Now That’s What I Call Music 12

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1With a Little Help From My Friends
cover recording of:
With a Little Help From My Friends
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, in 1967), Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP) (vom 1967 bis heute)
Wet Wet Wet2:40
2Circle in the Sand
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 2019)
recording of:
Circle in the Sand
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) und Shipwreck Music (publisher) (in 1987)
Belinda Carlisle3.653:42
3Wild World
phonographisches Urheberrecht (℗) von:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1988)
cover recording of:
Wild World
Texter und Komponist(in):
Cat Stevens (now known as Yusuf Islam)
publisher:
Sony Tunes, Inc. (beendet), Island Music Ltd., Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG), Salafa Ltd., Freshwater Music Ltd. (vom 1970 bis heute) und Irving Music, Inc. (vom 1970 bis heute)
Maxi Priest3.53:36
4Give a Little Love
recording of:
Give a Little Love
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, Realsongs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Aswad3:55
5Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:30
6I Don’t Wanna Go On With You Like That
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
I Don’t Wanna Go On With You Like That
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Rouge Booze, Inc. und Universal–Songs of PolyGram International, Inc.
Elton John44:34
7Oh Patti (Don’t Feel Sorry for Loverboy)
recording of:
Oh Patti (Don't Feel Sorry for Loverboy)
Verfasser(in):
David Gamson und Green Gartside
Scritti Politti4:22
8In the Air Tonight (’88 remix)
Techniker(in):
Hugh Padgham
Produzent(in):
Phil Collins (of Genesis) und Hugh Padgham
remixer:
Phil Collins (of Genesis) und Hugh Padgham
Remix von:
In the Air Tonight von Phil Collins (of Genesis)
recording of:
In the Air Tonight
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) und Pun Music, Inc. (in 1981)
Teil von:
Risky Business (film soundtrack)
Phil Collins5:09
9Don’t Go
recording of:
Don’t Go
Verfasser(in):
Fiachna Ó Braonáin, Liam Ó Maonlaí und Peter O’Toole (bassist and mandolinist)
Hothouse Flowers3:30
10Everyday Is Like Sunday
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Everyday Is Like Sunday
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Stephen Street (famous producer, songwriter)
publisher:
Linder Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Morrissey4.63:35
11Mary’s Prayer
Produzent(in):
Dave Bascombe
Interpret(in):
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich und Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Mary’s Prayer (in 1987)
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:49
12Heart of Gold
recording of:
Heart of Gold
Texter und Komponist(in):
Clark Datchler
Johnny Hates Jazz3:25
13Don’t Call Me Baby
phonographisches Urheberrecht (℗) von:
FFRR Records Limited (company name, NOT a label!) (in 1988)
recording of:
Don’t Call Me Baby
Texter:
Tracey Bryn
Komponist(in):
Tracey Bryn und Mike Jones (of Voice of the Beehive)
Voice of the Beehive3:04
14Can I Play With Madness
assistierende(r) Techniker(in):
Stephane Wissner
Techniker(in):
Martin Birch und Bernd Maier (Engineer)
Produzent(in) und Mix:
Martin Birch
E-Bass:
Steve Harris (Iron Maiden bassist) (von 1988-02 bis 1988-03)
E-Gitarre:
Dave Murray (Iron Maiden guitarist) (von 1988-02 bis 1988-03) und Adrian Smith (UK guitarist/songwriter, Iron Maiden) (von 1988-02 bis 1988-03)
Perkussion und Schlagzeug:
Nicko McBrain (drummer) (von 1988-02 bis 1988-03)
Synthesizer:
Steve Harris (Iron Maiden bassist) (von 1988-02 bis 1988-03) und Adrian Smith (UK guitarist/songwriter, Iron Maiden) (von 1988-02 bis 1988-03)
Sologesang:
Bruce Dickinson (Iron Maiden vocalist) (von 1988-02 bis 1988-03)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1988-02 bis 1988-03)
recording of:
Can I Play With Madness (von 1988-02 bis 1988-03)
Verfasser(in):
Bruce Dickinson (Iron Maiden vocalist), Steve Harris (Iron Maiden bassist) und Adrian Smith (UK guitarist/songwriter, Iron Maiden)
publisher:
Imagem London Ltd., Universal Music–Z Tunes LLC und Zomba Music Publishing (music publisher – add no releases here!) (in 1988)
Iron Maiden4.453:32
15These Dreams
Techniker(in) und Produzent(in):
Ron Nevison
arranger:
Ron Nevison
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recording of:
These Dreams
Verfasser(in):
Martin Page und Bernie Taupin
publisher:
Imagem London Ltd., Intersong Music Ltd., Rouge Booze, Inc., Universal Music–Z Tunes LLC, Zomba Music Publ (music publisher – add no releases here!), Zomba Enterprises, Inc. (vom 1984 bis ????), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (vom 1984 bis ????), Intersong U.S.A. (publisher) (vom 1984 bis heute) und Little Mole Music (vom 1984 bis heute)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart3.53:47
16I Will Be With You
Techniker(in):
Jerry Napier
Produzent(in):
Roy Thomas Baker (producer)
andere Instrumente [other bits] und Solo-Gitarre [guitar solos]:
Taj Wyzgowski
andere Instrumente [some bits] und Gitarre [rhythm guitar]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
Bass:
Paul Jackson (T'Pau bassist)
Keyboard [keyboards]:
Michael Chetwood
Perkussion und Schlagzeug [drums]:
Tim Burgess (T'Pau drummer)
vocals:
Carol Decker
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
recording of:
I Will Be With You
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
AMP Publishing Ltd und BMG Music Publishing Ltd.
