The Ultimate Collection

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Copenhagen
3:01
2Shanghai Shuffle
2:50
3Stomp Off, Let's Go
2:55
4Drop That Sack
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-05-28)
Banjo:
Johnny St. Cyr
Klarinette:
Johnny Dodds
Klavier:
Lil Armstrong
Kornett:
Louis Armstrong
Posaune:
Kid Ory
2:49
5Melancholy
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1927-04-22)
Banjo:
Bud Scott (am 1927-04-22)
Klarinette:
Johnny Dodds (am 1927-04-22)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1927-04-22)
Posaune:
Roy Palmer (US early jazz trombonist) (am 1927-04-22)
Schlagzeug:
Warren “Baby” Dodds (am 1927-04-22)
Tenorsaxophon:
Barney Bigard (am 1927-04-22)
Trompete:
Louis Armstrong (am 1927-04-22)
recording of:
Melancholy Blues (am 1927-04-22)
Verfasser(in):
Marty Bloom und Walter Melrose
3:09
6I'm Goin' Huntin'
2:57
7I'm in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
43:13
8On Treasure Island
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-13)
Gitarre:
Lee Blair (am 1935-12-13)
Klavier:
Luis Russell (am 1935-12-13)
Kontrabass:
George "Pops" Foster (am 1935-12-13)
Posaune:
Jimmy Archey (am 1935-12-13) und Harry White (jazz trombonist) (am 1935-12-13)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-13), Henry “Moon” Jones (swing era reeds) (am 1935-12-13) und Bingie Madison (am 1935-12-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-13)
Tenorsaxophon:
Greely Walton (am 1935-12-13)
Trompete:
Gus Aiken (am 1935-12-13), Louis Armstrong (am 1935-12-13), Louis Bacon (am 1935-12-13) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-13)
vocals:
Louis Armstrong (am 1935-12-13)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-13)
recording of:
On Treasure Island (am 1935-12-13)
Texter:
Edgar Leslie
Komponist(in):
Joe Burke (American composer)
3:06
9Thanks a Million
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-19)
Gitarre:
Lee Blair (am 1935-12-19)
Klavier:
Luis Russell (am 1935-12-19)
Kontrabass:
George "Pops" Foster (am 1935-12-19)
Posaune:
Jimmy Archey (am 1935-12-19) und Harry White (jazz trombonist) (am 1935-12-19)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-12-19), Henry “Moon” Jones (swing era reeds) (am 1935-12-19) und Bingie Madison (am 1935-12-19)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-12-19)
Tenorsaxophon:
Greely Walton (am 1935-12-19)
Trompete:
Gus Aiken (am 1935-12-19), Louis Armstrong (am 1935-12-19), Louis Bacon (am 1935-12-19) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-12-19)
vocals:
Louis Armstrong (am 1935-12-19)
Orchester:
Louis Armstrong & His Orchestra (am 1935-12-19)
recording of:
Thanks a Million (am 1935-12-19)
Texter:
Gus Kahn
Komponist(in):
Arthur Johnston (American composer and songwriter)
2:40
10Ev'ntide
recorded in:
New York, New York, Vereinigte Staaten (am 1936-05-18)
Gitarre:
Lee Blair (am 1936-05-18)
Klavier:
Luis Russell (am 1936-05-18)
Kontrabass:
George "Pops" Foster (am 1936-05-18)
Posaune:
Jimmy Archey (am 1936-05-18) und Snub Mosley (am 1936-05-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-05-18), Henry “Moon” Jones (swing era reeds) (am 1936-05-18) und Greely Walton (am 1936-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-05-18)
Tenorsaxophon:
Bingie Madison (am 1936-05-18)
Trompete:
Gus Aiken (am 1936-05-18), Louis Armstrong (am 1936-05-18), Louis Bacon (am 1936-05-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-05-18)
vocals:
Louis Armstrong (am 1936-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-05-18)
recording of:
Ev'ntide (am 1936-05-18)
Texter und Komponist(in):
Hoagy Carmichael
2:53
11Dippermouth Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Klarinette:
Jimmy Dorsey (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Dippermouth Blues (am 1936-08-07)
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
2:47
12Swing That Music
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Swing That Music (am 1936-08-07)
