The Summer of Love ’67 (50th anniversary)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

http://www.udiscovermusic.nl/news/nieuwe-3cd-box-bevat-ultieme-soundtrack-van-summer-love#Kw3Pfl0hhSIoDeiX.97

Annotazione modificata l'ultima volta il 2018-04-08 09:43 UTC.

Elenco tracce

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1▼CD
#TitoloArtistaValutazioneDurata
1Waterloo Sunset
registrazione di:
Waterloo Sunset
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Davray Music Ltd., Hi-Count Music, Noma Music, Noma Music Inc., Unichappell Music, Inc., Carlin (nel 1967), Davray (publisher) (nel 1967) e And Son Music Ltd. (dal 1980 a oggi)
The Kinks3:18
2Dedicated to the One I Love
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
Dunhill Records Inc. (nel 1967)
è stato produttore per:
Dunhill Records USA
registrazione cover di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.23:00
3Let’s Go to San Francisco
registrazione di:
Let’s Go to San Francisco
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
Peermusic Ltd. (BMI)
The Flower Pot Men3:33
4Darling Be Home Soon
produttore:
Erik Jacobsen
registrazione di:
Darling Be Home Soon
paroliere e compositore:
John Sebastian
The Lovin’ Spoonful3:35
5Good Vibrations
produttore:
Brian Wilson (Beach Boys co‐founder)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2012)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.63:37
6Matthew & Son
tecnico di registrazione:
Vic Smith (il 1966-12-01)
produttore:
Mike Hurst (musician and record producer from London, England)
arrangiatore:
Mike Hurst (musician and record producer from London, England) e Alan Tew (British composer and arranger)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1966) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1966)
registrata presso:
Decca Studios in West Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1966-12-01)
registrazione di:
Matthew and Son (il 1966-12-01)
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Cat Music Ltd.
Cat Stevens3.152:42
7Itchycoo Park
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces2:46
8Bend Me Shape Me
Amen Corner2:40
9I Was Made to Love Her
produttore:
Henry Cosby
armonica (a bocca) e voce principale:
Stevie Wonder (il 1967-03-31)
basso :
James Jamerson (il 1967-03-31)
sitar elettrico :
Eddie Willis (il 1967-03-31)
strumenti:
The Funk Brothers (il 1967-03-31)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-03-31)
registrazione di:
I Was Made to Love Her (il 1967-03-31)
autore:
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.72:35
10Never My Love
registrazione di:
Never My Love
autore:
Dick Addrisi e Don Addrisi
editore:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Association3:10
11Paper Sun
registrazione di:
Paper Sun
autore:
Jim Capaldi e Steve Winwood
editore:
Polygram Music e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Traffic43:28
12Gimme Some Lovin’
registrazione di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
The Spencer Davis Group2:55
13Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.653:08
14Summertime Blues
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (nel 1967)
produttore:
Abe Kesh
basso e voce principale:
Dickie Peterson (nel 1967)
batteria :
Paul Whaley (nel 1967)
chitarra :
Leigh Stephens (nel 1967)
diritti fonografici (℗) detenuti da:
Mercury Inc. (copyrights use only) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 63)
registrazione cover di:
Summertime Blues (nel 1967)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Blue Cheer4.53:46
15Please Love Me Forever
produttore:
Billy Sherrill (US songwriter/producer/arranger)
registrazione cover di:
Please Love Me Forever
autore:
Ollie Blanchard e Johnny Malone
editore:
Ricky Music e Selma Music
Bobby Vinton2:39
16The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:57
17Sealed With a Kiss
voce:
Brian Hyland
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1962)
registrazione cover di:
Sealed With a Kiss
autore:
Gary Geld e Peter Udell
eseguita per la prima volta da:
The Four Voices (nel 1960-05)
editore:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) e Pogo Music Corp. (nel 1962)
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:42
18Stroll On
tecnico:
John Wood (US sound engineer and producer)
produttore:
Simon Napier-Bell
chitarra :
Jeff Beck (English rock guitarist) (dal 1966-10-03 al 1966-10-05) e Jimmy Page (dal 1966-10-03 al 1966-10-05)
diritti fonografici (℗) detenuti da:
MGM Records (nel 1967)
registrata presso:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1966-10-03 al 1966-10-05)
registrazione di:
Stroll On (dal 1966-10-03 al 1966-10-05)
autore:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Jimmy Page e Keith Relf
editore:
EMI Miller Catalog, Inc.
versione di:
Train Kept A‐Rollin’ (The Yardbirds’ arrangement)
The Yardbirds52:44
19Turn! Turn! Turn!
registrazione cover di:
Turn! Turn! Turn! (To Everything There Is a Season)
paroliere:
[traditional] (special purpose artist)
compositore:
Pete Seeger (nel 1959)
editore:
Melody Trails e TRO Essex Music Ltd.
