The Greatest Movies Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:31
2White Wedding
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Phil Feit (in 1982)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1982) und Steve Stevens (US guitarist and songwriter) (in 1982)
Schlagzeug:
Steve Missal (in 1982)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
Bearbeitung von:
White Wedding, Part 1 von Billy Idol (English rock singer‐songwriter)
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 53)
recording of:
White Wedding (in 1982)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol2.653:33
3Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
The Vapors3.63:44
4Crash
Mix:
Mark Wallis (in 1988)
Bassgitarre:
Steve Dullaghan
Gitarre:
Paul Court (of "The Primitives")
vocals:
Tracy Cattell
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Crash
Verfasser(in):
Paul Court (of "The Primitives"), Steve Dullaghan und Tracy Louise Spencer
publisher:
Complete Music Ltd.
The Primitives4.652:31
5Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:28
6Roadhouse Blues
Techniker(in) und Mix:
Thom Panunzio
Koproduzent(in):
Thom Panunzio
Produzent(in):
Jimmy Iovine
Bassgitarre:
Joe Rockman
Gitarre und Sologesang:
Jeff Healey
Keyboard:
Benmont Tench
Schlagzeug:
Tom Stephen (drummer and manager of The Jeff Healey Band)
phonographisches Urheberrecht (℗) von:
United Artists Pictures, Inc. (in 1989)
cover recording of:
Roadhouse Blues
Texter:
Jim Morrison (lead vocalist of the Doors)
Komponist(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music, Rondor Music (London) Ltd., Sharandall Music und Wixen Music Publishing, Inc.
The Jeff Healey Band34:51
7Nothing’s Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:27
8Bitch
Techniker(in) und Produzent(in):
Geza X
Mix:
Jim Ebert
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks44:03
9Drop Dead Gorgeous
Gast-Instrumente:
Johnny Male
Gast-Keyboard:
Pete Davis (solo project of math rock band Invalids)
Keyboard:
Tim Dorney und Andy Todd (UK electronic producer/keyboardist, member of Republica)
Schlagzeug:
Dave Barbarossa
Sologesang:
Saffron (singer of Republica)
recording of:
Drop Dead Gorgeous
Verfasser(in):
Tim Dorney, Johnny Male, Saffron (singer of Republica) und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd. und Momentum Music (publisher)
Republica33:32
10Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:30
11Choose Life
Gast vocals:
Ewan McGregor
Interpret(in):
Ewan McGregor
recording of:
Choose Life
Verfasser(in):
Moose (UK techno producer Moussa Clarke) und Jamie White
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
PF Project feat. Ewan McGregor33:50
12Tubular Bells
recording of:
Tubular Bells
Komponist(in):
Mike Oldfield
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Teil von:
Tubular Bells, Part One
Mike Oldfield4.254:16
13Mission Impossible
Interpret(in):
Billy May & His Orchestra
cover recording of:
Mission: Impossible
Komponist(in):
Lalo Schifrin (pianist & composer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
Mission: Impossible III (2006 film soundtrack)
Billy May32:26
14Wipe Out
Orchester:
The Ventures
cover recording of:
Wipe Out
Komponist(in):
Bob Berryhill, Patrick Connolly, Jim Fuller (surf rock guitarist) und Ron Wilson (drummer of The Surfaris)
publisher:
Miraleste Music und Robin Hood Music Co.
The Ventures2:59
15The Trembler
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer)
Produzent(in):
Jeff Lynne
Bass, Keyboard und Synthesizer:
Jeff Lynne (von 1987-01-30 bis 1987-02-05)
Gitarre:
Duane Eddy (von 1987-01-30 bis 1987-02-05)
Schlagzeug:
Jim Keltner (von 1987-01-30 bis 1987-02-05)
Slide-Gitarre:
George Harrison (The Beatles) (von 1987-01-30 bis 1987-02-05)
Tenorsaxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1987-01-30 bis 1987-02-05)
recording of:
The Trembler (von 1987-01-30 bis 1987-02-05)
Komponist(in):
Duane Eddy und Ravi Shankar
Duane Eddy3:33
16Theme From the Man From U.N.C.L.E.
conductor:
Hugo Montenegro
Interpret(in):
Hugo Montenegro und Hugo Montenegro and His Orchestra
arranger:
Hugo Montenegro
recording of:
Theme From “The Man From U.N.C.L.E.”