Texter und Komponist(in):
Louis Armstrong und Horace Gerlach
2:52
13Pennies From Heaven
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-17)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-17)
Kontrabass:
Slim Taft (am 1936-08-17)
Posaune:
Bobby Byrne (am 1936-08-17), Don Matteson (am 1936-08-17) und Joe Yukl (am 1936-08-17)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-17), Skeets Herfurt (am 1936-08-17), Fud Livingston (am 1936-08-17) und Jack Stacey (am 1936-08-17)
Schlagzeug:
Ray McKinley (am 1936-08-17)
Trompete:
Louis Armstrong (am 1936-08-17), Tutti Camarata (am 1936-08-17) und George Thow (am 1936-08-17)
vocals:
Louis Armstrong (am 1936-08-17), Bing Crosby (am 1936-08-17) und Frances Langford (am 1936-08-17)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-17)
recording of:
Pennies From Heaven (am 1936-08-17)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
4:22
14On the Sunny Side of the Street
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-11-15)
Gitarre:
Lee Blair (am 1937-11-15)
Klavier:
Luis Russell (am 1937-11-15)
Kontrabass:
Red Callender (am 1937-11-15)
Posaune:
J.C. Higginbotham (am 1937-11-15)
Rohrblattinstrumente:
Bingie Madison (am 1937-11-15)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-11-15)
Trompete:
Louis Armstrong (am 1937-11-15)
vocals:
Louis Armstrong (am 1937-11-15)
Orchester:
Louis Armstrong & His Orchestra (am 1937-11-15)
recording of:
On the Sunny Side of the Street (am 1937-11-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:58
15Once in a While
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-11-15)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1937-11-15)
Gitarre:
Lee Blair (am 1937-11-15)
Klavier:
Luis Russell (am 1937-11-15)
Kontrabass:
Red Callender (am 1937-11-15)
Posaune:
J.C. Higginbotham (am 1937-11-15)
Rohrblattinstrumente:
Bingie Madison (am 1937-11-15)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1937-11-15)
Trompete:
Louis Armstrong (am 1937-11-15)
vocals:
Louis Armstrong (am 1937-11-15)
Orchester:
Louis Armstrong & His Orchestra (am 1937-11-15)
recording of:
Once in a While (am 1937-11-15)
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
3:12
16In the shade of the Old Apple Tree
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-29)
Gitarre:
Bernard Addison (am 1937-06-29) und John Mills, Sr. (am 1937-06-29)
Trompete:
Louis Armstrong (am 1937-06-29)
Baritongesang:
Harry Mills (am 1937-06-29)
Bass-Gesang:
John Mills, Sr. (am 1937-06-29)
Tenor-Gesang:
Donald Mills (am 1937-06-29) und Herbert Mills (am 1937-06-29)
vocals:
Louis Armstrong (am 1937-06-29) und The Mills Brothers (am 1937-06-29)
recording of:
In the Shade of the Old Apple Tree (am 1937-06-29)
Verfasser(in):
Harry Williams (American songwriter, co-writer of “In the Shade of the Old Apple Tree”) und Egbert Van Alstyne (in 1905)
publisher:
Francis, Day & Hunter Ltd. und Redwood Music Ltd. (Carlin)
2:20
17Jubilee
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-01-12)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1938-01-12) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-01-12)
Gitarre:
Lee Blair (am 1938-01-12)
Klavier:
Luis Russell (am 1938-01-12)
Kontrabass:
George "Pops" Foster (am 1938-01-12)
Posaune:
Wilbur de Paris (am 1938-01-12), J.C. Higginbotham (am 1938-01-12) und George Washington (jazz trombonist) (am 1938-01-12)
Rohrblattinstrumente:
Bingie Madison (am 1938-01-12) und Albert Nicholas (am 1938-01-12)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-01-12)
Trompete:
Henry “Red” Allen (jazz musician) (am 1938-01-12), Louis Armstrong (am 1938-01-12), Louis Bacon (am 1938-01-12) und Shelton "Scad" Hemphill (am 1938-01-12)
vocals:
Louis Armstrong (am 1938-01-12)
Orchester:
Louis Armstrong & His Orchestra (am 1938-01-12)
recording of:
Jubilee (Hoagy Carmichael) (am 1938-01-12)
Komponist(in):
Hoagy Carmichael
2:39
18When the Saints Go Marching In
recorded in:
New York, New York, Vereinigte Staaten (am 1938-05-13)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1938-05-13) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1938-05-13)
Gitarre:
Lee Blair (am 1938-05-13)
Klavier:
Luis Russell (am 1938-05-13)
Kontrabass:
George "Pops" Foster (am 1938-05-13)
Posaune:
J.C. Higginbotham (am 1938-05-13)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1938-05-13)
Tenorsaxophon:
Bingie Madison (am 1938-05-13)
Trompete:
Louis Armstrong (am 1938-05-13) und Shelton "Scad" Hemphill (am 1938-05-13)
vocals:
Louis Armstrong (am 1938-05-13)
Orchester:
Louis Armstrong & His Orchestra (am 1938-05-13)
recording of:
When the Saints Go Marching In (Louis Armstrong’s version) (am 1938-05-13)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Louis Armstrong
Version von:
When the Saints Go Marching In
2:46
19Shadrack
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-14)
vocals:
Louis Armstrong (am 1938-06-14) und The CBS Choir (am 1938-06-14)
arranger:
Lyn Murray
recording of:
Shadrack (am 1938-06-14)
Texter und Komponist(in):
R. MacGimsey
2:36
20Ain't Misbehavin'
recorded in:
New York, New York, Vereinigte Staaten (am 1938-06-24)
Gitarre:
Dave Barbour (am 1938-06-24)
Klarinette:
Sid Stoneburn (am 1938-06-24)
Klavier:
Nat Jaffe (am 1938-06-24)
Kontrabass:
Haig Stephens (am 1938-06-24)
Schlagzeug:
Sam Weiss (US jazz drummer) (am 1938-06-24)
Trompete:
Louis Armstrong (am 1938-06-24), Bob Cusumano (am 1938-06-24) und Johnny McGee (am 1938-06-24)
Ventilposaune:
Al Philburn (am 1938-06-24)
Sologesang:
Louis Armstrong (am 1938-06-24)
vocals:
Louis Armstrong (am 1938-06-24)
Orchester:
Louis Armstrong & His Orchestra (am 1938-06-24)
recording of:
Ain’t Misbehavin’ (am 1938-06-24)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
32:56
21Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Kontrabass:
George "Pops" Foster (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-01-18)
Interpret(in):
Louis Armstrong & His Orchestra
spätere Veröffentlichungen:
Jeepers Creepers von Louis Armstrong
recording of:
Jeepers Creepers (am 1939-01-18)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
42:37
2▼CD
Nr.TitelBewertungLänge
1Rockin' Chair
recorded in:
New York, New York, Vereinigte Staaten (am 1939-02-20)
alto saxophone:
Glen Gray (am 1939-02-20), Clarence Hutchenrider (am 1939-02-20), Murray McEachern (am 1939-02-20), Art Ralston (am 1939-02-20) und Kenny Sargent (am 1939-02-20)
baritone saxophone:
Kenny Sargent (am 1939-02-20)
Gitarre:
Jack Blanchette (am 1939-02-20)
Klavier:
Joe "Horse" Hall (US jazz pianist, swing era) (am 1939-02-20)
Kontrabass:
Stanley Dennis (am 1939-02-20)
Posaune:
Pee Wee Hunt (am 1939-02-20), Murray McEachern (am 1939-02-20) und Billy Rauch (US jazz trombonist) (am 1939-02-20)
Rohrblattinstrumente:
Art Ralston (am 1939-02-20)
Schlagzeug:
Tony Briglia (am 1939-02-20)
Tenorsaxophon:
Dan D’Andrea (am 1939-02-20) und Pat Davis (Jazz saxophonist) (am 1939-02-20)
Trompete:
Louis Armstrong (am 1939-02-20), Sonny Dunham (am 1939-02-20), Frank Ryerson (am 1939-02-20) und Grady Watts (trumpeter and composer) (am 1939-02-20)
vocals:
Louis Armstrong (am 1939-02-20) und Pee Wee Hunt (am 1939-02-20)
Orchester:
Glen Gray & the Casa Loma Orchestra (am 1939-02-20)
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1939-02-20)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:17
2West End Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong and His Orchestra (in 1939) und Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
West End Blues (Armstrong recording) (am 1939-04-05)
Komponist(in):
King Oliver (jazz cornetist) (in 1928)
arranger:
Louis Armstrong (in 1928)
Arrangement von:
West End Blues (original instrumental)
3:12
3Savoy Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Savoy Blues (am 1939-04-05)
Verfasser(in):
Kid Ory
3:14
4Hear Me Talkin' to Ya
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-05)
Gitarre:
Lee Blair (am 1939-04-05)
Klavier:
Luis Russell (am 1939-04-05)
