The Classic 100: Baroque & Before; Volume 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Volume I CD1
#TitoloArtistaValutazioneDurata
1Messiah, HWV56 - highlights: No. 1 Sinfony
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 1. Symphony
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel3:08
2Messiah, HWV56 - highlights: No. 2 (Tenor) Comfort ye
voce di tenore [tenor]:
Paul McMahon (Australian tenor)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel3:13
3Messiah, HWV56 - highlights: No. 3 (Tenor) Ev'ry valley
voce di tenore [tenor]:
Paul McMahon (Australian tenor)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel3:23
4Messiah, HWV56 - highlights: No. 4 (Chorus) And the glory of the Lord
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel2:20
5Messiah, HWV56 - highlights: No. 5 (Bass) Thus saith the Lord
voce di basso [bass]:
Teddy Tahu Rhodes (baritone)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel1:25
6Messiah, HWV56 - highlights: No. 6 (Countertenor) But who may abide
voce di controtenore [countertenor]:
Christopher Field (countertenor)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
compositore:
George Frideric Handel (German‐British baroque composer)
versione di:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel4:37
7Messiah, HWV56 - highlights: No. 12 (Chorus) For unto us a child is born
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel3:36
8Messiah, HWV56 - highlights: No. 14a (Soprano) There were shepherds
voce di soprano [soprano]:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel0:21
9Messiah, HWV56 - highlights: No. 14b (Soprano) And lo, the angel of the Lord
voce di soprano [soprano]:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel0:21
10Messiah, HWV56 - highlights: No. 15 (Soprano) And the angel said to them
voce di soprano [soprano]:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel0:41
11Messiah, HWV56 - highlights: No. 16 (Soprano) And suddenly there was with the angel
voce di soprano [soprano]:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel0:17
12Messiah, HWV56 - highlights: No. 17 (Chorus) Glory To God
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel1:56
13Messiah, HWV56 - highlights: No. 18 (Soprano) Rejoice greatly
voce di soprano [soprano]:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
versione di:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel4:38
14Messiah, HWV56 - highlights: No. 19 (Alto) Then shall the eyes of the blind
voce d’alto [alto]:
Alexandra Sherman
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel0:26
15Messiah, HWV56 - highlights: No. 20 (Alto, Soprano) He shall feed His flock
voce d’alto [alto]:
Alexandra Sherman
voce di soprano [soprano]:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Messiah, HWV 56: Part I
George Frideric Handel5:56
16Messiah, HWV56 - highlights: No. 23 (Alto) He was despised
voce d’alto [alto]:
Alexandra Sherman
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part II
George Frideric Handel4:48
17Messiah, HWV56 - highlights: No. 24 (Chorus) Surely He hath borne our griefs
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part II
George Frideric Handel1:36
18Messiah, HWV56 - highlights: No. 40 (Bass) Why do the nations
voce di basso [bass]:
Teddy Tahu Rhodes (baritone)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part II
George Frideric Handel2:24
19Messiah, HWV56 - highlights: No. 41 (Chorus) Let us break their bonds asunder
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part II
George Frideric Handel1:31
20Messiah, HWV56 - highlights: No. 44 (Chorus) Hallelujah!
