Now That’s What I Call Love

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Drenched
produttore:
Winston Hauschild
voce:
曲婉婷 (Wanting Qu, Chinese singer-songwriter and pianist)
registrazione di:
Drenched
paroliere e compositore:
曲婉婷 (Wanting Qu, Chinese singer-songwriter and pianist)
曲婉婷4:04
2How Long Will I Love You
tecnico:
Joe Kearns (British record producer, writer and engineer), Ashley Krajewski e Richard Kayvan
produttore:
John Fortis
tecnico di missaggio:
Richard Kayvan
basso e tastiera [keyboards] :
John Fortis
chitarra :
Nick Cornu
percussione :
Ashley Krajewski
video musicali:
How Long Will I Love You di Ellie Goulding
registrazione cover di:
How Long Will I Love You
paroliere e compositore:
Mike Scott (The Waterboys)
Ellie Goulding32:40
3Lovin’ You
produttore:
Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) e Stevie Wonder
armonica (a bocca) , batteria , pianoforte e piatti :
El Toro Negro
batteria [drum kit] :
Ollie E. Brown (US drummer, session musician & record producer) e El Toro Negro
chitarra :
Marlo Henderson e Michael Sembello
chitarra basso :
Reggie McBride
congas :
Kwasi "Rocki" Dzidzornu
voce:
Minnie Riperton
voce di accompagnamento:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) e Yvonne Wright
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:28
4Back At One
assistente tecnico di registrazione:
Mary Ann Souza
tecnico di registrazione:
Tommy Vicarri e Chris Wood (recording engineer)
programmazione degli strumenti:
Brian McKnight
produttore:
Brian McKnight
produttore esecutivo:
Bruce Carbone, Kedar Massenburg e Herb Trawick
assistente tecnico di missaggio:
Tom Bender (engineer)
tecnico di missaggio:
Mick Guzauski
basso , percussione , tastiera , voce di accompagnamento e voce principale:
Brian McKnight
arrangiatore:
Brian McKnight
orchestratore:
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
registrata presso:
Capital Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Barking Doctor in Mount Kisco, New York, Stati Uniti
registrazione di:
Back at One
paroliere, autore e compositore:
Brian McKnight
editore:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight3:27
5Baby Can I Hold You
registrazione cover di:
Baby Can I Hold You
paroliere e compositore:
Tracy Chapman (American singer‐songwriter)
editore:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Ronan Keating3:13
6Out Of Reach
voce principale:
Gabrielle (British singer‐songwriter)
orchestra:
The London Session Orchestra
diritti fonografici (℗) detenuti da:
Go! Beat (subsidiary of Go! Discs; folded into UMG) (nel 2001)
video musicali:
Out of Reach di Gabrielle (British singer‐songwriter)
registrazione di:
Out of Reach (nel 2001)
autore:
Louise Gabrielle Bobb (British singer‐songwriter) e Jonathan Shorten
editore:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3.753:22
72 Become 1
assistente tecnico di registrazione:
Patrick McGovern
tecnico di registrazione:
Adrian Bushby
programmazione e produttore:
Richard Stannard e Matt Rowe
programmazione aggiuntiva:
Pete Davis (UK engineer, programmer, keyboards), Statik (worked with Spice Girls) e Paul Waller
produttore aggiunto:
Andy Bradfield
tecnico di missaggio:
Andy Bradfield
chitarra :
Greg Lester
tastiera :
Richard Stannard e Matt Rowe
arrangiatore archi :
Craig Armstrong (Scottish score composer)
primo violino:
Isobel Griffiths e Perry Montague‐Mason (violinist)
registrazione di:
2 Become 1
autore:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe e Victoria Beckham (née Adams)
editore:
PolyGram Music Publishing Ltd. e Windswept Pacific Music Ltd.