T’Pau3.54:04
2▼CD
Nr.TitelKünstlerBewertungLänge
1Doctorin’ the Tardis
Musikvideos:
Doctorin’ The Tardis (Official Video) von The Timelords (British electronic band with several aliases)
recording of:
Doctorin’ the Tardis
Verfasser(in):
Jimmy Cauty, Mike Chapman (Australian producer and songwriter), Nicky Chinn, Bill Drummond, Gary Glitter, Ron Grainer (score composer) und Mike Leander
basiert auf:
Block Buster!
basiert auf:
Doctor Who (TV theme – please try to find correct arrangement)
basiert auf:
Rock & Roll, Part 2
The Timelords33:38
2Boys (Summertime Love)
Produzent(in):
Claudio Cecchetto (Italian record producer & talent scout)
produced for:
Five Record (Italian label owned by Fininvest)
recording of:
Boys (Summertime Love)
Texter:
Claudio Cecchetto (Italian record producer & talent scout) und Malcolm Charlton
Komponist(in):
Matteo Bonsanto und Roberto Rossi (composer)
publisher:
Budde Music France, Canale 5 Music, D.J.'s Gang, Melmax, RTI SpA (not for release label use!), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Sabrina Salerno3.63:55
3I Want You Back
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1988)
recording of:
I Want You Back
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Mike Stock Publishing, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama33:47
4I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:48
5Who’s Leaving Who
recording of:
Who's Leaving Who
Verfasser(in):
Mark Spiro und Jack White (German producer Horst Nußbaum)
Hazell Dean3:45
6There’s More to Love
recording of:
There’s More to Love Than Boy Meets Girl
Verfasser(in) und Komponist(in):
Richard Coles (British radio presenter, priest and ex member of Communards) und Jimmy Somerville
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Mistramark Ltd. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
The Communards23:50
7Get Lucky
recording of:
Get Lucky
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Simon Climie
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) und Warner Bros. Music (publisher; do NOT use as release label)
Jermaine Stewart3:45
8Nothing’s Gonna Change My Love for You
phonographisches Urheberrecht (℗) von:
Amherst Records, Inc. und PolyGram International Music B.V. (not for release label use!) (in 1988)
cover recording of:
Nothing’s Gonna Change My Love for You
Texter:
Gerald Goffin und Michael Masser
Komponist(in):
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Glenn Medeiros3.53:49
9Theme From S‐Express
Produzent(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Mark Moore (DJ, producer, member of S’Express)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
Samples:
Is It Love You’re After von Rose Royce, Stacey’s Dream (a cappella) von Stacey Q und The Bottle von Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
Texter und Komponist(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) und Mark Moore (DJ, producer, member of S’Express)
Verfasser(in):
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory und Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) und Rhythm King Music (Publishing arm of Rhythm King Records)
basiert auf:
Is It Love You’re After
S’Express43:56
10Push It
Teil von:
Grammy Award: Best Rap Performance nominees (Nummer: 1989), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 54), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 374) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 440)
recording of:
Push It
Verfasser(in):
Hurby Azor und Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. und Turn Out Brothers Publishing
Salt‐N‐Pepa3.753:29
11Bad Young Brother
recording of:
Bad Young Brother
Texter und Komponist(in):
Derek Boland
Derek B3:48
12The Payback Mix, Part 1
teilweise recording of:
The Payback
Texter und Komponist(in):
James Brown (The Godfather of Soul), John Starks und Fred Wesley
James Brown33:35
13Car Wash
recording of:
Car Wash
Texter und Komponist(in):
Norman Whitfield
publisher:
Universal/MCA Music Ltd. (not for release label use!) und USI B Music Publishing
Rose Royce3:26
14Pink Cadillac
cover recording of:
Pink Cadillac
Texter und Komponist(in):
Bruce Springsteen (von 1981 bis 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Natalie Cole4:16
15Just a Mirage
vocals:
Adele Bertei
recording of:
Just a Mirage
Verfasser(in):
Adele Bertei und Toni C.
publisher:
April Music Inc., House of Fun Music, Inc und Tutti Ragazzi Music
Jellybean feat. Adele Bertei3:54
16A Love Supreme (radio mix)
recording of:
A Love Supreme
Texter:
David Cole (US musician/producer, member of C+C Music Factory) und Will Downing (American soul, house singer, songwriter and producer)
Komponist(in):
John Coltrane
basiert auf:
A Love Supreme (entire suite)
Will Downing3:56

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