Oscar Peterson Plays (5 CD box containing 10 original vinyl LP's)

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Two original albums per CD. Cole Porter, Irving Berlin CD1; George Gershwin, Duke Ellington CD2; Jerome Kern, Richard Rogers CD3; Vincent Youmans,Harry Warren CD4; Harold Arlen, Jimmy McHugh CD5

Anmerkung zuletzt geändert am 2018-08-22 02:57 UTC.

Titelliste

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1▼CD: Plays Cole Porter; Plays Irving Berlin
Nr.TitelBewertungLänge
1What Is This Thing Called Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
3:10
2Begin the Beguine
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Begin the Beguine (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
3:12
3I've Got You Under My Skin
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12, in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952, in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952, in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
I’ve Got You Under My Skin (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
instrumental recording of:
I’ve Got You Under My Skin (in 1952)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
2:30
4Love for Sale
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1951-11-25)
Bass:
Ray Brown (jazz bassist) (am 1951-11-25)
Gitarre:
Barney Kessel (am 1951-11-25)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1951-11-25)
instrumental recording of:
Love for Sale (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
3:12
5Let's Do It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
2:54
6I Love You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12, in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952, in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952, in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
instrumental recording of:
I Love You (Mexican Hayride musical) (in 1952)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
recording of:
I Love You (Mexican Hayride musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:06
7So Near and Yet So Far
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
3:21
8Just One of Those Things
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1952-02-26)
Gitarre:
Barney Kessel (am 1952-02-26)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1952-02-26)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1952-02-26)
Schlagzeug:
Alvin Stoller (am 1952-02-26)
instrumental recording of:
Just One of Those Things (am 1952-02-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:02
9In the Still of the Night
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
In the Still of the Night (Cole Porter song) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
3:00
10Night and Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
3:38
11Ev'ry Time We Say Goodbye
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:26
12Anything Goes
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Bass:
Ray Brown (jazz bassist) (in 1952-12)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
instrumental recording of:
Anything Goes (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
2:57
13I've Got My Love to Keep Me Warm
instrumental recording of:
I’ve Got My Love to Keep Me Warm
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:49
14Isn't This a Lovely Day?
instrumental recording of:
Isn’t This a Lovely Day? (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
3:19
15Easter Parade
instrumental recording of:
Easter Parade (from “Easter Parade”)
Texter und Komponist(in):
Irving Berlin (in 1933)
Teil von:
Easter Parade (full musical)
3:15
16How Deep Is the Ocean (How High Is the Sky)
instrumental recording of:
How Deep Is the Ocean?
Texter und Komponist(in):
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. und Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:05
17Remember
instrumental recording of:
Remember
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
3:20
18The Song Is Ended
instrumental recording of:
The Song Is Ended (but the Melody Lingers On)
Texter:
Irving Berlin
Komponist(in):
Irving Berlin (in 1927)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
3:20
19Blue Skies
instrumental recording of:
Blue Skies
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:02
20If I Had You
instrumental recording of:
If I Had You (obscure Irving Berlin song)
Texter und Komponist(in):
Irving Berlin
3:12
21Cheek to Cheek
instrumental recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
3:02
22Alexander's Ragtime Band
instrumental recording of:
Alexander’s Ragtime Band
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
2:52
23Say It Isn't So
instrumental recording of:
Say It Isn’t So
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Music Corp.
3:09
24Always
instrumental recording of:
Always
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
2:50
2▼CD: Plays George Gershwin; Plays Duke Ellington
Nr.TitelBewertungLänge
1The Man I Love
instrumental recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
3:31
2Fascinating Rhythm
instrumental recording of:
Fascinatin’ Rhythm
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) und Harms, Inc. (in 1924)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
