Dertigers

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1What a Beautiful Day
Techniker(in):
Andrew Scarth
Produzent(in):
Jon Kelly (engineer at Air London Studios)
assistierende(r) Mix:
Lee Phillips (Engineer)
Bassgitarre und Sologesang:
Jeremy Cunningham (UK bassist for the Levellers) (in 1997)
Geige / Violine:
Jon Sevink (in 1997)
Gitarre:
Mark Chadwick (singer/songwriter/guitarist for the Levellers) und Simon Friend (in 1997)
Keyboard:
Stevie B. (Levellers guest keyboard) (in 1997)
Perkussion:
Christopher Taylor (Levellers "What a Beautiful Day") (in 1997)
Schlagzeug:
Charlie Heather (in 1997)
vocals:
Mark Chadwick (singer/songwriter/guitarist for the Levellers) (in 1997)
aufgenommen bei:
Metway Studios in Brighton, Brighton and Hove, England, Vereinigtes Königreich (in 1997)
mixed at:
Westside Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Beautiful Day (Levellers) (in 1997)
Verfasser(in):
Mark Chadwick (singer/songwriter/guitarist for the Levellers), Jeremy Cunningham (UK bassist for the Levellers), Simon Friend, Charlie Heather und Jon Sevink
Levellers4:02
2Lovefool
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:16
3Dancing in the Moonlight
Toploader3:41
4Boys Don’t Cry
recording of:
Boys Don’t Cry
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Lol Tolhurst
publisher:
APB Music Co.
The Cure2:36
5Alright
Techniker(in):
John Cornfield
Produzent(in):
Sam Williams (producer & musician. ex‐member of The Animalhouse)
Mix:
John Cornfield und Sam Williams (producer & musician. ex‐member of The Animalhouse)
Bassgitarre:
Mick Quinn (von 1994-01 bis 1994-07)
Gitarre:
Mick Quinn (von 1994-02 bis 1994-08)
Klavier und Sologesang:
Gaz Coombes (von 1994-02 bis 1994-08)
Schlagzeug:
Danny Goffey (von 1994-02 bis 1994-08)
Hintergrundgesang:
Danny Goffey (von 1994-02 bis 1994-08) und Mick Quinn (von 1994-02 bis 1994-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
aufgenommen bei:
Sawmills Studio in Golant, Cornwall, England, Vereinigtes Königreich (von 1994-02 bis 1994-08)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 65)
recording of:
Alright (von 1994-02 bis 1994-08)
Verfasser(in):
Gaz Coombes, Danny Goffey und Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.72:58
6You Get What You Give
New Radicals4:53
7Someone New
vocals und Interpret(in):
Heather Nova
recording of:
Someone New
Verfasser(in):
Daniel Bellqvist, Robert Birming, Heather Nova und Frederik Zäll
Eskobar feat. Heather Nova3:29
8There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:42
9The Limit to Your Love
assistierende(r) Techniker(in):
Lionel Darenne (in 2006-03) und Robbie Lackritz (in 2006-03)
Techniker(in):
Renaud Letang (in 2006-03)
Koproduzent(in):
Mocky
Produzent(in):
Feist (Leslie Feist – American‐Canadian indie pop singer / of Broken Social Scene), Gonzales (Canadian musician Jason Charles Beck) und Renaud Letang
assistierende(r) Mix:
Thomas Moulin
Mix:
Renaud Letang
aufgenommen bei:
La Frette Studios in La Frette-sur-Seine, Val-d'Oise, Île-de-France, Frankreich (in 2006-03)
mixed at:
Studios Ferber in Paris, Île-de-France, Frankreich
recording of:
The Limit to Your Love
Verfasser(in):
Leslie Feist (Canadian singer-songwriter, performs as Feist) und Jason Charles Beck (Canadian musician Jason Charles Beck)
Feist3.654:21
10Mirrors
Techniker(in):
Chris Godbey (American mixer, engineer, composer)
leitende(r) Produzent(in):
Justin Timberlake
Produzent(in):
Jerome "J-Roc" Harmon (producer), Timbaland und Justin Timberlake
assistierende(r) Mix:
Alejandro Baima
Mix:
Jimmy Douglass (engineer), Chris Godbey (American mixer, engineer, composer) und Justin Timberlake
Gitarre:
Elliott Ives (songwriter/guitarist) und Justin Timberlake
Keyboard:
Jerome Harmon (producer)
Saiteninstrumente:
Benjamin Wright und The Benjamin Wright Orchestra
arranger:
JT
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
aufgenommen bei:
EastWest Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Mirrors (album version) von Justin Timberlake
recording of:
Mirrors
Verfasser(in):
James Fauntleroy, Garland Mosley (US rapper Garland Mosley, brother of Timbaland), Chris Godbey (American mixer, engineer, composer), J‐Roc (producer), Justin Timberlake und Timothy Mosley
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), James Fauntleroy Music, Jerome Harmon Publishing, ole, Tennman Tunes, VB Rising, Virginia Beach Music und Warner/Chappell Music, Inc.