The Byrds3:51
20The Fish Cheer & I‐Feel‐Like‐I’m‐To‐Die Rag
tecnico di registrazione:
Ed Friedner (engineer)
produttore:
Samuel Charters
calliope :
David
chitarra a 12 corde [12 string] e kazoo :
Barry
chitarra basso [bass] :
Bruce (bassist and songwriter)
membranofono e percussione [wine bottle] :
Chicken
voce:
Barry, Bruce (bassist and songwriter), David e Joe
registrazione di:
I-Feel-Like-I’m-Fixin’-To-Die Rag
paroliere e compositore:
Country Joe McDonald
Country Joe & the Fish23:44
21Groovin'
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Young Rascals2:29
22Sunday Morning
tecnico di registrazione:
Omi Haden
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
voce di accompagnamento:
Nico (Christa Päffgen, German singer, fashion model, actress)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1967)
registrazione di:
Sunday Morning
paroliere:
Lou Reed
compositore:
John Cale (The Velvet Underground founder) e Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground4.152:56
23You Keep Me Hangin’ On
supporto a vario titolo:
Shadow Morton (incarico: directed by)
produttore:
Shadow Morton
registrazione cover di:
You Keep Me Hangin’ On (nel 1967)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Vanilla Fudge2:55
2▼CD
#TitoloArtistaValutazioneDurata
1Death of a Clown
Dave Davies3:14
2I Can Hear the Grass Grow
produttore:
Denny Cordell
batteria :
Bev Bevan (English rock drummer)
chitarra :
Trevor Burton (guitarist and founding member of The Move) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
chitarra basso :
Ace Kefford
voce:
Trevor Burton (guitarist and founding member of The Move), Carl Wayne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
registrazione di:
I Can Hear the Grass Grow
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Onward Music Ltd.
The Move53:07
3San Franciscan Nights
produttore:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
registrazione di:
San Franciscan Nights
autore:
Vic Briggs (Victor Briggs), Eric Burdon, Barry Jenkins, Danny McCulloch e John Weider
Eric Burdon & the Animals3.53:22
4Friday on My Mind
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats2:34
5Season of the Witch
registrazione di:
Season of the Witch
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan4:56
6I’m a Believer
registrazione cover di:
I’m a Believer
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees42:44
7The Rain the Park and Other Things
registrazione di:
The Rain, the Park & Other Things
autore:
Steve Duboff e Artie Kornfeld
editore:
Akbestal Music Inc. e MPCA Lehsem Songs
The Cowsills4.53:04
8Go Back
diritti fonografici (℗) detenuti da:
Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1970)
registrazione di:
Go Back
paroliere e compositore:
Michael Fennelly
editore:
Kluger Holland e Palace Music Holland
Crabby Appleton4.52:59
9I Had Too Much to Dream (Last Night)
produttore:
Dave Hassinger
registrazione di:
I Had Too Much to Dream (Last Night)
autore:
Nancie Mantz e Annette Tucker
The Electric Prunes42:58
10Atlantis
registrazione di:
Atlantis (Donovan song)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, peermusic (“Peermusic—the global independent”) e Peer Southern Music (publisher, affiliated to BMI in the US) (nel 1968)
Donovan5:03
1159th Street Bridge Song (Feelin’ Groovy)
produttore:
Lenny Waronker
registrazione cover di:
The 59th Street Bridge Song (Feelin’ Groovy)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:36
12Carrie Anne
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967) e The Hollies Ltd. (nel 1967)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-05-01)
registrazione di:
Carrie Anne (il 1967-05-01)
paroliere e compositore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
editore:
PolyGram Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies3.652:52
13White Rabbit
registrata a:
San Francisco, California, Stati Uniti (dal 1969-05-07 a oggi)
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 455) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 478)
registrazione di:
White Rabbit (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Grace Slick
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
si basa su:
Alice’s Adventures in Wonderland (novel)
si basa su:
Through the Looking‐Glass, and What Alice Found There (novel)
Jefferson Airplane4.352:32
14Kind of a Drag
produttore:
Carl Bonafede e Dan Bellock
registrazione di:
Kind of a Drag
autore:
James Holvay
The Buckinghams2:08
15Excerpt From a Teenage Opera
registrazione di:
Theme From “A Teenage Opera”
paroliere e compositore:
Keith Hopkins e Mark Wirtz
Keith West4:25
16Everlasting Love
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
The Love Affair43:02
17You’ve Got to Hide Your Love Away
registrazione cover di:
You’ve Got to Hide Your Love Away
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Silkie2:12
18Incense and Peppermints
produttore:
Frank Slay
registrazione di:
Incense and Peppermints
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Tim Gilbert
autore aggiunto:
Ed King (US guitarist, bassist & songwriter) e Mark Weitz (keyboardist)
editore:
MCA Music Ltd.
