The Middle Years, Part 1 (1936-1938)

~ Veröffentlichung von Fats Waller and His Rhythm (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The version of "I Simply Adore You" included here is not take 1, as indicated in the liner notes, but take 2, identical to the version that appears on the subsequent volume A Good Man Is Hard to Find: The Middle Years, Part 2.

Anmerkung zuletzt geändert am 2023-12-29 06:39 UTC.

Titelliste

| |
1▼CD
Nr.TitelBewertungLänge
1Havin’ a Ball
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
3:01
2I’m Sorry I Made You Cry
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
recording of:
I'm Sorry I Made You Cry (am 1936-12-24)
Texter und Komponist(in):
N.J. Clesi
publisher:
Leo Feist, Inc. und EMI Feist Catalog Inc. (am 1916-01-01)
recording of:
I'm Sorry I Made You Cry (in 1937)
Texter und Komponist(in):
N.J. Clesi
publisher:
Leo Feist, Inc. und EMI Feist Catalog Inc. (am 1916-01-01)
2:50
3Who’s Afraid of Love?
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
2:57
4Please Keep Me in Your Dreams
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
recording of:
Please Keep Me in Your Dreams (am 1936-12-24)
Texter:
Tot Seymour
Komponist(in):
Vee Lawnhurst
2:34
5One in a Million
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
2:46
6Nero
recorded in:
New York, New York, Vereinigte Staaten (am 1936-12-24)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-12-24)
Klavier:
Fats Waller (am 1936-12-24)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-12-24)
Rohrblattinstrumente:
Gene Sedric (am 1936-12-24)
Schlagzeug:
Slick Jones (am 1936-12-24)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-12-24)
vocals:
Fats Waller (am 1936-12-24)
2:43
7You’re Laughing at Me
recorded in:
New York, New York, Vereinigte Staaten (am 1937-02-22)
Celesta und Klavier:
Fats Waller (am 1937-02-22)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-02-22)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-02-22)
Rohrblattinstrumente:
Gene Sedric (am 1937-02-22)
Schlagzeug:
Slick Jones (am 1937-02-22)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-02-22)
vocals:
Fats Waller (am 1937-02-22)
recording of:
You’re Laughing at Me (am 1937-02-22)
Texter und Komponist(in):
Irving Berlin (in 1937)
2:35
8I Can’t Break the Habit of You
recorded in:
New York, New York, Vereinigte Staaten (am 1937-02-22)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-02-22)
Klavier:
Fats Waller (am 1937-02-22)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-02-22)
Rohrblattinstrumente:
Gene Sedric (am 1937-02-22)
Schlagzeug:
Slick Jones (am 1937-02-22)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-02-22)
vocals:
Fats Waller (am 1937-02-22)
2:51
9Did Anyone Ever Tell You?
recorded in:
New York, New York, Vereinigte Staaten (am 1937-02-22)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-02-22)
Klavier:
Fats Waller (am 1937-02-22)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-02-22)
Rohrblattinstrumente:
Gene Sedric (am 1937-02-22)
Schlagzeug:
Slick Jones (am 1937-02-22)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-02-22)
vocals:
Fats Waller (am 1937-02-22)
recording of:
Did Anyone Ever Tell You? (am 1937-02-22)
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
2:39
10When Love Is Young
recorded in:
New York, New York, Vereinigte Staaten (am 1937-02-22)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-02-22)
Klavier:
Fats Waller (am 1937-02-22)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-02-22)
Rohrblattinstrumente:
Gene Sedric (am 1937-02-22)
Schlagzeug:
Slick Jones (am 1937-02-22)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-02-22)
vocals:
Fats Waller (am 1937-02-22)
2:46
11The Meanest Thing You Ever Did Is Kiss Me
recorded in:
New York, New York, Vereinigte Staaten (am 1937-02-22)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-02-22)
Klavier:
Fats Waller (am 1937-02-22)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-02-22)
Rohrblattinstrumente:
Gene Sedric (am 1937-02-22)
Schlagzeug:
Slick Jones (am 1937-02-22)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-02-22)
vocals:
Fats Waller (am 1937-02-22)
recording of:
The Meanest Thing You Ever Did Was Kiss Me (am 1937-02-22)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Charles Newman (Charles Chas Newman, early 20th century songwriter)
Komponist(in):
Murray Mencher (pianist, lyricist and songwriter)
3:08
12Cryin’ Mood
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-18)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-03-18)
Klavier:
Fats Waller (am 1937-03-18)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-03-18)
Rohrblattinstrumente:
Gene Sedric (am 1937-03-18)
Schlagzeug:
Slick Jones (am 1937-03-18)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-03-18)
vocals:
Fats Waller (am 1937-03-18)
recording of:
Cryin’ Mood (am 1937-03-18)
Verfasser(in):
Andy Razaf und Chick Webb
2:43
13Where Is the Sun?
