I Love a Piano

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼12"-Vinyl: Movie Memories
Nr.TitelKünstlerBewertungLänge
A1Raindrops Keep Falling on My Head from “Butch Cassidy and the Sundance Kid”
Klavier:
Frankie Carle
instrumental recording of:
Raindrops Keep Fallin’ on My Head
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd., WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1969 winner)
Burt Bacharach?:??
A2Theme from “Summer of ’42”
Klavier:
Stan Freeman
recording of:
The Summer Knows (Summer of ’42; instrumental version)
Komponist(in):
Michel Legrand
publisher:
Warner Bros. Music (publisher; do NOT use as release label), Warner Olive Music LLC und Warner/Chappell North America
Michel Legrand?:??
A3Let’s Fall in Love from “Let’s Fall in Love”
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
instrumental recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
Harold Arlen?:??
A4A Time for Us from “Romeo and Juliet”
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
What Is a Youth (Love Theme from Romeo and Juliet, 1968 film)
Texter:
Eugene Walter
Komponist(in):
Nino Rota (Italian composer)
publisher:
Sony/ATV Harmony und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nino Rota?:??
A5The Shadow of Your Smile from “The Sandpiper”
Klavier:
Erroll Garner
instrumental recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
Texter:
Paul Francis Webster
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 38th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1965 winner)
Johnny Mandel?:??
A6Zorba’s Dance from “Zorba the Greek”
Klavier:
Stan Freeman
recording of:
Zorba’s Dance
Komponist(in):
Mikis Theodorakis (Greek composer and lyricist) (in 1964)
Teil von:
Zorba the Greek
Mikis Theodorakis?:??
A7The Way We Were from “The Way We Were”
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
The Way We Were
Texter:
Alan Bergman (American lyricist) (in 1973) und Marilyn Bergman (in 1973)
Komponist(in):
Marvin Hamlisch (in 1973)
publisher:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. und Colgems-EMI Music Inc. (in 1973)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 46th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1973 winner)
Teil von:
The Way We Were
Marilyn Bergman, Alan Bergman, Marvin Hamlisch?:??
A8Somewhere My Love from “Doctor Zhivago”
Klavier:
Frankie Carle
instrumental recording of:
Somewhere My Love
Texter:
Paul Francis Webster
Komponist(in):
Maurice Jarre (composer and conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Rondor Music (Australia) Pty Ltd und Webster Music Co.
Version von:
Lara’s Theme (original without lyrics)
Maurice Jarre?:??
B1Moon River from “Breakfast at Tiffany’s”
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Henry Mancini?:??
B2Days of Wine and Roses from “Days of Wine and Roses”
Klavier:
Frankie Carle
instrumental recording of:
Days of Wine and Roses
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Teil von:
The 35th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1964 winner) und Academy Award for Best Original Song (Nummer: 1962 winner)
Henry Mancini?:??
B3Singin’ in the Rain Medley: You Were Meant for Me / Should I / Singin’ in the Rain
Klavier:
Frankie Carle
medley including a instrumental recording of:
Main Title (Singin’ in the Rain)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
medley including a instrumental recording of:
Should I
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music Corp.
medley including a instrumental recording of:
You Were Meant for Me (from “Singin’ in the Rain”)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) und EMI United Partnership Ltd.
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
Nacio Herb Brown?:??
B4Misty
Klavier:
Erroll Garner
instrumental recording of:
Misty
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
basiert auf:
Misty (original instrumental work)
Erroll Garner?:??
B5As Time Goes By
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Herman Hupfeld?:??
B6More from “Mondo Caine”
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
More (English translation)
Texter:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
Komponist(in):
Nino Oliviero (Italian musician and composer) und Riz Ortolani (songwriter, film music composer and music director)
Übersetzer:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. und Sugar Song Publications, Inc.
Teil von:
The 36th Academy Award for Best Original Song (Nummer: 2)
übersetzte Version von:
Ti guarderò nel cuore
Riz Ortolani, Nino Oliviero?:??
B7Academy Award Medley: Three Coins in the Fountain / Over the Rainbow / Love Is a Many-Splendoured Thing
Klavier:
Stan Freeman
medley including a instrumental recording of:
Love Is a Many‐Splendored Thing
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1955 winner)
medley including a instrumental recording of:
Over the Rainbow (The Wizard of Oz)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
medley including a instrumental recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
Jule Styne / Harold Arlen / Sammy Fain?:??
2▼12"-Vinyl: The Time and the Place
Nr.TitelKünstlerBewertungLänge
C1I Left My Heart in San Francisco
Klavier:
Frankie Carle
instrumental recording of:
I Left My Heart in San Francisco
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
George Cory?:??