Justin Timberlake2.94:38
11No Ordinary Love
Sade3:52
12Bad Blood
Techniker(in) und Mix:
Charlie Stavish (American producer and engineer)
Produzent(in):
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet) und Charlie Stavish (American producer and engineer)
phonographisches Urheberrecht (℗) von:
PaxAmericana Recording Company (in 2015)
cover recording of:
Bad Blood
Verfasser(in):
Max Martin (Swedish record producer), Shellback und Taylor Swift
publisher:
Kobalt Music Publishing Ltd. (UK), Sony/ATV Tree Publishing, MXM Music (vom 2014 bis heute) und Taylor Swift Music (publisher) (vom 2014 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング (Sony Music Publishing (Japan) Inc., song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ryan Adams13:49
13Little Arithmetics
dEUS4:10
14Lovely Day
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Lovely Day
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers43:45
15Heart of Glass
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1979)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie3:23
16Moonlight Shadow
Techniker(in):
Nigel Luby
Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Akustikgitarre, E-Gitarre und Synthesizer:
Mike Oldfield (von 1982-11 bis 1983-04)
Bassgitarre:
Phil Spalding (von 1982-11 bis 1983-04)
Schlagzeug:
Simon Phillips (rock drummer) (von 1982-11 bis 1983-04)
vocals:
Maggie Reilly (von 1982-11 bis 1983-04)
phonographisches Urheberrecht (℗) von:
Mike Oldfield (in 2013)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
aufgenommen bei:
Denham Studios (von 1982-11 bis 1983-04)
recording of:
Moonlight Shadow (von 1982-11 bis 1983-04)
Texter und Komponist(in):
Mike Oldfield
publisher:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music Publishing Ltd. (in 1983)
Mike Oldfield3.93:39
17Just a Friend of Mine
recording of:
Just a Friend of Mine
Texter:
Dani Klein (Belgian singer (Vaya Con Dios))
Komponist(in):
Willy Lambregt (Belgian musician, aka Willy Willy) und Dirk Schoufs
Vaya Con Dios3:22
18Don’t Dream It’s Over
Crowded House3:52
19Tummy
Tamino3:09
20I Need My Girl
Produzent(in):
Aaron Dessner und Bryce Dessner (North American composer and guitarist)
assistierende(r) Mix:
Eduardo de la Paz Canel (producer/engineer) und John Horne
Mix:
Craig Silvey
Saiteninstrumente:
Owen Pallett (Canadian composer, violinist, keyboardist & vocalist)
Orchestrator(in):
Bryce Dessner (North American composer and guitarist)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und Toast Studios (mixing studio) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Need My Girl (official music video) von The National
recording of:
I Need My Girl
Texter:
Matt Berninger
Komponist(in):
Aaron Dessner
publisher:
ABD 13 Music und Val Jester Music
The National4.44:03
21One Day Like This
Elbow6:15
2▼CD
Nr.TitelKünstlerBewertungLänge
1Freed From Desire
recording of:
Freed From Desire
Verfasser(in):
Filippo Carmeni (Italian producer Phil Jay), Gala Rizzatto (Italian singer & dance act) und Maurizio Molella (Italian DJ and producer Maurizio Molella)
publisher:
Baby Angel Music S.r.l., Do It Yourself SAS (Italian company, active until 1997), Grand H. Music und Mollyville Publishing S.r.l.
