Nikita
recording of:
Nikita
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John4:43
13It Must Have Been Love
Programmierung:
Clarence Öfwerman (von 1987 bis 1990)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Humberto Gatica
E-Gitarre [electric guitars]:
Jonas Isacsson (von 1987 bis 1990)
Keyboard [keyboards] und Synclavier:
Clarence Öfwerman (von 1987 bis 1990)
Schlagzeug:
Pelle Alsing (von 1987 bis 1990)
vocals:
Marie Fredriksson (von 1987 bis 1990) und Per Gessle (Swedish singer and guitarist) (von 1987 bis 1990)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1990) und Parlophone Music Sweden AB (not for release label use, for copyrights use only) (in 1990)
aufgenommen bei:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1987 bis 1990)
mixed at:
Ground Control Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 466)
recording of:
It Must Have Been Love (von 1987 bis 1990)
Texter und Komponist(in):
Per Håkan Gessle (Swedish singer and guitarist)
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jimmy Fun Music
Roxette3.154:20
14Do You Really Want to Hurt Me
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:26
15Ain't That Just the Way
Lutricia McNeal3:24
16Fairground
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Mick Hucknall (lead singer of Simply Red) und Stewart Levine (record producer and saxophonist)
früheste Veröffentlichung:
Fairground von Simply Red (English soul and pop band)
recording of:
Fairground
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red3.54:25
17Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und WB Music Corp. (1929–2019)
Bangles43:05
18In the Army Now
recording engineer:
Tim "Ted" Summerhayes
assistierende(r) Techniker(in):
Kevin Whyte
Techniker(in):
Simon Sullivan und Tim "Ted" Summerhaynes
Produzent(in):
Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
produced for:
Handle Artists
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
In the Army Now
Verfasser(in):
Ferdi Bolland und Rob Bolland
publisher:
Beadle Music Ltd., Bolland Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV und The International Music Network
Status Quo3.54:42
19Eyes on You
Cedric3:43

Nennungen

Veröffentlichungsgruppe

Teil von:Ö3 Greatest Hits (Nummer: 3) (Reihenfolge: 3)