Two’s Company

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1No Two People
registrazione di:
No Two People
paroliere e compositore:
Frank Loesser
Doris Day & Donald O’Connor2:26
2My One and Only Highland Fling
registrazione di:
My One and Only Highland Fling (The Barkleys of Broadway)
paroliere:
Ira Gershwin
compositore:
Harry Warren (US composer and lyricist)
Fred Astaire & Ginger Rogers3:14
3I Said My Pajamas
registrazione di:
I Said My Pajamas (and Put On My Pray'rs)
paroliere:
Edward Pola (nel 1949)
compositore:
George Wyle (nel 1949)
Ethel Merman & Ray Bolger2:59
4Cow Cow Boogie
registrazione cover di:
Cow Cow Boogie
compositore:
Benny Carter, Gene de Paul e Don Raye
Ella Fitzgerald & The Ink Spots2:57
5Couple of Swells
registrata a:
Culver City, California, Stati Uniti (il 1949-01-11)
voce:
Fred Astaire (il 1949-01-11) e Judy Garland (il 1949-01-11)
orchestra:
MGM Studio Orchestra (il 1949-01-11)
direttore d'orchestra:
John Green (composer and conductor, often credited as John Green) (il 1949-01-11)
diritti fonografici (℗) detenuti da:
Loew’s Incorporated (nel 1948) e Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (nel 1979)
registrazione di:
A Couple of Swells (from Easter Parade) (il 1949-01-11)
paroliere e compositore:
Irving Berlin (nel 1947)
editore:
Irving Berlin Ltd.
parte di:
Easter Parade (full musical)
Fred Astaire & Judy Garland2:38
6She’s a Lady
registrazione di:
She’s a Lady
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. e Spanka Music Corp.
Perry Como & Betty Hutton2:48
7My Heart Cries for You
registrazione cover di:
My Heart Cries for You
autore aggiunto:
Percy Faith e Carl Sigman
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Gladys Music Inc. e Massey Music Co., Inc.
si basa su:
La Jardinière du roi
Jo Stafford & Gene Autry2:48
8Gone Fishin’
registrata a:
San Francisco, California, Stati Uniti (il 1951-04-25)
tromba :
Louis Armstrong (il 1951-04-25)
voce:
Louis Armstrong (il 1951-04-25) e Bing Crosby (il 1951-04-25)
registrazione di:
Gone Fishin’ (il 1951-04-25)
autore:
Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne Co. (not for release label use, this is a music publisher) e EMI Feist Catalog Inc.
Bing Crosby & Louis Armstrong2:28
9You’re Just in Love
esecutore:
Guy Mitchell
registrazione di:
You’re Just in Love (Call Me Madam)
paroliere e compositore:
Irving Berlin (nel 1950)
editore:
Irving Berlin Music Corp.
parte di:
Call Me Madam
Guy Mitchell & Rosemary Clooney2:43
10Ask Me No Questions
registrazione di:
Ask Me No Questions
autore:
David Saxon e Robert Wells (songwriter)
editore:
B. Feldman & Co. (publisher active since the 1910s)
Dinah Shore & Dusty Walker2:45
11Good for Nothin’
Rosemary Clooney & Marlene Dietrich2:20
12Baby, It’s Cold Outside
voce:
Buddy Clark (US 1930s~1940s singer) e Dinah Shore
orchestra:
Ted Dale and His Orchestra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1949)
registrazione di:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1949 winner)
Dinah Shore & Buddy Clark2:18
13How Could You Believe Me When I Said I Love You When You Know I’ve Been a Liar All My Life
registrata a:
Los Angeles, California, Stati Uniti (il 1950-06-30)
voce:
Fred Astaire (il 1950-06-30) e Jane Powell (American singer, dancer and actress) (il 1950-06-30)
orchestra:
MGM Studio Orchestra (il 1950-06-30)
direttore d'orchestra:
Johnny Green (composer and conductor, often credited as John Green) (il 1950-06-30)
registrazione di:
How Could You Believe Me When I Said I Loved You When You Know I've Been a Liar All My Life (Royal Wedding) (il 1950-06-30)
paroliere:
Alan Jay Lerner
compositore:
Burton Lane
Fred Astaire & Jane Powell3:05
14How High the Moon
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 95)
registrazione cover di:
How High the Moon
paroliere:
Nancy Hamilton (nel 1940)
compositore:
Morgan Lewis (nel 1940)
editore:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Les Paul & Mary Ford2:04
15Have I Told You Lately That I Love You
registrazione di:
Have I Told You Lately That I Love You?
