Top 40 Bill Withers. His Ultimate Top 40 Collection

~ Veröffentlichung von Bill Withers (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Lovely Day
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Lovely Day
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
43:49
2Just The Two Of Us
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
E-Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
E-Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Sologesang:
Bill Withers (von 1980-06 bis 1980-07)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
Bearbeitung von:
Just the Two of Us (original studio mix) von Bill Withers & Grover Washington, Jr.
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter (songwriter, bassist, producer) und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
2.653:58
3Watching You Watching Me
assistierende(r) Techniker(in):
Eddie Heath
Techniker(in):
Kendall Brown, Keith Seppanen (Engineer) und Frank Wolf (engineer at Skyline Recording)
Produzent(in):
Denny Diante, Ralph MacDonald und Bill Withers
Bassgitarre, Blechblasinstrumente, Cembalo, Clavinet, Glockenspiel [bells], Saiteninstrumente und Synthesizer:
Marcus Miller (jazz musician)
Gitarre:
Dann Huff
Perkussion:
Ralph MacDonald
Rhodes Piano:
Richard Tee
Schlagzeug:
Buddy Williams (drummer)
Synthesizer [synthesizer strings]:
Robbie Buchanan (Canadian producer)
Hintergrundgesang:
Lonnie Groves, Yvonne Lewis und Maretha Stewart
vocals:
Bill Withers
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Rosebud Recording Studio in New York, New York, Vereinigte Staaten, Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Yamaha R&D Recording Studios
recording of:
Watching You Watching Me
Texter und Komponist(in):
William Eaton (US producer & arranger)
publisher:
BMG Ruby Songs, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und Antisia Music Inc. (vom 1981 bis heute)
25:49
4In The Name Of Love
4:58
5All Because Of You
3:51
6U.S.A.
4:09
7Close To Me
13:55
8I Want To Spend The Night
Produzent(in):
Keni Burke und Bill Withers
Bassgitarre:
Keni Burke
Gitarre:
Bill Withers
Keyboard:
Dean Gant
Perkussion:
Ralph MacDonald
Schlagzeug:
Russell Kunkel (session drummer)
vocals:
Bill Withers
Blechblasinstrumente [horns] und Saiteninstrumente arranger:
Paul Riser
concertmaster:
Charles Veal (violinist, conductor and arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recording of:
I Want to Spend the Night
Texter und Komponist(in):
Bill Withers
publisher:
Golden Withers Music und フジパシフィックミュージック (Fujipacific Music, Inc.)
23:41
9Let Me Be The One You Need
Produzent(in):
Keni Burke, Clarence McDonald und Bill Withers
Bassgitarre:
Keni Burke
Conga und Schlagzeug:
Russell Kunkel (session drummer)
Keyboard:
Clarence McDonald
Perkussion:
Ralph MacDonald
vocals:
Bill Withers
Blechblasinstrumente [horns] und Saiteninstrumente arranger:
Paul Riser
concertmaster:
Charles Veal (violinist, conductor and arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recording of:
Let Me Be the One You Need
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
14:44
10Tender Things
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Keni Burke
Gitarre:
Ray Parker
Keyboard:
Clarence McDonald
Perkussion:
Ralph MacDonald
Schlagzeug:
Russell Kunkel (session drummer)
vocals:
Bill Withers
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977)
recording of:
Tender Things
Texter und Komponist(in):
Bill Withers
publisher:
Golden Withers Music und フジパシフィックミュージック (Fujipacific Music, Inc.)
24:57
11I'll Be With You
13:11
12Don't Make It Better
recording of:
Don’t It Make It Better
Verfasser(in):
Paul Smith (keyboardist/producer, worked with Bill Withers and Idris Muhammad) und Bill Withers
4:12
13Memories Are That Way
15:03
14Oh Yeah!
Techniker(in):
Larry Carlton, Mick Guzauski, Hal Sacs, Larry Hirsch (Producer & Engineer) und Keith Seppanen (Engineer)
Koproduzent(in):
Denny Diante
Produzent(in):
Larry Carlton und Bill Withers
E-Bass [intro Fender bass]:
Nathan East
elektronisches Schlagzeug / E-Drums [Simmons toms] und Synthesizer [Yamaha DX-7]:
Bill Withers
Gitarre [rhythm guitar]:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard:
David Foster (Canadian music producer, arranger and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Hintergrundgesang:
Denise DeCaro, Myrna Matthews und Marty McCall (CCM singer/songwriter/worship leader)
vocals:
Bill Withers
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Room 335 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Yamaha R&D Recording Studios
recording of:
Oh Yeah!