Spice Girls4.54:06
8She
tecnico di registrazione:
Gareth Cousins e Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistente tecnico:
Paul Hicks
produttore:
Trevor Jones (South African score composer)
tecnico di missaggio:
Gareth Cousins
batteria :
Paul Clarvis (percussionist)
chitarra basso :
Trevor Barry
pianoforte :
Dave Hartley (pianist)
strumenti:
Clem Clempson
vibrafono :
Frank Ricotti (percussionist)
voce:
Elvis Costello
orchestra:
London Symphony Orchestra
direttore d'orchestra:
Geoffrey Alexander
arrangiatore:
Julian Kershaw
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1999)
registrata presso e mixata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione cover di:
She (Seven Faces of Woman)
paroliere:
Herbert Kretzmer
compositore:
Charles Aznavour
editore:
Essex Music International, Inc. e Standard Music Publishing Ltd.
versione tradotta di:
Tous les visages de l’amour
Elvis Costello2.53:12
9One Love
tecnico:
Neil Tucker
produttore:
StarGate (Norwegian production/songwriting team)
strumenti:
Tor Erik Hermansen, Mikkel SE e Hallgeir Rustan (norwegian producer)
voce:
Blue (UK boy band)
esecutore:
Ant (English singer-songwriter & actor), Duncan (English singer and actor, member of “Blue”), Lee (Blue) e Simon
diritti fonografici (℗) detenuti da:
Virgin Records Limited (not for release label use! for company relationships only) (nel 2002)
è stato produttore per:
Blacksmith Management Ltd. e Delirious
registrata in aggiunta presso:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, Regno Unito
registrata presso:
Metropolis Studios (London) in London (Greater London), England, Regno Unito e StarGate Studios in Trondheim, Sør-Trøndelag, Norvegia
mixata presso:
StarGate Studios in Trondheim, Sør-Trøndelag, Norvegia
registrazione di:
One Love
autore:
Antony Costa (English singer-songwriter & actor), Mikkel Storleer Eriksen, Tor Erik Hermansen, Duncan James (English singer and actor, member of “Blue”), Hallgeir Rustan (norwegian producer), Lee Ryan (Blue) e Simon Webbe
editore:
EMI Music Publishing Ltd (PRS‐affiliated), Sony ATV Music Publishing (UK) Ltd e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Blue3.23:29
10Have You Met Miss Jones?
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
tecnico:
Jim Brumby (UK engineer) e Steve Price (UK recording engineer/producer/orchestrator/arranger)
tecnico aggiunto:
Jim Brumby (UK engineer) e Tom Jenkins (English sound engineer)
produttore:
Guy Chambers (English songwriter and record producer)
assistente tecnico di missaggio:
Steve Genewick
batteria [drums] :
Ralph Salmins
chitarra elettrica :
Mitch Dalton
contrabbasso :
Sam Burgess
pianoforte :
Dave Arch (pianist, conductor, arranger and composer)
sassofono baritono :
Phil Todd (UK flautist/saxophonist)
sassofono contralto [alto saxophones] :
Iain Dixon e Andy Mackintosh (British-born saxophonist)
sassofono tenore [tenor saxophones] :
Dave Bishop (saxophonist) e Chris White (UK jazz saxophonist)
tromba [trumpets] :
John Barclay (trumpeter), Stuart Brooks (trumpet and horn player), Simon Gardner (trumpet player) e Paul Spong (trumpetist)
trombone [trombones] :
Gordon Campbell (UK trombone player; BBC Big Band), Richard Edwards (trombonist) e Neil Sidwell
trombone basso :
Dave Stewart (trombonist)
vibrafono :
Anthony Kerr
voce:
Robbie Williams
direttore d'orchestra:
Steve Sidwell (English composer & wind instrumentalist)
arrangiatore:
Steve Sidwell (English composer & wind instrumentalist)
registrazione cover di:
Have You Met Miss Jones? (I’d Rather Be Right)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
I’d Rather Be Right
Steve Sidwell3.42:39
11Moment By Moment
diritti fonografici (℗) detenuti da:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (nel 1978)
registrazione di:
Moment by Moment
autore:
Lee Holdridge e Molly Ann Leikin
Yvonne Elliman3:16
12Now And Forever
tecnico e tecnico di missaggio:
Bill Drescher (Producer and sound engineer)
produttore:
Richard Marx
archi :
Israel Baker (American violinist), Farhad Behroozi, Charlie Bisharat (US violinist), Henry Corbett, Gail Cruz, Pavel Farkas, James Getzoff (American concertmaster and violinist), Jerry Goodman e Sid Page
basso :
Nathan East