C2Fly Me to the Moon
Klavier:
Stan Freeman
instrumental recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Bart Howard?:??
C3Vienna My City of Dreams
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
Wien, du Stadt meiner Träume (Wien, Wien, nur du allein, Wien, Wien, nur du allein)
Texter und Komponist(in):
Rudolf Sieczyński (in 1914)
publisher:
Adolf Robitschek Musikverlag
Rudolf Sieczyński?:??
C4Waltzing Under Paris Skies Medley: Under Paris Skies / Domino / Pigalle
Klavier:
Stan Freeman
medley including a instrumental recording of:
Domino (André Claveau song)
Texter:
Jacques Plante
Komponist(in):
Louis Ferrari (musette accordionist and composer)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
medley including a instrumental recording of:
Pigalle
Texter:
Géo Koger (composer, author) und Georges Ulmer
Komponist(in):
Georges Ulmer
medley including a instrumental recording of:
Sous le ciel de Paris (Under Paris Skies, original French version)
Texter:
Jean Dréjac und Hubert Giraud
Komponist(in):
Hubert Giraud
publisher:
Éditions Choudens und Première Music Group
Hubert Giraud / Louis Ferrari / Georges Ulmer?:??
C5Arrivederci Roma
Klavier:
Frankie Carle
Renato Rascel?:??
C6St Louis Blues
Klavier:
Erroll Garner
instrumental recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
William Christopher Handy?:??
D1April in Paris
Klavier:
Johnny Guarnieri
instrumental recording of:
April in Paris
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Vernon Duke?:??
D2Some Enchanted Evening from “South Pacific”
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
Some Enchanted Evening (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Richard Rodgers?:??
D3Autumn Leaves
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Joseph Kosma?:??
D4If Ever I Would Leave You from “Camelot”
Klavier:
Marian McPartland (pianist)
instrumental recording of:
If Ever I Would Leave You (from “Camelot”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Teil von:
Camelot (full musical)
Frederick Loewe?:??
D5La vie en rose
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
La Vie en rose (French original)
Texter:
Édith Piaf
Komponist(in):
Louiguy (French composer Louis Guglielmi) und Édith Piaf
publisher:
Éditions Beuscher Arpège und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Louiguy?:??
D6Long Ago and Far Away
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
Jerome Kern?:??
D7La mer
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
La Mer
Texter:
Charles Trenet (in 1945)
Komponist(in):
Albert Lasry (French pianist, orchestra leader and composer) (in 1945) und Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Charles Trenet?:??
D8Dreamer’s Holiday
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
instrumental recording of:
A Dreamer’s Holiday
Texter:
Kim Gannon
Komponist(in):
Mabel Wayne
publisher:
Francis, Day & Hunter Ltd.
Mabel Wayne?:??
3▼12"-Vinyl: Romantic Piano
Nr.TitelKünstlerBewertungLänge
E1All the Things You Are
Klavier:
Erroll Garner
instrumental recording of:
All the Things You Are (from “Very Warm for May”)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
Komponist(in):
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (beendet), T.B. Harms Inc. (beendet) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Broadway Rhythm (film)
Jerome Kern?:??
E2The Man I Love
Klavier:
Johnny Guarnieri
instrumental recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
George Gershwin?:??
E3Embraceable You
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
George Gershwin?:??
E4Body and Soul
Klavier:
Johnny Guarnieri
instrumental recording of:
Body and Soul
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Green?:??
E5The Way You Look Tonight
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Jerome Kern?:??
E6My Silent Love
Klavier:
Erroll Garner
instrumental recording of:
My Silent Love
Texter:
Edward Heyman
Komponist(in):
Dana Suesse (American composer)
Dana Suesse?:??
F1Always
Klavier:
Frankie Carle
instrumental recording of:
Always
Texter und Komponist(in):
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. und Irving Berlin Music
Irving Berlin?:??
F2Here’s That Rainy Day
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
Here’s That Rainy Day
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jimmy Van Heusen?:??
F3So in Love
Klavier:
Stan Freeman
instrumental recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Cole Porter?:??
F4Lazy Afternoon
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
Lazy Afternoon (The Golden Apple, 1954)
Orchestrator(in) und Komponist(in):
Jerome Moross (American composer and conductor)
Texter:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) und Warner Chappell Music, Inc.
Teil von:
The Golden Apple (musical)
Jerome Moross?:??
F5I’ve Got You Under My Skin
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
instrumental recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Cole Porter?:??
F6Hoagy Carmichael Medley: The Nearness of You / Two Sleepy People / Heart and Soul
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
medley including a instrumental recording of:
Heart and Soul
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
medley including a instrumental recording of:
The Nearness of You
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
medley including a instrumental recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory")
Texter:
Frank Loesser
Komponist(in):
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
Hoagy Carmichael?:??
