Lyle Lovett and His Large Band

~ Veröffentlichung von Lyle Lovett (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Blues Walk
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
The Blues Walk
Komponist(in):
Clifford Brown (trumpet) und Chris Woods (US jazz alto saxophonist) (in 1952)
42:26
2Here I Am
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Francine Reed
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Here I Am
Texter und Komponist(in):
Lyle Lovett
34:03
3Cryin' Shame
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Francine Reed
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Cryin' Shame
Texter und Komponist(in):
Lyle Lovett
42:30
4Good Intentions
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
Akustikgitarre:
Billy Williams (US producer and guitarist)
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Good Intentions
Texter und Komponist(in):
Lyle Lovett
33:15
5I Know You Know
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
I Know You Know
Texter und Komponist(in):
Lyle Lovett
53:59
6What Do You Do / The Glory of Love
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
vocals:
Francine Reed
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
53:09
7I Married Her Just Because She Looks Like You
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett und Billy Williams (US producer and guitarist)
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Harry Stinson
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
I Married Her Just Because She Looks Like You
Texter und Komponist(in):
Lyle Lovett
43:14
8Stand by Your Man
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Tony Brown (UK engineer), Lyle Lovett, Billy Williams (US singer, active 1930-1960) und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett und Billy Williams (US producer and guitarist)
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
Rodney Crowell, Mac McAnally und Harry Stinson
Interpret(in):
Lyle Lovett
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Stand by Your Man
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
22:45
9Which Way Does That Old Pony Run
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Which Way Does That Old Pony Run
Texter und Komponist(in):
Lyle Lovett
44:09
10Nobody Knows Me
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Saxophon arranger:
Billy Williams (US producer and guitarist)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Nobody Knows Me
Texter und Komponist(in):
Lyle Lovett
43:07
11If You Were to Wake Up
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
If You Were to Wake Up
Texter und Komponist(in):
Lyle Lovett
34:11
12Once Is Enough
Assistent recording engineer und assistierende(r) Mix:
Marty Williams (engineer)
recording engineer und Mix:
Chuck Ainlay
Produzent(in):
Tony Brown (US producer, pianist and keyboardist), Lyle Lovett und Billy Williams (US producer and guitarist)
Editing:
Milan Bogdan
Akustikgitarre:
DesChamp Hood
baritone saxophone:
Andy Laster
Bass:
Leland Sklar (bassist, session musician)
Cello:
John Hagen (cello)
E-Gitarre:
Ray Herndon
Gitarre:
Lyle Lovett
Keyboard:
Matt Rollings (American composer, musician and record producer)
Saiteninstrumente:
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
Saxophon:
Steve Marsh
Schlagzeug:
Paul Leim
Steel-Gitarre:
Paul Franklin (steel guitarist)
Hintergrundgesang:
David Ball (US country musician), DesChamp Hood und Walter Hyatt
Saxophon arranger:
Billy Williams (US producer and guitarist)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
aufgenommen bei:
Sound Stage Recording Studios (Nashville, TN studio) in Nashville, Tennessee, Vereinigte Staaten
recording of:
Once Is Enough
Texter und Komponist(in):
Lyle Lovett
44:25

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