A Groovy Kind of Love

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1▼CD
#TitoloArtistaValutazioneDurata
1A Groovy Kind of Love
registrazione cover di:
A Groovy Kind of Love (nel 1965-12)
autore:
Carole Bayer Sager e Toni Wine
editore:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. e Screen Gems-EMI Music (nel 1966)
si basa su:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders32:02
2God Only Knows
tecnico:
Chuck Britz (il 1966-03-10) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Mark Linett e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Mark Linett (nel 1996)
basso elettrico :
Ray Pohlman (il 1966-03-10)
batteria e campana :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-03-10)
chitarra :
Carol Kaye (il 1966-03-10)
clarinetto :
Leonard Hartman (il 1966-03-10) e Jay Migliori (il 1966-03-10)
clarinetto basso :
Leonard Hartman (il 1966-03-10)
clavicembalo :
Larry Knechtel (il 1966-03-10)
contrabbasso :
Lyle Ritz (il 1966-03-10)
corno francese :
Alan Robinson (il 1966-03-10)
fisarmonica :
Carl Fortina (il 1966-03-10) e Frank Marocco (il 1966-03-10)
flauto :
Bill Green (woodwind) (il 1966-03-10) e Jim Horn (saxophonist, hornist, flutist and oboist) (il 1966-03-10)
percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1966-03-10)
pianoforte tack :
Don Randi (il 1966-03-10)
tamburello :
Terry Melcher (il 1966-03-10)
viola :
Darrel Terwilliger (il 1966-03-10)
violino :
Leonard Malarsky (il 1966-03-10) e Sid Sharp (il 1966-03-10)
violoncello :
Jesse Erlich (il 1966-03-10)
voce:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (dal 1966-03 al 1966-04) e Brian Wilson (Beach Boys co‐founder) (dal 1966-03 al 1966-04)
voce principale:
Carl Wilson (Beach Boys) (dal 1966-03 al 1966-04)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1966-03-10) e Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-03 al 1966-04)
mixata presso:
Your Place or Mine Recording in Glendale, California, Stati Uniti (nel 1996)
remix di:
God Only Knows (mono) di The Beach Boys (American rock band)
registrazione di:
God Only Knows (dal 1966-03 al 1966-04)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys42:50
3Love Is All Around
diritti fonografici (℗) detenuti da:
Mercury Ltd (London) (for copyrights use only) (nel 1967)
registrazione di:
Love Is All Around
paroliere e compositore:
Reg Presley
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs4.52:59
4Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:43
5My Girl
produttore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
archi :
Detroit Symphony Orchestra (dal 1964-09-25 al 1964-11-17)
basso :
James Jamerson (dal 1964-09-25 al 1964-11-17)
batteria :
Benny Benjamin (US drummer) (dal 1964-09-25 al 1964-11-17)
chitarra :
Robert White (US funk/soul guitarist) (dal 1964-09-25 al 1964-11-17)
strumenti:
The Funk Brothers (dal 1964-09-25 al 1964-11-17)
voce di accompagnamento:
Eddie Kendricks (dal 1964-09-25 al 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1964-09-25 al 1964-11-17) e Paul Williams (member of The Temptations) (dal 1964-09-25 al 1964-11-17)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1964-09-25 al 1964-11-17)
esecutore:
The Temptations (Motown soul vocal group) (dal 1964-09-25 al 1964-11-17)
arrangiatore archi :
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (dal 1964-09-25 al 1964-11-17)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 43) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 88)
registrazione di:
My Girl (dal 1964-09-25 al 1964-11-17)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations4.452:57
6Pretty Flamingo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
Pretty Flamingo
paroliere e compositore:
Mark Barkan
editore:
Campbell Connelly (Australia) P/L e Campbell Connelly & Co. Ltd.
Manfred Mann52:29
7For Once in My Life
produttore:
Henry Cosby
voce principale:
Stevie Wonder (nel 1967)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1968)
registrazione cover di:
For Once in My Life (nel 1967)
paroliere:
Ronald Miller (Motown songwriter Ronald Norman Miller)
compositore:
Orlando Murden
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:49
8Beggin’
produttore:
Bob Crewe
direttore d'orchestra:
Bob Crewe
arrangiatore:
Artie Schroeck
registrazione di:
Beggin’ (nel 1967)
autore:
Peggy Farina e Bob Gaudio
editore:
EMI Longitude Music, Saturday Music, Inc. e Seasons Four Music Corp.