4▼12"-Vinyl: From the Rodgers & Hart Songbook / Cocktails for Two
Nr.TitelKünstlerBewertungLänge
G1Bewitched
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Richard Rodgers?:??
G2My Funny Valentine
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Richard Rodgers?:??
G3Falling in Love With Love
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
Falling in Love With Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
Richard Rodgers?:??
G4Blue Moon
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
Blue Moon
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Richard Rodgers?:??
G5The Most Beautiful Girl in the World
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
The Most Beautiful Girl in the World
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Jumbo
Richard Rodgers?:??
G6The Blue Room
Klavier:
Johnny Guarnieri
instrumental recording of:
Blue Room
Texter:
Lorenz Hart (in 1926)
Komponist(in):
Richard Rodgers (composer) (in 1926)
Richard Rodgers?:??
G7Manhattan
Klavier:
Johnny Guarnieri
instrumental recording of:
Manhattan
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Richard Rodgers?:??
H1Cocktails for Two
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
Cocktails for Two
Texter:
Arthur Johnston (American composer and songwriter)
Komponist(in):
Sam Coslow
Arthur Johnston, Sam Coslow?:??
H2Begin the Beguine
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
instrumental recording of:
Begin the Beguine
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Cole Porter?:??
H3Tea for Two
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
Vincent Youmans?:??
H4Sunrise Serenade
Klavier:
Frankie Carle
instrumental recording of:
Sunrise Serenade
Texter:
Jack Lawrence (US songwriter) (in 1939)
Komponist(in):
Frankie Carle (in 1939)
Frankie Carle?:??
H5Carle Boogie
Klavier:
Frankie Carle
instrumental recording of:
Carle Boogie
Verfasser(in):
Frankie Carle
Frankie Carle?:??
H6I Love a Piano
Klavier:
Johnny Guarnieri
instrumental recording of:
I Love a Piano
Texter und Komponist(in):
Irving Berlin (in 1915)
Teil von:
Easter Parade (full musical)
Irving Berlin?:??
H7Noel Coward Waltz Medley: Zigeuner / I’ll See You Again
Klavier:
Stan Freeman
medley including a instrumental recording of:
I’ll See You Again (adapted from Bitter Sweet)
Texter und Komponist(in):
Noël Coward
arranger:
Saint-Granier
publisher:
Chappell & Co.
Arrangement von:
Bitter Sweet, Act I: I’ll See You Again
Teil von:
Bitter Sweet (Noel Coward operetta)
medley including a instrumental recording of:
Zigeuner
Texter:
Noël Coward
Komponist(in):
Noël Coward (in 1929)
publisher:
Harms, Inc.
Teil von:
Bitter Sweet (Noel Coward operetta)
Noël Coward?:??
H8Desylva, Brown and Henderson Medley: You’re the Cream in My Coffee / Sunny Side Up
Klavier:
Frankie Carle
medley including a instrumental recording of:
Sunny Side Up
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
medley including a instrumental recording of:
You’re the Cream in My Coffee
Texter:
Lew Brown und Buddy DeSylva
Komponist(in):
Ray Henderson
Ray Henderson?:??
5▼12"-Vinyl: Great Songwriters
Nr.TitelKünstlerBewertungLänge
I1Pick Yourself Up
Klavier:
Stan Freeman
instrumental recording of:
Pick Yourself Up (from “Swing Time”)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
Jerome Kern?:??
I2Smoke Gets in Your Eyes
Klavier:
Marian McPartland (pianist)
instrumental recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Jerome Kern?:??
I3Yesterdays
Klavier:
Johnny Guarnieri
instrumental recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Jerome Kern?:??
I4A Pretty Girl Is Like a Melody
Klavier:
Frankie Carle
instrumental recording of:
A Pretty Girl is Like a Melody (from “Ziegfeld Follies of 1919”)
Texter und Komponist(in):
Irving Berlin
Irving Berlin?:??
I5Easter Parade
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
Easter Parade (from “Easter Parade”)
Texter und Komponist(in):
Irving Berlin (in 1933)
Teil von:
Easter Parade (full musical)
Irving Berlin?:??
I6The Girl That I Marry
Klavier:
Bill Snyder (American pianist, bandleader and songwriter of the 1950s)
instrumental recording of:
The Girl That I Marry (from "Annie Get Your Gun")
Texter und Komponist(in):
Irving Berlin
Teil von:
Annie Get Your Gun
Irving Berlin?:??
I7You Do Something to Me
Klavier:
Erroll Garner
instrumental recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
Cole Porter?:??