cori:
Cantillation
voce di controtenore [countertenor]:
Christopher Field (countertenor)
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
librettista:
Charles Jennens
parte di:
Messiah, HWV 56: Part II
George Frideric Handel3:35
21Messiah, HWV56 - highlights: No. 45 (Soprano) I know that my Redeemer liveth
voce di soprano [soprano]:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part III
George Frideric Handel6:34
22Messiah, HWV56 - highlights: No. 47 (Bass) Behold, I tell you a mystery
voce di basso [bass]:
Teddy Tahu Rhodes (baritone)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part III
George Frideric Handel0:46
23Messiah, HWV56 - highlights: No. 48 (Bass) The trumpet shall sound
voce di basso [bass]:
Teddy Tahu Rhodes (baritone)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part III
George Frideric Handel8:37
24Messiah, HWV56 - highlights: No. 53 (Chorus) Worthy is the Lamb
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part III
George Frideric Handel3:25
25Messiah, HWV56 - highlights: No. 52 (Chorus) Amen
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
parte di:
Messiah, HWV 56: Part III
George Frideric Handel3:58
2▼CD: Volume I CD2
#TitoloArtistaValutazioneDurata
1The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: I. Allegro
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
arrangiatore:
Ernest Pätzold (arranger)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (« Le quattro stagioni »: Concerto no. 1 en Mi majeur, RV 269 « La primavera » : 1. Allegro) (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:23
2The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: II. Largo
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:05
3The Four Seasons (Le quattro stagioni): Spring (La Primavera): Violin Concerto in E major, Op. 8 No. 1, RV269: III. Allegro
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:44
4The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: I. Allegro non molto - Allegro
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi4:18
5The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: II. Adagio
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi1:29
6The Four Seasons (Le quattro stagioni): Summer (L'Estate): Violin Concerto in G minor, Op. 8 No. 2, RV315: III. Presto
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:42
7The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: I. Allegro
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:09
8The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: II. Adagio
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:33
9The Four Seasons (Le quattro stagioni): Autumn (L'Autunno): Violin Concerto in F major, Op. 8 No. 3, RV293: III. Allegro
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:17
10The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: I. Allegro non molto
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:22
11The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: II. Largo
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi1:25
12The Four Seasons (Le quattro stagioni): Winter (L'Inverno): Violin Concerto in F minor, Op. 8 No. 4, RV297: III. Allegro
violino [baroque violin] :
Elizabeth Wallfisch (violinist) (dal 1996-08-20 al 1996-08-26)
orchestra:
Australian Brandenburg Orchestra (dal 1996-08-20 al 1996-08-26)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1996-08-20 al 1996-08-26)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1996-08-20 al 1996-08-26)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (dal 1996-08-20 al 1996-08-26)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:01
13Miserere
cori:
Cantillation (il 2001-11-21)
voce d’alto:
Jenny Duck-Chong (alto/mezzo-soprano) (il 2001-11-21)
voce di basso:
Richard Anderson (operatic bass) (il 2001-11-21)
voce di soprano:
Belinda Montgomery (soprano) (il 2001-11-21) e Jane Sheldon (Australian-American soprano) (il 2001-11-21)
direttore d'orchestra:
Antony Walker (Australian conductor) (il 2001-11-21)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (il 2001-11-21)
registrazione di:
Miserere mei, Deus (il 2001-11-21)
compositore:
Gregorio Allegri (composer)
parte di:
ABC Classic 100 (2001) (numero: 9)
cita i testi di:
Miserere mei (words from Psalm 51)
Gregorio Allegri12:31
14Water Music Suite No.1 In F major, HWV348: I. Ouverture
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Largo - Allegro
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:28
15Water Music Suite No.1 In F major, HWV348: II. Adagio e staccato
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:19
16Water Music Suite No.1 In F major, HWV348: III. [Allegro]
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: IIIa. [Allegro] (no tempo marking)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
George Frideric Handel2:31
17Water Music Suite No.1 In F major, HWV348: IV. Andante
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet (no tempo marking)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:23