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-18)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-03-18)
Klavier:
Fats Waller (am 1937-03-18)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-03-18)
Rohrblattinstrumente:
Gene Sedric (am 1937-03-18)
Schlagzeug:
Slick Jones (am 1937-03-18)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-03-18)
vocals:
Fats Waller (am 1937-03-18)
recording of:
Where Is the Sun? (am 1937-03-18)
Verfasser(in):
Lee David und John Redmond (singer, songwriter)
2:37
14Old Plantation
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-18)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-03-18)
Klavier:
Fats Waller (am 1937-03-18)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-03-18)
Rohrblattinstrumente:
Gene Sedric (am 1937-03-18)
Schlagzeug:
Slick Jones (am 1937-03-18)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-03-18)
vocals:
Fats Waller (am 1937-03-18)
2:41
15To a Sweet Pretty Thing
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-18)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-03-18)
Klavier:
Fats Waller (am 1937-03-18)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-03-18)
Rohrblattinstrumente:
Gene Sedric (am 1937-03-18)
Schlagzeug:
Slick Jones (am 1937-03-18)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-03-18)
vocals:
Fats Waller (am 1937-03-18)
2:31
16You’ve Been Reading My Mail
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-18)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-03-18)
Klavier:
Fats Waller (am 1937-03-18)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-03-18)
Rohrblattinstrumente:
Gene Sedric (am 1937-03-18)
Schlagzeug:
Slick Jones (am 1937-03-18)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-03-18)
vocals:
Fats Waller (am 1937-03-18)
2:24
17Spring Cleaning
recorded in:
New York, New York, Vereinigte Staaten (am 1937-03-18)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-03-18)
Klavier:
Fats Waller (am 1937-03-18)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-03-18)
Schlagzeug:
Slick Jones (am 1937-03-18)
Tenorsaxophon:
Gene Sedric (am 1937-03-18)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-03-18)
vocals:
Fats Waller (am 1937-03-18)
recording of:
Spring Cleaning (Getting Ready for Love) (am 1937-03-18)
Verfasser(in):
Teddy Powell, Walter G. Samuels und Leonard Whitcup
2:29
18You Showed Me the Way
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
vocals:
Fats Waller (am 1937-04-09)
recording of:
You Showed Me the Way (am 1937-04-09)
Verfasser(in):
Ella Fitzgerald (American jazz singer), Bud Green, Teddy McRae und Chick Webb
2:58
19You Showed Me the Way (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
instrumental recording of:
You Showed Me the Way (am 1937-04-09)
Verfasser(in):
Ella Fitzgerald (American jazz singer), Bud Green, Teddy McRae und Chick Webb
2:54
20Boo-Hoo (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
recording of:
Boo Hoo (am 1937-03-06)
Verfasser(in):
Edward Heyman, John Jacob Loeb und Carmen Lombardo
instrumental recording of:
Boo Hoo (am 1937-04-09)
Verfasser(in):
Edward Heyman, John Jacob Loeb und Carmen Lombardo
2:40
21The Love Bug Will Bite You
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
recording of:
The Love Bug Will Bite You (am 1937-04-09)
Texter und Komponist(in):
Pinky Tomlin (singer, actor, songwriter, and bandleader)
instrumental recording of:
The Love Bug Will Bite You (am 1937-04-09)
Texter und Komponist(in):
Pinky Tomlin (singer, actor, songwriter, and bandleader)
2:17
22San Anton’
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
vocals:
Fats Waller (am 1937-04-09)
2:35
23San Anton’ (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
2:36
24I’ve Got a New Lease on Love
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
vocals:
Fats Waller (am 1937-04-09)
2:21
25I’ve Got a New Lease on Love (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
2:17
2▼CD
Nr.TitelBewertungLänge
1Sweet Heartache
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
vocals:
Fats Waller (am 1937-04-09)
3:20
2Sweet Heartache (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
3:12
3Honeysuckle Rose (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-04-09)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-04-09)
Klavier:
Fats Waller (am 1937-04-09)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-04-09)
Rohrblattinstrumente:
Gene Sedric (am 1937-04-09)
Schlagzeug und Vibraphon:
Slick Jones (am 1937-04-09)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-04-09)
