Original Album Classics

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Elvis
#TitoloValutazioneDurata
1Rip It Up
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione cover di:
Rip It Up (il 1956-09-03)
autore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC e Venice Music
3.651:56
2Love Me
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Love Me (dal 1956-09-01 al 1956-09-03)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
registrazione di:
Love Me, Love Me
autore:
George Richey e Glenn Sutton (US songwriter and producer)
42:44
3When My Blue Moon Turns to Gold Again
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 21)
registrazione cover di:
When My Blue Moon Turns to Gold Again (il 1956-09-02)
autore:
Gene Sullivan (nel 1940) e Wiley Walker (nel 1940)
editore:
APRS (American Performing Rights Society, Inc.(BMI)) e Peer International Corporation (BMI) (il 1941-12-03)
3.352:25
4Long Tall Sally31:53
5First in Line
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione di:
First in Line (il 1956-09-03)
compositore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Rachel’s Own Music e Ross Jungnickel, Inc.
33:23
6Paralyzed
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-02)
batteria :
D.J. Fontana (il 1956-09-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-02)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-02)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1956-09-02)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-02)
registrazione di:
Paralyzed (il 1956-09-02)
compositore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music e Williamson Music Company
32:27
7So Glad You’re Mine
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione cover di:
So Glad You’re Mine (il 1956-01-30)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Elvis Presley Music e Elvis Presley Music Inc.
2.352:21
8Old Shep
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Old Shep (dal 1956-09-01 al 1956-09-03)
editore:
Clyde Julian Foley (US country music musician) (il 1935-06-24)
paroliere:
Willis Arthur (lyricist)
compositore:
Clyde Julian Foley (US country music musician)
editore:
Westpar Music
34:12
9Ready Teddy
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione cover di:
Ready Teddy (il 1956-09-03)
paroliere e compositore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC e Venice Music, Inc.
31:58
10Anyplace Is Paradise
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione di:
Anyplace Is Paradise (il 1956-09-03)
paroliere e compositore:
Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Elvis Presley Music e Elvis Presley Music Inc.
2.52:28
11How’s the World Treating You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
How’s the World Treating You (il 1956-09-01)
compositore:
Chet Atkins e Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI)
2.52:26
12How Do You Think I Feel
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01)
registrazione cover di:
How Do You Think I Feel (il 1956-09-01)
compositore:
Webb Pierce e Wiley Walker
2.52:11
2▼CD: Elvis Presley
#TitoloValutazioneDurata
1Blue Suede Shoes
assistente tecnico:
Dror Mohar
tecnico di missaggio:
Ray Bardani
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-30) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 423)
registrazione cover di:
Blue Suede Shoes (il 1956-01-30)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
42:01
2I’m Counting On You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-11)
batteria :
D.J. Fontana (il 1956-01-11)
chitarra :
Chet Atkins (il 1956-01-11), Scotty Moore (American guitarist and recording engineer) (il 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-11)
registrazione di:
I’m Counting on You (il 1956-01-11)
paroliere e compositore:
Don Robertson (“Happy Whistler” songwriter)
editore:
Carlin Music Corporation, Don Robertson Music Corp. e Ross Jungnickel, Inc.
