Blue Grass 1950-1958

~ Veröffentlichung von Bill Monroe (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Bluegrass Ramble
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
Blue Grass Ramble (am 1950-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music und Unichappell Music, Inc.
2:13
2New Muleskinner Blues
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
New Mule Skinner Blues (revised lyrics, first recorded by Bill Monroe ca. 1950) (am 1950-02-03)
Texter:
George Vaughn
Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Blue Yodel No. 8 (Mule Skinner Blues)
2:31
3My Little Georgia Rose
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
My Little Georgia Rose (am 1950-02-03)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:07
4Memories of You
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
vocals:
Jimmy Martin (US bluegrass musician) und Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
Memories of You (am 1950-02-03)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:00
5I'm on My Way to the Old Home
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
I'm on My Way Back to the Old Home (am 1950-02-03)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:27
6Alabama Waltz
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
Alabama Waltz (am 1950-02-03)
Texter und Komponist(in):
Hank Williams (country music legend)
2:26
7I'm Blue, I'm Lonesome
Banjo:
Rudy Lyle (am 1950-02-03)
Fiddle:
Vassar Clements (am 1950-02-03)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-02-03)
Kontrabass:
Joel Price (am 1950-02-03)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-02-03)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-02-03)
recording of:
I'm Blue, I'm Lonesome (am 1950-02-03)
Komponist(in):
James B. Smith (“The Father of Bluegrass”)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
2:51
8I'll Meet You in Church Sunday Morning
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-04-08)
Kontrabass und Baritongesang:
Joel Price (am 1950-04-08)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1950-04-08)
Bass-Gesang:
Birch Monroe (am 1950-04-08)
Sologesang und Tenor-Gesang:
Jimmy Martin (US bluegrass musician) (am 1950-04-08) und Bill Monroe (“The Father of Bluegrass”) (am 1950-04-08)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-04-08)
recording of:
I’ll Meet You in Church Sunday Morning (am 1950-04-08)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:49
9Boat of Love
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-04-08)
Kontrabass und Baritongesang:
Joel Price (am 1950-04-08)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-04-08)
Bass-Gesang:
Birch Monroe (am 1950-04-08)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-04-08)
recording of:
Boat of Love (am 1950-04-08)
Texter und Komponist(in):
James B. Smith (“The Father of Bluegrass”)
2:45
10The Old Fiddler
Banjo:
Rudy Lyle (am 1950-04-08)
Fiddle:
Vassar Clements (am 1950-04-08)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1950-04-08)
Kontrabass:
Joel Price (am 1950-04-08)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-04-08)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-04-08)
recording of:
The Old Fiddler (am 1950-04-08)
Texter und Komponist(in):
Hugh Ashley
2:36
11Uncle Pen
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1950-10-15)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1950-10-15)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Baritongesang:
Joel Price (am 1950-10-15)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
Uncle Pen (am 1950-10-15)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Carlin Music Corporation, Unichappell Music, Unichappell Music, Inc. und Hill and Range Songs, Inc. (publisher) (in 1975)
2:45
12When the Golden Leaves Begin to Fall
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1950-10-15)
Fiddle und Baritongesang:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1950-10-15)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass:
Joel Price (am 1950-10-15)
Mandoline und Sologesang und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
When the Golden Leaves Begin to Fall (am 1950-10-15)
Komponist(in):
Albert Price (“The Father of Bluegrass”)
3:02
13Lord Protect My Soul
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Bass-Gesang:
Joel Price (am 1950-10-15)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
Baritongesang:
Rudy Lyle (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
Lord Protect My Soul (am 1950-10-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:43
14River of Death
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1950-10-15)
Kontrabass und Bass-Gesang:
Joel Price (am 1950-10-15)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1950-10-15)
Baritongesang:
Rudy Lyle (am 1950-10-15)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1950-10-15)
recording of:
River of Death (am 1950-10-15)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:42
15Letter From My Darling
Banjo:
Rudy Lyle (am 1951-01-20)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1951-01-20)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1951-01-20)
Kontrabass:
Joel Price (am 1951-01-20)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-01-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-01-20)
recording of:
Letter From My Darlin' (am 1951-01-20)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music
3:09
16On the Old Kentucky Shore
Banjo:
Rudy Lyle (am 1951-01-20)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1951-01-20)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1951-01-20)
Kontrabass:
Joel Price (am 1951-01-20)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-01-20)
vocals:
Jimmy Martin (US bluegrass musician) und Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-01-20)
recording of:
On the Old Kentucky Shore (am 1951-01-20)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:14
17Rawhide
Banjo:
Rudy Lyle (am 1951-01-20)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1951-01-20)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-01-20)
Kontrabass:
Joel Price (am 1951-01-20)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1951-01-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-01-20)
recording of:
Rawhide (mandolin instrumental) (am 1951-01-20)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:37
18Poison Love
Banjo:
Rudy Lyle (am 1951-01-20)
Fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1951-01-20)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1951-01-20)
Kontrabass:
Joel Price (am 1951-01-20)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-01-20)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-01-20)
recording of:
Poison Love (am 1951-01-20)
Verfasser(in):
Tillman Franks und Elmer Laird
vorher zugeschrieben zu:
Ruby L. Laird
2:38
19Kentucky Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-03-17)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1951-03-17)
Gitarre:
Jimmy Selph (am 1951-03-17)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-17)
Orgel:
Owen Bradley (am 1951-03-17)
Schlagzeug:
Ferris Coursey (am 1951-03-17)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-17)
recording of:
Kentucky Waltz (am 1951-03-17)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1945)
3:18
20Prisoner's Song
Produzent(in):
Paul Cohen (Nashville country producer)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-03-17)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1951-03-17)
Gitarre:
Jimmy Selph (am 1951-03-17)
Klavier:
Owen Bradley (am 1951-03-17)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-17)
Schlagzeug:
Ferris Coursey (am 1951-03-17)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-17)
recording of:
The Prisoner’s Song (am 1951-03-17)
Texter und Komponist(in):
Guy Massey (1920s US songwriter)
publisher:
Shapiro, Bernstein & Co., Inc.
2:41
21Swing Low Sweet Chariot
Produzent(in):
Paul Cohen (Nashville country producer)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-03-17)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1951-03-17)
Gitarre:
Jimmy Selph (am 1951-03-17)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-17)
Orgel:
Owen Bradley (am 1951-03-17)
Schlagzeug:
Ferris Coursey (am 1951-03-17)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-17)
recording of:
Swing Low, Sweet Chariot (am 1951-03-17)
Texter und Komponist(in):
Wallace Willis (in 1862)
publisher:
E.C. Music (UK work publisher for Eric Clapton), Throat Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Roud Folk Song Index (Nummer: 5435)
2:44
22Angels Rock Me to Sleep
Produzent(in):
Paul Cohen (Nashville country producer)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-03-17)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1951-03-17)
Gitarre:
Jimmy Selph (am 1951-03-17)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-03-17)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-17)
Orgel:
Owen Bradley (am 1951-03-17)
Schlagzeug:
Ferris Coursey (am 1951-03-17)
Baritongesang:
Rudy Lyle (am 1951-03-17)
Bass-Gesang:
Unknown, possibly Culley Holt ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1951-03-17)
Tenor-Gesang:
Jimmy Martin (US bluegrass musician) (am 1951-03-17)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-17)
recording of:
Angels Rock Me to Sleep (am 1951-03-17)
Verfasser(in):
Marion Easterling und Thomas Ramsey
2:40
23Brakeman's Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-03-29)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-03-29)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-03-29)
Kontrabass:
Joel Price (am 1951-03-29)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-29)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-29)
recording of:
The Brakeman’s Blues (am 1951-03-29)
Verfasser(in):
Jimmie Rodgers (country music pioneer, died in 1933)
2:37
24Travelin' Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-03-29)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-03-29)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-03-29)
Kontrabass:
Joel Price (am 1951-03-29)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-29)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-29)
recording of:
Travelin' Blues (am 1951-03-29)
Texter und Komponist(in):
Shelley Lee Alley und Jimmie Rodgers (country music pioneer, died in 1933)
2:54
25When the Cactus Is in Bloom