Kontrabass:
George "Pops" Foster (am 1939-04-05)
Posaune:
Wilbur de Paris (am 1939-04-05), J.C. Higginbotham (am 1939-04-05) und George Washington (jazz trombonist) (am 1939-04-05)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-05), Joe Garland (saxophonist, composer) (am 1939-04-05), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-05) und Bingie Madison (am 1939-04-05)
Schlagzeug:
Sid Catlett (am 1939-04-05)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-05), Louis Armstrong (am 1939-04-05), Shelton "Scad" Hemphill (am 1939-04-05) und Otis Johnson (trumpet) (am 1939-04-05)
vocals:
Louis Armstrong (am 1939-04-05)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-05)
recording of:
Hear Me Talkin' to Ya (am 1939-04-05)
Texter und Komponist(in):
Louis Armstrong
3:07
5I'm Confessin'
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-25)
Gitarre:
Lee Blair (am 1939-04-25)
Klavier:
Luis Russell (am 1939-04-25)
Kontrabass:
George "Pops" Foster (am 1939-04-25)
Posaune:
Wilbur de Paris (am 1939-04-25), J.C. Higginbotham (am 1939-04-25) und George Washington (jazz trombonist) (am 1939-04-25)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-04-25), Joe Garland (saxophonist, composer) (am 1939-04-25), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-04-25) und Bingie Madison (am 1939-04-25)
Schlagzeug:
Sid Catlett (am 1939-04-25)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-04-25), Louis Armstrong (am 1939-04-25), Bernard Flood (am 1939-04-25) und Shelton "Scad" Hemphill (am 1939-04-25)
Sologesang:
Louis Armstrong (am 1939-04-25)
vocals:
Louis Armstrong (am 1939-04-25)
Orchester:
Louis Armstrong & His Orchestra (am 1939-04-25)
arranger:
Luis Russell
recording of:
I’m Confessin’ (That I Love You) (am 1939-04-25)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:16
6You're a Lucky Guy
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-18)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-12-18)
Bass:
George "Pops" Foster (am 1939-12-18)
Gitarre:
Lee Blair (am 1939-12-18)
Klavier:
Luis Russell (am 1939-12-18)
Posaune:
Wilbur de Paris (am 1939-12-18), J.C. Higginbotham (am 1939-12-18) und George Washington (jazz trombonist) (am 1939-12-18)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-12-18)
Saxophon:
Joe Garland (saxophonist, composer) (am 1939-12-18)
Schlagzeug:
Sid Catlett (am 1939-12-18)
Tenorsaxophon:
Bingie Madison (am 1939-12-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-12-18), Louis Armstrong (am 1939-12-18), Bernard Flood (am 1939-12-18) und Shelton "Scad" Hemphill (am 1939-12-18)
vocals:
Louis Armstrong (am 1939-12-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-12-18)
recording of:
You're a Lucky Guy (am 1939-12-18)
Texter:
Sammy Cahn
Komponist(in):
Saul Chaplin
3:19
7Wolverine Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1940-03-14)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1940-03-14)
Bass:
George "Pops" Foster (am 1940-03-14)
Gitarre:
Lee Blair (am 1940-03-14)
Klavier:
Luis Russell (am 1940-03-14)
Posaune:
Wilbur de Paris (am 1940-03-14), J.C. Higginbotham (am 1940-03-14) und George Washington (jazz trombonist) (am 1940-03-14)
Rohrblattinstrumente:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1940-03-14)
Saxophon:
Joe Garland (saxophonist, composer) (am 1940-03-14)
Schlagzeug:
Sid Catlett (am 1940-03-14)
Tenorsaxophon:
Bingie Madison (am 1940-03-14)
Trompete:
Henry “Red” Allen (jazz musician) (am 1940-03-14), Louis Armstrong (am 1940-03-14), Bernard Flood (am 1940-03-14) und Shelton "Scad" Hemphill (am 1940-03-14)
Orchester:
Louis Armstrong & His Orchestra (am 1940-03-14)
recording of:
Wolverine Blues (am 1940-03-14)
Texter:
Benjamin F Spikes (Benjamin Franklin "Reb" Spikes) und John Spikes
Komponist(in):
Jelly Roll Morton
3:20
8Sweethearts on Parade
recorded in:
New York, New York, Vereinigte Staaten (am 1940-05-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1940-05-01)
Bass:
George "Pops" Foster (am 1940-05-01)
