Sounds of the Sixties: 1969

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1▼CD
#TitoloArtistaValutazioneDurata
1Dizzy
registrazione di:
Dizzy
paroliere e compositore:
Tommy Roe e Freddy Weller
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tommy Roe2:57
2I Can Hear Music
registrazione cover di:
I Can Hear Music
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO MUSIC INC (A) 301 (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Beach Boys2:36
3Build Me Up Buttercup
registrazione di:
Build Me Up Buttercup
autore:
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann) e Tony Macaulay
editore:
A. Schroeder Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI United Partnership Ltd., Immediate Music Ltd. e Welbeck Music (publisher)
The Foundations2:59
4(If Paradise Is) Half as Nice
Amen Corner3:03
5Crimson and Clover
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Crimson and Clover
autore:
Tommy James (American musician, singer, songwriter and record producer) e Pete Lucia Jr.
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), Planetary Nom (publisher) e Big Seven Music Corp. (nel 1987)
Tommy James & the Shondells3:29
6I’m Gonna Make You Mine
registrazione di:
I’m Gonna Make You Mine
paroliere e compositore:
Tony Romeo
Lou Christie2:39
7Reflections of My LifeMarmalade4:16
8(Call Me) Number One
produttore:
Mike Smith (60’s & 70’s UK Producer)
registrazione di:
(Call Me) Number One
autore:
Alan Blakley e Len "Chip" Hawkes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Tremeloes3:44
9Games People Play
registrazione di:
Games People Play
paroliere e compositore:
Joe South
editore:
Bike Music
sub-editore:
Sweden Music (publisher, founded in 1960) (nel 1988)
Joe South3:30
10Blackberry Way
registrazione di:
Blackberry Way
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Westminster Music Ltd. e Essex Music International, Inc. (nel 1968)
The Move53:37
11Natural Born Bugie
produttore:
Humble Pie
arrangiatore:
Humble Pie
diritti fonografici (℗) detenuti da:
Immediate (nel 1969)
registrazione di:
Natural Born Boogie
paroliere e compositore:
Steve Marriott (English musician and songwriter)
editore:
Avakak Music e Immediate Music (BMG Production Music (Germany) label [IMCD#], [IMX#])
Humble Pie44:16
12Going Up the CountryCanned Heat2:54
13White Room
tecnico di registrazione:
Adrian Barber (producer/engineer) (dal 1967-07 al 1968-06) e Tom Dowd (dal 1967-07 al 1968-06)
tecnico:
Adrian Barber (producer/engineer) e Tom Dowd
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-07 al 1968-06)
batteria e percussione e timpani :
Ginger Baker (dal 1967-07 al 1968-06)
chitarra :
Eric Clapton (dal 1967-07 al 1968-06)
viola :
Felix Pappalardi (dal 1967-07 al 1968-06)
voce:
Jack Bruce (dal 1967-07 al 1968-06)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1968), Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1969)
registrata presso:
IBC Studios in London (Greater London), England, Regno Unito (dal 1967-07 al 1967-08) e Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-09 al 1967-10, dal 1968-02 al 1968-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 368)
registrazione di:
White Room (dal 1967-07 al 1968-06)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) e Jack Bruce
editore:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music, Inc.
sub-editore:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Cream4.24:58
14Mendocino
registrazione di:
Mendocino (nel 1968)
paroliere e compositore:
Doug Sahm
Sir Douglas Quintet2:41
15Ring of Fire
registrazione di:
Ring of Fire
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
Eric Burdon & the Animals4:51
16Wonderful World, Beautiful People
registrazione di:
Wonderful World, Beautiful People
paroliere e compositore:
Jimmy Cliff (Jamaican ska, rocksteady, reggae and soul musician)
Jimmy Cliff53:13
17Israelites
produttore:
Leslie Kong
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1968)
registrazione di:
Israelites
autore:
Desmond Dacres e Leslie Kong
editore:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) e Sparta Music (publisher) (nel 1978)
Desmond Dekker & the Aces42:36
18Something in the Air
produttore:
Pete Townshend (of The Who)
registrazione di:
Something in the Air (nel 1969)
paroliere e compositore:
John Keen (“Speedy”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) e Songs of Windswept Pacific
Thunderclap Newman43:56
2▼CD
#TitoloArtistaValutazioneDurata
1Aquarius / Let the Sunshine In
Fifth Dimension4:51
2Good Morning Starshine
registrazione di:
Good Morning Starshine (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Catalogue Partnership
parte di:
Hair (1967 musical)
Oliver53:39
3He Ain’t Heavy, He’s My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 46)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:16
4My Sentimental Friend
registrazione di:
My Sentimental Friend
compositore:
John Carter (songwriter & producer, b. 1942) e Geoff Stephens
editore:
Peermusic III, Ltd. (BMI)
Herman’s Hermits33:17
5I’ll Never Fall in Love Again
registrazione cover di:
I’ll Never Fall in Love Again (Promises, Promises)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), EMI Music Publishing Ltd. (PRS‐affiliated), JAC Music Co., Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Rondor, Sony/ATV Harmony, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Bobbie Gentry2:53
6You’ve Made Me So Very Happy
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
batteria e percussione :
Bobby Colomby (dal 1968-10-07 al 1968-10-22)
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