The Four Seasons2:48
9Everlasting Love
registrazione cover di:
Everlasting Love
autore:
James “Buzz” Cason e Mac Gayden
editore:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. e Rising Sons Music Inc. (nel 1967)
Love Affair43:04
10Bus Stop
produttore:
The Hollies e Ron Richards
basso :
Bernie Calvert (il 1966-05-18)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2003) e Parlophone (nel 1966)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-05-18)
registrazione di:
Bus Stop (il 1966-05-18)
paroliere e compositore:
Graham Gouldman
editore:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited e Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.752:55
11Too Busy Thinking ’Bout My Baby
produttore:
Norman Whitfield
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrazione cover di:
Too Busy Thinking About My Baby
autore:
Janie Bradford, Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Stone Agate Music
Marvin Gaye2.52:57
12Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
13Try a Little Tenderness
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
basso elettrico [electric bass] , organo , pianoforte e vibrafono [vibes] :
Booker T. Jones
batteria [drums] :
Al Jackson (Booker T & The MGs drummer)
chitarra :
Steve Cropper
chitarra basso [bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono tenore :
Gilbert Caple e Andrew Love
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
voce:
Otis Redding
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966)
registrazione cover di:
Try a Little Tenderness (nel 1966)
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding33:20
14Bring It On Home to Me
produttore:
Mickie Most (English record producer)
registrazione cover di:
Bring It On Home to Me
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
The Animals2.752:35
15The Letter
produttore:
Dan Penn (songwriter, soul singer)
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:54
16Delta Lady
registrazione di:
Delta Lady
paroliere e compositore:
Leon Russell
editore:
Embassy Music Corporation, Reservoir 416 e Skyhill Pub. Co., Inc.
adattamenti:
Fille de la nuit
Joe Cocker2:52
17Eloise
diritti fonografici (℗) detenuti da:
PolyGram GmbH (not for release label use!) (nel 1969)
registrazione di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
Barry Ryan5:47
18The Price of Love
registrazione di:
The Price of Love
autore:
Don Everly e Phil Everly
editore:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music e Acuff-Rose (BMI) (nel 1965)
The Everly Brothers2:06
19Dream Baby (How Long Must I Dream)
diritti fonografici (℗) detenuti da:
Monument Records (company credits for Monument; do NOT use as release label) (nel 1962)
registrazione di:
Dream Baby (How Long Must I Dream) (il 1962-01-09)
paroliere e compositore:
Cindy Walker (US songwriter, singer and dancer)
editore:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. e Acuff-Rose (BMI) (nel 1971)
Roy Orbison32:33
20Can’t Get Used to Losing You
produttore:
Robert Mersey
direttore d'orchestra:
Robert Mersey (il 1962-12-02)
arrangiatore:
Robert Mersey
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1963) e Rarity Music (nel 2013)
registrazione di:
Can’t Get Used to Losing You (il 1962-12-02)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
Andy Williams12:22
21If I Were a Carpenter
produttore:
Charles Koppelman (American businessman and musician) e Don Rubin
direttore d'orchestra:
Donald Peake
arrangiatore:
Donald Peake
registrazione cover di:
If I Were a Carpenter
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Faithful Virtue Music
Bobby Darin2:22
22Light My Fire
produttore:
Rick Jarrard
arrangiatore archi :
George Tipton (American composer, musical arranger and conductor, born 1932)
registrazione cover di:
Light My Fire (il 1968-01-06)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:37
23You’ve Made Me So Very Happy
registrazione cover di:
You’ve Made Me So Very Happy
autore:
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway e Frank Wilson (Motown singer/songwriter)
editore:
Stone Agate Music Division
Blood, Sweat & Tears43:30
24Darling Be Home Soon
registrazione di:
Darling Be Home Soon
paroliere e compositore:
John Sebastian
The Lovin’ Spoonful3:34
25La La Means I Love You
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1971)
registrazione di:
La La (Means I Love You) (nel 1968)
autore:
Thom Bell (keyboards, songwriter, producer) e William Hart (of The Delfonics)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Delfonics4.53:18
26It’s a Man’s, Man’s, Man’s World
registrata a:
New York, New York, Stati Uniti (il 1966-02-16)
tecnico:
Ron Lenhoff
produttore:
James Brown (The Godfather of Soul)
batteria :
Bernard “Pretty” Purdie (il 1966-02-16)
chitarra :
Billy Butler (jazz guitarist) (il 1966-02-16)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1966-02-16)
tromba :
Dud Bascomb (Sr., jazz trumpeter) (il 1966-02-16), Waymon Reed (il 1966-02-16) e Lammar Wright (il 1966-02-16)
voce principale:
James Brown (The Godfather of Soul) (il 1966-02-16)
registrata presso:
Talent Masters Studios in New York, New York, Stati Uniti (il 1966-02-16)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 123)
registrazione di:
It’s a Man’s Man’s Man’s World (il 1966-02-16)
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown4.42:49
2▼CD
#TitoloArtistaValutazioneDurata
1Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:03
2Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.32:57
3Ring of Fire
registrata a:
Nashville, Tennessee, Stati Uniti (il 1963-03-25)
produttore:
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) e Don Law
basso :
Marshall Grant
batteria :
W.S. Holland
chitarra :
Johnny Cash (country music legend) e Jack Clement
chitarra elettrica :
Luther Perkins
pianoforte :
Bill Pursell
tromba :
Bill McElhiney
voce e esecutore:
The Carter Family (later generations of the family after 1943)
voce principale:
Johnny Cash (country music legend)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1963, nel 1977)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1963-03-25)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 201) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 388)
registrazione cover di:
Ring of Fire (il 1963-03-25)
autore:
June Carter Cash (American Country singer and songwriter) e Merle Kilgore
editore:
Painted Desert Music Corporation
Johnny Cash4.252:37
4Help Yourself
registrazione di:
Help Yourself
paroliere:
Mogul (Italian lyricist)
autore:
Jack Fishman
compositore:
Carlo Donida
si basa su:
Gli Occhi Miei
Tom Jones2:52
5I’m Gonna Make You Mine
registrazione di:
I’m Gonna Make You Mine
paroliere e compositore:
Tony Romeo
Lou Christie2:41
6Breaking Up Is Hard to Do
voce:
Neil Sedaka
direttore d'orchestra:
Al Lorber
arrangiatore:
Al Lorber
registrazione di:
Breaking Up Is Hard to Do
paroliere e compositore:
Howard Greenfield e Neil Sedaka
editore:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers e Aldon (nel 1962)
Neil Sedaka3.252:17
7Hey! Baby
registrazione di:
Hey! Baby
autore:
Bruce Channel e Margaret Cobb (singer, writer, publisher)
editore:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (nel 1961) e Le Bill Music (nel 1961)
Bruce Channel2:24
8Little Things
registrazione cover di:
Little Things
paroliere e compositore:
Bobby Goldsboro
Dave Berry2:25
9Concrete and Clay
tecnico:
Victor Smith
produttore:
John Barker (producer)
esecutore:
Unit 4+2
registrazione di:
Concrete and Clay
autore:
Tommy Moeller e Brian Parker
editore:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Unit 4+23.52:18
10You Were on My Mind
registrazione cover di:
You Were on My Mind
paroliere e compositore:
Sylvia Tyson
Crispian St. Peters2:43
11Gimme Little Sign
registrazione di:
Gimme Little Sign
autore:
Alfred Smith, Joseph Hooven (songwriter, producer, label owner, publisher & trumpeter [Joseph Davis Hooven]) e Jerry Winn
editore:
Arlovol Music, Bonnyview Music Corp., EMI Catalogue Partnership Australia Pty Ltd e I’m Hip Productions (Active in the late 60’s)
Brenton Wood12:16
12I Second That Emotion
chitarra :
Marvin Tarplin (il 1967-09-21)
strumenti:
The Funk Brothers (il 1967-09-21)
voce di accompagnamento:
Warren “Pete” Moore (il 1967-09-21), Claudette Robinson (il 1967-09-21), Bobby Rogers (il 1967-09-21) e Ronald White (soul singer, founding member of The Miracles) (il 1967-09-21)
voce principale:
Smokey Robinson (il 1967-09-21)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1967-09-21)
registrazione di:
I Second That Emotion (il 1967-09-21)
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:44
13Ruby Baby
registrazione di:
Ruby Baby
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC e Stoller Music (ASCAP)
Dion2:38
14How Sweet It Is (To Be Loved by You)
diritti fonografici (℗) detenuti da:
Lightsource Music
registrazione di:
How Sweet It Is (to Be Loved by You)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Junior Walker & the All-Stars3:01
15(Your Love Keeps Lifting Me) Higher and Higher
produttore:
Carl Davis (record producer)
basso :
James Jamerson (il 1967-07-06)
batteria :
Richard "Pistol" Allen (il 1967-07-06)
chitarra :
Robert White (US funk/soul guitarist) (il 1967-07-06)
tastiera :
Johnny Griffith (il 1967-07-06)
voce principale:
Jackie Wilson (soul singer) (il 1967-07-06)
esecutore:
Jackie Wilson (soul singer)
arrangiatore:
Sonny Sanders
diritti fonografici (℗) detenuti da:
Brunswick Recording Corporation (nel 1967)
registrata presso:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Stati Uniti (il 1967-07-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 246) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 301)
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher (il 1967-07-06)
autore:
Gary Jackson (songwriter), Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Jackie Wilson4.82:56
16The More I See You
registrazione cover di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:41
17Happy Heart
registrazione di:
Happy Heart
paroliere:
Jackie Rae (Canadian singer, songwriter and television performer)
compositore:
James Last (German big band leader & composer, 1929–2015)
editore:
Panorama Song Ed.