Gala3:31
2Universal Nation
recording of:
Universal Nation
Komponist(in):
Mike Dierickx (Belgian techno/trance producer)
publisher:
Rave-Nation B.V.B.A. (Bonzai Music Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Push3:45
3The Sign
Produzent(in):
Jonas Berggren, Douglas Carr (Swedish songwriter) und Denniz PoP
Hintergrundgesang:
Douglas Carr (Swedish songwriter)
vocals:
Jenny Berggren, Jonas Berggren und Malin Berggren
zusätzlich vocals:
Jonas Berggren und Ulf Ekberg
Interpret(in):
Jonas Berggren und Ulf Ekberg
phonographisches Urheberrecht (℗) von:
Mega Records (Danish euro house) (in 1993) und Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1993)
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Teil von:
The Downloader’s Music Source Book (Nummer: 132), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 223)
recording of:
The Sign
Texter und Komponist(in):
Jonas Berggren
Verfasser(in):
Buddha
publisher:
Megasong Publishing A/S und Megasongs Ltd.
Ace of Base4.053:09
4Feel
Programmierung:
Jim Brumby (UK engineer) und Richard Flack (producer/engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Tom Jenkins (Welsh band Straight Lines singer), Tim Lauber, John Morical, Christine Sirois und Yen-Hue Tan
Techniker(in):
Richard Flack (producer/engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Jim Brumby (UK engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
assistierende(r) Mix:
J.D. Andrew
Mix:
Steve Power
Bass:
Phil Spalding
Bass-Synthesizer:
Guy Chambers (English songwriter and record producer)
drum machine [drum loops]:
Richard Flack (producer/engineer) und Jony Rockstar
Gitarre [picky guitar]:
Gary Nuttall
Klavier:
Andy Wallace (engineer)
Schlagzeug [drums]:
Jeremy Stacey
Slide-Gitarre:
Fil Eisler (Czech score composer) und Neil Taylor (guitarist)
Synthesizer:
Dave Clayton
Hintergrundgesang [backing vocals]:
Gary Nuttall und Zenia Santini
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
chorus master:
Anne Skates
arranger:
Guy Chambers (English songwriter and record producer)
Orchestrator(in):
Guy Chambers (English songwriter and record producer), Sally Herbert (violinist, composer, and conductor) und Nick Ingman
phonographisches Urheberrecht (℗) von:
Robert Williams (in 2002) und The In Good Company Co Ltd (in 2002)
aufgenommen bei:
Air Lyndhurst Recording Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Angel Recording Studios in Islington, London (Greater London), England, Vereinigtes Königreich, Capitol Recording Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Le Zénith in Paris, Île-de-France, Frankreich, Mayfair Recording Studios in London (Greater London), England, Vereinigtes Königreich, O'Henry Sound Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Tower of Power Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Feel von Robbie Williams starring Daryl Hannah
recording of:
Feel
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
Bella Figura Music Ltd., BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), EMI Music Publishing (do not use as a release label!) und Farrell Music Limited
live recording of:
Feel
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
Bella Figura Music Ltd., BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), EMI Music Publishing (do not use as a release label!) und Farrell Music Limited
Robbie Williams4.24:23
5Karma Police
recorded in:
Vereinigtes Königreich (von 1996-07 bis 1997-03)
recording engineer und Produzent(in):
Nigel Godrich (English record producer) und Radiohead
Programmierung:
Thom Yorke
assistierende(r) Techniker(in):
Jon Bailey (engineer), Gerard Navarro (engineer) und Chris Scard
Mix und Editing:
Nigel Godrich (English record producer)
Bass-Synthesizer und Bassgitarre:
Colin Greenwood (English bassist in Radiohead) (von 1996-07 bis 1997-03)
Effektgerät und Hintergrundgesang:
Ed O’Brien (guitarist & songwriter in Radiohead) (von 1996-07 bis 1997-03)
Gitarre:
Jonny Greenwood (English musician and score composer) (von 1996-07 bis 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (von 1996-07 bis 1997-03) und Thom Yorke (von 1996-07 bis 1997-03)