18Water Music Suite No.1 In F major, HWV348: III. [Allegro] Da capo
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: IIIc. Allegro da capo
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro da capo
George Frideric Handel2:33
19Water Music Suite No.1 In F major, HWV348: V. [Allegro]
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:04
20Water Music Suite No.1 In F major, HWV348: VI. Air
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:46
21Water Music Suite No.1 In F major, HWV348: VII. Minuet
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel2:43
22Water Music Suite No.1 In F major, HWV348: VII. Bourrée
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: VII. Bourrée. Presto
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel0:45
23Water Music Suite No.1 In F major, HWV348: IX. Hornpipe
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: IX. [Allegro moderato] (no tempo marking, sometimes marked Andante)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel0:53
24Water Music Suite No.1 In F major, HWV348: X. [Air]
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Water Music, Suite no. 1 in F major, HWV 348: X. Allegro (variant)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1717)
parte di:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:55
3▼CD: Volume I CD3
#TitoloArtistaValutazioneDurata
1St. Matthew Passion, BWV244: 'Wir setzen uns mit Tränen nieder' (We Sit Down, Weeping)
tecnico di registrazione:
Klaus Behrens (engineer)
tecnico audio e tecnico di bilanciamento:
Ulrich Vette (engineer)
produttore:
Karl-August Naegler (balance engineer)
produttore esecutivo:
Dr. Andreas Holschneider e Charlotte Kriesch
strumenti e orchestra:
English Baroque Soloists (The English Baroque Soloists) (nel 1988-04)
cori:
London Oratory Junior Choir (nel 1988-04) e The Monteverdi Choir (English vocal Baroque ensemble) (nel 1988-04)
direttore d'orchestra:
John Eliot Gardiner (nel 1988-04)
maestro del coro:
Patrick Russill (nel 1988-04)
registrata presso:
Snape Maltings Concert Hall in Suffolk, England, Regno Unito (nel 1988-04)
registrazione di:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (nel 1988-04)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
librettista:
Picander
parte di:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:11
2Canon and Gigue in D major: I. Canon
orchestra:
Adelaide Symphony Orchestra
direttore d'orchestra:
David Stanhope (Australian composer, conductor and virtuoso pianist)
registrazione di:
Canon and Gigue in D major, T. 337 (arr. Max Seiffert)
compositore:
Johann Pachelbel (composer)
arrangiatore:
Max Seiffert
arrangiamento di:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:53
3Dido and Aeneas, Z626: Thy Hand, Belinda…When I Am Laid in Earth (Dido's Lament)
voce di mezzosoprano [mezzo-soprano]:
Fiona Campbell (Australian mezzo-soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
compositore:
Henry Purcell (Baroque composer) (nel 1689)
librettista:
Nahum Tate
parte di:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:02
4Zadok The Priest - Coronation Anthem, HWV258
direttore d'orchestra:
Harry Christophers (conductor)
esecutore:
The Sixteen (UK choir)
registrazione di:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (catch-all for arrangements)
compositore:
George Frideric Handel (German‐British baroque composer)
arrangiamento di:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
George Frideric Handel5:48
5Music for the Royal Fireworks, HWV351: IV. La Réjouissance (Rejoicing)
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Graham Abbott
registrazione di:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1749)
parte di:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:08
6Spem in Alium II Never Hoped in Any but Thee)
cori:
Cantillation
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Spem in alium
compositore:
Thomas Tallis (composer)
Thomas Tallis9:39
7Concerto for Two Violins in D minor, BWV1043: I. Vivace
tecnico di registrazione e produttore:
Virginia Read (engineer/editor/producer) (nel 2005-10)
violino :
Helena Rathbone (violinist) (dal 2005-10-20 al 2005-10-24) e Richard Tognetti (violinist & conductor) (dal 2005-10-20 al 2005-10-24)
orchestra:
Australian Chamber Orchestra (Australian orchestra founded in 1975) (dal 2005-10-20 al 2005-10-24)
direttore d'orchestra:
Richard Tognetti (violinist & conductor)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 2005-10-20 al 2005-10-24)
registrazione di:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (dal 2005-10-20 al 2005-10-24)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:24
8Goldberg Variations, BWV988: I: Aria And Variation I
clavicembalo :
Jacqueline Ogeil (harpsichordist)
registrazione di:
Goldberg-Variationen, BWV 988: Aria (opening)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 26)
parte di:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
registrazione di:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav.
