Best of Easy Listening

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (am 1954-04-22)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
Dean Martin42:44
2Chicago
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Ralph Sharon und Count Basie (pianist) (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Tony Bennett42:08
3Night & Day
recorded in:
New York, New York, Vereinigte Staaten (am 1933-06-22)
vocals:
Fred Astaire (am 1933-06-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1933-06-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire3:14
4Stormy Weather
cover recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Sarah Vaughan3:30
5Fly Me to the Moon
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Dinah Washington2:30
6The Girl From Ipanema
Eartha Kitt3:05
7Embraceable You
recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Chet Baker2:08
8A Nightingale Sang in Berkeley Square
Bobby Darin3:01
9It’s Only Love
cover recording of:
It’s Only Love (1966 song)
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
Ella Fitzgerald3:04
10Crazy
Frank Ifield2:28
11Love Walked In
Produzent(in):
Andy Wiswell
vocals:
Dakota Staton
conductor:
Sid Feller
arranger:
Sid Feller
cover recording of:
Love Walked In
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
Dakota Station1:46
12How High the Moon
Iris Williams2:14
13Let’s Call the Whole Thing Off
The George Shearing Quintet1:56
14(It Will Have to Do) Until the Real Thing Comes Along
June Christy2:47
15Pennies From Heaven
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Gordon MacRae2:43
16You Don’t Have to Say You Love Me
Vikki Carr2:38
17Bell Bottom Blues
vocals:
Alma Cogan
cover recording of:
Bell Bottom Blues
Texter:
Hal David
Komponist(in):
Leon Carr
Alma Cogan2:35
18Talking in Your Sleep
phonographisches Urheberrecht (℗) von:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1978)
recording of:
Talking in Your Sleep (in 1978)
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Bobby Wood (American pianist, keyboard player and songwriter)
publisher:
G.O.A.L. Music Ltd. (publisher), Roger Cook Music und The International Music Network
Crystal Gayle22:55
2▼CD
Nr.TitelKünstlerBewertungLänge
1Dream a Little Dream
recorded in:
New York, New York, Vereinigte Staaten (am 1947-10-28)
Gitarre:
Irving Ashby (am 1947-10-28)
Instrumente und Interpret(in):
The Nat King Cole Trio (am 1947-10-28)
Klavier:
Nat King Cole (am 1947-10-28)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-10-28)
vocals:
Nat King Cole (am 1947-10-28)
cover recording of:
Dream a Little Dream of Me (am 1947-10-28)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Nat King Cole Trio2:51
2Call Me Irresponsible
cover recording of:
Call Me Irresponsible
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Paramount Music Corporation
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1963 winner)
Dinah Washington2:20
3Wives and Lovers
cover recording of:
Wives and Lovers
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Virgin Music (Publishers) Ltd.
Nancy Wilson42:01
4Can’t Get Used to Losing You
cover recording of:
Can’t Get Used to Losing You
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Bobby Darin2:13
5Magic Moments
cover recording of:
Magic Moments
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Music Publishing Ltd. und MCA Music Ltd.