Gitarre:
Lee Blair (am 1940-05-01)
Klavier:
Luis Russell (am 1940-05-01)
Saxophon:
Joe Garland (saxophonist, composer) (am 1940-05-01)
Schlagzeug:
Sid Catlett (am 1940-05-01)
Trompete:
Louis Armstrong (am 1940-05-01)
vocals:
Louis Armstrong (am 1940-05-01)
Orchester:
Louis Armstrong & His Orchestra (am 1940-05-01)
recording of:
Sweethearts on Parade (am 1940-05-01)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
2:51
9Perdido Street Blues
recording of:
Perdido Street Blues
Komponist(in):
Lil Armstrong
3:07
102:19 Blues
recording of:
2.19 Blues
Verfasser(in):
Mamie Desdume
2:54
11Coal Cart Blues
recording of:
Coal Cart Blues
Verfasser(in):
Louis Armstrong, Lil Hardin Armstrong und Clarence Williams (US jazz pianist, composer, singer and bandleader)
2:59
12Groovin'
2:53
13Royal Garden Blues
recording of:
Royal Garden Blues
Komponist(in):
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) und Spencer Williams (US jazz composer, pianist & singer) (in 1919)
5:04
14Mahogany Hall Stomp
recording of:
Mahogany Hall Stomp
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
3:55
15Blueberry Hill
Sologesang:
Louis Armstrong (am 1949-09-06)
Orchester:
Gordon Jenkins’ Orchestra and Choir (am 1949-09-06)
conductor:
Gordon Jenkins (am 1949-09-06)
arranger:
Gordon Jenkins
cover recording of:
Blueberry Hill (am 1949-09-06)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
2:54
16You Can't Lose a Broken Heart
recording of:
You Can’t Lose a Broken Heart
Texter:
Flournoy E. Miller
Komponist(in):
James P. Johnson
3:16
17My Bucket's Got a Hole in It
recording of:
My Bucket’s Got a Hole in It
Texter und Komponist(in):
Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1933)
3:45
18Panama
recording of:
Panama
Komponist(in):
William H. Tyers
5:05
19New Orleans Function Flee as a Bird / Oh, Didn't He Ramble
6:47
20You Rascal, You
cover recording of:
I’ll Be Glad When You’re Dead, You Rascal You
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:07
21My Monday Date
recording of:
My Monday Date
Komponist(in):
Earl Hines (jazz pianist and bandleader)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
adaptations:
My Monday Date (with lyrics)
6:29
3▼CD
Nr.TitelBewertungLänge
1A Kiss to Build a Dream On
Trompete und Sologesang:
Louis Armstrong (am 1951-07-24)
Interpret(in):
Sy Oliver and His Orchestra (am 1951-07-24)
recording of:
A Kiss to Build a Dream On (am 1951-07-24)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) und Bert Kalmar (in 1935)
Komponist(in):
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Fallout 2: A Post Nuclear Role Playing Game
Teil von:
The Strip (1951 film)
43:05
2It's All in the Game
3:24
3Someday You'll Be Sorry
recording of:
Someday You’ll Be Sorry
Verfasser(in):
Louis Armstrong
3:08
4Basin Street Blues
recording of:
Basin Street Blues
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
5:57
5When It's Sleepy Time Down South
recording of:
When It’s Sleepy Time Down South
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:22
6I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Verfasser(in):
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
4:23
7Weary Blues
recording of:
Weary Blues
Texter:
George Cates und Mort Greene
Komponist(in):
Artie Matthews
3:04
8Wild Man Blues
recording of:
Wild Man Blues
Komponist(in):
Louis Armstrong und Ferdinand Joseph LaMothe
4:01
9Dippermouth Blues
recording of:
Dippermouth Blues
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
3:20
10Dear Old Southland
recording of:
Dear Old Southland (jazz standard)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
4:15
11Stompin' at the Savoy
recording of:
Stompin’ at the Savoy
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:17
12I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
4:00
13Sweet Lorraine
recording of:
Sweet Lorraine
Texter:
Mitchell Parish (in 1928)
Komponist(in):
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. und Mills Music, Inc.