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 26)
parte di:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach6:11
9Gloria in D major, Rv589: I. Gloria in excelsis Deo (Glory to God in the Highest)
cori:
Sydney Philharmonia Motet Choir (Sydney Philharmonia Chamber Singers, renamed Sydney Philharmonia Chamber Singers)
orchestra:
Sydney Philharmonia Orchestra
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Gloria in D major, RV 589
Antonio Vivaldi2:25
10Cello Suite No. 1 in G major, BWV1007: I. Prelude
violoncello :
Michael Goldschlager (cellist) (nel 2010)
registrazione di:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (nel 2010)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:50
11Stabat Mater: I. Stabat mater dolorosa (The mother stood in sorrow)
voce di mezzosoprano:
Sally-Anne Russell (Australian mezzo-soprano vocalist)
voce di soprano:
Sara Macliver (soprano)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
compositore:
Giovanni Battista Pergolesi (composer)
parte di:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:27
12Brandenburg Concerto No. 3 in G major, BWV1048: I. [Allegro)
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
parte di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:33
13Cantata BWV147: 'Herz und Mund und Tat und Leben' (Heart and Mouth and Deeds and Living)
cori:
Cantillation
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Brett Weymark (music director/chorusmaster of Sydney Philharmonia Choirs)
registrazione di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1723-07-02)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:28
14Mass in B Minor, BWV232: Et incarnatus est (And Was Made Incarnate)
tecnico:
Mike Hatch (engineer/editor)
produttore:
Mark Brown (operatic bass, early music singer, conductor, and producer)
cori:
The Sixteen (UK choir)
orchestra:
The Symphony of Harmony and Invention
direttore d'orchestra:
Harry Christophers (conductor)
esecutore:
The Sixteen (UK choir)
registrata presso:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Regno Unito
registrazione di:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (nel 1994-04)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1747 al 1749)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:28
15Concerto Grosso in G minor, Op. 6 No. 8 'Christmas Concerto': IV. Pastorale (Largo)
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
David Stanhope (Australian composer, conductor and virtuoso pianist)
registrazione di:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo)
compositore:
Arcangelo Corelli (Italian baroque composer and violinist)
parte di:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:16
16Vespers of the Blessed Virgin: Laudate pueri Dominum (Praise the Lord, All You His Servants)
voce:
Choir of the Enlightenment
voce di basso [bass]:
William Gaunt (bass vocalist) e Stuart Young (Bass)
voce di soprano [soprano]:
Grace Davidson (soprano) e Kirsty Hopkins
voce di tenore [tenor]:
Matthew Long (tenor) e Nicholas Mulroy
orchestra:
Orchestra of the Age of Enlightenment
direttore d'orchestra:
Robert Howarth
registrazione di:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
compositore:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
parte di:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:08
17Toccata and Fugue in D minor, BWV565: I. Toccata
organo :
Michael Dudman (Australian organist)
registrazione di:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Classic 100: Piano (2025) (numero: 30)
parte di:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach2:47
4▼CD: Volume 1 CD4
#TitoloArtistaValutazioneDurata
1Brandenburg Concerto No. 5 in D major, BWV1050: I. Allegro (excerpt)
clavicembalo :
Erin Helyard
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Erin Helyard
registrazione parziale di:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione di:
Concerto D-Dur, BWV 1050a: I. Allegro
parte di:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:07
2Solomon, HWV67: The Arrival of the Queen of Sheba
orchestra:
Australian Brandenburg Orchestra
direttore d'orchestra:
Paul Dyer (conductor)
registrazione di:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1748)
editore:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft e Public Domain (refers to works that are in the public domain)
parte di:
Solomon, HWV 67: Act III
George Frideric Handel3:10
3Brandenburg Concerto No. 1 in F major, BWV1046: I. [Allegro]
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach3:57
4The Well-Tempered Clavier, Book I: Prelude in C major, BWV846
clavicembalo :
Erin Helyard
registrazione di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1722)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 29)
parte di:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revisione di:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:06
5Greensleeves
chitarra :
Gareth Koch
registrazione di:
Greensleeves (generic entry for traditional and unknown arrangements)