chitarra [guitars] solista , chitarra acustica [acoustic guitars] e mandolino :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
voce principale:
Richard Marx
arrangiatore archi :
Dick Marx
registrazione di:
Now and Forever
paroliere e compositore:
Richard Marx
Richard Marx33:37
13When You Say Nothing At All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Ronan Keating2.754:19
14The Way You Look Tonight
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
Maroon 53:28
15You’re Still The One
assistente alla programmazione:
Jay Alvarez e James Somberg
programmazione e editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
programmazione aggiuntiva:
Bjorn Thornsrud
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) e Mercury Records (the holding company; for use as ℗&© credits only!) (nel 2022)
registrazione di:
You’re Still the One
autore:
Eilleen Shania Lange e Robert John Lange
editore:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. e PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:36
16I Just Fall In Love Again
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione cover di:
I Just Fall in Love Again
paroliere:
Harry Lloyd (songwriter) e Gloria Sklerov
compositore:
Steve Dorff (composer) e Larry Herbstritt
editore:
Campbell Connelly & Co. Ltd., Cotton Pickin' Songs, Hobby Horse Music, Peso Music (publisher), Universal Music Careers e Universal Music–MGB Songs
Anne Murray52:53
17Kiss Me Honey, Honey
voce:
Shirley Bassey (Welsh singer) (nel 1958)
orchestra:
Wally Stott & His Orchestra & Chorus (nel 1958)
registrazione di:
Kiss Me, Honey Honey, Kiss Me (nel 1958)
autore:
Michael Julien (British songwriter) e Albon Timothy (jazz and calypso musician and songwriter)
Shirley Bassey2:31
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#TitoloArtistaValutazioneDurata
1Don’t Know Why
assistente tecnico:
Mark Birkey
tecnico:
Jay Newland (producer, engineer and mixer)
produttore:
Norah Jones e Jay Newland (producer, engineer and mixer)
produttore aggiunto:
Arif Mardin
tecnico di missaggio:
Arif Mardin e Jay Newland (producer, engineer and mixer)
batteria :
Dan Rieser (nel 2000-10)
chitarra acustica e chitarra elettrica :
Jesse Harris (nel 2000-10)
chitarra basso :
Lee Alexander (US bassist, songwriter & producer) (nel 2000-10)
pianoforte e voce principale:
Norah Jones (nel 2000-10)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2002)
registrata presso:
Allaire Studios in Bearsville, New York, Stati Uniti (nel 2000-10) e Sorcerer Sound in New York, New York, Stati Uniti (nel 2000-10)
mixata presso:
Sear Sound in New York, New York, Stati Uniti
registrazione cover di:
Don’t Know Why (nel 2000-10)
paroliere e compositore:
Jesse Harris
editore:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.153:09
2Sometimes Love Just Ain’t Enough
esecutore:
Don Henley
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1992)
registrazione di:
Sometimes Love Just Ain’t Enough
autore:
Glen Burtnik e Patty Smyth
editore:
BMG Music Publishing Ltd., EMI Blackwood Music Inc., EMI Songs Ltd., Hampstead Heath Music Publishing Ltd., Pink Smoke Music, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Patty Smyth44:29
3Hear Me Cry
Cagnet3:53
4Save The Best For Last
produttore:
Keith Thomas (CCM, country, pop producer & songwriter)
arrangiatore:
Keith Thomas (CCM, country, pop producer & songwriter)
arrangiatore aggiunto:
Vanessa Williams (US pop/R&B vocalist/producer)
registrazione di:
Save the Best for Last
autore:
Phil Galdston, Jon Lind e Wendy Waldman
editore:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:44
5I’ll Never Fall In Love Again
produttore:
Burt Bacharach e Phil Ramone
direttore d'orchestra:
Burt Bacharach
arrangiatore:
Burt Bacharach
registrazione di:
I’ll Never Fall in Love Again (Promises, Promises) (nel 1968)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Rondor, Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Burt Bacharach3:17
6Young And Beautiful
diritti fonografici (℗) detenuti da:
Lana Del Rey (nel 2013)
video musicali:
Young and Beautiful di Lana Del Rey
parte di:
BILLIONS CLUB
registrazione di:
Young and Beautiful
paroliere e compositore:
Elizabeth Grant e Rick Nowels
Lana Del Rey54:00
7Lady
registrazione di:
Lady
paroliere e compositore:
Lionel Richie, Jr.