flauto dolce e trombone :
Jerry Hyman (trombone player) (dal 1968-10-07 al 1968-10-22)
flauto, organo, pianoforte e trombone :
Dick Halligan (dal 1968-10-07 al 1968-10-22)
flicorno soprano e tromba :
Lew Soloff (dal 1968-10-07 al 1968-10-22) e Chuck Winfield (dal 1968-10-07 al 1968-10-22)
sassofono contralto e pianoforte :
Fred Lipsius (dal 1968-10-07 al 1968-10-22)
voce:
Bobby Colomby (dal 1968-10-07 al 1968-10-22), Dick Halligan (dal 1968-10-07 al 1968-10-22) e Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
voce principale:
David Clayton‐Thomas (dal 1968-10-07 al 1968-10-22)
arrangiatore:
Blood, Sweat & Tears, Al Kooper e Fred Lipsius
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1969)
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (dal 1968-10-07 al 1968-10-22)
registrazione cover di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
registrazione di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
Blood, Sweat & Tears54:18
7The Boxer
tecnico di registrazione:
Ted Brosnan (il 1969-11-08)
tecnico:
Roy Halee
produttore:
Arthur Garfunkel, Roy Halee e Paul Simon (of Simon & Garfunkel)
archi :
Ernie Freeman (il 1969-11-08) e Jimmie Haskell (il 1969-11-08)
batteria :
Hal Blaine (U.S. studio drummer and percussionist) (il 1969-11-08)
chitarra :
Fred Carter, Jr. (il 1969-11-08) e Paul Simon (of Simon & Garfunkel) (il 1969-11-08)
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter) (il 1969-11-08)
tastiera :
Larry Knechtel (il 1969-11-08)
voce:
Art Garfunkel e Paul Simon (of Simon & Garfunkel)
diritti fonografici (℗) detenuti da:
Paul Simon (of Simon & Garfunkel) (nel 1969)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) e CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 105)
registrazione di:
The Boxer (il 1969-11-08)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Pattern Music Ltd (publisher) e Paul Simon Music (nel 1968)
Simon & Garfunkel4.155:10
8Ballad of Easy Rider
registrazione di:
Ballad of Easy Rider
paroliere e compositore:
Roger McGuinn
paroliere aggiunto:
Bob Dylan
editore:
Dwarf Music
The Byrds2:05
9Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:42
10Take a Letter Maria
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1969-08-19)
produttore:
Ahmet Ertegun (US songwriter/producer)
archi :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
voce:
R.B. Greaves (il 1969-08-19)
orchestra:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1969-08-19)
direttore d'orchestra:
Arif Mardin (il 1969-08-19)
arrangiatore:
Arif Mardin
registrazione di:
Take a Letter Maria (il 1969-08-19)
paroliere e compositore:
R.B. Greaves
editore:
PolyGram Music Publishing
R.B. Greaves42:44
11Love Me Tonight
registrazione di:
Love Me Tonight
paroliere:
Barry Mason (English songwriter)
compositore:
Mario Panzeri (Italian lyricist and composer) e Lorenzo Pilat
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione tradotta di:
Alla fine della strada
registrazione dal vivo di:
Love Me Tonight
paroliere:
Barry Mason (English songwriter)
compositore:
Mario Panzeri (Italian lyricist and composer) e Lorenzo Pilat
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione tradotta di:
Alla fine della strada
registrazione cover di:
Love Me Tonight
paroliere:
Barry Mason (English songwriter)
compositore:
Mario Panzeri (Italian lyricist and composer) e Lorenzo Pilat
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione tradotta di:
Alla fine della strada
Tom Jones33:13
12Make Me an Island
Joe Dolan3:00
13Boom Bang‐A‐Bang
produttore:
Mickie Most (English record producer)
arrangiatore:
Johnny Harris (Scottish composer, conductor)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1969) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1969)
registrazione di:
Boom Bang-A-Bang (original English version)
compositore:
Alan Moorhouse e Peter Warne
Lulu2:24
14Lily the Pink
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Lily the Pink
autore:
[traditional] (special purpose artist), John Gorman (UK comedian) e Roger McGough (poet)
editore:
Campbell Connelly (Australia) P/L
The Scaffold4.54:23
15I’m the Urban Spaceman
registrazione di:
I’m the Urban Spaceman
paroliere e compositore:
Neil Innes
editore:
J. Albert & Son Pty. Ltd.
The Bonzo Dog Band2:25
16Albatross
produttore:
Mike Vernon
basso elettrico :
John McVie (il 1968-10-06)
batteria :
Mick Fleetwood (il 1968-10-06)
chitarra :
Peter Green (former member of Fleetwood Mac) (il 1968-10-06) e Danny Kirwan (Fleetwood Mac) (il 1968-10-06)
diritti fonografici (℗) detenuti da:
Blue Horizon Records (nel 1968) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 52)
registrazione di:
Albatross (il 1968-10-06)
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Crosstown Songs UK Ltd., Kingstreet Media Publishing Limited e Palan Music Publishing Ltd.
Fleetwood Mac43:11
17Atlantis
registrazione di:
Atlantis (Donovan song)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, peermusic (“Peermusic—the global independent”) e Peer Southern Music (publisher, affiliated to BMI in the US) (nel 1968)
Donovan5:03
18Oh, Happy Day
registrazione di:
Oh Happy Day (Hawkins’ 1967 gospel arrangement)
paroliere:
Philip Doddridge
compositore:
Edward Francis Rimbault (nel 1854)
arrangiatore:
Edwin Hawkins (nel 1967)
editore:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
arrangiamento di:
Oh Happy Day
versione di:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers3:09

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parte di:Sounds of the Sixties (Time-Life Music) (numero: 7) (ordine: 7)