Something Cool, The Best Cool Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1What a Wonderful World
cover recording of:
What a Wonderful World
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Stacey Kent4:27
2Give Me That Slow Knowing Smile
Lisa Ekdhal4:14
3Thinking About You
Norah Jones3:18
4Paper Clouds
Sound-Engineering:
Tommy Cavalieri
Produzent(in):
Nicola Conte (Italian acid jazz artist, composer, producer, and DJ)
vocals:
Chiara Civello
phonographisches Urheberrecht (℗) von:
Edizioni Ishtar SNC
aufgenommen bei:
Sorriso Studios in Bari, Bari (Provinz Bari), Puglia, Italien (von 2005 bis 2007)
Nicola Conte4:07
5Summertime
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
Texter:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) und DuBose Heyward (in 1934)
Komponist(in):
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (von 1935 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Aaron Neville3:41
6Fragile
assistierende(r) Techniker(in):
Kent Bruce (engineer) und Peter Doris
Techniker(in):
Sean Macke (von 2002-12 bis 2003-03)
Produzent(in):
Fabrizio Sotti und Cassandra Wilson
Mix:
Eric Butler
Bass:
Reginald Veal (von 2002-12 bis 2003-03)
Gitarre:
Fabrizio Sotti (von 2002-12 bis 2003-03)
Perkussion:
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (von 2002-12 bis 2003-03)
Schlagzeug:
Terri Lyne Carrington (von 2002-12 bis 2003-03)
vocals:
Cassandra Wilson (von 2002-12 bis 2003-03)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 2003-04)
cover recording of:
Fragile (von 2002-12 bis 2003-03)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. und Magnetic Publishing Ltd.
Cassandra Wilson34:37
7I’ve Got You Under My Skin
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
Ben Wolfe
Schlagzeug:
Lewis Nash (American jazz drummer)
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Diana Krall6:10
8The Look of Love
Traincha4:34
9What a Difference a Day Made
Bass:
Geoff Gascoyne
Gitarre:
John Parricelli
membranophone:
Sebastiaan de Krom (Dutch jazz drummer)
Perkussion:
Francis Fuster
vocals:
Jamie Cullum (pianist, jazz‐pop artist)
Horn und Saiteninstrumente arranger:
Geoff Gascoyne
arranger:
Jamie Cullum (pianist, jazz‐pop artist)
cover recording of:
What a Diff’rence a Day Made
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Jamie Cullum45:10
10Unforgettable
recorded in:
New York, New York, Vereinigte Staaten (am 1964-02-10)
Produzent(in):
Robert Mersey
Vibraphon:
Teddy Charles (am 1964-02-10)
Sologesang:
Aretha Franklin (am 1964-02-10)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1964) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1964)
cover recording of:
Unforgettable (am 1964-02-10)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Aretha Franklin43:41
11The Very Thought of You
recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Clare Teal4:31
12Baby Won’t You Please Come Home
recording of:
Baby Won’t You Please Come Home
Verfasser(in):
Charles Warfield und Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Jacinta5:49
13I’ve Grown Accustomed to Her Face
Maria João & Mário Laginha4:57
14Fly Me to the Moon (In Other Words)
leitende(r) Produzent(in):
Danny Bennett
Produzent(in):
Ernie Altschuler
Bass:
Hal Gaylor (Canadian bassist)
Klavier:
Ralph Sharon
Schlagzeug:
William "Billy" Exiner
Tenorsaxophon:
Al Cohn
vocals:
Tony Bennett (US jazz/standards vocalist)
conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (am 1965-02-18)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Tony Bennett4:13
15Something Cool
Ruth Cameron5:23
16Easy to Love
recording of:
Easy to Love
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Patricia Barber3:36
17Chega de saudade (No More Blues)
Jane Monheit3:16