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-03-29)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-03-29)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1951-03-29)
Kontrabass:
Joel Price (am 1951-03-29)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-03-29)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-03-29)
recording of:
When the Cactus Is in Bloom (am 1951-03-29)
Verfasser(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI)
2:04
2▼CD
Nr.TitelBewertungLänge
1Sailor's Plea
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
cover recording of:
The Sailor’s Plea (am 1951-04-23)
Komponist(in):
Elsie McWilliams (American songwriter) und Jimmie Rodgers (country music pioneer, died in 1933)
recording of:
The Sailor’s Plea (am 1951-04-23)
Komponist(in):
Elsie McWilliams (American songwriter) und Jimmie Rodgers (country music pioneer, died in 1933)
2:37
2My Carolina Sunshine Girl
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
My Carolina Sunshine Girl (am 1951-04-23)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
2:40
3Ben Dewberry's Final Run
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
Ben Dewberry’s Final Run (am 1951-04-23)
Texter und Komponist(in):
Andrew W. Jenkins (Blind Andrew Jenkins)
2:42
4Peach Pickin' Time in Georgia
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
cover recording of:
Peach Pickin’ Time Down in Georgia (am 1951-04-23)
Komponist(in):
Clayton McMichen und Jimmie Rodgers (country music pioneer, died in 1933)
2:18
5Those Gambler's Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23) und Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
Those Gambler’s Blues (am 1951-04-23)
arranger:
Jimmie Rodgers (country music pioneer, died in 1933)
Version von:
St. James Infirmary
2:36
6Highway of Sorrow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-04-23)
E-Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1951-04-23)
Fiddle:
Hal Smith (bluegrass fiddler) (am 1951-04-23)
Gitarre:
Jack Shook (am 1951-04-23)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-04-23)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-04-23)
Schlagzeug:
Ferris Coursey (am 1951-04-23)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-04-23)
recording of:
Highway of Sorrow (am 1951-04-23)
Verfasser(in):
Bill Monroe (“The Father of Bluegrass”) und Pete Pyle
2:54
7Rotation Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-01)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-01)
Gitarre:
Carter Stanley (am 1951-07-01)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-07-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-01)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-01)
recording of:
Rotation Blues (am 1951-07-01)
Texter und Komponist(in):
Stewart Powell (US military officer and songwriter)
2:56
8Lonesome Truck Driver's Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-01)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-01)
Gitarre:
Carter Stanley (am 1951-07-01)
Kontrabass:
Ernie Newton (contrabassist) (am 1951-07-01)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-01)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-01)
recording of:
Lonesome Truck Driver's Blues (am 1951-07-01)
Texter und Komponist(in):
Lee Roberts (US country musician and songwriter)
2:55
9Sugar Coated Love
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-06)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
vocals:
Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Sugar Coated Love (am 1951-07-06)
Komponist(in):
Audrey Butler
2:25
10You're Drifting Away
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
Baritongesang:
Rudy Lyle (am 1951-07-06)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
You're Drifting Away (am 1951-07-06)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:36
11Cabin of Love
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1951-07-06)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Cabin of Love (am 1951-07-06)
Texter und Komponist(in):
Birch Monroe
2:40
12Get Down on Your Knees and Pray
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Carter Stanley (am 1951-07-06)
Kontrabass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1951-07-06)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-07-06)
Baritongesang:
Rudy Lyle (am 1951-07-06)
Bass-Gesang:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-07-06)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-07-06)
recording of:
Get Down on Your Knees and Pray (am 1951-07-06)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
3:01
13Christmas Time's A-Coming
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
James Bowers (bluegrass banjoist) (am 1951-10-28)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-10-28)
Gitarre:
Edd Mayfield (am 1951-10-28)
Kontrabass:
Shorty Shehan (am 1951-10-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
Vibraphon [vibes]:
Owen Bradley (am 1951-10-28)
Sologesang:
Edd Mayfield (am 1951-10-28) und Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-10-28)
recording of:
Christmas Time's A-Coming (am 1951-10-28)
Texter und Komponist(in):
Tex Logan
publisher:
Bill Monroe Music, Inc.