Texter:
Bill Withers
Komponist(in):
Larry Carlton, David Foster (Canadian music producer, arranger and composer) und Bill Withers
publisher:
Peermusic III, Ltd. (BMI), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), フジパシフィックミュージック (Fujipacific Music, Inc.), Bleunig Music (vom 1985 bis heute), Foster Frees Music Inc. (vom 1985 bis heute) und Pal‐Dog Music (vom 1985 bis heute)
14:03
15Something That Turns You On
Techniker(in):
Keith Seppanen (Engineer)
Produzent(in):
Bill Withers
Bassgitarre, Rhodes Piano und Synthesizer [DX-7]:
Bill Withers
Becken und elektronisches Schlagzeug / E-Drums [Simmons toms]:
M.B. Gordy
Clavinet und Synthesizer [synthesizer horns]:
Paul Smith (keyboardist/producer, worked with Bill Withers and Idris Muhammad)
drum machine [Linn drum synthesizer]:
Keith Seppanen (Engineer)
Saiteninstrumente:
Paul Smith (keyboardist/producer, worked with Bill Withers and Idris Muhammad) und Bill Withers
Hintergrundgesang:
Edie Lehman, Kate Markowitz und Phil Perry (US R&B/jazz singer, songwriter & musician)
sonstiger Gesang [ad-lib]:
Phil Perry (US R&B/jazz singer, songwriter & musician)
vocals:
Bill Withers
Hintergrundgesang arranger:
Alex Brown (US soul vocalist, member of Raelets), Phil Perry (US R&B/jazz singer, songwriter & musician) und Denise Routt
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Yamaha R&D Recording Studios
recording of:
Something That Turns You On
Texter und Komponist(in):
Bill Withers
publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und Bleunig Music (vom 1982 bis heute)
24:26
16We Could Be Sweet Lovers
Techniker(in):
Keith Seppanen (Engineer)
Produzent(in):
Bill Withers
flute [flutes]:
Paul Smith (keyboardist/producer, worked with Bill Withers and Idris Muhammad) und Bill Withers
Glockenspiel [bells] und Steel Pan [steel drums]:
Don Freeman
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Synthesizer [Yamaha DX-7]:
Don Freeman, Paul Smith (keyboardist/producer, worked with Bill Withers and Idris Muhammad) und Bill Withers
Hintergrundgesang:
Edie Lehman, Kate Markowitz und Phil Perry (US R&B/jazz singer, songwriter & musician)
sonstiger Gesang [ad-lib]:
Alex Brown (US soul vocalist, member of Raelets)
vocals:
Bill Withers
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
aufgenommen bei:
Yamaha R&D Recording Studios
recording of:
We Could Be Sweet Lovers
Texter und Komponist(in):
Bill Withers
publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und Bleunig Music (vom 1982 bis heute)
13:29
17Ain't No Sunshine (The Total Eclipse Mix)
remixer:
Ben Liebrand
Remix von:
Ain’t No Sunshine von Bill Withers
recording of:
Ain’t No Sunshine
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
5:44
18Lovely Day (7" Sunshine Mix)
Produzent(in):
Clarence McDonald
remixer:
Ben Liebrand
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Remix von:
Lovely Day von Bill Withers
recording of:
Lovely Day
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.54:06
2▼CD
Nr.TitelBewertungLänge
1Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
4.552:04
2Lean On Me
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
E-Bass:
Melvin Dunlap (in 1972)
E-Gitarre:
Benorce Blackmon (guitarist, producer, writer) (in 1972)
Klavier und Sologesang:
Bill Withers (in 1972)
Perkussion und Schlagzeug:
James Gadson (American drummer) (in 1972)
Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger) (in 1972)
Saiteninstrumente arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1972), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1972), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 236)
recording of:
Lean on Me (in 1972)
Texter und Komponist(in):
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.254:19
3Grandma's Hands
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
E-Gitarre:
Stephen Stills
Sologesang:
Bill Withers
arranger:
Booker T. Jones
recording of:
Grandma’s Hands (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
42:00
4Use Me
Techniker(in):
Bob Hughes (engineer) und Phil Sheer
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Akustikgitarre:
Benorce Blackmon (guitarist, producer, writer)
Clavinet und Wurlitzer Electric Piano:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
aufgenommen bei:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Use Me
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp. (in 1972)
4.33:44
5Harlem
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
recording of:
Harlem
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
43:22
6Better Off Dead
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
recording of:
Better Off Dead
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
3.352:16
7Hope She'll Be Happier
recording engineer:
Bill Halverson und Bill Lazarus
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
recording of:
Hope She'll Be Happier
Texter und Komponist(in):
Bill Withers
publisher:
Songs of Universal, Inc. (BMI)
33:49
8Kissing My Love
recording of:
Kissing My Love
Texter und Komponist(in):
Bill Withers
23:49
9Let Me In Your Life
recording of:
Let Me in Your Life
Texter und Komponist(in):
Bill Withers
22:41
10Who Is He (And What Is He To You?)
Produzent(in):
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) und Bill Withers
Clavinet:
Ray Jackson (trombonist, pianist and arranger)
E-Bass:
Melvin Dunlap
E-Gitarre:
Benorce Blackmon (guitarist, producer, writer)
Perkussion und Schlagzeug:
James Gadson (American drummer)
Sologesang:
Bill Withers
Saiteninstrumente arranger:
Ray Jackson (trombonist, pianist and arranger)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
recording of:
Who Is He (And What Is He to You)?
Verfasser(in):
Stanley McKenny und Bill Withers
33:13
11Heartbreak Road
recording of:
Heartbreak Road
Texter und Komponist(in):
Bill Withers
23:10
12Make A Smile For Me
23:16
13The Same Love That Made Me Laugh
recording of:
The Same Love That Made Me Laugh
Texter und Komponist(in):
Bill Withers
publisher:
Interior Music Corp.
13:25
14You
recording of:
You
Texter und Komponist(in):
Bill Withers
15:22
15Don't You Want To Stay?
14:04
16The Best You Can
12:24
17Hello Like Before
Produzent(in):
Larry Nash (piano) und Bill Withers
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1975)
recording of:
Hello Like Before
Verfasser(in):
John Collins (songwriter) und Bill Withers
publisher:
Golden Withers Music
15:25
18I Wish You Well
recording of:
I Wish You Well
Texter und Komponist(in):
Bill Withers
13:58
19Friend Of Mine (live)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1972-10-06)
live recording of:
Friend of Mine
Texter und Komponist(in):
Bill Withers
4:31
20I Can't Write Left Handed (live)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1972-10-06)
live recording of:
I Can’t Write Left Handed
Verfasser(in):
Raymond Jackson (trombonist, pianist and arranger) und Bill Withers
publisher:
Interior Music Corp.
46:47
21Let Us Love (live)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1972-10-06)
live recording of:
Let Us Love
Texter und Komponist(in):
Bill Withers
5:22