Ronnie Hilton2:49
6I Just Want to Make Love to You
Lou Rawls3:31
7April in Paris
Produzent(in):
Voyle Gilmore
Klavier:
André Previn (pianist, conductor, composer, arranger)
vocals:
Dinah Shore
arranger:
André Previn (pianist, conductor, composer, arranger)
recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Shore2:58
8Stardust
cover recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Frank Ifield4:22
9Isn’t This a Lovely Day
cover recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Jeri Southern3:00
10I’m Just a Lucky So and So
recording of:
I’m Just a Lucky So and So
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Louis Armstrong3:11
11True Love
Eve Boswell2:45
12I’ve Got You Under My Skin
Danny Williams3:17
13It Had to Be You
arranger:
Gerald Wiggins
recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
Kay Starr2:52
14Misty Blue
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Ella Fitzgerald2:30
15Someone to Watch Over Me
Techniker(in):
Allan Emig (am 1955-02-28)
Produzent(in):
Richard Bock (record producer) (am 1955-02-28) und Michael Cuscuna (am 1955-02-28)
flute:
Bud Shank (am 1955-02-28)
Harfe:
Corky Hale (am 1955-02-28)
Kontrabass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (am 1955-02-28)
Schlagzeug:
Bob Neel (am 1955-02-28)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1955-02-28)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1955-02-28)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Chet Baker13:02
16Mr Wonderful
cover recording of:
Mr. Wonderful
Verfasser(in):
Jerry Bock, Lawrence Holofcener und George David Weiss
Keely Smith3:36
17It’s Only Make Believe
Produzent(in):
Al De Lory
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
arranger:
Al De Lory
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1970)
cover recording of:
It’s Only Make Believe (am 1967-12-18)
Verfasser(in):
Jack Nance (in 1958) und Conway Twitty (in 1958)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Glen Campbell2:27
18I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again (Promises, Promises)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Rondor, Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Bobbie Gentry2:55
3▼CD
Nr.TitelKünstlerBewertungLänge
1I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Shirley Bassey2:49
2In the Cool Cool Cool Of the Evening
vocals:
Dean Martin (American singer/actor) (am 1951-04-09)
conductor:
Dick Stabile (am 1951-04-09)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (am 1951-04-09)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 24th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1951 winner)
Dean Martin3:00
3I Got It Bad (And That Ain’t Good)
Louis Armstrong5:33
4That Old Black Magic
Produzent(in):
Voyle Gilmore
Bass:
Tony Liuzza (am 1958-08-25)
Gitarre:
Bobby Roberts (1950-60s guitarist, The Witnesses) (am 1958-08-25)
Klavier:
Willie McCumber Jr. (am 1958-08-25)
Posaune:
Lou Sino (am 1958-08-25)
Schlagzeug:
Paul Ferrara (am 1958-08-25)
Tenorsaxophon:
Sam Butera (am 1958-08-25)
Trompete:
Louis Prima (am 1958-08-25)
vocals:
Louis Prima (am 1958-08-25) und Keely Smith (am 1958-08-25)
Orchester:
The Witnesses (am 1958-08-25)
aufgenommen bei:
Sahara Theater in Winchester, Nevada, Vereinigte Staaten (am 1958-08-25)
live cover recording of:
That Old Black Magic (am 1958-08-25)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Louis Prima42:57
5Moon River
Eartha Kitt3:01
6Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Nina Simone3.253:14
7Little Things Mean a Lot
cover recording of:
Little Things Mean a Lot
Texter:
Edith Lindeman
Komponist(in):
Carl Stutz
Alma Cogan3:18
8A Fine Romance
Fred Astaire2:35
9Get Out of Town
Rosemary Squires2:02
10Teach Me Tiger
vocals:
April Stevens
conductor:
Don Ralke
arranger:
Don Ralke
April Stevens32:23
11Hello Dolly
Bing Crosby2:34
12Teach Me Tonight
Anne Shelton2:58
13A Foggy Day
live recording of:
A Foggy Day (in London Town) (in 1961)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Judy Garland2:59
14When I Fall in Love
vocals:
Alma Cogan
cover recording of:
When I Fall in Love
Texter:
Edward Heyman
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alma Cogan3:59
15Unforgettable
recording of:
Unforgettable
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Dorothy Squires2:41
16Unchained Melody
Frankie Vaughan3:40
17Lover Man (Oh Where Can You Be)
recording of:
Lover Man
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
Kay Starr2:45
18Let’s Fly Away
recording of:
Let’s Fly Away (The New Yorkers musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
Jeri Southern2:29
4▼CD
Nr.TitelKünstlerBewertungLänge
1Mad About the Boy
Techniker(in):
Ted Keep
Produzent(in):
Bobby Troup
vocals:
Julie London
Orchester:
Pete King and His Orchestra
cover recording of:
Mad About the Boy
Texter und Komponist(in):
Noël Coward
publisher:
Chappell & Co. und Chappell Music Ltd.