Strawberry Alarm Clock4.52:49
19San Francisco (Be Sure to Wear Some Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:59
20Creeque Alley
produttore:
Lou Adler
è stato produttore per:
Dunhill Records USA
registrazione di:
Creeque Alley
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:50
21The Beat Goes On
tecnico:
Stan Ross (recording engineer, mixer & producer)
produttore:
Sonny Bono
direttore d'orchestra:
Harold Battiste
diritti fonografici (℗) detenuti da:
ATCO Records (nel 1967)
lavorazione tecnica effettuata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Beat Goes On (nel 1967)
paroliere e compositore:
Sonny Bono
editore:
Chris Marc Music, Cotillion, Cotillion Music, Inc. (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Australia Pty. Ltd.
Sonny & Cher4.253:27
22Reflections
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Reflections
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, Jobete Music (appears also as: Jobete Msc.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) e Stone Agate Music (nel 1967)
The Supremes2:48
23Love Is All Around
registrazione di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs2:57
3▼CD
#TitoloArtistaValutazioneDurata
1Somebody to Love
registrazione di:
Somebody to Love (Jefferson Airplane song)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane2:59
2Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:54
3Whiter Shade of Pale
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4:08
4Ain’t No Mountain High Enough
voce:
Marvin Gaye e Tammi Terrell
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 37)
registrazione di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye & Tammi Terrell4.72:28
5Ha! Ha! Said the Clown
registrazione di:
Ha! Ha! Said the Clown
autore:
Tony Hazzard (songwriter)
Manfred Mann2:27
6Puppet on a String
voce:
Sandie Shaw (nel 1967)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1967) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1967)
registrazione di:
Puppet on a String (nel 1967)
autore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:22
7Lay Down (Candles in the Rain)
registrazione di:
Lay Down (Candles in the Rain)
paroliere e compositore:
Melanie (US singer‐songwriter Melanie Safka)
Melanie with the Edwin Hawkins Singers3:48
8Pleasant Valley Sunday
registrazione dal vivo di:
Pleasant Valley Sunday
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees3:16
9Windy
produttore:
Bones Howe
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 310)
registrazione di:
Windy
paroliere e compositore:
Ruthann Friedman
editore:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Association52:56
10Not So Sweet Martha Lorraine
registrazione di:
Not So Sweet Martha Lorraine
autore:
Country Joe McDonald
editore:
Joyful Wisdom Music (publisher) (nel 1967, nel 1970)
Country Joe & the Fish4:22
11Crimson and Clover
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells3:21
12The First Cut Is the Deepest
produttore:
Mike Hurst (musician and record producer from London, England)
voce:
P.P. Arnold
arrangiatore:
Art Greenslade
registrazione di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
P.P. Arnold43:16
13My World Fell Down
registrazione di:
My World Fell Down
autore:
John Shakespeare (songwriter) e Geoff Stephens
Sagittarius52:55
14Spinning Wheel
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
batteria e percussione :
Bobby Colomby (dal 1968-10-07 al 1968-10-22)
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
flauto dolce e trombone :
Jerry Hyman (trombone player) (dal 1968-10-07 al 1968-10-22)
flauto, organo, pianoforte e trombone :
Dick Halligan (dal 1968-10-07 al 1968-10-22)
flicorno soprano e tromba :
Al Rubin (dal 1968-10-07 al 1968-10-22) e Lew Soloff (dal 1968-10-07 al 1968-10-22)
sassofono contralto e pianoforte :