2.652:24
3I Got a Woman
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
registrazione cover di:
I Got a Woman (il 1956-01-10)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
32:26
4One-Sided Love Affair
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10) e Scotty Moore (American guitarist and recording engineer) (il 1956-01-30)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-30)
registrazione di:
One-Sided Love Affair (il 1956-01-30)
paroliere e compositore:
Bill Campbell (US songwriter)
editore:
EMI Unart Catalog Inc. e Sheldon Music
2.52:11
5I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
32:44
6Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
12:34
7Tutti Frutti
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-31)
batteria :
D.J. Fontana (il 1956-01-31)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-31) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-31)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-31)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-01-31)
registrazione cover di:
Tutti Frutti (il 1956-01-31)
paroliere:
Dorothy LaBostrie (American songwriter) e Richard Wayne Penniman
compositore:
Dorothy LaBostrie (American songwriter), Joe Lubin e Richard Wayne Penniman
editore:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Phonogram GmbH (nel 1983)
2.51:59
8Tryin’ to Get to You
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07, il 1955-07-11)
batteria :
Johnny Bernero (nel 1955-07, il 1955-07-11)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07, il 1955-07-11) e Scotty Moore (American guitarist and recording engineer) (il 1955-07-11)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07) e Sun Studios in Memphis, Tennessee, Stati Uniti (il 1955-07-11)
registrazione cover di:
Trying to Get to You (il 1955-07-11)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
registrazione cover di:
Trying to Get to You (nel 1955-07)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
3.352:34
9I’m Gonna Sit Right Down and Cry (Over You)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-31)
batteria :
D.J. Fontana (il 1956-01-31)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-31) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-31)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-31)
registrazione cover di:
I’m Gonna Sit Right Down and Cry (Over You) (il 1956-01-31)
paroliere e compositore:
Howard Biggs e Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Angle Music, Coblin Music Co., Copyright Records e EMI Music Publishing Ltd. (PRS‐affiliated)
3.52:01
10I’ll Never Let You Go (Little Darlin’)
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-09-10) e Elvis Presley (“The King of Rock and Roll”) (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (il 1954-09-10)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (dal 1954-09-12 al 1954-09-16)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
2.352:24
11Blue Moon
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-08-19)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-08-19) e Elvis Presley (“The King of Rock and Roll”) (il 1954-08-19)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-08-19)
registrazione cover di:
Blue Moon (il 1954-08-19)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3.652:41
12Money Honey
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
registrazione cover di:
Money Honey (il 1956-01-10)
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
3.352:33
3▼CD: Loving You
#TitoloValutazioneDurata
1Mean Woman Blues
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-01-13)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1957-01-13)
diritti fonografici (℗) detenuti da:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-01-13)
registrazione di:
Mean Woman Blues (il 1957-01-13)
paroliere e compositore:
Claude Demetrius
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. e Williamson Music Company
registrazione cover di:
Mean Woman Blues
paroliere e compositore:
Claude Demetrius
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc. e Williamson Music Company
32:18
2(Let Me Be Your) Teddy Bear
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-15 al 1957-01-18)
esecutore aggiunto:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Paramount Pictures Scoring Stage M in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 26)
registrazione di:
(Let Me Be Your) Teddy Bear (dal 1957-01-15 al 1957-01-18)
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
registrazione cover di:
(Let Me Be Your) Teddy Bear
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
2.751:47
3Loving You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-02-23 al 1957-02-24)
batteria :
D.J. Fontana (dal 1957-02-23 al 1957-02-24)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-02-23 al 1957-02-24) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-02-23 al 1957-02-24)
pianoforte :
Dudley Brooks (dal 1957-02-23 al 1957-02-24)
voce:
The Jordanaires (southern gospel group) (dal 1957-02-23 al 1957-02-24)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-02-24)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1957-02-24)
diritti fonografici (℗) detenuti da:
BMG Music e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-02-23 al 1957-02-24)
registrazione di:
Loving You (dal 1957-02-23 al 1957-02-24)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
registrazione cover di:
Loving You
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
3.52:14
4Got a Lot o’ Livin’ to Do!