Teil von:
Words and Music
Julie London42:11
2Anything Goes
cover recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Tony Bennett42:21
3Something
recording engineer:
John Kurlander (engineer) (von 1984-07 bis 1984-08)
assistierende(r) Techniker(in):
Toby Alington (in 1984)
Produzent(in):
Tony Colton, Johnny Harris (Scottish composer, conductor) und Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (von 1984-07 bis 1984-08)
Orchester:
London Symphony Orchestra (von 1984-07 bis 1984-08)
conductor:
Johnny Harris (Scottish composer, conductor) und Carl Davis (conductor and composer) (von 1984-07 bis 1984-08)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970) und Towerbell Records (in 1984)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1984-07 bis 1984-08)
cover recording of:
Something (von 1984-07 bis 1984-08)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:36
4Spanish Eyes
Produzent(in):
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
Al Martino2.52:47
5Georgia on My Mind
cover recording of:
Georgia on My Mind
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Lou Rawls3:20
6Angel Eyes
recording of:
Angel Eyes (1946 jazz standard)
Texter:
Earl Brent (in 1946)
Komponist(in):
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) und Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Jack Jones3:13
7Hello Young Lovers
Produzent(in):
Ray Ellis (US producer, arranger and conductor) (in 1965)
vocals:
Lena Horne (in 1965)
conductor:
Ray Ellis (US producer, arranger and conductor) (in 1965)
arranger:
Ray Ellis (US producer, arranger and conductor) (in 1965)
cover recording of:
Hello, Young Lovers (The King and I) (in 1965)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
Lena Horne2:19
8Summertime
Joe Williams2:36
9Careless Hands
Mel Tormé3:14
10Always on My Mind
Billie Jo Spears3:36
11You’re Nobody ’Til Somebody Loves You
Frankie Vaughan2:43
12The Way You Look Tonight
Les Brown3:29
13It Must Be Him (Seul Sur Son Etoile)
Vikki Carr2:47
14I’ll Be With You in Apple Blossom Time
vocals:
The Andrews Sisters (am 1940-11-14)
Orchester:
Vic Schoen and His Orchestra (am 1940-11-14)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1940)
recording of:
(I’ll Be With You) In Apple Blossom Time (am 1940-11-14)
Texter:
Neville Fleeson
Komponist(in):
Albert Von Tilzer
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd. und Jerry Vogel Music
The Andrews Sisters2:54
15The Very Thought of You
The Four Freshmen2:22
16I Wonder Who’s Kissing Her Now
Michael Holliday2:09
17You’ll Never Walk Alone
Malcolm Vaughan2:43
18Ev’ry Time We Say Goodbye
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1961-07-18)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:23
5▼CD
Nr.TitelKünstlerBewertungLänge
1I Loves You Porgy
recorded in:
Philadelphia, Pennsylvania, Vereinigte Staaten (von 1954 bis 1955)
recording engineer:
Frank Clark
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Monk Higgins (in 1970)
aufgenommen bei:
Tangerine / RPM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1970: Saiteninstrumente)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (von 1954 bis 1955)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
Nina Simone4:04
2Yesterday
cover recording of:
Yesterday (original by The Beatles)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
Matt Monro2:51
3Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Al Martino3:24
4I Let a Song Go Out of My Heart
recording of:
I Let a Song Go Out of My Heart (am 1949-09-29)
Texter:
Irving Mills (in 1938), Henry Nemo (in 1938) und John Redmond (House vocalist) (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
Teil von:
The Real Book (compilation of jazz standards, volume I)
June Christy2:47
5La Vie en rose
recording of:
La Vie en rose (French original)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi) und Édith Piaf
publisher:
Éditions Beuscher Arpège und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Édith Piaf4:17
6Softly Softly
recording of:
Softly Softly
Texter:
Pierre Dudan und Paddy Roberts (singer/songwriter)
Komponist(in):
Mark Paul (1950s song composer)
Ruby Murray2:28
7Till There Was You
instrumental cover recording of:
Till There Was You (The Music Man)
Texter und Komponist(in):
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing und Rinimer Corp.
Teil von:
The Music Man
Billy May2:45
8Words
Andy Williams & Royal Philharmonic Orchestra4:32
9Strangers in the Night
Stan Freeman2:48
10It’s Wonderful
Ray Anthony2:45
11Guatanamera
Geoff Love & His Orchestra3:04
12Crazy Rhythm
recording of:
Crazy Rhythm
Texter:
Irving Caesar
Komponist(in):
Roger Wolfe Kahn und Joseph Meyer (US songwriter)
Harry James3:13
13Stranger in Paradise
Manuel & the Music of the Mountains3:10
14Let’s Face the Music and Dance
Nelson Riddle and His Orchestra2:34
15I Say a Little Prayer
Ron Goodwin and His Concert Orchestra1:57
16She
Pepe Jaramillo4:18
17What Is This Thing Called Love
George Shearing Trio4:03
18Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw33:15
6▶CD

Nennungen