Super ’70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:01
2Bennie and the Jets
Techniker(in):
David Hentschel
Produzent(in):
Gus Dudgeon
Akustikgitarre und E-Gitarre:
Davey Johnstone
Bassgitarre:
Dee Murray
Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich (in 1973-05)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 184) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 371)
recording of:
Bennie and the Jets (in 1973-05)
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.654:59
3Love Will Keep Us Together
recording engineer und Mix:
Dennis Dragon
Partner-Produzent(in):
Toni Tennille
Produzent(in):
The Captain
Celesta, Clavinet, E-Bass [Fender], Hammond-Orgel, Keyboard [Clavietta], Klavier, Minimoog [Mini-moog], Synthesizer [Arp String Ensemble], Synthesizer [Odyssey], Windspiel und Wurlitzer Electric Piano:
The Captain
Conga, Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Geige / Violine:
Kenneth Yerke
Hintergrundgesang:
Melissa Tennille und Toni Tennille
Saiteninstrumente arranger:
Kenneth Yerke
arranger:
The Captain
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975), A&M Records, Inc. (in 1975) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 337)
cover recording of:
Love Will Keep Us Together
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. und Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:21
4Turn the Beat Around
recording of:
Turn the Beat Around
Verfasser(in):
Gerald Jackson (American pianist and singer with group Touch of Class) und Pete Jackson (US disco producer)
Vicki Sue Robinson53:47
5Show Me the Way
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1976)
live recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.74:33
6That's The Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:02
7You're No Good
recording engineer:
Val Garay (von 1974-06 bis 1974-09) und David Hassinger (von 1974-06 bis 1974-09)
Techniker(in):
Val Garay
Produzent(in):
Peter Asher, Jay Faires und Tricia Holloway
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (von 1974-06 bis 1974-09)
E-Gitarre:
Ed Black (von 1974-06 bis 1974-09)
Schlagzeug, Hybrid-Piano und Perkussion:
Andrew Gold (von 1974-06 bis 1974-09)
Solo-E-Gitarre:
Andrew Gold (von 1974-04 bis 1974-09)
Hintergrundgesang:
Clydie King (von 1974-06 bis 1974-09) und Shirley Matthews (Canadian pop singer) (von 1974-06 bis 1974-09)
Saiteninstrumente arranger:
Gregory Rose
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974, in 2006) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1974, in 2013)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1974-06 bis 1974-09)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 38)
cover recording of:
You’re No Good (von 1974-06 bis 1974-09)
Texter und Komponist(in):
Clint Ballard, Jr.
publisher:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:45
8Don't Bring Me Down
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bassgitarre:
Kelly Groucutt (von 1979-03 bis 1979-04)
E-Gitarre und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Hybrid-Piano und Klarinette:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Klavier und Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Chorgesang:
Kelly Groucutt (von 1979-03 bis 1979-04) und Jeff Lynne (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
Saiteninstrumente arranger und Chorgesang arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 215)
recording of:
Don’t Bring Me Down (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4.54:03
9Let's Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.54:53
10Best Of My Love
Produzent(in):
Al McKay
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 334)
recording of:
Best of My Love
Verfasser(in):
Al McKay und Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
The Emotions4.153:41
11I’ll Take You There
Bearbeitung von:
I’ll Take You There von The Staple Singers
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 186) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 276)
recording of:
I’ll Take You There
Texter und Komponist(in):
Alvertis Isbell
publisher:
Music for Africa (South Africa)
The Staple Singers53:15
12Le Freak
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 26)
recording of:
Le Freak
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4:18
13Jackie Blue
Produzent(in):
David Anderle und Glyn Johns
recording of:
Jackie Blue
Verfasser(in) und Komponist(in):
Steve Cash und Larry Lee (Vinyl Kings and Ozark Mountain Daredevils)
The Ozark Mountain Daredevils4:10
14I Can See Clearly Now
Produzent(in):
Johnny Nash (US reggae/pop singer-songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 165)
recording of:
I Can See Clearly Now (in 1972)
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Cayman Music, CP Masters B V, Dovan Music, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash4.152:44
15Theme from "Shaft"
Bearbeitung von:
Theme From ‘Shaft’ von Isaac Hayes
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.353:16
16Two Out Of Three Ain't Bad
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 30)
recording of:
Two Out of Three Ain’t Bad
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf3:58
2▼CD
Nr.TitelKünstlerBewertungLänge
1My Sharona
recording engineer:
Pete Coleman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Prescott Niles
Gitarre:
Berton Averre und Doug Fieger (in The Knack)
Schlagzeug:
Bruce Gary
Sologesang:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 18), TV Cream: Real 100 Best Singles Ever (Nummer: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 201)
recording of:
My Sharona
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.154:54
2YMCA
leitende(r) Produzent(in):
Henri Belolo
Produzent(in):
Jacques Morali
Bearbeitung von:
Y.M.C.A. (album version) von Village People
recording of:
Y.M.C.A.