registrazione di:
Got a Lot o’ Livin’ to Do (il 1957-01-12)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
registrazione cover di:
Got a Lot o’ Livin’ to Do
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
2.52:34
5Lonesome Cowboy
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
registrata presso:
Paramount Pictures Scoring Stage M in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18)
registrazione di:
Lonesome Cowboy (dal 1957-01-15 al 1957-01-18)
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. e Williamson Music Company
registrazione cover di:
Lonesome Cowboy
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc. e Williamson Music Company
2.53:02
6Hot Dog2.651:14
7Party
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1957) e RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1957)
registrata presso:
Paramount Pictures Scoring Stage M in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18)
registrazione cover di:
Let’s Have a Party (dal 1957-01-15 al 1957-01-18)
paroliere e compositore:
Jessie Mae Robinson
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
3.451:28
8Blueberry Hill
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo)
batteria :
D.J. Fontana
chitarra :
Scotty Moore (American guitarist and recording engineer)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
Blueberry Hill (il 1957-01-19)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
autore:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
32:39
9True Love
registrazione cover di:
True Love (High Society) (il 1957-02-23)
paroliere e compositore:
Cole Porter (composer) (nel 1956)
editore:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
Warner Chappel Music Belgium NV
parte di:
The 29th Academy Award for Best Original Song (numero: 2)
parte di:
High Society (stage musical)
parte di:
High Society (1956 film)
22:06
10Don’t Leave Me Now
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-02-23 al 1957-02-24, dal 1957-04-30 al 1957-05-09) e Neal Matthews (dal 1957-04-30 al 1957-05-09)
batteria :
D.J. Fontana (dal 1957-02-23 al 1957-02-24, dal 1957-04-30 al 1957-05-09)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-02-23 al 1957-02-24, dal 1957-04-30 al 1957-05-09) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-02-23 al 1957-02-24, dal 1957-04-30 al 1957-05-09)
pianoforte :
Dudley Brooks (dal 1957-02-23 al 1957-02-24, dal 1957-04-30 al 1957-05-09) e Mike Stoller (dal 1957-04-30 al 1957-05-09)
voce:
The Jordanaires (southern gospel group) (dal 1957-02-23 al 1957-02-24, dal 1957-04-30 al 1957-05-09)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-02-23 al 1957-02-24, il 1957-04-30, il 1957-05-03, dal 1957-05-08 al 1957-05-09)
registrazione cover di:
Don’t Leave Me Now (dal 1957-02-23 al 1957-02-24)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. e Rachel’s Own Music
registrazione cover di:
Don’t Leave Me Now (dal 1957-04-30 al 1957-05-09)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
A. Schroeder, Blen Music, Chappell & Co., Gladys Music Inc. e Rachel’s Own Music
31:59
11Have I Told You Lately That I Love You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-01-19)
batteria :
D.J. Fontana (il 1957-01-19)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1957-01-19) e Elvis Presley (“The King of Rock and Roll”) (il 1957-01-19)
organo :
Hoyt Hawkins (il 1957-01-19)
pianoforte :
Dudley Brooks (il 1957-01-19)
voce:
The Jordanaires (southern gospel group) (il 1957-01-19)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1957-01-19)
registrazione cover di:
Have I Told You Lately That I Love You? (il 1957-01-19)
paroliere e compositore:
Scott Wiseman (nel 1945)
editore:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Leeds Music Ltd. (nel 1982)
32:32
12I Need You So
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-02-23 al 1957-02-24)
batteria :
D.J. Fontana (dal 1957-02-23 al 1957-02-24)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-02-23 al 1957-02-24) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-02-23 al 1957-02-24)
pianoforte :
Dudley Brooks (dal 1957-02-23 al 1957-02-24)
voce:
The Jordanaires (southern gospel group) (dal 1957-02-23 al 1957-02-24)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-02-23 al 1957-02-24)
registrazione cover di:
I Need You So (dal 1957-02-23 al 1957-02-24)
paroliere e compositore:
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
editore:
Hill and Range Songs, Inc. (publisher), St. Louis Music Corp. e Unichappell Music
2.52:39
13Tell Me Why
registrazione cover di:
Tell Me Why (il 1957-01-12)
paroliere e compositore:
Titus Turner
editore:
Cheerio Corp.
