The Best Ever Choral Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Cantata No. 140: Zion hört die Wächter
Chorgesang:
South German Madrigal Choir
Tenor-Gesang:
Theo Altmeyer (German tenor) (in 1967)
Orchester:
Consortium Musicum (von 1967-07-15 bis 1967-07-20)
conductor:
Wolfgang Gönnenwein (conductor) (von 1967-07-15 bis 1967-07-20)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1967)
aufgenommen bei:
Marbach Stadthalle in Marbach am Neckar, Baden-Württemberg, Deutschland (von 1967-07-15 bis 1967-07-20)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1967-07)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:49
2Te Deum: Pleni sunt coeli et terra
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1977-03)
Chorgesang:
Choir of King’s College, Cambridge (in 1977-03)
Hochgesang:
Charles Brett (English counter-tenor active in late 20th century) (in 1977-03)
Soprangesang:
Dame Felicity Lott (soprano) (in 1977-03) und Eiddwen Harrhy (soprano) (in 1977-03)
Tenor-Gesang:
Ian Partridge (tenor) (in 1977-03)
Orchester:
Academy of St Martin in the Fields (in 1977-03)
conductor:
Philip Ledger (in 1977-03)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
aufgenommen bei:
King’s College Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1977-03)
recording of:
Te Deum, H. 146: Pleni sunt coeli et terra (in 1977-03)
Komponist(in):
Marc‐Antoine Charpentier (composer)
Teil von:
Te Deum, H. 146
Marc‐Antoine Charpentier2:26
3Messiah: Hallelujah Chorus
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1966-06-29 bis 1966-08-09)
Solo vocals:
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) und Robert Tear (tenor)
Soprangesang:
Elizabeth Harwood (soprano)
Orchester:
English Chamber Orchestra (von 1966-06-29 bis 1966-08-09)
conductor:
Sir Charles Mackerras (Australian conductor) (von 1966-06-29 bis 1966-08-09)
arranger:
Basil Lam (English producer, harpsichordist)
Tonmeister(in):
Neville Boyling (engineer) (von 1966-06-29 bis 1966-08-09)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1966-06-29 bis 1966-08-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (von 1966-06-29 bis 1966-08-09)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:04
4Music for the Funeral of Queen Mary: Thou knowest, Lord
Blechblasinstrumente:
Philip Jones Brass Ensemble
Instrumente und Orchester:
Philip Jones Brass Ensemble
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Philip Ledger
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord"
Komponist(in):
Henry Purcell (Baroque composer)
Teil von:
Henry Purcell: An Analytical Catalogue of His Music (Nummer: Z. 58b)
Teil von:
Music for the Funeral of Queen Mary, Z. 860
recording of:
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58c "Thou knowest, Lord" (2nd setting for 4 trumpets)
Komponist(in):
Henry Purcell (Baroque composer) (in 1687)
Teil von:
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:24
5Sequence (mode 1): Veni sancte spiritus
Sound-Engineering:
Angel Barco
Produzent(in):
Maria Francisca Bonmati
Chorgesang:
Coro de monjes del Monasterio Benedictino de Santo Domingo de Silos (The Benedictine Monks of Santo Domingo de Silos) (in 1980-03)
chorus master:
Francisco Lara (Gregorian chant specialist, musicologist, professor of history and music sciences) (in 1980-03)
phonographisches Urheberrecht (℗) von:
Hispavox, S.A. (not for release label use! Spanish record company) (in 1980)
aufgenommen bei:
Iglesia del Monasterio Benedictino de Santo Domingo de Silos in Santo Domingo de Silos, Burgos (Provinz Burgos), Castilla y León (Kastilien und León), Spanien (in 1980-03)
[anonymous]2:51
6The Creation: Awake the Harp
Produzent(in):
David R. Murray
Chorgesang:
CBSO Chorus
Orchester:
City of Birmingham Symphony Orchestra (von 1990-03-24 bis 1990-04-29)
conductor:
Simon Rattle (conductor) (von 1990-03-24 bis 1990-04-29)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 1990-03-24 bis 1990-04-29) und Michael Sheady (engineer) (von 1990-03-24 bis 1990-04-29)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
aufgenommen bei:
Warwick Arts Centre in Coventry, West Midlands, England, Vereinigtes Königreich (von 1990-03-24 bis 1990-04-29)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (von 1990-03-24 bis 1990-04-29)
Komponist(in):
Joseph Haydn (composer)
Teil von:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:14