Lady, Be Good (full musical)
2:56
3It Ain't Necessarily So
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
3:12
4Somebody Loves Me
instrumental recording of:
Somebody Loves Me
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
3:23
5Strike Up the Band
instrumental recording of:
Strike Up the Band (1927 Gershwin song)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
3:15
6I've Got a Crush on You
instrumental recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
2:52
7I Was Doing All Right
instrumental recording of:
I Was Doing All Right
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
2:41
8's Wonderful
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1952-11 bis 1952-12)
Gitarre:
Barney Kessel (in 1952)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952)
instrumental recording of:
’S Wonderful (in 1952)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
42:38
9Oh Lady Be Good
instrumental recording of:
Oh, Lady Be Good!
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
3:50
10I Got Rhythm
instrumental recording of:
I Got Rhythm
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:16
11A Foggy Day
instrumental recording of:
A Foggy Day (in London Town)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
3:37
12Love Walked In
instrumental recording of:
Love Walked In
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Gershwin Publishing Corp (in 1938)
Teil von:
The Goldwyn Follies
3:07
13John Hardy's Wife
recording of:
John Hardy's Wife
Komponist(in):
Mercer Ellington
3:21
14Sophisticated Lady
instrumental recording of:
Sophisticated Lady
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:58
15Things Ain't What They Used to Be
instrumental recording of:
Things Ain’t What They Used to Be
Texter:
Ted Persons
Komponist(in):
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:12
16Just A-Sittin' and A–rockin’
instrumental recording of:
Just A‐Sittin’ and A‐Rockin’
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) und Billy Strayhorn (in 1941)
3:41
17In a Mellow Tone
instrumental recording of:
In a Mellow Tone
Texter:
Milt Gabler (in 1939)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
3:07
18I Got It Bad (And That Ain't Good)
instrumental recording of:
I Got It Bad (and That Ain’t Good)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:11
19Prelude to a Kiss
instrumental recording of:
Prelude to a Kiss
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
3:16
20Cotton Tail
instrumental recording of:
Cotton Tail
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
3:49
21Don't Get Around Much Anymore
instrumental recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
3:57
22Take the "A" Train
instrumental recording of:
Take the “A” Train (version with lyrics by Sherrill)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
3:15
23Rockin' in Rhythm
instrumental recording of:
Rockin’ in Rhythm
Komponist(in):
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) und Irving Mills
basiert auf:
Kinda Dukish
2:53
24Do Nothin' Till You Hear From Me
instrumental recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
2:48
3▼CD: Plays Jerome Kern; Plays Richard Rodgers
Nr.TitelBewertungLänge
1The Way You Look Tonight
instrumental recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
2:28
2Pick Yourself Up
instrumental recording of:
Pick Yourself Up (from “Swing Time”)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
3:23
3Yesterdays
instrumental recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
2:36
4I Won't Dance
instrumental recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
3:06
5Long Ago and Far Away
instrumental recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
3:46
6Lovely to Look At
instrumental recording of:
Lovely to Look at
Texter:
Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern (in 1935)
zusätzliche(r) Komponist(in):
Jimmy McHugh (songwriter)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
2:06
7A Fine Romance
instrumental recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
3:15
8Smoke Gets in Your Eyes
instrumental recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
2:51
9Ol Man River
instrumental recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
3:22
10Bill
instrumental recording of:
Bill (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) und P. G. Wodehouse
Komponist(in):
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act II
2:31
11The Song Is You
instrumental recording of:
The Song Is You
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
2:27
12Can't Help Loving That Man
instrumental recording of:
Can’t Help Lovin’ Dat Man (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
Medley von:
Selections from "Show boat"
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Teil von:
The Real Book (compilation of jazz standards, volume I)
2:42
13This Can't Be Love
instrumental recording of:
This Can’t Be Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
3:03
14It Might as Well Be Spring
instrumental recording of:
It Might as Well Be Spring (State Fair)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3:11
15Bewitched, Bothered and Bewildered