Komponist(in):
Jerry Goldsmith (American score composer)
Teil von:
The Man from U.N.C.L.E. (American TV Series 1964–1968)
Jerry Goldsmith2:00
17The Pink Panther Theme
recording engineer:
Jim Malloy
Produzent(in):
Joe Reisman
Tenorsaxophon:
Plas Johnson (am 1963-09-16)
Orchester:
The Henry Mancini Orchestra (am 1963-09-16)
conductor:
Henry Mancini (US composer, conductor & arranger) (am 1963-09-16)
arranger:
Henry Mancini (US composer, conductor & arranger)
aufgenommen bei:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-09-16)
recording of:
The Pink Panther Theme (am 1963-09-16)
Orchestrator(in) und Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
EMI United Partnership Ltd., Northridge Music, Inc. und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
Teil von:
Classic 100: Piano (2025) (Nummer: 61)
Henry Mancini4.12:37
18James Bond Theme
Produzent(in):
John Barry (English score composer)
conductor und Interpret(in):
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (am 1962-07-23)
Komponist(in):
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) und EMI United Partnership
Teil von:
James Bond themes
basiert auf:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
John Barry1:59
19Themes
Ennio Morricone4:39
20Theme From the Good, the Bad and the Ugly
Interpret(in):
Hugo Montenegro
recording of:
Il buono, il brutto, il cattivo (The Good, the Bad and the Ugly (Main Title))
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
Teil von:
Il buono, il brutto, il cattivo (Zwei glorreiche Halunken, 1966 film score)
Hugo Montenegro2:45
2▼CD
Nr.TitelKünstlerBewertungLänge
1You’re Nobody ’til Somebody Loves You
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (am 1960-05-10)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.352:14
2Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:21
3Big Spender
Produzent(in):
Kenneth Hume und Norman Newell
Sologesang:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
Orchester:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. und WB Music Corp. (1929–2019)
Teil von:
Overture (Sweet Charity)
Teil von:
Sweet Charity
Shirley Bassey4.51:50
4Last Tango in Paris
vocals:
Marlena Shaw (in 1973)
Orchestrator(in):
Horace Ott (in 1973)
recording of:
Last Tango in Paris (in 1973)
Komponist(in):
Gato Barbieri
Marlena Shaw3:19
5Midnight Cowboy
Flügelhorn:
Joe Shepley (in 1969)
Gitarre:
Al Gafa (in 1969), Jean 'Toots' Thielemans (in 1969) und Wally Richardson (US jazz/R&B guitarist) (in 1969)
Klavier:
Duke Pearson (in 1969)
Kontrabass:
Ron Carter (US jazz double-bassist) (in 1969)
Mundharmonika:
Jean 'Toots' Thielemans (in 1969)
Perkussion:
Airto Moreira (percussionist) (in 1969)
Schlagzeug:
Mickey Roker (Drummer) (in 1969)
Trompete:
Lee Morgan (jazz trumpeter / composer) (in 1969)
zusätzlich Trompete:
Burt Collins (in 1969)
recording of:
Midnight Cowboy (in 1969)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
Lee Morgan2:45
6Calling You
recording of:
Calling You
Texter und Komponist(in):
Bob Telson (composer, songwriter and pianist)
publisher:
Boodle Music (in 1987)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 61st Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1988 nominee)
Holly Cole5:26
7Don’t Worry Be Happy
Techniker(in):
Chris Tergesen
Produzent(in):
Linda Goldstein
Körper-Perkussion:
Bobby McFerrin
vocals:
Bobby McFerrin
phonographisches Urheberrecht (℗) von:
EMI Manhattan (Manhattan Records after Jul 1987 acquisition of EMI America) (in 1988), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Worry, Be Happy
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin4.44:50
8Love & Happiness
Techniker(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
Produzent(in):
Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
E-Bass:
Leroy Hodges
Gitarre:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
Saiteninstrumente arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) und James Mitchell (US saxophonist/arranger)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 98) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 274)
recording of:
Love and Happiness
Verfasser(in):
Al Green (US soul singer, songwriter, pastor and record producer) und Mabon Hodges (“Teenie”, soul guitarist)
publisher:
Al Green Music Inc. (BMI-affiliated) (in 1972) und Irving Music, Inc. (in 1972)
Al Green3.94:59
9It Hurts Like Hell
recording engineer:
Brad Gilderman
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Mix:
Jon Gass
Sologesang:
Aretha Franklin
recording of:
It Hurts Like Hell
Texter und Komponist(in):
Babyface (R&B musician Kenny Edmonds)
Teil von:
Waiting to Exhale (1995 film)
Aretha Franklin4:20
10Baker Street
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (in 1977)
Gitarre [lead guitar]:
Hugh Burns (in 1977)
Gitarre [rhythm guitar]:
Nigel Jenkins (in 1977)
Keyboard:
Tommy Eyre (in 1977)
Perkussion:
Glen LeFleur (in 1977)
Saxophon:
Raphael Ravenscroft (in 1977)
Schlagzeug:
Henry Spinetti (in 1977)
Sologesang:
Gerry Rafferty (in 1977)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1977)
Bearbeitung von:
Baker Street von Gerry Rafferty
recording of:
Baker Street (in 1977)
Texter und Komponist(in):
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) und Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
11Everybody’s Talkin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Nilsson3.92:44
12Our Lips Are Sealed
Produzent(in):
David Byrne (Talking Heads)
remixer:
Fun Boy Three und Jeremy Green
cover recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
Fun Boy Three3.22:53
13Save a Little Love
vocals:
Marie Frank (in 1999)
recording of:
Save a Little Love (in 1999)
Verfasser(in):
Jacob Eriksen (Danish guitarist and lead singer) (in 1999) und Marie Frank (in 1999)
Marie Frank3:15
14Love Is Strange
vocals:
Mickey Baker und Sylvia Robinson
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 7)
recording of:
Love Is Strange (am 1956-10-17)
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
Mickey & Sylvia4.52:56
15Waiting for a Star to Fall
drum machine-Programmierung:
George Merrill
Produzent(in):
Arif Mardin
assistierende(r) Mix:
Jim Dineen
Mix:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
Bassgitarre, Klavier und Synthesizer:
George Merrill
Gitarre:
John Goux
Schlagzeug:
Denny Fongheiser und Michael Jochum
Synthesizer [Crowning touch]:
Joe Mardin
vocals:
George Merrill und Shannon Rubicam
zusätzlich vocals:
Susan Boyd
phonographisches Urheberrecht (℗) von:
BMG Music (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Waiting for a Star to Fall
Verfasser(in):
George Merrill und Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (vom 1987 bis heute) und Irving Music (BMI) (vom 1987 bis heute)
Boy Meets Girl3.44:28
16In the Name of Love
recording of:
In the Name of Love
Verfasser(in):
Tom Bailey (Thompson Twins), Chris Bell (drummer (Thompson Twins)), Alannah Currie, Joe Leeway, Peter Dodd, John Roog und Matthew Seligman
publisher:
ATV Music Ltd. und Point Music Ltd.
Thompson Twins3:47
17Mary’s Prayer
Produzent(in):
Dave Bascombe
Interpret(in):
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich und Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Mary’s Prayer (in 1987)
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:55
18The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Huey Lewis & the News43:54
19Miracle
recording of:
Miracle
Texter:
Tim Kellett
Komponist(in):
Tim Kellett und Robin Taylor-Firth
Olive3:59
20From the Heart
recording of:
From the Heart
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Realsongs
Another Level4:53
3▼CD
Nr.TitelKünstlerBewertungLänge
1You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:04
2More Than a Woman
vocals:
Tavares (US R&B, funk and soul music)
cover recording of:
More Than a Woman (in 1997)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Tavares33:26
3Boogie Shoes
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 324)
recording of:
Boogie Shoes
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.252:11
4I’m So Excited
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:51
5Loco in Acapulco
recording engineer:
Rick Ruggieri
E-Bass:
Freddie Washington (US session bassist)
Gitarre:
Michael Landau, Paul Jackson (bassist) und David Williams (folk guitarist)
Keyboard:
Aaron Zigman (American score composer)
Schlagzeug und Hintergrundgesang:
Phil Collins (of Genesis)
Chorgesang:
Four Tops (Motown)
Gitarre arranger und Horn arranger:
Paul Riser
Perkussion arranger:
Aaron Zigman (American score composer)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988)
recording of:
Loco in Acapulco
Verfasser(in):
Phil Collins (of Genesis) und Lamont Dozier
publisher:
Hit & Run Music (Publ) Ltd, Philip Collins Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Four Tops4.354:34
6Didn’t I (Blow Your Mind This Time)
vocals:
The Delfonics (in 1969-11)
Orchester:
The Thom Bell Orchestra (in 1969-11)
mixed at:
Longwear Plating in Long Island, New York, Vereinigte Staaten (in 1969-11)
recording of:
Didn’t I (Blow Your Mind This Time) (in 1969-11)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) (in 1969) und William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:22
7Goldfinger
Techniker(in):
John Richards (engineer)
Produzent(in):
John Barry (English score composer) und George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) und United Artists Corporation (in 1964)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1964-07)
recording of:
Goldfinger (in 1964-07)
Texter:
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
Komponist(in):
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. und Sony/ATV Songs LLC
Teil von:
James Bond themes
Teil von:
Goldfinger
Shirley Bassey4.252:49
8Let’s Stay Together
Produzent(in):
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
E-Bass:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
Orgel und Klavier:
Charles Hodges (soul organist)
Posaune:
Jack Hale (trombone)
Saxophon:
James Mitchell (US saxophonist/arranger)
Schlagzeug:
Howard Grimes und Al Jackson, Jr. (Booker T & The MGs drummer)
Tenorsaxophon:
Ed Logan
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
