Fire! The Very Best of The Pointer Sisters

~ Veröffentlichung von The Pointer Sisters (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

℗ «1996 BMG Entertainment/This Compilation»
℗ «1996 BMG Entertainment»

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Anmerkung zuletzt geändert am 2020-09-11 06:03 UTC.

Titelliste

| |
1▼Digitales Medium
Nr.TitelBewertungLänge
1Don’t Try to Take the Fifth2:34
2Yes We Can Can
cover recording of:
Yes We Can Can
Texter und Komponist(in):
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:07
3Wang Dang Doodle
cover recording of:
Wang Dang Doodle
Texter:
Willie Dixon (in 1960-06)
Komponist(in):
Willie Dixon
publisher:
Bug Music Ltd. und Hoochie Coochie Music
3:03
4Fairytale5:03
5How Long (Betcha Got a Chick on the Side)3:27
6Everybody Is a Star
assistierende(r) Techniker(in):
Gabe Veltri
Produzent(in):
Richard Perry (producer)
Bass:
David Hungate
Gitarre:
Danny Kortchmar (Danny Kootch) und Waddy Wachtel
Hybrid-Piano:
David Paich
membranophone:
Jeff Porcaro
Synthesizer:
James Newton Howard (American score composer)
remixer:
Bill Schnee
cover recording of:
Everybody Is a Star
Texter und Komponist(in):
Sylvester Stewart
3:21
7Fire
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
Texter und Komponist(in):
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4.353:29
8Happiness
cover recording of:
Happiness
Texter und Komponist(in):
Allen Toussaint
3:59
9(She’s Got) The Fever
cover recording of:
The Fever
Texter und Komponist(in):
Bruce Springsteen (in 1971)
6:17
10Dreaming as One
cover recording of:
Dreaming as One
Verfasser(in):
David Palmer (early Steely Dan vocalist) und William D. “Smitty” Smith (organist/keyboardist)
publisher:
Drunken Boat Music, Larry Robins Music, Patramani Music und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
4:17
11He’s So Shy
recording engineer:
Gabe Veltri
Synthesizer-Programmierung:
Michael Boddicker
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
James Guthrie
Bassgitarre:
Nate Watts
Gitarre:
Tim May (session/jazz guitarist)
Keyboard und Synthesizer:
Tom Snow (US keyboardist/songwriter)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
James Gadson (American drummer)
Sologesang:
June Pointer
arranger:
Tom Snow (US keyboardist/songwriter)
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
BMG Music (in 1980) und Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
aufgenommen bei und mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
He’s So Shy
Verfasser(in):
Tom Snow (US keyboardist/songwriter) und Cynthia Weil
publisher:
Dyad Music Ltd., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Mann and Weil Songs, Inc., Snow Music, Sony/ATV Songs LLC, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 大洋音楽 (Taiyō Music), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
53:39
12The Love Too Good to Last
recording engineer:
Gabe Veltri
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
James Guthrie
Bassgitarre:
Nate Watts
Flügelhorn:
Chuck Findley (trumpet, trombone, horn player) und Warren Looney
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Synthesizer:
Lance Ong
Sologesang:
Anita Pointer
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Burt Bacharach
vocals arranger:
The Pointer Sisters
Orchestrator(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
concertmaster:
Sid Sharp
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
aufgenommen bei und mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Love Too Good to Last
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach und Carole Bayer Sager
publisher:
Begonia Melodies Inc., Irving Music (BMI), New Hidden Valley Music Co., Woolnough Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:34
13Could I Be Dreamin’
recording engineer:
Gabe Veltri
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
James Guthrie
Altflöte:
Jay Hutson und Don Myrick
Bassgitarre:
Nate Watts
Flügelhorn und Trompete:
Chuck Findley (trumpet, trombone, horn player) und Steve Madaio
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Posaune:
Bill Reichenbach (jazz trombonist)
Schlagzeug:
Ollie E. Brown (US drummer, session musician & record producer)
Waldhorn:
Henri Sigismonti
Sologesang:
Anita Pointer
conductor:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
concertmaster:
Sid Sharp
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
aufgenommen bei und mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Could I Be Dreamin’
Verfasser(in):
Marlo Henderson, Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) und Anita Pointer
publisher:
Anita Pointer Publishing, EMI April Music Inc., EMI Blackwood Music Inc., Tira Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
3:32
14Someday We’ll Be Together
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Keyboard:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Synthesizer:
Ed Walsh (US synthesizer player & programmer)
Sologesang:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Someday We’ll Be Together
Texter und Komponist(in):
Russ Ballard
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Russell Ballard Ltd und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
4:38
15What a Surprise
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Saxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
What a Surprise von The Pointer Sisters
recording of:
What a Surprise
Verfasser(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.), Anita Pointer und June Pointer
publisher:
Anita Pointer Publishing, Braintree Music, EMI Blackwood Music Inc., Leggs Four Publishing, Tira Music und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
3:50
16Should I Do It
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Hybrid-Piano:
Greg Phillinganes
Klavier:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
Orgel:
Danny Faragher
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Solo-Tenorsaxophon:
Cool T. (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Sologesang:
June Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Should I Do It
Texter und Komponist(in):
Layng Martine, Jr. (Nashville songwriter)
publisher:
Layng Martine, Jr. Songs, Unichappell Music, Inc., Watch Hill Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:52
17Slow Hand
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Orgel:
William Smith (organist/keyboardist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Sologesang:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1981), Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981) und Planet Records Inc. (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Slow Hand
Texter:
John Bettis
Komponist(in):
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:52
18Sweet Lover Man
Partner-Produzent(in):
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Nate Watts
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist) und Tim May (session/jazz guitarist)
Keyboard:
James Newton Howard (American score composer) und Greg Phillinganes
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Synthesizer:
James Newton Howard (American score composer)
Sologesang:
June Pointer
vocals arranger:
The Pointer Sisters
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Sweet Lover Man
Verfasser(in):
Jerry Ragovoy und Lenny Roberts (producer/engineer)
publisher:
Chappell & Co., Inc. (USA), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:11
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1I’m Ready for Love
June Pointer3:58
2Heart to Heart
recording of:
Heart to Heart
Verfasser(in):
Matthew Garey und Arnie Roman
The Pointer Sisters3:31
3American Music
recording of:
American Music
Texter und Komponist(in):
Parker McGee
publisher:
Ensign Music
The Pointer Sisters3:59
4See How the Love Goes
recording of:
See How the Love Goes
Verfasser(in):
Terry Britten und Sue Shifrin
The Pointer Sisters4:05
5Automatic
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine-Programmierung:
Brock Walsh (singer, producer, songwriter) (in 1983)
Partner-Produzent(in):
Glen Ballard und Brock Walsh (singer, producer, songwriter)
Produzent(in):
Richard Perry (producer)
Bass:
Eddie N. Watkins Jr. (in 1983)
Gitarre:
Mark Goldenberg (in 1983) und Dennis Herring (in 1983)
Minimoog und Synthesizer:
John Van Tongeren (in 1983)
Synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) und Brock Walsh (singer, producer, songwriter) (in 1983)
Sologesang:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
Komponist(in):
Brock Patrick Walsh (singer, producer, songwriter) und Mark Goldenberg
The Pointer Sisters44:47
6Jump (for My Love)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
drum machine und Synthesizer-Programmierung:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
elektronisches Schlagzeug / E-Drums-Programmierung:
Reek Havoc (in 1983)
Techniker(in):
Gary Skardina
Partner-Produzent(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.) und Gary Skardina
Produzent(in):
Richard Perry (producer)
Bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine und Synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
Minimoog und elektronisches Schlagzeug / E-Drums und zusätzlich Synthesizer:
Howie Rice (in 1983)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
Sologesang:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) und James C. Tract
phonographisches Urheberrecht (℗) von:
Planet Records Inc. (in 1983)
recording of:
Jump (for My Love) (in 1983)
Verfasser(in):
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron und Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Songs LLC
The Pointer Sisters3.354:23
7I Need You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine-Programmierung:
Bob Mithoff und Howie Rice
elektronisches Schlagzeug / E-Drums-Programmierung:
Reek Havoc
Produzent(in):
Richard Perry (producer)
Bass, elektronisches Schlagzeug / E-Drums und Perkussion und Gitarre:
Howie Rice (in 1983)
Instrumente:
Howie Rice (in 1983)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
Rhodes Piano:
Vince Melamed (in 1983)
Synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) und John Van Tongeren (in 1983)
Sologesang:
Anita Pointer (in 1983), June Pointer (in 1983) und Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
I Need You
Verfasser(in):
John Black (Soul keyboardist, songwriter, arranger John Alden Black Jr.), Richard Feldman und Nan O’Byrne (American songwriter and composer)
The Pointer Sisters4:04
8I’m So Excited
Produzent(in):
Richard Perry (producer)
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
phonographisches Urheberrecht (℗) von:
BMG Music (in 1982)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. und SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:54
9Telegraph Your Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine-Programmierung und Partner-Produzent(in):
Andy Goldmark
Produzent(in):
Richard Perry (producer)
Minimoog:
Howie Rice (in 1983)
Synthesizer:
Andy Goldmark (in 1983) und Howie Rice (in 1983)
Sologesang:
Anita Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Telegraph Your Love
Texter und Komponist(in):
Andy Goldmark
The Pointer Sisters4:00
10Baby, Come and Get It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine-Programmierung:
James Ingram (R&B singer) und Barry Mann
elektronisches Schlagzeug / E-Drums-Programmierung:
Reek Havoc
Partner-Produzent(in):
Barry Mann
Produzent(in):
Richard Perry (producer)
elektronisches Schlagzeug / E-Drums:
Howie Rice (in 1983)
Gitarre:
David Katay (in 1983)
Synthesizer:
James Ingram (R&B singer) (in 1983) und Barry Mann (in 1983)
Hintergrundgesang:
James Ingram (R&B singer) (in 1983), Anita Pointer (in 1983) und Ruth Pointer (in 1983)
Sologesang:
June Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Baby Come and Get It
Verfasser(in):
James Ingram (R&B singer), Barry Mann und Cynthia Weil
The Pointer Sisters4:11
11Neutron Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine-Programmierung:
Reek Havoc (in 1983), Bob Mithoff (in 1983) und Howie Rice (in 1983)
Synthesizer-Programmierung:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
Produzent(in):
Richard Perry (producer)
Minimoog, drum machine, Gitarre, Orgel, Klavier und Synthesizer:
Howie Rice (in 1983)
Tamburin:
Paulinho da Costa (Brazilian percussionist) (in 1983)
Sologesang:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1983) und Geffen Records (in 1984)
recording of:
Neutron Dance (in 1983)
Verfasser(in):
Danny Sembello und Allee Willis
publisher:
MCA Music Ltd.
The Pointer Sisters34:15
12Dare Me
recording of:
Dare Me
Verfasser(in):
David Innis und Sam Lorber
The Pointer Sisters3:44
13Freedom (single version)
cover recording of:
Freedom
Texter und Komponist(in):
David McHugh (Irish-American composer)
The Pointer Sisters4:24
14Back in My Arms
recording of:
Back in My Arms
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages), Pat Mastelotto und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
The Pointer Sisters4:40
15Goldmine
recording of:
Goldmine
Verfasser(in):
Andy Goldmark und Bruce Roberts (American singer-songwriter)
publisher:
Reservoir Media Management, Inc. und Shapiro Bernstein & Co. Ltd.
The Pointer Sisters3:52
16All I Know Is the Way I FeelThe Pointer Sisters4:41
17Overnight Success
Anita Pointer4:44
18He Turned Me Out
cover recording of:
He Turned Me Out
Verfasser(in):
LeMel Humes und Mary Lee Kortes
The Pointer Sisters4:12

Nennungen

Veröffentlichung

kostenlos streamen:https://open.spotify.com/album/091NaILFpszQchbFnIFiIX [Info]
https://www.deezer.com/album/114172 [Info]
Streaming-Seite:Amazon Music US [Info]
https://tidal.com/album/660389 [Info]
https://us.napster.com/artist/the-pointer-sisters/album/fire-the-very-best-of-the-pointer-sisters [Info] (bis 2022-06-08)