paroliere e compositore:
Scott Wiseman (nel 1945)
editore:
Duchess Music Corporation (BMI-affiliated), MCA Duchess Music Corporation, Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Leeds Music Ltd. (nel 1982)
Tony Martin & Fran Warren3:13
16Bushel and a Peck
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1950) e Betty Hutton (nel 1950)
orchestra:
Mitchell Ayres and His Orchestra (nel 1950)
registrazione di:
A Bushel and a Peck
paroliere e compositore:
Frank Loesser
parte di:
Guys and Dolls (Broadway musical)
Perry Como & Betty Hutton2:42
17Little Kiss Goodnight
Doris Day & Guy Mitchell2:31
18We Never Talk Much
voce:
Danielle Darrieux (actress/singer) e Fernando Lamas (Argentine-American actor and director)
diritti fonografici (℗) detenuti da:
MGM/UA (nel 1951)
registrazione di:
We Never Talk Much (du film « Rich, Young and Pretty »)
paroliere:
Sammy Cahn
compositore:
Nicholas Brodzsky
Danielle Darrieux & Fernando Lamas2:28
19I Love a Piano / Snooky Ookums / When the Midnight Choo Choo Leaves for Alabama
voce:
Fred Astaire e Judy Garland
orchestra:
MGM Studio Orchestra
direttore d'orchestra:
John Green (composer and conductor, often credited as John Green)
diritti fonografici (℗) detenuti da:
Loew’s Incorporated (nel 1948) e Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (nel 1979)
registrazione di:
I Love a Piano (nel 1948)
paroliere e compositore:
Irving Berlin (nel 1915)
parte di:
Easter Parade (full musical)
registrazione di:
Snookey Ookums (nel 1948)
paroliere e compositore:
Irving Berlin
parte di:
Easter Parade (full musical)
registrazione di:
When the Midnight Choo‐Choo Leaves for Alabam’ (nel 1948)
paroliere e compositore:
Irving Berlin (nel 1912)
parte di:
Easter Parade (full musical)
medley che comprende una registrazione di:
I Love a Piano
paroliere e compositore:
Irving Berlin (nel 1915)
parte di:
Easter Parade (full musical)
medley che comprende una registrazione di:
Snookey Ookums
paroliere e compositore:
Irving Berlin
parte di:
Easter Parade (full musical)
medley che comprende una registrazione di:
When the Midnight Choo‐Choo Leaves for Alabam’
paroliere e compositore:
Irving Berlin (nel 1912)
parte di:
Easter Parade (full musical)
Judy Garland & Fred Astaire3:09
20Old Soft Shoe
registrazione di:
The Old Soft Shoe
autore:
Sid Bass e Roy Jordan
Dinah Shore & Tony Martin2:06
21Moonlight Bay
registrazione di:
Moonlight Bay (1912 song)
paroliere:
Edward Madden
compositore:
Percy Wenrich (American composer)
editore:
Domaine public (refers to works that are in the public domain) e Redwood Music Ltd. (Carlin)
Bing & Gary Crosby3:06
22Dream a Little Dream of Me
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music e Words & Music, Inc. (US work publisher)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald & Louis Armstrong3:03
23Too Old to Cut the Mustard
registrata a:
New York, New York, Stati Uniti (il 1952-04-18)
batteria :
Terry Snyder (il 1952-04-18)
chitarra :
Mundell Lowe (il 1952-04-18) e Sal Salvador (il 1952-04-18)
clavicembalo :
Stan Freeman (il 1952-04-18)
contrabbasso :
Frank Carroll (US bass player) (il 1952-04-18)
voce:
Rosemary Clooney (il 1952-04-18) e Marlene Dietrich (actress and singer) (il 1952-04-18)
direttore d'orchestra:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (il 1952-04-18)
registrazione di:
Too Old to Cut the Mustard (il 1952-04-18)
paroliere e compositore:
Bill Carlisle
Rosemary Clooney & Marlene Dietrich2:40
24Underneath the Arches
registrazione di:
Underneath the Arches
paroliere e compositore:
Bud Flanagan
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Flanagan and Allen3:25
25Let’s Put Out the Lights and Go to Sleep
registrazione di:
Let’s Put Out the Lights and Go to Sleep (from the 1932 show “George White’s Music Hall Varieties”)
paroliere e compositore:
Herman Hupfeld
Peter Lind Hayes & Mary Healy3:11

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