instrumental recording of:
Honeysuckle Rose (am 1937-04-09)
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
4:32
4Smarty (You Know It All)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-06-11)
Klavier:
Fats Waller (am 1937-06-11)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-06-11)
Rohrblattinstrumente:
Gene Sedric (am 1937-06-11)
Schlagzeug:
Slick Jones (am 1937-06-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-06-11)
vocals:
Fats Waller (am 1937-06-11)
recording of:
Smarty (You Know It All) (am 1937-06-11)
Texter:
Ralph Freed
Komponist(in):
Burton Lane
2:40
5Don’t You Know or Don’t You Care
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-06-11)
Klavier:
Fats Waller (am 1937-06-11)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-06-11)
Rohrblattinstrumente:
Gene Sedric (am 1937-06-11)
Schlagzeug:
Slick Jones (am 1937-06-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-06-11)
vocals:
Fats Waller (am 1937-06-11)
3:26
6Lost Love
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-06-11)
Klavier:
Fats Waller (am 1937-06-11)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-06-11)
Rohrblattinstrumente:
Gene Sedric (am 1937-06-11)
Schlagzeug:
Slick Jones (am 1937-06-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-06-11)
vocals:
Fats Waller (am 1937-06-11)
3:06
7I’m Gonna Put You in Your Place
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-06-11)
Klavier:
Fats Waller (am 1937-06-11)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-06-11)
Rohrblattinstrumente:
Gene Sedric (am 1937-06-11)
Schlagzeug:
Slick Jones (am 1937-06-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-06-11)
vocals:
Fats Waller (am 1937-06-11)
2:30
8Blue, Turning Grey Over You (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1937-06-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-06-11)
Klavier:
Fats Waller (am 1937-06-11)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-06-11)
Rohrblattinstrumente:
Gene Sedric (am 1937-06-11)
Schlagzeug:
Slick Jones (am 1937-06-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-06-11)
instrumental recording of:
Blue, Turning Grey Over You (am 1937-06-11)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
recording of:
Blue, Turning Grey Over You (am 1937-06-11)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
4:24
9You’ve Got Me Under Your Thumb
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
2:50
10Beat It Out
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
2:11
11Our Love Was Meant to Be
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug und Vibraphon:
Slick Jones (am 1937-09-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
recording of:
Our Love Was Meant to Be (am 1937-09-07)
Verfasser(in):
Alexander Hill (Alex Hill, 20th century US jazz pianist), Joe Davis (US lyricist, producer, publisher & promoter) und Fats Waller
3:31
12I’d Rather Call You Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
3:05
13I’m Always in the Mood for You
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
3:20
14She’s Tall, She’s Tan, She’s Terrific
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
2:38
15You’re My Dish
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
2:49
16More Power to You
recorded in:
New York, New York, Vereinigte Staaten (am 1937-09-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-09-07)
Klavier:
Fats Waller (am 1937-09-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-09-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-09-07)
Schlagzeug:
Slick Jones (am 1937-09-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-09-07)
vocals:
Fats Waller (am 1937-09-07)
recording of:
More Power to You (am 1937-09-07)
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
2:58
17How Can I (with You in My Heart)?
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
3:04
18The Joint Is Jumpin’
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klarinette, Rohrblattinstrumente und Saxophon:
Gene Sedric (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass und Kontrabass [bass]:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
recording of:
The Joint Is Jumpin’ (am 1937-10-07)
Texter:
J.C. Johnson und Andy Razaf
Verfasser(in):
James C. Johnson (Jim Johnson, James Calvin Johnson // American guitarist, singer and songwriter)
Komponist(in):
Fats Waller
2:49
19A Hopeless Love Affair
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
recording of:
A Hopeless Love Affair (am 1937-10-07)
Verfasser(in):
Andy Razaf und Fats Waller
3:16
20What Will I Do in the Morning?