Andy Williams13:13
18(Marie’s the Name) His Latest Flame
basso :
Bob Moore (U.S. bassist and bandleader) (il 1961-06-25)
batteria :
D.J. Fontana (il 1961-06-25) e Buddy Harman (Session drummer and songwriter) (il 1961-06-25)
chitarra :
Hank Garland (il 1961-06-25), Neal Matthews (il 1961-06-25) e Scotty Moore (American guitarist and recording engineer) (il 1961-06-25)
legnetti :
Boots Randolph (il 1961-06-25)
organo :
Floyd Cramer (il 1961-06-25) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1961-06-25)
pianoforte :
Floyd Cramer (il 1961-06-25)
voce:
The Jordanaires (southern gospel group) (il 1961-06-25) e Millie Kirkham (il 1961-06-25)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1961-06-25)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1961), BMG Music (nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1961-06-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 31)
registrazione cover di:
(Marie’s the Name) His Latest Flame (il 1961-06-25)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music e R&H Music
Elvis Presley2.252:08
19Keep Searchin’ (We’ll Follow the Sun)
registrazione di:
Keep Searching (We’ll Follow the Sun)
paroliere e compositore:
Del Shannon
Del Shannon2:08
20Lovers of the World Unite
registrazione di:
Lovers of the World Unite (il 1966-05-25)
autore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
David & Jonathan32:34
21Hang On Sloopy
registrazione di:
Hang On Sloopy
autore:
Bert Russell Berns e Wes Farrell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc e Robert Mellin Music, Inc.
The McCoys33:53
22Hold Me Tight
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1968)
registrazione di:
Hold Me Tight
paroliere e compositore:
Johnny Nash (US reggae/pop singer-songwriter)
editore:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Johnny Nash2:44
23I’ll Pick a Rose for My Rose
registrazione di:
I’ll Pick a Rose for My Rose
autore:
James Dean (US soul songwriter), Marv Johnson e William Weatherspoon
editore:
Jobete Music (UK) Ltd.
Marv Johnson32:40
24I Don’t Want Our Loving to Die
The Herd2:59
25Get Together
registrata a:
New York, New York, Stati Uniti (nel 1966-11)
produttore:
Felix Pappalardi
basso e voce principale:
Jesse Colin Young (nel 1966-11)
batteria :
Joe Bauer (founding member of ''The Youngbloods'') (nel 1966-11)
chitarra e voce di accompagnamento:
Jerry Corbitt (nel 1966-11) e Lowell Levinger (nel 1966-11)
tastiera :
Lowell Levinger (nel 1966-11)
registrazione cover di:
Let’s Get Together (nel 1966-11)
paroliere e compositore:
Chet Powers
editore:
Irving Music (BMI) e Irving Music, Inc.
The Youngbloods3.754:43
3▼CD
#TitoloArtistaValutazioneDurata
1Scarborough Fair/Canticle
produttore:
Bob Johnston (US record producer and early rockebilly singer)
voce:
Art Garfunkel e Paul Simon (of Simon & Garfunkel)
arrangiatore:
Art Garfunkel e Paul Simon (of Simon & Garfunkel)
registrazione di:
Scarborough Fair / Canticle (il 1966-07-26)
paroliere e precedentemente attribuito a:
Simon & Garfunkel
autore:
[traditional] (special purpose artist), Art Garfunkel e Paul Simon (of Simon & Garfunkel)
editore:
Fanfare (publisher), Pattern Music Ltd (publisher) e Paul Simon Music
versione di:
Scarborough Fair
versione di:
The Side of a Hill
Simon & Garfunkel4.23:11
2Lay Lady Lay
produttore:
Bob Johnston (US record producer and early rockebilly singer)
chitarra e voce principale:
Bob Dylan (il 1969-02-14)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1969)
registrazione di:
Lay, Lady, Lay (il 1969-02-14)
paroliere e compositore:
Bob Dylan (dal 1968 al 1969)
paroliere aggiunto:
Bob Dylan (nel 1976)
editore:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Big Sky Music (publisher for Bob Dylan) (dal 1969 a oggi)
sub-editore:
Sonora Musikförlags AB
Bob Dylan4.13:18
3Suspicious Minds
tecnico:
Al Pachucki
produttore:
Felton Jarvis e Chips Moman
basso :
Tommy Cogbill (il 1969-01-23) e Mike Leech (Nashville session musician and arranger) (il 1969-01-23)
batteria :
Gene Chrisman (il 1969-01-23)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-23) e Reggie Young (guitarist and songwriter) (il 1969-01-23)
chitarra steel :
John Hughey (il 1969-01-23)
organo :
Bobby Emmons (il 1969-01-23)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1969-01-23)
voce:
J.D. Sumner & The Stamps, The Sweet Inspirations e Kathy Westmoreland
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1969-01-22)
arrangiatore:
Mike Leech (Nashville session musician and arranger) e Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1969), BMG Music (nel 1969, nel 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1973) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Stati Uniti (il 1969-01-23) e United Recording Studios (Las Vegas) in Las Vegas, Nevada, Stati Uniti (il 1969-08-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 91) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 363)
registrazione cover di:
Suspicious Minds (dal 1969-01-23 al 1969-08-07)
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Elvis Presley4.14:34
4Walk Away Renée
esecutore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione cover di:
Walk Away Renée
autore:
Michael Brown (American singer-songwriter), Bob Calilli e Tony Sansone
editore:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Twin Tone (publisher) (nel 1967)
Four Tops2:45
5You’ve Lost That Lovin’ Feelin’
registrazione di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Righteous Brothers3:39
6Make It Easy on Yourself
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965)
registrazione cover di:
Make It Easy on Yourself
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e MCA Music Ltd.
The Walker Brothers53:15
7Twenty‐Four Hours from Tulsa
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 36)
registrazione di:
Twenty Four Hours From Tulsa
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.52:59
8Rhythm of the Rain
diritti fonografici (℗) detenuti da:
Warner Music H.K. Ltd. (nel 1997)
registrazione di:
Rhythm of the Rain (nel 1962)
paroliere e compositore:
John Gummoe
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades32:33
9Here It Comes Again
The Fortunes3:05
10Young Girl
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1968)
registrazione di:
Young Girl
paroliere e compositore:
Jerry Fuller
editore:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:13
11Elusive Butterfly
registrazione di:
Elusive Butterfly
paroliere e compositore:
Bob Lind
editore:
Metric Music Ltd.
Bob Lind2:49
12A Day Without Love
registrazione di:
A Day Without Love
paroliere e compositore:
Phillip Goodhand-Tait
Love Affair3:14
13Down in the Boondocks
registrazione di:
Down in the Boondocks
paroliere e compositore:
Joe South
editore:
Bike Music, BMG Music Ltd., BMG Music Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Lowery Music Co. Inc. (nel 1965)
Billy Joe Royal2:34
14By the Time I Get to Phoenix
voce principale:
Glen Campbell (US country singer, guitarist & actor)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 450)
registrazione cover di:
By the Time I Get to Phoenix (il 1967-08-17)
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
editore:
Charles Koppelman Music, Jonathan Three Music Co. e Martin Bandier Music
Glen Campbell3.52:43
15Long After Tonight Is All Over
Jimmy Radcliffe2:40
16Only One Woman
The Marbles42:42
17Juliet
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (not for release label use!) (nel 1964)
registrazione di:
Juliet (1964 song by the Four Pennies)
autore:
Fritz Fryer, Lionel Morton (member of the Four Pennies) e Mike Wilsh
editore:
Flamingo Music
The Four Pennies2:22
18Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
19One
registrazione di:
One (nel 1968-03)
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Australia Pty. Ltd.
Harry Nilsson42:55
20Suzanne
produttore:
John Simon (US producer, arranger, composer, songwriter and musician)
voce principale:
Leonard Cohen (Canadian singer‐songwriter and poet)
direttore d'orchestra:
John Simon (US producer, arranger, composer, songwriter and musician)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 284)
registrazione di:
Suzanne (English original song by Leonard Cohen) (nel 1967)
paroliere:
Leonard Cohen (Canadian singer‐songwriter and poet) (nel 1966)
compositore:
Leonard Cohen (Canadian singer‐songwriter and poet)
editore:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. e Writers Workshop Ltd.
Leonard Cohen4.153:48
21Need Your Love So Bad
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1968)
registrazione cover di:
Need Your Love So Bad
paroliere e compositore:
Little Willie John e Mertis John Jr. (older brother of Little Willie John)
editore:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. e Trio Music Co., Inc.
Fleetwood Mac2.53:55
22When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (drummer and producer) (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:52

Accreditamenti

Pubblicazione

ASIN:UK: B00AIELJ8K [info]