2:49
14The First Whipoorwill
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
James Bowers (bluegrass banjoist) (am 1951-10-28)
Fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1951-10-28)
Gitarre und Sologesang:
Edd Mayfield (am 1951-10-28)
Kontrabass:
Shorty Shehan (am 1951-10-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1951-10-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1951-10-28)
recording of:
The First Whippoorwill (am 1951-10-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:54
15In the Pines
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
In the Pines (Black Girl) (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 3421)
3:12
16Footprints in the Snow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Footprints in the Snow (am 1952-07-18)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
basiert auf:
I Traced Her Little Footmarks in the Snow
2:41
17Walking in Jerusalem
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Baritongesang:
Charlie Cline (am 1952-07-18)
Bass-Gesang:
Boudleaux Bryant (am 1952-07-18)
Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18) und Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Walking in Jerusalem Just Like John (am 1952-07-18)
Texter und Komponist(in):
[traditional] (special purpose artist)
vorher zugeschrieben zu:
Bill Monroe (“The Father of Bluegrass”)
2:00
18Memories of Mother and Dad
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Memories of Mother and Dad (am 1952-07-18)
Texter und Komponist(in):
Albert Price (“The Father of Bluegrass”)
2:58
19The Little Girl and the Dreadful Snake
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
The Little Girl and the Dreadful Snake (am 1952-07-18)
Komponist(in):
Monroe (“The Father of Bluegrass”)
3:05
20Country Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Country Waltz (am 1952-07-18)
Verfasser(in):
Claude V. Breland (US songwriter) und Bill Monroe (“The Father of Bluegrass”)
2:25
21Don't Put It Off Til Tomorrow
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
Don't Put Off Until Tomorrow (am 1952-07-18)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”) und Pete Pyle
2:37
22My Dying Bed
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-18)
Fiddle:
Charlie Cline (am 1952-07-18)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1952-07-18)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-18)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-18)
vocals:
Jimmy Martin (US bluegrass musician) und Bill Monroe (“The Father of Bluegrass”)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-18)
recording of:
My Dying Bed (am 1952-07-18)
Komponist(in):
Albert Price (“The Father of Bluegrass”)
2:48
23A Mighty Pretty Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-26)
Fiddle:
Charlie Cline (am 1952-07-26)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-26)
Klavier:
Owen Bradley (am 1952-07-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-26)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-26)
recording of:
A Mighty Pretty Waltz (am 1952-07-26)
Texter:
Norman Gimbel
Komponist(in):
Al Hoffman
2:43
24Pike County Breakdown
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Sonny Osborne (am 1952-07-26)
Fiddle:
Charlie Cline (am 1952-07-26)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1952-07-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1952-07-26)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1952-07-26)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1952-07-26)
recording of:
Pike County Breakdown (am 1952-07-26)
Komponist(in):
Rupert Jones (“The Father of Bluegrass”)
2:41
25Wishing Waltz
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
Wishing Waltz (am 1953-11-28)
Texter und Komponist(in):
Gene Evans (Western songwriter and singer, active 1940s-50s)
2:37
26I Hope You Have Learned
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
I Hope You Have Learned (am 1953-11-28)
Verfasser(in):
Eugene Butler (composer, conductor, educator and church musician) und Bill Carrigan (US songwriter and radio DJ)
2:29
27Get Up John
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1953-11-28)
Fiddle:
Charlie Cline (am 1953-11-28)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1953-11-28)
Kontrabass:
Ernie Newton (contrabassist) (am 1953-11-28)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1953-11-28)
aufgenommen bei:
Castle Studio in Nashville, Tennessee, Vereinigte Staaten (am 1953-11-28)
recording of:
Get Up John (am 1953-11-28)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:10
3▼CD
Nr.TitelBewertungLänge