Glockenspiel, Keyboard, mellotron und Orgel:
Jonny Greenwood (English musician and score composer) (von 1996-07 bis 1997-03)
Klavier:
Jonny Greenwood (English musician and score composer) (von 1996-07 bis 1997-03) und Thom Yorke (von 1996-07 bis 1997-03)
Perkussion:
Colin Greenwood (English bassist in Radiohead) (von 1996-07 bis 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (von 1996-07 bis 1997-03) und Philip Selway (drummer in Radiohead) (von 1996-07 bis 1997-03)
Schlagzeug:
Philip Selway (drummer in Radiohead) (von 1996-07 bis 1997-03)
vocals:
Thom Yorke (von 1996-07 bis 1997-03)
conductor:
Nick Ingman (von 1996-07 bis 1997-03)
Saiteninstrumente arranger:
Radiohead
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997) und XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2017)
Musikvideos:
Karma Police (music video) von Radiohead
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 279)
recording of:
Karma Police (von 1996-07 bis 1997-03)
Verfasser(in):
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) und Thom Yorke
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
Radiohead4.14:24
6Motorcycle Emptiness
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2002)
Bearbeitung von:
Motorcycle Emptiness von Manic Street Preachers
recording of:
Motorcycle Emptiness
Texter:
Richey James Edwards und Nicky Wire
Komponist(in):
James Dean Bradfield und Sean Moore (Manic Street Preachers)
publisher:
SM Publishing (UK) Limited (Sony Music, 2009–2020) und Sony/ATV Music Publishing
basiert auf:
Behave Yourself Baby
Manic Street Preachers33:34
7Island in the Sun
Weezer3:20
8Keep Your Head Up
assistierende(r) Produzent(in):
Andrew Bond (Ben Howard collaborator)
Produzent(in):
Chris Bond (UK producer/multi‐instrumentalist, active 2010s–present)
assistierende(r) Mix:
Jonathan Gilmore
Mix:
Mike Crossey
Akustikgitarre und Sologesang:
Ben Howard
E-Gitarre, Orgel, Perkussion und Schlagzeug:
Chris Bond (UK producer/multi‐instrumentalist, active 2010s–present)
Hintergrundgesang:
Chris Bond (UK producer/multi‐instrumentalist, active 2010s–present) und India Bourne
recording of:
Keep Your Head Up
Texter und Komponist(in):
Ben Howard
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Ben Howard3.354:22
9Keep On Movin’
recording engineer:
Adrian Bushby
zusätzliche Programmierung:
Chris Laws (engineer, keyboardist & songwriter)
Produzent(in):
Julian Gallagher (songwriter, producer) und Richard Stannard
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
assistierende(r) Mix:
Daniel Pursey (UK engineer), Conal Markey und Alvin Sweeney
Mix:
Adrian Bushby, Jake Davies und Matt Howe (producer and engineer)
Interpret(in):
Abs (Richard Abidin Breen ex-Five), J (Five), Ritchie (British singer/songwriter, member of boy band "Five") und Scott (British singer/performer/songwriter)
phonographisches Urheberrecht (℗) von:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 1999)
produced for:
Biffco Productions
aufgenommen bei:
Windmill Lane Studio (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
additionally mixed at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
additionally produced at:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Keep On Movin’
Verfasser(in):
Richard Breen, Jason Paul Brown (Five), Sean Conlon, Julian Gallagher (songwriter, producer) und Richard Stannard
publisher:
EMI Music Publishing Limited (PRS‐affiliated), Sony/ATV Music Publishing Ltd und Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group)
Five53:18
10You Can Call Me Al
assistierende(r) Techniker(in):
Mark Cobrin
Techniker(in):
Roy Halee
Produzent(in):
Paul Simon (of Simon & Garfunkel)
baritone saxophone und bass saxophone:
Ronald E. Cuber
Bassgitarre:
Baghiti Khumalo
E-Bass [six-string electric bass] und Hintergrundgesang:
Paul Simon (of Simon & Garfunkel)
Gitarre:
Chikapa “Ray” Phiri
Gitarrensynthesizer:
Adrian Belew
Perkussion:
Ralph MacDonald
Posaune:
Kim Allan Cissel und David W. Bargeron (US trombonist & tubist)
Schlagzeug:
Isaac Mtshali