editore:
Brockman Music
Lionel Richie54:30
8Fixing A Broken Heart
registrazione di:
Fixing a Broken Heart
autore:
Mark Duffy, Richard Hennassey, Don Kirkpatrick (guitarist/songwriter), Neil McDiarmid e Michael Jay (producer/engineer)
editore:
Bravo and Encore Music, Letterbox Music (US work publisher), Music Publishing Company of America, Rhythm Addiction, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Indecent Obsession3:35
9We’ve Got Tonight
voce principale:
Sheena Easton e Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
esecutore:
Sheena Easton
registrazione cover di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc. e Gear Publishing Co (nel 1976)
sub-editore:
大洋音楽 (Taiyō Music)
registrazione di:
We’ve Got Tonite
paroliere e compositore:
Bob Seger
editore:
Hideout Records & Distributors, Inc. e Gear Publishing Co (nel 1976)
sub-editore:
大洋音楽 (Taiyō Music)
Sheena Easton33:58
10Too Lost In You
registrazione di:
Too Lost in You
paroliere e compositore:
Diane Warren (US songwriter)
Sugababes4:16
11Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:40
12Sweetest Goodbye
assistente tecnico:
Posie Muliadi e Danny Wright (US engineer)
tecnico:
Mike Landolt
produttore e tecnico di missaggio:
Matt Wallace (US producer & engineer)
voce di accompagnamento:
Jesse Carmichael
registrazione di:
Sweetest Goodbye
paroliere e compositore:
Adam Levine (Maroon 5’s lead vocalist)
Maroon 52.854:33
13Secret Lovers
registrazione di:
Secret Lovers
autore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Jodaway Music (ASCAP)
Atlantic Starr5:34
14Vincent
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.44:04
15All By Myself
registrazione cover di:
All by Myself
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Jamie O’Neal4:41
16I Honestly Love You
Olivia Newton‐John4:07
17I’m Not In Love
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (London) (company name, NOT a label!) (nel 1975)
registrazione di:
I’m Not in Love
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc6:02
3▼CD
#TitoloArtistaValutazioneDurata
1Right Here Waiting
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
produttore:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) e Richard Marx
chitarra :
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
tastiera :
Jeffery (C. J.) Vanston
voce principale:
Richard Marx
arrangiatore:
Jeffery CJ Vanston e Richard Marx
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1989)
video musicali:
Right Here Waiting di Richard Marx
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.84:28
2Make It Real
registrazione di:
Make It Real
autore:
The Jets (1980s pop band)
The Jets4:23
3Love Is All Around
co-produttore:
Graeme Duffin
direttore d'orchestra:
Fiachra Trench
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1994) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1994)
video musicali:
Love Is All Around di Wet Wet Wet
registrazione cover di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Wet Wet Wet3.854:03
4Sea Of Love
registrazione cover di:
Sea of Love
editore:
Fort Knox Music Co e Tek Publishing
registrazione di:
Sea of Love
editore:
Fort Knox Music Co e Tek Publishing
Marty Wilde2:32
5The Lady In Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:21
6My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.453:00
7Tiny Dancer
tecnico:
Robin Geoffrey Cable
produttore:
Gus Dudgeon
batteria :
Roger Pope (il 1971-08-09)
chitarra acustica :
Davey Johnstone (il 1971-08-09)
chitarra basso :
David Glover (bass guitarist) (il 1971-08-09)
chitarra elettrica :
Caleb Quaye (il 1971-08-09)
chitarra steel :
BJ Cole (il 1971-08-09)
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (il 1971-08-09)
voce di accompagnamento:
Tony Burrows (il 1971-08-09), Roger Cook (US‐based British singer, songwriter and producer) (il 1971-08-09), Lesley Duncan (il 1971-08-09), Dee Murray (il 1971-08-09), Nigel Olsson (il 1971-08-09), Barry St. John (il 1971-08-09), Terry Steele (il 1971-08-09), Liza Strike (il 1971-08-09) e Sue Glover & Sunny Leslie (il 1971-08-09)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (il 1971-08-09)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 47) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 387)
registrazione di:
Tiny Dancer (il 1971-08-09)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Universal–Songs of PolyGram International, Inc.