paroliere e compositore:
[traditional] (special purpose artist)
Anonymous2:26
6Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet
voce di controtenore [countertenor]:
Christophe Dumaux (countertenor) e Andreas Scholl (countertenor)
orchestra:
Accademia Bizantina
direttore d'orchestra:
Stefano Montanari (violinist and conductor)
registrazione di:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet
compositore:
Henry Purcell (Baroque composer) (nel 1694)
librettista:
Nahum Tate
parte di:
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:03
7Serse (Xerxes), HWV40: Ombra mai fù (Never Was Shade So Lovely)
voce di tenore [tenor]:
David Hobson (tenor, composer)
orchestra:
Sinfonia Australis
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
compositore:
George Frideric Handel (German‐British baroque composer) (dal 1737-12-26 al 1738-01-09)
librettista:
[anonymous] (special purpose artist)
parte di:
Serse, HWV 40: Atto I
George Frideric Handel2:47
8Brandenburg Concerto No. 4 in G major, BWV1049: I. Allegro
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Anna McDonald (Australian violinist and conductor) e Antony Walker (Australian conductor)
registrazione di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach6:56
9Flow My Tears
liuto :
Tommie Andersson
viola da gamba :
Daniel Yeadon (cello and viol player)
voce di tenore [tenor]:
Paul McMahon (Australian tenor)
registrazione di:
Lachrimae Pavane (Flow My Tears)
compositore:
John Dowland (English Renaissance composer, lutenist, and singer)
John Dowland5:08
10Christmas Oratorio, BWV248: Jauchzet, frohlocket (Rejoice, exult)
cori:
The Sixteen (UK choir)
orchestra:
Orchestra of The Sixteen
direttore d'orchestra:
Harry Christophers (conductor)
esecutore:
The Sixteen (UK choir)
registrata presso:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (nel 1993-01)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1734-12-25)
ha composto a:
Leipzig, Sachsen (Saxony), Germania (dal 1734 al 1735)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
si basa su:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
parte di:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:55
11Rinaldo, HWV7: Lascia ch'io pianga (Let Me Lament)
voce di soprano:
Yvonne Kenny (Australian soprano) (dal 1997-09-22 al 1997-09-30)
orchestra:
Australian Brandenburg Orchestra (dal 1997-09-22 al 1997-09-30)
direttore d'orchestra:
Paul Dyer (conductor) (dal 1997-09-22 al 1997-09-30)
registrata presso:
Eugene Goossens Hall, ABC Centre (ABC Studio 200) in Sydney, New South Wales, Australia (dal 1997-09-22 al 1997-09-30)
registrazione di:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1711)
librettista:
Giacomo Rossi
parte di:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:25
12St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace)
cori:
Choir of the AAM
orchestra:
Academy of Ancient Music
direttore d'orchestra:
Richard Egarr (conductor)
registrazione di:
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:33
13Brandenburg Concerto No. 2 in F major, BWV1047: I. [Allegro]
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Antony Walker (Australian conductor)
registrazione di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:02
14Brandenburg Concerto No. 6 in B-flat major, BWV1051: I. [Allegro]
orchestra:
Orchestra of the Antipodes
direttore d'orchestra:
Erin Helyard e Antony Walker (Australian conductor)
registrazione di:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I.
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:56
15The Prince of Denmark's March (Trumpet Voluntary)
orchestra:
West Australian Symphony Orchestra
direttore d'orchestra:
Benjamin Northey (Australian conductor)
registrazione di:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
compositore:
Jeremiah Clarke (English baroque composer and organist) (nel 1700)
Jeremiah Clarke2:31
16Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro
chitarra :
Leonard Grigoryan (Australian classical guitarist) e Slava Grigoryan (Australian classical guitarist)
orchestra:
Tasmanian Symphony Orchestra
direttore d'orchestra:
Benjamin Northey (Australian conductor)
registrazione di:
Concerto for Two Mandolins and Strings in G major, RV 532: I. Allegro (orch. Bream)
orchestratore:
Julian Bream
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
arrangiatore liuto :
Julian Bream
orchestrazione di:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro
parte di:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532 (for two lutes in D major)
Antonio Vivaldi4:16
17Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate)
voce di soprano [soprano]:
Yvonne Kenny (Australian soprano)
orchestra:
Australian Brandenburg Orchestra
direttore d'orchestra:
Paul Dyer (conductor)
registrazione di:
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1724)
librettista:
Nicola Francesco Haym
parte di:
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel5:38