Helen Merrill

~ Veröffentlichung von Helen Merrill (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▼12"-Vinyl
Nr.TitelBewertungLänge
A1Don’t Explain
cover recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
5:14
A2You’d Be So Nice to Come Home To
Produzent(in):
Quincy Jones
baritone saxophone und Bassklarinette:
Danny Bank (reeds) (am 1954-12-22)
Bass:
Milt Hinton (am 1954-12-22)
Gitarre:
Barry Galbraith (am 1954-12-22)
Instrumente:
Osie Johnson (am 1954-12-22)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-22)
Trompete:
Clifford Brown (trumpet) (am 1954-12-22)
Sologesang:
Helen Merrill (am 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (am 1954-12-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
4:20
A3What’s New
cover recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
5:01
B1Falling in Love With Love
cover recording of:
Falling in Love With Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:55
B2Yesterdays
cover recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
6:00
B3Born to Be Blue
cover recording of:
Born to Be Blue
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (beendet), Universal Music Publishing France (not for release label use!) und ロックンロール ミュージック (Rock ’n’ Roll Music)
5:15
B4'S Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:14

Nennungen