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
3:07
21How Ya Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klarinette und Rohrblattinstrumente:
Gene Sedric (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
2:27
22Jealous of Me
recorded in:
New York, New York, Vereinigte Staaten (am 1937-10-07)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1937-10-07)
Klavier:
Fats Waller (am 1937-10-07)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1937-10-07)
Rohrblattinstrumente:
Gene Sedric (am 1937-10-07)
Schlagzeug:
Slick Jones (am 1937-10-07)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1937-10-07)
vocals:
Fats Waller (am 1937-10-07)
2:51
3▼CD
Nr.TitelBewertungLänge
1Every Day’s a Holiday
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-12-16)
Gitarre:
Ceele Burke (am 1937-12-16)
Klavier:
Fats Waller (am 1937-12-16)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1937-12-16)
Rohrblattinstrumente:
Caughey Roberts (am 1937-12-16)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1937-12-16)
Trompete:
Paul Campbell (trumpet) (am 1937-12-16)
vocals:
Fats Waller (am 1937-12-16)
recording of:
Every Day’s a Holiday (am 1937-12-16)
Verfasser(in):
Sam Coslow und Barry Trivers
3:21
2Neglected
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-12-16)
Gitarre:
Ceele Burke (am 1937-12-16)
Klavier:
Fats Waller (am 1937-12-16)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1937-12-16)
Rohrblattinstrumente:
Caughey Roberts (am 1937-12-16)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1937-12-16)
Trompete:
Paul Campbell (trumpet) (am 1937-12-16)
vocals:
Fats Waller (am 1937-12-16)
3:28
3My Window Faces the South
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-12-16)
Gitarre:
Ceele Burke (am 1937-12-16)
Klavier:
Fats Waller (am 1937-12-16)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1937-12-16)
Rohrblattinstrumente:
Caughey Roberts (am 1937-12-16)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1937-12-16)
Trompete:
Paul Campbell (trumpet) (am 1937-12-16)
vocals:
Fats Waller (am 1937-12-16)
recording of:
My Window Faces South (am 1937-12-16)
Texter:
Jerry Livingston (songwriter) und Mitchell Parish
Komponist(in):
Jerry Livingston (songwriter) und Abner Silver
3:14
4Am I in Another World?
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-12-16)
Klavier:
Fats Waller (am 1937-12-16)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1937-12-16)
Rohrblattinstrumente:
Caughey Roberts (am 1937-12-16)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1937-12-16)
Steel-Gitarre:
Ceele Burke (am 1937-12-16)
Trompete:
Paul Campbell (trumpet) (am 1937-12-16)
vocals:
Fats Waller (am 1937-12-16)
3:09
5Why Do Hawaiians Sing Aloha?
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-12-16)
Klavier:
Fats Waller (am 1937-12-16)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1937-12-16)
Rohrblattinstrumente:
Caughey Roberts (am 1937-12-16)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1937-12-16)
Steel-Gitarre:
Ceele Burke (am 1937-12-16)
Trompete:
Paul Campbell (trumpet) (am 1937-12-16)
vocals:
Fats Waller (am 1937-12-16)
3:11
6My First Impression of You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-12-16)
Gitarre:
Ceele Burke (am 1937-12-16)
Klavier:
Fats Waller (am 1937-12-16)
Kontrabass:
Al Morgan (jazz double-bassist) (am 1937-12-16)
Rohrblattinstrumente:
Caughey Roberts (am 1937-12-16)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1937-12-16)
Trompete:
Paul Campbell (trumpet) (am 1937-12-16)
vocals:
Fats Waller (am 1937-12-16)
recording of:
My First Impression of You (am 1937-12-16)
Verfasser(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
3:10
7On the Sunny Side of the Street
Klavier:
Fats Waller (am 1937-12-15)
vocals:
Peggy Dade (am 1937-12-15)
recording of:
On the Sunny Side of the Street (am 1937-12-15)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
3:34
8Georgia on My Mind
Klavier:
Fats Waller (am 1937-12-15)
vocals:
Peggy Dade (am 1937-12-15)
recording of:
Georgia on My Mind (am 1937-12-15)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
3:28
9Something Tells Me
recorded in:
New York, New York, Vereinigte Staaten (am 1938-03-11)
Celesta und Klavier:
Fats Waller (am 1938-03-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-03-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-03-11)
Rohrblattinstrumente:
Gene Sedric (am 1938-03-11)
Schlagzeug:
Slick Jones (am 1938-03-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-03-11)
vocals:
Fats Waller (am 1938-03-11)
recording of:
Something Tells Me (am 1938-03-11)
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
3:01
10I Love to Whistle
recorded in:
New York, New York, Vereinigte Staaten (am 1938-03-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-03-11)
Klavier:
Fats Waller (am 1938-03-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-03-11)
Rohrblattinstrumente:
Gene Sedric (am 1938-03-11)
Schlagzeug:
Slick Jones (am 1938-03-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-03-11)
vocals:
Fats Waller (am 1938-03-11)
recording of:
I Love to Whistle (am 1938-03-11)
Texter:
Harold Adamson
Komponist(in):
Jimmy McHugh (songwriter)
2:41
11You Went to My Head
recorded in:
New York, New York, Vereinigte Staaten (am 1938-03-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-03-11)
Klavier:
Fats Waller (am 1938-03-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-03-11)
Rohrblattinstrumente:
Gene Sedric (am 1938-03-11)
Schlagzeug:
Slick Jones (am 1938-03-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-03-11)
vocals:
Fats Waller (am 1938-03-11)
recording of:
You Go to My Head (am 1938-03-11)
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
3:14
12Florida Flo
recorded in:
New York, New York, Vereinigte Staaten (am 1938-03-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-03-11)
Klavier:
Fats Waller (am 1938-03-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-03-11)
Rohrblattinstrumente:
Gene Sedric (am 1938-03-11)
Schlagzeug:
Slick Jones (am 1938-03-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-03-11)
vocals:
Fats Waller (am 1938-03-11)
recording of:
Florida Flo (am 1938-03-11)
Verfasser(in):
Howard Johnson (songwriter / lyricist) und Joe Sivad
2:50
13Lost and Found
recorded in:
New York, New York, Vereinigte Staaten (am 1938-03-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-03-11)
Klavier:
Fats Waller (am 1938-03-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-03-11)
Rohrblattinstrumente:
Gene Sedric (am 1938-03-11)
Schlagzeug:
Slick Jones (am 1938-03-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-03-11)
vocals:
Fats Waller (am 1938-03-11)
2:57
14Don’t Try to Cry Your Way Back to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1938-03-11)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-03-11)
Klavier:
Fats Waller (am 1938-03-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-03-11)
Rohrblattinstrumente:
Gene Sedric (am 1938-03-11)
Schlagzeug:
Slick Jones (am 1938-03-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-03-11)
vocals:
Fats Waller (am 1938-03-11)
2:45
15Marie
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-03-11)
Klavier:
Fats Waller (am 1938-03-11)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-03-11)
Rohrblattinstrumente:
Gene Sedric (am 1938-03-11)
Schlagzeug:
Slick Jones (am 1938-03-11)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-03-11)
vocals:
Fats Waller (am 1938-03-11)
recording of:
Marie (am 1938-03-11)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Company
2:40
16In the Gloaming (instrumental)
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel Williams (jazz trumpeter) (am 1938-04-12)
instrumental recording of:
In the Gloaming (am 1938-04-12)
Texter:
Meta Orred
Komponist(in):
Annie Fortescue Harrison (in 1877)
Teil von:
Roud Folk Song Index (Nummer: 18343)
3:23
17You Had an Ev’ning to Spare
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel "Courtney" Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
2:51
18Let’s Break the Good News
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel "Courtney" Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
3:02
19Skrontch
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel "Courtney" Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
recording of:
Skrontch (am 1938-04-12)
Verfasser(in):
Duke Ellington (US composer, pianist & jazz bandleader), Irving Mills und Henry Nemo
3:31
20I Simply Adore You
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
recording of:
I Simply Adore You (am 1938-04-12)
Verfasser(in):
Paul Mann (German/American pianist and composer) und Ned Wever
3:25
21The Sheik of Araby
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel "Courtney" Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
cover recording of:
The Sheik of Araby (am 1938-04-12)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
recording of:
The Sheik of Araby (am 1938-04-12)
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
3:07
22Hold My Hand
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel "Courtney" Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
recording of:
Hold My Hand (am 1928-04-12)
Verfasser(in):
J.C. Johnson und Fats Waller
3:00
23Inside
recorded in:
New York, New York, Vereinigte Staaten (am 1938-04-12)
alto saxophone:
William Allsop (am 1938-04-12), Jimmy Powell (Jazz saxophonist, most active 1930s-1950s) (am 1938-04-12) und Fred Skerritt (am 1938-04-12)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1938-04-12)
Klavier:
Fats Waller (am 1938-04-12)
Kontrabass:
Cedric Wallace (jazz double bass player) (am 1938-04-12)
Posaune:
John Haughton (trombone) (am 1938-04-12) und George Robinson (am 1938-04-12)
Schlagzeug:
Slick Jones (am 1938-04-12)
Tenorsaxophon:
Gene Sedric (am 1938-04-12) und Lonnie Simmons (US jazz instrumentalist and bandleader) (am 1938-04-12)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1938-04-12), John "Bugs" Hamilton (jazz trumpet player) (am 1938-04-12) und Nathaniel "Courtney" Williams (jazz trumpeter) (am 1938-04-12)
vocals:
Fats Waller (am 1938-04-12)
recording of:
Inside (This Heart of Mine) (am 1938-04-12)
Verfasser(in):
J.C. Johnson und Fats Waller
3:09

Nennungen

Veröffentlichung

art direction:Ria Lewerke (art direction, design)
Norman Moore (art director and designer)
liner notes:Loren Schoenberg
leitende(r) Produzent(in):Steve Backer
Produzent(in):Orrin Keepnews
illustration:Nancy Stahl
design:Norman Moore (art director and designer)
ASIN:US: B000002WMX [Info]