Texter:
Victor Edward Willis (member of the Village People)
Komponist(in):
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") und Zomba Music Publishing Ltd.
Village People4.153:43
3What A Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:41
4I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:16
5Shambala
recording of:
Shambala
Texter und Komponist(in):
Daniel Moore (producer, songwriter and vocalist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Three Dog Night4.353:25
6Brick House
Produzent(in):
James Anthony Carmichael
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 296)
recording of:
Brick House (original version)
Texter:
William King (William Atwell King Jr. (member of Commodores)), Walter Orange und Lionel Richie
Komponist(in):
Ronald LaPread, Thomas McClary, Lionel Richie und Milan Williams
publisher:
Brenda Richie Publishing, Cambrae Music, Daddy Married a Golddigger, Drop Five, Hanna Music, Jobete Music Co., Inc., Libren Music, Old Fashion Publishing, Reservoir Media Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Commodores3.73:32
7Hello It's Me
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:50
8December 1963 (Oh, What A Night)
recording engineer:
Steve Maslow
Produzent(in):
Bob Gaudio
Mix:
Val Garay
Bass:
Don Ciccone
Gitarre:
John Paiva
Keyboard:
Bob Gaudio und Lee Shapiro
Klavier:
Bob Gaudio
Schlagzeug:
Gerry Polci
vocals:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci und John Paiva
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Lee Shapiro
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 64)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
The Four Seasons3.853:33
9Lady Marmalade
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:56
10Can't Get Enough Of Your Love Babe
phonographisches Urheberrecht (℗) von:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (in 1974)
recording of:
Can’t Get Enough of Your Love Babe
Texter und Komponist(in):
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White3:22
11I'm Not In Love
Bass und Gitarre:
Graham Gouldman (in 1975)
Effektgerät [musical effects]:
Eric (in 1975)
Hybrid-Piano und Sologesang:
Eric Stewart (in 1975)
Klavier:
Lol Creme (in 1975)
Moog:
Kevin Godley (in 1975)
Synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) und Lol (in 1975)
Hintergrundgesang:
Lol Creme (in 1975), Kevin Godley (in 1975) und Graham Gouldman (in 1975)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
Bearbeitung von:
I’m Not in Love (album version) von 10cc
recording of:
I’m Not in Love (in 1975)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc4.23:46
12Stuck In The Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:24
13Don't Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.53:37
14Back Stabbers
recording engineer:
Joe Tarsia (engineer) (in 1972)
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
Interpret(in):
MFSB (Mother Father Sister Brother) (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1972)
recording of:
Back Stabbers (in 1972)
Verfasser(in):
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden und John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.73:04
15Ramblin' Man
Techniker(in):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks und Buddy Thornton
Produzent(in):
The Allman Brothers Band und Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1972-10)
Conga:
Jai Johanny Johanson (in 1972-10)
Gitarre:
Les Dudek (in 1972-10)
Gitarre [lead guitar] und Sologesang:
Dickey Betts (in 1972-10)
Klavier und Hintergrundgesang:
Gregg Allman (in 1972-10) und Chuck Leavell (in 1972-10)
Orgel:
Gregg Allman (in 1972-10)
Schlagzeug:
Jai Johanny Johanson (in 1972-10) und Butch Trucks (in 1972-10)
vocals:
Gregg Allman (in 1972-10)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
aufgenommen bei:
Capricorn Sound Studio in Macon, Georgia, Vereinigte Staaten (in 1972-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Ramblin’ Man (in 1972-10)
Texter und Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.554:47
16American Pie (Part 1)
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:06

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