instrumental recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
2:32
16Johnny One Note
instrumental recording of:
Johnny One Note
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co.
Teil von:
Babes in Arms (full musical)
2:29
17The Surrey With the Fringe on Top
instrumental recording of:
The Surrey With the Fringe on Top
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company (vom 1943 bis heute)
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:54
18The Lady Is a Tramp
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
2:55
19Blue Moon
instrumental recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
2:55
20Thou Swell
instrumental recording of:
Thou Swell
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
2:28
21Isn't It Romantic
instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony
3:51
22Manhattan
instrumental recording of:
Manhattan
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:43
23Lover
instrumental recording of:
Lover
Texter:
Lorenz Hart (in 1932)
Komponist(in):
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:14
4▼CD: Plays Vincent Youmans; Plays Harry Warren
Nr.TitelBewertungLänge
1Tea for Two
instrumental recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
6:08
2Time on My Hands
instrumental recording of:
Time on My Hands
Texter:
Harold Adamson (in 1930) und Mack Gordon (in 1930)
Komponist(in):
Vincent Youmans (in 1930)
publisher:
Campbell Connelly, Warner/Chappell (Warner/Chappell Music, Inc.), Harold Adamson Music (in 1930, in 1956, in 1986), Miller Music Corp. (in 1930, in 1956) und WB Music Corp. (1929–2019) (in 1930, in 1956)
2:38
3I Know That You Know
instrumental recording of:
I Know That You Know (Caldwell & Youmans)
Texter:
Anne Caldwell
Komponist(in):
Vincent Youmans
Teil von:
Hit the Deck (1955 movie)
3:51
4Sometimes I'm Happy
instrumental recording of:
Sometimes I’m Happy
Texter:
Vincent Youmans
Komponist(in):
Irving Caesar
publisher:
Harms, Inc.
Teil von:
Hit the Deck (1927 musical)
Teil von:
Hit the Deck (1955 movie)
3:16
5Great Day
3:11
6More Than You Know
instrumental recording of:
More Than You Know
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
Great Day!
Teil von:
Hit the Deck (1955 movie)
3:01
7Hallelujah
instrumental recording of:
Hallelujah!
Texter:
Clifford Grey (in 1927) und Leo Robin (US composer, lyricist & songwriter) (in 1927)
Komponist(in):
Vincent Youmans (in 1927)
Teil von:
Hit the Deck (1955 movie)
3:21
8Carioca
instrumental recording of:
Carioca (from "Flying Down to Rio")
Texter:
Edward Eliscu und Gus Kahn
Komponist(in):
Vincent Youmans
Teil von:
Academy Award for Best Original Song (Nummer: 1934 nominee)
2:52
9Without a Song
instrumental recording of:
Without a Song
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., CBS Miller Catalog, Inc., Chappell & Co., EMI Miller Catalog, Inc., Johnny Mathis Music, Inc., LSQ Music Co., Miller Music Corp., The Songwriters Guild und WB Music Corp. (1929–2019)
Teil von:
Great Day!
2:57
10I Want to Be Happy
instrumental recording of:
I Want to Be Happy (No, No, Nanette)
Texter:
Irving Caesar und Otto Harbach
Komponist(in):
Vincent Youmans
Teil von:
No, No, Nanette
5:36
11Nagasaki
instrumental recording of:
Nagasaki
Texter:
Mort Dixon
Komponist(in):
Harry Warren (US composer and lyricist) (in 1928)
3:04
12Serenade in Blue
instrumental recording of:
Serenade in Blue
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc.
3:12
13Lullabye of Broadway
instrumental recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 winner)
Teil von:
42nd Street (full musical)
3:08
14I Found a Million Dollar Baby in a Five and Ten Cent Store
instrumental recording of:
I Found a Million Dollar Baby (in a Five and Ten Cent Store)
Texter:
Mort Dixon und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Olde Clover Leaf Music und Warner Bros., Inc. (Warner Bros. Music Division)
4:01
15Would You Like to Take a Walk
instrumental recording of:
Would You Like to Take a Walk?
Texter:
Mort Dixon und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Harry Warren (US composer and lyricist)
4:17
16I'll String Along With You
instrumental recording of:
I’ll String Along With You
Texter:
Al Dubin (in 1934)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1934)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:16
17I Only Have Eyes for You
instrumental recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
4:09
18You Must Have Been a Beautiful Baby
instrumental recording of:
You Must Have Been a Beautiful Baby
Texter:
Johnny Mercer
Komponist(in):
Harry Warren (US composer and lyricist)
4:05
19You're Getting to Be a Habit With Me
instrumental recording of:
You’re Getting to Be a Habit With Me
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
3:48
20Chattanooga Choo Choo
instrumental recording of:
Chattanooga Choo Choo
Texter:
Mack Gordon (in 1941)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
2:37
21You're My Everything
instrumental recording of:
You’re My Everything
Texter:
Mort Dixon und Joe Young (US lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
3:35
5▶CD: Plays Harold Arlen; Plays Jimmy McHugh

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Veröffentlichung

ASIN:US: B075SVKWFC [Info]