Hintergrundgesang:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
vocals:
Al Green (US soul singer, songwriter, pastor and record producer)
phonographisches Urheberrecht (℗) von:
Cream Records (70s Los Angeles) (in 1971) und HI Records Inc. (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 34), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 60), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 84)
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
Al Green4.553:15
9The King of Wishful Thinking
recording engineer:
Paul Erickson (recording engineer)
membranophone-Programmierung:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Programmierung:
Peter Wolf (US rock vocalist, member of J. Geils Band)
leitende(r) Produzent(in):
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
Produzent(in):
Peter Wolf (US rock vocalist, member of J. Geils Band) und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
Mix:
Tom Lord‐Alge
Gast-Gitarre:
David Williams (session guitarist and songwriter)
Gast-Horn:
Gary Grant (brass), Jerry Hey, Dan Higgins (saxophonist and woodwind recording artist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Keyboard:
Peter Wolf (US rock vocalist, member of J. Geils Band)
Gast Hintergrundgesang:
Lynn Davis (vocalist), Dorian Holley, Phillip Ingram (Soul and R&B singer-songwriter and keyboardist) und Alfie Silas
arranger:
Jerry Hey und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1990)
recording of:
King of Wishful Thinking
Verfasser(in):
Peter Cox (Artist and songwriter), Richard Drummie und Martin Page
publisher:
Bug Music (music publishing), Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Go West34:01
10You Don’t Own Me
Techniker(in):
Ben Kape
Produzent(in):
Peter Wilson (UK Producer)
Bassgitarre:
Mick Anker
Saxophon:
Neville Henry
Schlagzeug [drums]:
Tony Kiley (Blow Monkeys Drummer)
Sologesang:
Dr. Robert
phonographisches Urheberrecht (℗) von:
Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
aufgenommen bei:
Town House III Studio in Battersea, Wandsworth, London (Greater London), England, Vereinigtes Königreich
cover recording of:
You Don’t Own Me
Verfasser(in):
John Madara (in 1963) und David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (in 1963)
publisher:
Merjoda Music Inc. und Unichappell Music, Inc. (in 1963)
The Blow Monkeys43:01
11Hold Me Now
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Hold Me Now von Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins4.54:46
12A View to a Kill
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) und Bernard Edwards (American bassist and record producer)
Sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
Orchestrator(in):
John Barry (English score composer)
Verfasser(in):
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Komponist(in):
John Barry (English score composer) und Duran Duran (English rock band)
publisher:
EMI Songs und Gloucester Place Music Ltd.
Teil von:
James Bond themes
Teil von:
A View to a Kill (from the James Bond film)
Duran Duran3.63:35
13Don’t You (Forget About Me)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Jez Coad
Interpret(in):
Simple Minds (Scottish rock band) (am 1984-07-10)
phonographisches Urheberrecht (℗) von:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 25) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 340)
recording of:
Don’t You (Forget About Me) (am 1984-07-10)
Verfasser(in):
Keith Forsey (drummer, producer and songwriter) und Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. und Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
14Slave to Love
assistierende(r) Techniker(in):
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs und Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Rhett Davies
zusätzliche(r) Techniker(in):
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita und Bryan McGee (sound engineer)
Produzent(in):
Rhett Davies und Bryan Ferry
Mix:
Bob Clearmountain
Sologesang:
Bryan Ferry
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, Vereinigte Staaten, RPM Studios in New York, New York, Vereinigte Staaten, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und The White House in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Slave to Love von Bryan Ferry
recording of:
Slave to Love
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) und Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.654:11
15Fisherman’s Blues
recording of:
Fisherman’s Blues
Verfasser(in):
Mike Scott (The Waterboys) und Steve Wickham
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
übersetzte Version von:
Blues del pescador
The Waterboys4:19
16Scatterings of Africa
Produzent(in):
Hilton Rosenthall
arranger:
Hilton Rosenthal
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Scatterlings of Africa
Komponist(in):
Johnny Clegg
Johnny Clegg and Savuka3.54:02
17Sloop John B
recording of:
Sloop John B
Texter und Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. und New Executive Music
Version von:
The John B. Sails
The Beach Boys2:56
18Alfie’s Theme
recording engineer:
Rudy van Gelder (am 1968-10-25)
Klavier:
John Patton (am 1968-10-25)
aufgenommen bei:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, Vereinigte Staaten (am 1968-10-25)
instrumental recording of:
Alfie (1966 film) (am 1968-10-25)
John Patton4:40
19Up, Up and Away
Techniker(in):
“Bones” Howe
Produzent(in):
Johnny Rivers (Singer, songwriter, and guitarist) und Marc Gordon (soul songwriter, producer, and manager)
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
conductor:
Jim Webb (US songwriter, composer, producer, pianist & singer)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Marty Paich
arranger:
Jim Webb (US songwriter, composer, producer, pianist & singer)
aufgenommen bei:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Up, Up and Away
Texter und Komponist(in):
Jim Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Johnny Rivers Music
The 5th Dimension2.52:38
20Willie & the Hand Jive
recording of:
Willie and the Hand Jive
Texter und Komponist(in):
Johnny Otis
publisher:
Eldorado Music Company
The Johnny Otis Show2:36
4▼CD
Nr.TitelKünstlerBewertungLänge
1Zadok the Priest
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
Georg Friedrich Händel5:42
2Ride of the Valkyries
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-12-13 bis 1972-12-14)
conductor:
Sir Adrian Boult (conductor) (von 1972-12-13 bis 1972-12-14)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-12-13 bis 1972-12-14)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1972-12-13 bis 1972-12-14)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner5:22
3Wedding March
Orchester:
Rotterdam Philharmonic Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (Ein Sommernachtstraum, Op. 61: Nr. 9. Hochzeitsmarsch: Allegro vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:33
4La Mamma Morta
Soprangesang:
Maria Callas (soprano)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
Komponist(in):
Umberto Giordano (Italian opera composer)
Librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. und MCPS (UK rights society; do not use this as a label or work publisher!)
Teil von:
Andrea Chénier: Atto III
Umberto Giordano5:30
5La Forza del Destino (Overture)
recording of:
La forza del destino: Sinfonia
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
La forza del destino
Giuseppe Verdi7:54
6The Thieving Magpie (Overture)
teilweise recording of:
La gazza ladra: Ouverture (Die diebische Elster: Ouvertüre)
Komponist(in):
Gioachino Rossini (composer) (in 1817)
Librettist:
Giovanni Gherardini
Teil von:
La gazza ladra
Teil von:
The Thieving Magpie (English version by Sams)
Gioachino Rossini3:09
7Un bel di vedremo
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:22
8O Mio Babbino Carino
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:03
9Viens, Mallika (Flower Duet)
Chorgesang:
Chœurs du Théâtre National de l’Opéra‐Comique
Mezzosoprangesang:
Danielle Millet (mezzo-soprano) (in 1970)
Soprangesang:
Mady Mesplé (soprano) (in 1970)
Orchester:
National Opera Orchestra und Orchestre du Théâtre National de l’Opéra‐Comique (in 1970)
conductor:
Alain Lombard (conductor) (in 1970)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Bearbeitung von:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) von Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 1970)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes4:18
10Habanera
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
basiert auf:
El arreglito
Teil von:
Carmen : Acte I
Georges Bizet4:00
11Theme From Schindler’s List
recording of:
Main Theme (Schindler’s List)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
John Williams5:01
12Aria
Klavier:
Jerry Zimmerman
recording of:
Goldberg-Variationen, BWV 988: Aria (opening)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:36
13Lacrimosa from Requiem, K. 626
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir)
Orchestrator(in):
Franz Xaver Süßmayr
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
zusätzliche(r) Komponist(in):
Joseph Leopold Eybler (Austrian composer) und Franz Xaver Süßmayr (von 1791 bis 1792)
Teil von:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:36
14Ebben? Ne Andro Lontana
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally)
Komponist(in):
Alfredo Catalani (composer)
Librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Teil von:
La Wally: Atto I
Alfredo Catalani4:47
15Adagio for Strings, Op 11
recording of:
Adagio for Strings
Orchestrator(in):
Samuel Barber (American composer) (in 1938)
Komponist(in):
Samuel Barber (American composer) (in 1936)
uraufgeführt von:
NBC Symphony Orchestra (am 1938-11-05) und Arturo Toscanini (conductor) (am 1938-11-05)
Premiere bei:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) und G. Schirmer Inc.
Arrangement von:
String Quartet, op. 11: II. Molto adagio
Samuel Barber6:21
16Air on a G String From Suit No 3 in D
Geige / Violine:
Yehudi Menuhin (violinist)
Orchester:
The Bath Festival Chamber Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1961)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach44:18

Nennungen