32:08
14Is It So Strange
registrazione cover di:
Is It So Strange (il 1957-01-19)
paroliere e compositore:
Faron Young
editore:
Chappell & Co., Inc. (USA), Elvis Presley Music, Elvis Presley Music Inc., Johnny Bienstock Music e Unichappell Music
32:30
15One Night of Sin
registrazione cover di:
One Night (of Sin) (il 1957-01-24)
paroliere e compositore:
Dave Bartholomew e Pearl King
autore:
Dave Bartholomew, Pearl King e Anita Steiman
editore:
Elvis Presley Music Inc. e EMI / Utd Partnership
42:36
16When It Rains, It Really Pours
registrazione cover di:
When It Rains It Pours (il 1957-02-24)
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
1.51:49
17I Beg of You (alternate version)
registrazione cover di:
I Beg of You (il 1957-01-13)
autore:
Rose Marie McCoy e Kelly Owens (US pianist and organist)
editore:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
1:51
18Party (alternate version)
registrazione cover di:
Let’s Have a Party (nel 1957-01)
paroliere e compositore:
Jessie Mae Robinson
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) e Universal/MCA Music Publishing Pty Ltd
1:08
19Loving You (uptempo version)41:26
20Got a Lot o’ Livin’ to Do! (finale)
registrazione di:
Got a Lot o’ Livin’ to Do (nel 1957-01)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
1:22
4▼CD: Elvis Is Back
#TitoloValutazioneDurata
1Stuck on You
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-20)
basso elettrico :
Hank Garland (il 1960-03-20)
batteria :
D.J. Fontana (il 1960-03-20) e Buddy Harman (Session drummer and songwriter) (il 1960-03-20)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1960-03-20) e Elvis Presley (“The King of Rock and Roll”) (il 1960-03-20)
pianoforte :
Floyd Cramer (il 1960-03-20)
voce:
The Jordanaires (southern gospel group) (il 1960-03-20)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-03-20)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-03-20)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-03-20)
registrazione di:
Stuck on You (il 1960-03-20)
paroliere:
Aaron Schroeder (1950s~1960s US songwriter) (il 1960-03-20)
compositore:
J. Leslie McFarland (composer) (il 1960-03-20)
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
registrazione cover di:
Stuck on You
paroliere:
Aaron Schroeder (1950s~1960s US songwriter) (il 1960-03-20)
compositore:
J. Leslie McFarland (composer) (il 1960-03-20)
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
12:21
2Fame and Fortune
tecnico di registrazione:
Bill Porter (engineer)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-03-20)
registrazione cover di:
Fame and Fortune (il 1960-03-20)
paroliere:
Fred Wise
compositore:
Ben Weisman
editore:
Chappell & Co., Erika Music Publishing, Gladys Music, Gladys Music Inc., Spirit Two Music Inc. e Williamson Music Company
2.852:31
3Make Me Know It
tecnico di registrazione:
Bill Porter (engineer) (il 1960-03-20)
produttore:
Chet Atkins e Steve Sholes
voce:
The Jordanaires (southern gospel group) (il 1960-03-20)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-03-20)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Make Me Know It (il 1960-03-20)
paroliere e compositore:
Otis Blackwell (American pianist, singer and songwriter)
editore:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Songs, Elvis Presley Music e R&H Music
2.52:00
4Fever
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-03)
produttore:
Chet Atkins e Steve Sholes
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Fever (il 1960-04-03)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
33:33
5The Girl of My Best Friend
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-04)
produttore:
Chet Atkins e Steve Sholes
voce:
The Jordanaires (southern gospel group) (il 1960-04-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960) e RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-04)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
The Girl of My Best Friend (il 1960-04-04)
autore:
Sam Bobrick e Ross Butler
editore:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music e R&H Music
3.82:23
6I Will Be Home Again
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-04)
produttore:
Chet Atkins e Steve Sholes
voce:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-04)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
I Will Be Home Again (il 1960-04-04)
autore:
Bennie Benjamin (nel 1944), Raymond Leveen (Composer, songwriter and author) (nel 1944) e Lou Singer (pianist) (nel 1944)
eseguita per la prima volta da:
The Golden Gate Quartet (il 1945-03-16)
editore:
Bennie Benjamin Music Inc. e Chappell & Co.
22:35
7Dirty, Dirty Feeling
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-04)
produttore:
Chet Atkins e Steve Sholes
voce:
The Jordanaires (southern gospel group) (il 1960-04-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-04)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Dirty Dirty Feeling (il 1960-04-04)
autore:
Jerry Leiber e Mike Stoller
editore:
Elvis Presley Music, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP) e Sony/ATV Songs LLC
31:34
8The Thrill of Your Love
tecnico di registrazione:
Bill Porter (engineer)
produttore:
Chet Atkins e Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti e RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Thrill of Your Love (il 1960-04-03)
paroliere e compositore:
Stan Kesler (US session musician, composer and producer)
editore:
R&H Music
registrazione di:
Thrill of Your Love
paroliere e compositore:
Stan Kesler (US session musician, composer and producer)
editore:
R&H Music
2.53:01
9Soldier Boy
tecnico di registrazione:
Bill Porter (engineer) (il 1960-03-20)
produttore:
Chet Atkins e Steve Sholes
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-03-20)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Soldier Boy (il 1960-03-20)
autore:
David Jones e Theodore Williams
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
2.53:06
10Such a Night
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-03)
produttore:
Chet Atkins e Steve Sholes
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Music e BMG Entertainment (nel 1960)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03) e RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Such a Night (il 1960-04-03)
paroliere e compositore:
Lincoln Chase (songwriter)
editore:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation e Raleigh Music, Inc.