1Sitting Alone in the Moonlight
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-08)
Fiddle:
Charlie Cline (am 1954-01-08)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1954-01-08) und Jimmy Martin (US bluegrass musician) (am 1954-01-08)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-08)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-08)
Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-08)
recording of:
Sitting Alone in the Moonlight (am 1954-01-08)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:29
2Plant Some Flowers by My Grave
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-08)
Fiddle:
Charlie Cline (am 1954-01-08)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1954-01-08) und Jimmy Martin (US bluegrass musician) (am 1954-01-08)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-08)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-08)
recording of:
Plant Some Flowers by My Grave (am 1954-01-08)
Verfasser(in):
Jimmie Davis (American politician, singer and songwriter)
2:40
3Changing Partners
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-08)
Fiddle:
Charlie Cline (am 1954-01-08)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1954-01-08) und Jimmy Martin (US bluegrass musician) (am 1954-01-08)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-08)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-08)
recording of:
Changing Partners (1953 song) (am 1954-01-08)
Verfasser(in):
Larry Coleman (Jr.) und Joe Darion
2:15
4Y'All Come
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-08)
Fiddle:
Charlie Cline (am 1954-01-08)
Gitarre:
Grady Martin (country/rockabilly guitarist) (am 1954-01-08) und Jimmy Martin (US bluegrass musician) (am 1954-01-08)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-08)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-08)
recording of:
Y’all Come (am 1954-01-08)
Texter und Komponist(in):
Arlie Duff
2:18
5On and On
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle und Baritongesang:
Charlie Cline (am 1954-01-07)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
On and On (am 1954-01-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:48
6I Believed in You Darling
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle und Baritongesang:
Charlie Cline (am 1954-01-07)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
I Believed in You Darling (am 1954-01-07)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
2:38
7New John Henry Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle:
Charlie Cline (am 1954-01-07)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
New John Henry Blues (am 1954-01-07)
Komponist(in):
Wilbur Jones (“The Father of Bluegrass”)
2:29
8White House Blues
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Rudy Lyle (am 1954-01-07)
Fiddle:
Charlie Cline (am 1954-01-07)
Gitarre:
Jimmy Martin (US bluegrass musician) (am 1954-01-07)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-07)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-07)
recording of:
White House Blues (am 1954-01-07)
Texter:
[traditional] (special purpose artist)
Komponist(in):
[traditional] (special purpose artist) und Wilbur Jones (“The Father of Bluegrass”)
Teil von:
Roud Folk Song Index (Nummer: 787)
2:13
9Happy on My Way
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14)
Baritongesang:
Charlie Cline (am 1954-01-14)
Bass-Gesang:
Milton Estes (am 1954-01-14)
recording of:
Happy on My Way (am 1954-01-14)
Texter und Komponist(in):
Pete Pyle
publisher:
Ernest Tubb Music
2:11
10I'm Working on a Building
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14, am 1954-01-25)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14, am 1954-01-25)
Baritongesang:
Charlie Cline (am 1954-01-14, am 1954-01-25)
Bass-Gesang:
Milton Estes (am 1954-01-14, am 1954-01-25)
recording of:
I’m Working on the Building (Carter version, verses begin "If I was...") (am 1954-01-14)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Working on the Building
2:45
11A Voice From on High
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14)
Baritongesang:
Charlie Cline (am 1954-01-14)
recording of:
A Voice From on High (am 1954-01-14)
Texter und Komponist(in):
Bessie Lee Mauldin und Bill Monroe (“The Father of Bluegrass”)
2:38
12He Will Set Your Fields on Fire
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jimmy Martin (US bluegrass musician) (am 1954-01-14)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-01-14)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-01-14)
Baritongesang:
Charlie Cline (am 1954-01-14)
Bass-Gesang:
Milton Estes (am 1954-01-14)
recording of:
He Will Set Your Fields Afire (am 1954-01-14)
Komponist(in):
Wilbur Jones (“The Father of Bluegrass”)
2:38
13Close By
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Jim Smoak (am 1954-06-26)
Fiddle:
Charlie Cline (am 1954-06-26), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-06-26) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-06-26)
Gitarre:
Edd Mayfield (am 1954-06-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-06-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-06-26)
recording of:
Close By (am 1954-06-26)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”) und Robert Van Winkle
publisher:
Universal Cedarwood Publishing
2:30
14My Little Georgia Rose
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Jim Smoak (am 1954-06-26)
Fiddle:
Charlie Cline (am 1954-06-26), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-06-26) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-06-26)
Gitarre:
Edd Mayfield (am 1954-06-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-06-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-06-26)
recording of:
My Little Georgia Rose (am 1954-06-26)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:42
15Put My Little Shoes Away
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Jim Smoak (am 1954-06-26)
Fiddle:
Charlie Cline (am 1954-06-26), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-06-26) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-06-26)
Gitarre:
Edd Mayfield (am 1954-06-26)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-06-26)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-06-26)
recording of:
Put My Little Shoes Away (am 1954-06-26)
Verfasser(in):
[traditional] (special purpose artist)
überarbeitet von:
Wilbur Jones (“The Father of Bluegrass”)
2:34
16Blue Moon of Kentucky
Fiddle:
Charlie Cline (am 1954-09-04), Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (am 1954-09-04) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1954-09-04)
Gitarre:
Edd Mayfield (am 1954-09-04)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-09-04)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-09-04)
aufgenommen bei:
Bradley Studios (Hillsboro Village location, circa 1952-1954) in Nashville, Tennessee, Vereinigte Staaten (am 1954-09-04)
recording of:
Blue Moon of Kentucky (am 1954-09-04)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”) (in 1946)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:08
17Wheel Hoss
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Wheel Hoss (am 1954-12-31)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:21
18Cheyenne
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Cheyenne (Instrumental by Bill Monroe & Bobby Hicks) (am 1954-12-31)
Komponist(in):
Bobby Hicks (American bluegrass fiddler) und Bill Monroe (“The Father of Bluegrass”)
2:51
19You'll Find Her Name Written There
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
You'll Find Her Name Written There (am 1954-12-31)
Texter und Komponist(in):
Harold Hensley
2:52
20Roanoke
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Hubert Davis (US bluegrass banjoist) (am 1954-12-31)
Fiddle:
Charlie Cline (am 1954-12-31) und Bobby Hicks (American bluegrass fiddler) (am 1954-12-31)
Gitarre:
Jackie Phelps (am 1954-12-31)
Kontrabass:
Ernie Newton (contrabassist) (am 1954-12-31)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1954-12-31)
recording of:
Roanoke (am 1954-12-31)
Verfasser(in):
Bill Monroe (“The Father of Bluegrass”)
2:39
21Wait a Little Longer, Please Jesus
Produzent(in):
Paul Cohen (Nashville country producer)
Fiddle:
Charlie Cline (am 1955-01-28) und Bobby Hicks (American bluegrass fiddler) (am 1955-01-28)
Gitarre:
Jackie Phelps (am 1955-01-28)
Kontrabass:
Buddy Killen (am 1955-01-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-28)
Baritongesang:
Charlie Cline (am 1955-01-28)
Bass-Gesang:
Bobby Hicks (American bluegrass fiddler) (am 1955-01-28)
Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-28) und Jackie Phelps (am 1955-01-28)
recording of:
Wait a Little Longer Please, Jesus (am 1955-01-28)
Texter und Komponist(in):
Hazel Houser
2:39
22Let the Light Shine Down on Me
Produzent(in):
Paul Cohen (Nashville country producer)
Gitarre und Sologesang:
Jackie Phelps (am 1955-01-28)
Kontrabass:
William D. Killen (am 1955-01-28)
Mandoline und Tenor-Gesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-01-28)
Baritongesang:
Charlie Cline (am 1955-01-28)
Bass-Gesang:
Bobby Hicks (American bluegrass fiddler) (am 1955-01-28)
recording of:
Let the Light Shine Down on Me (am 1955-01-28)