Solo-tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
Synthesizer:
Rob Mounsey
Trompete:
Alan Rubin, John Faddis, Lewis Michael Soloff und Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
Horn arranger:
Rob Mounsey
zusätzlich arranger:
Chikapa “Ray” Phiri
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1985-05 bis 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (in 1986)
recording of:
You Can Call Me Al
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.34:40
11My Girl
phonographisches Urheberrecht (℗) von:
Lightsource
recording of:
My Girl
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations42:56
12Love Is a Losing Game
recording of:
Love Is a Losing Game
Texter und Komponist(in):
Amy Winehouse
publisher:
EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse2:34
13Wildest Moments
recording engineer:
Nigel Glasgow, Kid Harpoon und Dave Okumu
zusätzliche Programmierung:
Kid Harpoon
assistierende(r) Techniker(in):
Jack McKenna
Techniker(in):
David Emery
Produzent(in):
Kid Harpoon und Dave Okumu
Mix:
Lexxx (mixing engineer)
Gitarre [guitars], Keyboard [keyboards] und Perkussion:
Kid Harpoon
Klavier und Hintergrundgesang:
Dave Okumu
Schlagzeug [drums]:
Leo Taylor (UK drummer, producer, and DJ, active since 2000s)
vocals:
Jessie Ware (British singer‐songwriter)
Musikvideos:
Wildest Moments von Jessie Ware (British singer‐songwriter)
Teil von:
The Gummy Awards: Your Top 20 Tracks of 2012 (Nummer: 17)
recording of:
Wildest Moments
Verfasser(in):
Kid Harpoon und Jessie Ware (British singer‐songwriter)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Jessie Ware43:36
14Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:39
15The Way It Is
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Klavier und Synthesizer:
Bruce Hornsby
Perkussion und Schlagzeug:
John Molo
vocals:
Bruce Hornsby
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby and the Range4.054:55
16Wire to Wire
Produzent(in):
Mike Crossey
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 2008)
recording of:
Wire to Wire
Texter und Komponist(in):
Johnny Borrell
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight42:56
17Rags ’n’ Run
Teil von:
ZAMU Award: Song (Nummer: 2003)
Admiral Freebee4:33
18True Colors
Techniker(in) und Mix:
Bryan McGee (sound engineer)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recording of:
True Colors
Verfasser(in):
Billy Steinberg und Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (beendet), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Tennman Tunes
Cyndi Lauper4.63:47
19My Friend
recording of:
My Friend
Verfasser(in):
Richard Cornwell, Keith Crouch, Bill Curtis (The Fatback Band) und Glenn McKinney
Groove Armada34:01
20Eden
recording engineer und Produzent(in):
Hooverphonic (Belgian Pop & Trip-Hop band) und Mark Plati
Perkussion [rhythm programming]-Programmierung:
Mark Plati
assistierende(r) Mix:
Jérôme Blondel und Jean-Marie Quentin
Mix:
Mark Plati
Gast-Horn:
Alex Van Aken (Belgian classical hornist) und Rik Vercruysse (Belgian French horn player)
Gast-Oboe [hobo]:
Joris Van den Hauwe (Belgian oboist & composer)
Gast-Schlagzeug:
Eric Bosteels (Belgian drummer)
Hintergrundgesang:
Alex Callier (member of Hooverphonic)
Sologesang:
Geike Arnaert (Belgian singer Geike Arnaert)
conductor:
Joris Van den Hauwe (Belgian oboist & composer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Belgium) S.A./N.V. (not for release label use! BE subsidiary of SBE until 2005-7) (in 1998)
mixed at:
Plus XXX Studios (Closed in 2008, then bought by Talk Over) in Paris, Île-de-France, Frankreich
Musikvideos:
Eden von Hooverphonic (Belgian Pop & Trip-Hop band)
recording of:
Eden
Texter und Komponist(in):
Alex Callier (member of Hooverphonic)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Hoover Music
Hooverphonic53:33
21Wonderful Life
Produzent(in):
Dave Dix (Dave Dix)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1987)
Musikvideos:
Wonderful Life von Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
Texter und Komponist(in):
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:47