33:01
11It Feels So Right
tecnico di registrazione:
Bill Porter (engineer) (il 1960-03-21)
produttore:
Chet Atkins e Steve Sholes
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-03-21)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
It Feels So Right (il 1960-03-21)
autore:
Ben Weisman e Fred Wise
editore:
Blen Music, Chappell & Co., Elvis Presley Music Inc., Gladys Music Inc. e Spirit Two Music Inc.
2.52:11
12Girl Next Door Went a Walking
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-04)
produttore:
Chet Atkins e Steve Sholes
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-04)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
The Girl Next Door Went a Walking (il 1960-04-04)
autore:
Bill Rice e Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
editore:
Elvis Presley Music, R&H Music e Regent Music Corp.
registrazione di:
The Girl Next Door Went a Walking
autore:
Bill Rice e Thomas Wayne (American singer, best remembered as a one-hit wonder for "Tragedy")
editore:
Elvis Presley Music, R&H Music e Regent Music Corp.
2.52:14
13Like a Baby
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-03)
produttore:
Chet Atkins e Steve Sholes
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960)
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Like a Baby (il 1960-04-03)
paroliere e compositore:
Jesse Stone
editore:
Bob Abbott Music, Inc., Elvis Presley Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Unichappell Music
22:40
14Reconsider Baby
tecnico di registrazione:
Bill Porter (engineer) (il 1960-04-04)
produttore:
Chet Atkins e Steve Sholes
registrata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1960-04-04)
mixata presso:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Reconsider Baby (il 1960-04-03)
paroliere e compositore:
Lowell Fulson
editore:
Arc Music Corp. (U.S. rock & blues publisher)
registrazione cover di:
Reconsider Baby (nel 1960-04)
paroliere e compositore:
Lowell Fulson
editore:
Arc Music Corp. (U.S. rock & blues publisher)
2.53:41
15Are You Lonesome Tonight?
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960, nel 1961), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 9)
registrazione cover di:
Are You Lonesome Tonight? (il 1960-04-03)
paroliere:
Roy Turk
compositore:
Lou Handman
editore:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Chrysalis Music (music publisher, ASCAP-affiliated), Cromwell Music, Cromwell Music, Inc., Elvis Presley Music, Gladys Music, Redwood Music e Redwood Music Ltd. (Carlin)
3.13:08
16I Gotta Know
tecnico di registrazione:
Bill Porter (engineer)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-04)
registrazione cover di:
I Gotta Know (il 1960-04-04)
autore:
Paul Evans (50s US rock n roll singer/songwriter) e Matt Williams (US songwriter “I Gotta Know”)
editore:
Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music e Port Music Corp.
22:17
17A Mess of Blues
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-20)
basso elettrico :
Hank Garland (il 1960-03-20)
batteria :
D.J. Fontana (il 1960-03-20) e Buddy Harman (Session drummer and songwriter) (il 1960-03-20)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1960-03-20) e Elvis Presley (“The King of Rock and Roll”) (il 1960-03-20)
pianoforte :
Floyd Cramer (il 1960-03-20)
cori e esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-03-20)
voce:
The Jordanaires (southern gospel group) (il 1960-03-20)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-03-20)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-03-20)
registrazione cover di:
A Mess of Blues (il 1960-03-20)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
22:41
18It’s Now or Never
basso :
Bob Moore (U.S. bassist and bandleader) (il 1960-04-03)
batteria :
D.J. Fontana (il 1960-04-03) e Buddy Harman (Session drummer and songwriter) (il 1960-04-03)
chitarra :
Hank Garland (il 1960-04-03), Scotty Moore (American guitarist and recording engineer) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
pianoforte :
Floyd Cramer (il 1960-04-03)
sassofono :
Boots Randolph (il 1960-04-03)
voce:
The Jordanaires (southern gospel group) (il 1960-04-03) e Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-03)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1960-04-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), BMG Music (nel 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1960-04-03)
registrazione cover di:
It’s Now or Never (il 1960-04-03)
paroliere:
Wally Gold e Aaron Schroeder (1950s~1960s US songwriter)
compositore:
Eduardo Di Capua
editore:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music e Williamson Music Company
versione di:
’O sole mio
3.753:15
5▼CD: G.I. Blues
#TitoloValutazioneDurata
1Tonight Is So Right for Love
registrazione di:
Tonight Is So Right for Love (il 1960-04-27)
autore:
Abner Silver e Sid Wayne
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music e Holly-Hill Music Publishing Co.