5:15
14Hello, Dolly
recorded in:
New York, Vereinigte Staaten (am 1963-12-03)
Produzent(in):
Mickey Kapp
Banjo und Gitarre:
Anthony Gottuso (Tony Gottuso, guitar) (am 1963-12-03)
Bass:
Arvell Shaw (am 1963-12-03)
Klarinette:
Joe Darensbourg (am 1963-12-03)
Klavier:
Billy Kyle (am 1963-12-03)
Kontrabass:
Arvell Shaw
Posaune:
Trummy Young (am 1963-12-03)
Schlagzeug:
Danny Barcelona (am 1963-12-03)
Trompete:
Louis Armstrong
Sologesang:
Louis Armstrong (am 1963-12-03)
vocals:
Louis Armstrong
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (am 1963-12-03)
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
live cover recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
recording of:
Hello, Dolly!
Texter und Komponist(in):
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
Hello, Dolly!
42:28
15What a Wonderful World
recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
2:24
16Cabaret
Techniker(in):
Eddie Brackett (am 1967-08-16) und Bob Simpson (US jazz engineer/producer) (am 1967-08-16)
Produzent(in):
Bob Thiele (producer & songwriter)
Gitarre:
Art Ryerson (am 1967-08-16)
Klarinette:
Joe Muranyi (am 1967-08-16)
Klavier:
Marty Napoleon (am 1967-08-16)
Kontrabass:
Buddy Catlett (am 1967-08-16)
Posaune:
Tyree Glenn (am 1967-08-16)
Schlagzeug:
Danny Barcelona (am 1967-08-16)
Trompete und Sologesang:
Louis Armstrong (am 1967-08-16)
recording of:
Cabaret (title song from the Kander & Ebb musical) (am 1967-08-16)
Texter:
Fred Ebb (lyricist)
Komponist(in):
John Kander (composer)
publisher:
Carlin Music Corp.
Teil von:
Cabaret (musical)
32:50
17Dream a Little Dream of Me
recorded in:
Las Vegas, Nevada, Vereinigte Staaten (am 1968-07-23)
Techniker(in):
Eddie Brackett (am 1968-07-23) und Bob Simpson (US jazz engineer/producer) (am 1968-07-23)
Produzent(in):
Bob Thiele (producer & songwriter)
Gitarre:
Art Ryerson (am 1968-07-23)
Klarinette:
Joe Muranyi (am 1968-07-23)
Klavier:
Marty Napoleon (am 1968-07-23)
Kontrabass:
Buddy Catlett (am 1968-07-23)
Posaune:
Tyree Glenn (am 1968-07-23)
Schlagzeug:
Danny Barcelona (am 1968-07-23)
Trompete und Sologesang:
Louis Armstrong (am 1968-07-23)
recording of:
Dream a Little Dream of Me (am 1968-07-23)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
43:16

Nennungen

Veröffentlichung

ASIN:US: B00004UFNU [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/449644 [Info]