Elton John3.256:21
8Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker3.53:58
9A Winter’s Tale
produttore:
Mike Batt e David Essex
voce principale:
David Essex
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
A Winter’s Tale
paroliere:
Mike Batt e Tim Rice
compositore:
Mike Batt
editore:
Phonogram, Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
David Essex1.54:17
10Stuck In The Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:27
11Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:48
12On The Wings Of Love
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1982)
registrazione di:
On the Wings of Love (nel 1982)
autore:
Peter Schless (keyboardist and composer) e Jeffrey Osborne (nel 1982)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Lincoln Pond Music, March 9 Music, Music Sales Corporation (American copyright holder in both popular and classical music) e Rondor Music (London) Ltd.
Jeffrey Osborne4:03
13Endless Love
tecnico di registrazione:
Reggie Dozier
produttore:
Lionel Richie
tecnico di missaggio:
Guy Costa
esecutore ospite aggiunto:
Diana Ross
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1981)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 20)
registrazione di:
Endless Love
paroliere e compositore:
Lionel Richie
editore:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) e Warner/Chappell North America
parte di:
The 54th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1981 nominee)
Lionel Richie3.54:31
14La La (Means I Love You)
tecnico di registrazione e tecnico di missaggio:
Mark McGuire (UK producer/engineer)
produttore:
Swing Out Sister
registrazione cover di:
La La (Means I Love You) (nel 1994)
autore:
Thom Bell (keyboards, songwriter, producer) e William Hart (of The Delfonics)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Swing Out Sister4:49
15Do That To Me One More Time
tecnico di registrazione e tecnico di missaggio:
Roger Young (engineer)
assistente tecnico:
David Cole (American recording engineer and producer), Ira Leslie e Wayne Neuendorf
produttore:
Daryl Dragon
batteria [drums] :
Ralph Humphrey (American drummer and teacher)
chitarra acustica :
Lee Ritenour
chitarra basso :
Scott Edwards (bassist)
percussione :
Ken Watson (American percussionist)
piano Rhodes [Fender Rhodes electric piano] , voce di accompagnamento e voce principale:
Toni Tennille
sintetizzatore [Oberheim Four Voice] :
Daryl Dragon
sintetizzatore a fiato [flute synthesizer] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
assistente remixer:
Wayne Neuendorf
diritti fonografici (℗) detenuti da:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979)
registrata presso:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Rumbo Recorders in Canoga Park, Los Angeles, California, Stati Uniti
mixata presso:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
registrazione di:
Do That to Me One More Time
paroliere e compositore:
Toni Tennille
editore:
Fujipacific Music, Inc. e Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.854:16
16You Needed Me
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978) e EMI Music Canada (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 63)
registrazione di:
You Needed Me (nel 1978)
paroliere e compositore:
Randy Goodrum
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:43
17More Than Words
assistente tecnico:
Craig Doubet (recording engineer)
tecnico:
Bob St. John
produttore e tecnico di missaggio:
Michael Wagener
batteria e percussione :
Paul Geary
chitarra basso :
Pat Badger
chitarra, tastiera, percussione e pianoforte e voce di accompagnamento:
Nuno Bettencourt
voce di accompagnamento e voce principale:
Gary Cherone
diritti fonografici (℗) detenuti da:
A&M Records (nel 1990)
registrazione di:
More Than Words
autore:
Nuno Bettencourt e Gary Cherone
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Funky Metal Publishing
Extreme3.755:38
18Close To Me
Cagnet3:25