J1From This Moment On
Klavier:
Marian McPartland (pianist)
instrumental recording of:
From This Moment On (Kiss Me, Kate, 1953 film & 1999 Broadway revival casts only)
Texter und Komponist(in):
Cole Porter (composer) (in 1950)
Teil von:
Kiss Me, Kate (musical)
Cole Porter?:??
J2I Get a Kick Out of You
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Cole Porter?:??
J3Were Thine That Special Face
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
Were Thine That Special Face (from “Kiss Me, Kate”)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Cole Porter?:??
J4’s Wonderful
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
instrumental recording of:
’S Wonderful (for piano solo)
Komponist(in) und arranger:
George Gershwin (composer)
Klavier arranger:
George Gershwin (composer)
Arrangement von:
’S Wonderful
Teil von:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
George Gershwin?:??
J5It Ain’t Necessarily So
Klavier:
Erroll Garner
instrumental recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
George Gershwin?:??
J6I’ve Got a Crush on You
Klavier:
Marian McPartland (pianist)
instrumental recording of:
I’ve Got a Crush on You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
George Gershwin?:??
J7Gershwin Medley: I Got Rhythm / Fascinatin’ Rhythm
Klavier:
Stan Freeman
medley including a recording of:
Fascinating Rhythm (for piano solo)
Komponist(in):
George Gershwin (composer) (in 1924)
arranger:
George Gershwin (composer)
Arrangement von:
Fascinatin’ Rhythm
Teil von:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
medley including a recording of:
I Got Rhythm (for piano solo)
Komponist(in):
George Gershwin (composer) (in 1930)
arranger:
George Gershwin (composer)
Arrangement von:
I Got Rhythm
Teil von:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
George Gershwin?:??
6▼12"-Vinyl: Showtime! / Down Memory Lane
Nr.TitelKünstlerBewertungLänge
K1Just in Tme from “Bells Are Ringing”
Klavier:
Frankie Carle
instrumental recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
Jule Styne?:??
K2It’s Only a Paper Moon from “The Great Magoo”
Klavier:
Erroll Garner
instrumental recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Harold Arlen?:??
K3The Party’s Over from “Bells Are Ringing”
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
The Party’s Over (Bells Are Ringing)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
publisher:
Chappell & Co., Stratford Music Corporation und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Bells Are Ringing (stage musical)
Jule Styne?:??
K4Young and Foolish from “Plain and Fancy”
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
Young and Foolish
Texter:
Arnold Horwitt
Komponist(in):
Albert Hague
publisher:
Chappell & Co. und Chappell Music (UK)
Albert Hague?:??
K5Mack the Knife from “The Threepenny Opera”
Klavier:
Johnny Guarnieri
instrumental recording of:
The Threepenny Opera: The Ballad of Mack the Knife
Texter und Librettist:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer)
Teil von:
The Threepenny Opera (Marc Blitzstein translation)
Kurt Weill?:??
K6Send in the Clowns from “A Little Night Music”
Klavier:
Marian McPartland (pianist)
instrumental recording of:
Send In the Clowns (A Little Night Music)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
Stephen Sondheim?:??
K7It’s All Right With Me from “Can-Can”
Klavier:
Dick Hyman (jazz pianist)
instrumental recording of:
It’s All Right with Me (Can‐Can musical)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Cole Porter?:??
L1Temptation
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
instrumental recording of:
Temptation
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
Teil von:
Going Hollywood (1933 film)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
Nacio Herb Brown?:??
L2Anything Goes
Klavier:
Marian McPartland (pianist)
instrumental recording of:
Anything Goes
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Cole Porter?:??
L3Honeysuckle Rose
Klavier:
Johnny Guarnieri
instrumental recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
Fats Waller?:??
L4Tenderly
Klavier:
Neil Wolfe (pianist)
instrumental recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
Walter Gross?:??
L5While We’re Young
Klavier:
Stan Freeman
instrumental recording of:
While We’re Young
Texter:
William Engvick
Komponist(in):
Morty Palitz und Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Alec Wilder, Morty Palitz?:??
L6Twilight World
Klavier:
Marian McPartland (pianist)
instrumental recording of:
Twilight World
Texter:
Johnny Mercer
Komponist(in):
Marian McPartland (pianist)
Marian McPartland?:??
L7Don’t Get Around Much Anymore
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.)
instrumental recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Duke Ellington?:??
L8Ain’t Misbehavin’
Klavier:
Johnny Guarnieri
instrumental recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Fats Waller, Harry Brooks?:??
L9Stardust
Klavier:
Marian McPartland (pianist)
instrumental recording of:
Stardust (the jazz standard)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
Hoagy Carmichael?:??

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Veröffentlichung

ASIN:UK: B086K2V4SK [Info]