Komponist(in):
Dot Swan
1:59
23Used to Be
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Joe Stuart (US bluegrass musician) (am 1955-09-16)
Fiddle:
Vassar Clements (am 1955-09-16), Bobby Hicks (American bluegrass fiddler) (am 1955-09-16) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1955-09-16)
Gitarre:
Charlie Cline (am 1955-09-16)
Kontrabass:
Bessie Lee Mauldin (am 1955-09-16)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1955-09-16)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1955-09-16)
recording of:
Used to Be (am 1955-09-16)
Texter und Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:07
24Tall Timber
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Joe Stuart (US bluegrass musician) (am 1955-09-16)
Fiddle:
Bobby Hicks (American bluegrass fiddler) (am 1955-09-16) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1955-09-16)
Gitarre:
Charlie Cline (am 1955-09-16)
Kontrabass:
Bessie Lee Mauldin (am 1955-09-16)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1955-09-16)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1955-09-16)
recording of:
Tall Timber (am 1955-09-16)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:23
25Brown Country Breakdown
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Joe Stuart (US bluegrass musician) (am 1955-09-16)
Fiddle:
Vassar Clements (am 1955-09-16) und Bobby Hicks (American bluegrass fiddler) (am 1955-09-16)
Gitarre:
Charlie Cline (am 1955-09-16)
Kontrabass:
Bessie Lee Mauldin (am 1955-09-16)
Mandoline:
Bill Monroe (“The Father of Bluegrass”) (am 1955-09-16)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1955-09-16)
recording of:
Brown County Breakdown (am 1955-09-16)
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
2:27
26A Fallen Star
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-04-20)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-04-20), Dale Potter (am 1957-04-20), Joe Stuart (US bluegrass musician) (am 1957-04-20) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-04-20)
Gitarre:
Leslie Sandy (am 1957-04-20) und Joe Stuart (US bluegrass musician) (am 1957-04-20)
Kontrabass:
Bessie Lee Mauldin (am 1957-04-20)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-04-20)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-04-20)
recording of:
A Fallen Star (am 1957-04-20)
Texter und Komponist(in):
James Joiner
2:11
27Four Walls
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-04-20)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-04-20) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-04-20)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-04-20)
Kontrabass:
Bessie Lee Mauldin (am 1957-04-20)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-04-20)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-04-20)
recording of:
Four Walls (am 1957-04-20)
Komponist(in):
George Campbell und Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
publisher:
SBK United Partnership Ltd.
2:22
28A Good Woman's Love
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
recording of:
A Good Woman’s Love (am 1957-05-14)
Texter und Komponist(in):
Cy Coben (songwriter)
2:22
29Cry Cry Darlin'
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
recording of:
Cry Cry Darling (am 1957-05-14)
Verfasser(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Komponist(in):
Jimmy C. Newman
cover recording of:
Cry Cry Darling
Verfasser(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
Komponist(in):
Jimmy C. Newman
2:24
30I'm Sitting on Top of the World
Produzent(in):
Paul Cohen (Nashville country producer)
Banjo:
Don Stover (am 1957-05-14)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1957-05-14), Dale Potter (am 1957-05-14) und Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (am 1957-05-14)
Gitarre:
Joe Stuart (US bluegrass musician) (am 1957-05-14)
Kontrabass:
Bessie Lee Mauldin (am 1957-05-14)
Mandoline und Sologesang:
Bill Monroe (“The Father of Bluegrass”) (am 1957-05-14)
aufgenommen bei:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, Vereinigte Staaten (am 1957-05-14)
cover recording of:
Sitting on Top of the World (“Now she’s gone, I don’t worry…”)
Verfasser(in):
Lonnie Carter und Walter Vinson (performance name for Walter Vinson)
publisher:
Chappell Music Ltd., E. H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Mayfair Music Corp.
2:22
4▶CD

Nennungen

Veröffentlichung

liner notes:Neil Rosenberg
Charles K. Wolfe
Produzent(in):Richard Weize (Aufgabe: re-issue produced by)
mastering:Jörg Siemer
Discogs:https://www.discogs.com/release/3778531 [Info]
ASIN:DE: B0000282ZS [Info]