7Elijah: And then Shall Your Light Break Forth
Chorgesang:
New Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Rafael Frühbeck de Burgos (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Elijah, op. 70: Chorus - "And then shall your light break forth"
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer)
Librettist:
Julius Schubring
Übersetzer:
William Bartholomew
Teil von:
Elijah, op. 70, Part II (with English libretto by William Bartholomew)
Felix Mendelssohn3:21
8L'enfance du Christ: L'adieu des bergers (Shepherd's Farewell)
Produzent(in):
René Challan (French composer)
Chorgesang:
Chœurs René Duclos (von 1965-09 bis 1965-10)
Orchester:
Orchestre du Conservatoire de Paris und Paris Conservatoire Orchestra (von 1965-09 bis 1965-10)
conductor:
André Cluytens (Belgian-born French conductor) (von 1965-09 bis 1965-10)
chorus master:
Jean Laforge (choral conductor)
Tonmeister(in):
Paul Vavasseur (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1965-09 bis 1965-10)
recording of:
L'Enfance du Christ, op. 25 : Deuxième partie no. 8. Adieu des bergers à la sainte famille « Il s'en va loin de la terre » (Les bergers) (“The Shepherds' Farewell”) (von 1965-09 bis 1965-10)
Texter und Komponist(in):
Hector Berlioz (French composer)
Teil von:
L'Enfance du Christ : Deuxième partie « La Fuite en Égypte »
Hector Berlioz3:53
9Requiem, op. 9: Agnus Dei (reduced orchestration version)
Orgel:
Peter Barley
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
English Chamber Orchestra
conductor:
Stephen Cleobury (organist, conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recording of:
Requiem, op. 9: VI. Agnus Dei (for choir, organ and reduced orchestra (1961))
Komponist(in):
Maurice Duruflé (French composer & organist, 1902–1986) (in 1947)
arranger:
Maurice Duruflé (French composer & organist, 1902–1986) (in 1961)
Teil von:
Requiem, op. 9 (for choir, organ and reduced orchestra (1961))
Maurice Duruflé3:44
10Cantique de Jean Racine
Chorgesang:
The Monks and Choirboys of Downside Abbey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1997)
recording of:
Cantique de Jean Racine, op. 11 (for choir and piano or organ)
Texter:
Jean Racine (French dramatist)
Komponist(in):
Gabriel Fauré (French composer) (in 1865)
gewidmet:
César Franck (Belgian‐born French composer)
Teil von:
Works of Gabriel Fauré by opus number (Nummer: op. 11)
Gabriel Fauré5:15
11Ave verum, K. 618
Chorgesang:
Schutz Choir und The Schütz Choir of London (in 1991-09)
Orchester:
London Classical Players (in 1991-09)
conductor:
Roger Norrington (conductor) (in 1991-09)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1992)
aufgenommen bei:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Vereinigtes Königreich (in 1991-09)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (in 1991-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (bis 1791-06-18)
Teil von:
Köchelverzeichnis (first edition, 1862, K¹) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 618), Köchelverzeichnis (original numbering) (Nummer: 618) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 618)
Wolfgang Amadeus Mozart2:44
12Tannhäuser: Beglückt darf nun dich, o Heimat (Pilgrim's Chorus)
Chorgesang:
Bavarian State Opera Chrous (Chorus of the Bavarian State Opera)
Orchester:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Robert Heger (conductor)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1963)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene I. “Wohl wusst’ ich hier sie im Gebet zu finden”
Komponist(in):
Richard Wagner (composer) (von 1843 bis 1845-04-13)
Librettist:
Richard Wagner (composer) (von 1842-06 bis 1843-04)
Teil von:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner4:28
13Il trovatore: Vedi! le fosche notturne spoglie (Anvil Chorus)
Produzent(in):
John Fraser (UK producer)
Chorgesang:
Chorus of the Royal Opera House, Covent Garden
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Bernard Haitink (conductor)
chorus master:
Robin Stapleton (conductor)
Tonmeister(in):
Michael Sheady (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:52
14Gloria: Laudamus te
Chorgesang:
Radio France Chorus
Soprangesang:
Barbara Hendricks (soprano)
Orchester:
Orchestre national de France (Französisches Nationalorchester, RTF / ORTF / Radio France)
conductor:
Georges Prêtre (French conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989)
recording of:
Gloria, for Soprano, Chorus and Orchestra, FP 177: II. Laudamus te
Komponist(in):
Francis Poulenc (French composer and pianist) (von 1959 bis 1960)
Teil von:
Gloria, for Soprano, Chorus and Orchestra, FP 177
Francis Poulenc3:02
15Chichester Psalms: I. Maestoso ma energico (Allegro molto)
Harfe:
Rachel Masters (harp player)
Orgel:
Peter Barley
Perkussion:
David Corkhill (percussion)
Bass-Gesang:
Daniel Sladden (bass singer)
Chorgesang:
Choir of King’s College, Cambridge
Diskantstimme:
Michael Pearce (Recording/Mix Engineer)
Hochgesang:
Peter Winn (treble)
Tenor-Gesang:
John Bowley (tenor)
conductor:
Stephen Cleobury (organist, conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recording of:
Chichester Psalms: I. Psalm 108 verse 2, Psalm 100. Maestoso ma energico – Allegro molto
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist) (in 1965)
Teil von:
Chichester Psalms
Leonard Bernstein3:56
16The Lamb
Produzent(in):
John West (classical engineer/producer)
Chorgesang:
Vasari Singers (UK chamber choir) (von 1995-02-03 bis 1995-02-05)
conductor:
Jeremy Backhouse (choral conductor) (von 1995-02-03 bis 1995-02-05)
chorus master:
Jeremy Backhouse (choral conductor)
Tonmeister(in):
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (von 1995-02-03 bis 1995-02-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1996)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (von 1995-02-03 bis 1995-02-05)
recording of:
The Lamb (von 1995-02-03 bis 1995-02-05)
Texter:
William Blake (English poet, painter, and printmaker) (in 1789)
Komponist(in):
John Tavener (20th century composer) (in 1982)
publisher:
Chester Music Ltd., Edition Wilhelm Hansen London Ltd. und J. & W. Chester, Ltd.
John Tavener3:17
17Agnus Dei (Adagio for Strings)
Chorgesang:
Winchester Cathedral Choir
conductor:
David Hill (British organist and conductor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1998)
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Samuel Barber (American composer) (in 1936)
arranger:
Samuel Barber (American composer) (in 1967)
Teil von:
Works of Samuel Barber by opus number (Nummer: op. 11)
Arrangement von:
Adagio for Strings
Samuel Barber7:51
18Requiem: Requiem aeternam
Produzent(in):
Simon Woods (producer)
Chorgesang:
Choir of King’s College, Cambridge (von 1997-07-15 bis 1997-07-18)
Orchester:
City of London Sinfonia (chamber orchestra) (von 1997-07-15 bis 1997-07-18)
conductor:
Stephen Cleobury (organist, conductor) (von 1997-07-15 bis 1997-07-18)
chorus master:
Stephen Cleobury (organist, conductor)
Tonmeister(in):
Simon Rhodes (senior recording engineer at Abbey Road Studios) (von 1997-07-15 bis 1997-07-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1997-07-15 bis 1997-07-18)
recording of:
Requiem: I. Requiem æternam (von 1997-07-15 bis 1997-07-18)
Komponist(in):
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
Teil von:
Requiem
John Rutter5:43
19Messa da Requiem: Dies irae (opening)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:23
20Carmina Burana: O Fortuna
Produzent(in):
John Fraser (UK producer)
Editing:
Matthew Cocker (editor)
Chorgesang:
London Philharmonic Chorus (in 1989-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-11)
conductor:
Franz Welser‐Möst (conductor) (in 1989-11)
chorus master:
Richard Cooke (chorus master/conductor) (in 1989-11)
Tonmeister(in):
John Kurlander (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
aufgenommen bei:
No. 1 Studio, Abbey Road in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1989-11)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1989-11)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:32
21Pomp and Circumstance March no. 1 (Land of Hope and Glory)
Chorgesang:
Royal Choral Society (The Royal Choral Society)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
teilweise recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
Premiere in:
Liverpool, Merseyside, England, Vereinigtes Königreich (am 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
Teil von:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar2:43

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Veröffentlichungsgruppe

Teil von:The Best Album in the World... Ever! (Reihenfolge: 7)
Discogs:https://www.discogs.com/master/1737128 [Info]