2.52:17
2What’s She Really Like
registrazione di:
What's She Really Like (il 1960-04-28)
autore:
Abner Silver e Sid Wayne
2.552:20
3Frankfort Special
registrazione cover di:
Frankfort Special (il 1960-05-06)
autore:
Sherman Edwards e Sid Wayne
editore:
Chrysalis Songs
22:59
4Wooden Heart
basso :
Ray Siegel (il 1960-04-28)
batteria :
D.J. Fontana (il 1960-04-28)
chitarra :
Neal Matthews (il 1960-04-28), Scotty Moore (American guitarist and recording engineer) (il 1960-04-28) e Tiny Timbrell (il 1960-04-28)
pianoforte :
Dudley Brooks (il 1960-04-28)
tamburello :
Jimmie Haskell (il 1960-04-28)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1960-04-28)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1960), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1960), BMG Music (nel 1961) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrazione cover di:
Wooden Heart (il 1960-04-28)
paroliere:
Ben Weisman e Fred Wise
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter) e Kay Twomey
editore:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music e Spirit Two Music Inc.
versione tradotta di:
Muß i denn zum Städtele hinaus
registrazione di:
Wooden Heart
paroliere:
Ben Weisman e Fred Wise
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter) e Kay Twomey
editore:
Carlin Music Corporation, Chappell & Co., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gladys Music Inc., Manuskript (not for release label use! this is only for copyrights and publishing relationships), Sinless Music e Spirit Two Music Inc.
versione tradotta di:
Muß i denn zum Städtele hinaus
22:07
5G.I. Blues
registrazione cover di:
G.I. Blues (il 1960-04-27)
autore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
Cherry Lane Music Publishing Company Inc. e Chrysalis Music (music publisher, ASCAP-affiliated)
32:40
6Pocketful of Rainbows
registrazione di:
Pocketful of Rainbows (il 1960-05-06)
paroliere e compositore:
Ben Weisman e Fred Wise
editore:
Chappell & Co. e Spirit Two Music Inc.
32:38
7Shoppin’ Around
registrazione cover di:
Shoppin’ Around (il 1960-05-06)
autore:
Roy C. Bennett (US songwriter), Aaron Schroeder (1950s~1960s US songwriter) e Sid Tepper
editore:
Holly-Hill Music Publishing Co. e Rachel’s Own Music
22:28
8Big Boots21:35
9Didja’ Ever
registrazione cover di:
Didja’ Ever
autore:
Sherman Edwards e Sid Wayne
22:40
10Blue Suede Shoes
registrazione cover di:
Blue Suede Shoes (il 1960-04-28)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
2.52:10
11Doin’ the Best I Can
registrazione cover di:
Doin’ the Best I Can (il 1960-04-27)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Chrysalis Songs e R&H Music
2.53:15
12Tonight’s All Right for Love
registrazione di:
Tonight Is So Right for Love (nel 1960-09)
autore:
Abner Silver e Sid Wayne
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music e Holly-Hill Music Publishing Co.
21:22

Accreditamenti

Pubblicazione

fabbricata a:Europa
fabbricata da e distribuito da:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2008)
Discogs:https://www.discogs.com/release/1584004 [info]
ASIN:UK: B0018BF1EK [info]
US: B0018BF1EK [info]
DE: B0018BF1EK [info]
altri database:https://www.musik-sammler.de/media/283567/ [info]

Gruppo di pubblicazioni

comprende:Elvis
Elvis Is Back!
Elvis Presley
G.I. Blues
Loving You
parte di:Original Album Classics (Sony Music anthology series) (ordine: 9)