Fred Lipsius (dal 1968-10-07 al 1968-10-22)
voce:
Bobby Colomby (dal 1968-10-07 al 1968-10-22), Dick Halligan (dal 1968-10-07 al 1968-10-22) e Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
voce principale:
David Clayton‐Thomas (dal 1968-10-07 al 1968-10-22)
arrangiatore:
Blood, Sweat & Tears e Fred Lipsius
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (dal 1968-10-07 al 1968-10-22)
registrazione di:
Spinning Wheel (dal 1968-10-07 al 1968-10-22)
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears44:08
15Time Seller
The Spencer Davis Group2:52
16Heroes and Villains
tecnico:
Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band), Mark Linett e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Mark Linett
voce principale:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
Heroes and Villains
paroliere:
Van Dyke Parks
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI)
The Beach Boys33:39
17How Can We Hang On to a Dream
tecnico:
Val Valentin (incarico: director of engineering)
produttore:
Erik Jacobsen
è stato produttore per:
Sweet Reliable Productions
registrazione di:
How Can We Hang On to a Dream? (nel 1966)
paroliere e compositore:
Tim Hardin
editore:
Robbins Music Co. Ltd.
Tim Hardin32:04
18Hole in My Shoe
produttore:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (dal 1967-04 al 1967-11)
registrazione di:
Hole in My Shoe
autore:
Dave Mason (co‐founder of Traffic)
Traffic53:02
19For Your Love
produttore:
Giorgio Gomelsky
basso :
Paul Samwell-Smith (il 1965-02-01)
basso [bowed bass] :
Ron Prentice (il 1965-02-01)
batteria :
Jim McCarty (UK drummer, Yardbirds member) (il 1965-02-01)
bonghi :
Denny Piercey (il 1965-02-01)
chitarra :
Eric Clapton (il 1965-02-01) e Chris Dreja (il 1965-02-01)
clavicembalo :
Brian Auger (il 1965-02-01)
voce:
Keith Relf (il 1965-02-01)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1965)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (il 1965-02-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 22)
registrazione di:
For Your Love (il 1965-02-01)
paroliere e compositore:
Graham Gouldman
editore:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Screen Gems–EMI Music Ltd.
The Yardbirds4.552:30
20Nights in White Satin
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4:26
21Get Together
registrata a:
New York, New York, Stati Uniti (nel 1966-11)
produttore:
Felix Pappalardi
basso e voce principale:
Jesse Colin Young (nel 1966-11)
batteria :
Joe Bauer (founding member of ''The Youngbloods'') (nel 1966-11)
chitarra e voce di accompagnamento:
Jerry Corbitt (nel 1966-11) e Lowell Levinger (nel 1966-11)
tastiera :
Lowell Levinger (nel 1966-11)
registrazione cover di:
Let’s Get Together (nel 1966-11)
paroliere e compositore:
Chet Powers
editore:
Irving Music (BMI) e Irving Music, Inc.
The Youngbloods3.754:37
22California Dreamin’
tecnico:
Bones Howe
produttore:
Lou Adler
chitarra :
P.F. Sloan (nel 1965)
flauto contralto solista :
Bud Shank (nel 1965)
diritti fonografici (℗) detenuti da:
Geffen Records e Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 420)
registrazione di:
California Dreamin’ (nel 1965)
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Universal/MCA Music Publishing GmbH
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.352:41
23Winchester Cathedral
produttore:
Geoff Stephens
basso :
Neil Korner
chitarra :
Mick Wilsher
percussione [drums, washboard, spoons] :
Henry Harrison (drums, percussion)
pianoforte :
Stan Haywood (piano)
tromba :
'Pops' Kerr
trombone :
"Shuggy" Watts
voce:
Tristram, The Seventh Earl of Cricklewood
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1966)
registrazione di:
Winchester Cathedral
paroliere e compositore:
Geoff Stephens
editore:
Meteor Music e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
New Vaudeville Band4.252:23

Accreditamenti