Classic Cuts Presents: 80s Night: The Ultimate DJ Collection: M to O

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1House of Fun
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
House of Fun
Texter:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:52
2Baggy Trousers
recording of:
Baggy Trousers
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness52:48
3Holiday
Produzent(in):
Jellybean (US producer John Benitez)
Mix:
Goh Hotoda und Shep Pettibone
produced for:
Jellybean Productions, Inc.
mixed at:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Holiday
Verfasser(in):
Curtis Hudson und Lisa Stevens
publisher:
House of Fun Music, Pure Energy Pub. Co. Inc. und Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
recording of:
Holiday
Verfasser(in):
Madonna (“Queen of Pop”)
Madonna3.54:06
4Like a Prayer
assistierende(r) Techniker(in):
Stacy Baird, Robert Salcedo und Joe Schiff
Techniker(in) und Mix:
Bill Bottrell
zusätzliche(r) Techniker(in):
Michael Vail Blum
Produzent(in):
Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
Bassgitarre:
Guy Pratt
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
aufgenommen bei:
Johnny Yuma Recording in Burbank, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Saturn Sound in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Smoketree Studios in Chatsworth, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 55) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 300)
recording of:
Like a Prayer
Verfasser(in):
Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (von 1989 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Madonna4.15:41
5Feels Like I’m in Love
recording of:
Feels Like I’m in Love
Texter und Komponist(in):
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) und Satellite Music Ltd.
Kelly Marie54:36
6Could You Be Loved
assistierende(r) Techniker(in):
Chiao Ng (engineer)
Techniker(in):
Errol Brown (Jamaican engineer and dub producer)
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bassgitarre [1972 Fender Jazz Bass] und Klavier [Hamburg Steinway Piano]:
Aston “Family Man” Barrett
Clavinet [Hohner D6] und Hammond-Orgel [B-3]:
Earl “Wya” Lindo
Cuíca, Klanghölzer / Claves, Perkussion, shakers und Tamburin:
Alvin “Seeco” Patterson
E-Gitarre [1973 Gibson Les Paul Special] und Sologesang:
Bob Marley (Jamaican reggae artist)
E-Gitarre [1977 Gibson Les Paul Standard]:
Al Anderson (Bob Marley & The Wailers guitarist)
E-Gitarre [1978 Gibson Les Paul Custom]:
Junior Marvin
Instrumente:
Bob Marley & The Wailers
Schlagzeug [1979 Yamaha 9000]:
Carlton “Carly” Barrett
Hintergrundgesang:
Tyrone Downie, Marcia Griffiths (reggae singer from Jamaica), Rita Marley, Junior Marvin und Judy Mowatt
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1980)
aufgenommen bei und mixed at:
Tuff Gong Studios in Kingston (Kingston Parish), Jamaika
Teil von:
BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 363)
recording of:
Could You Be Loved
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) und Odnil Music Ltd. (in 1980)
Bob Marley & The Wailers4.153:55
7Pump Up the Volume
Techniker(in):
John Fryer (British producer and engineer)
Produzent(in):
Martyn Young
Gitarre:
A.R. Kane (British dreampop duo)
Sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell und C.J. Mackintosh
recording of:
Pump Up the Volume
Komponist(in):
Martyn Young und Steven Young (UK musician, member of Colourbox & MARRS)
Teil von:
American Psycho
M/A/R/R/S3.84:10
8Echo Beach
assistierende(r) Techniker(in):
Laurence Diana
Techniker(in):
Richard Manwaring (Producer)
Produzent(in):
Mike Howlett
phonographisches Urheberrecht (℗) von:
Dindisc Ltd (in 1980) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1979-08)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 87)
recording of:
Echo Beach
Texter und Komponist(in):
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha & the Muffins3.63:32
9I Feel the Earth Move
Schlagzeug [drum programming]-Programmierung:
Michael Jay (producer/engineer) (von 1988-04 bis 1988-05)
assistierende(r) Techniker(in):
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) und Karen Siegel (engineer)
Techniker(in) und Mix:
Michael McDonald (engineer)
Produzent(in):
Michael Jay (producer/engineer)
Gitarre:
Don Kirkpatrick (guitarist/songwriter) (von 1988-04 bis 1988-05)
Keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (von 1988-04 bis 1988-05)
zusätzlich Keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (von 1988-04 bis 1988-05)
Hintergrundgesang:
Donna DeLory (von 1988-04 bis 1988-05), Rick Jude Palombi (von 1988-04 bis 1988-05) und Mona Lisa Young (US funk / soul singer) (von 1988-04 bis 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) und Martika (American singer‐songwriter and actress)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
aufgenommen bei:
Trax Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988-04 bis 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Feel the Earth Move (von 1988-04 bis 1988-05)
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Screen Gems–EMI Music Ltd. (in 1988)
Martika24:13
10Get Out of Your Lazy Bed
Techniker(in):
John Buckley (British production music composer)
Produzent(in):
Peter Collins (producer)
Mix:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Schlagzeug und Perkussion:
Peter Ross
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
Verfasser(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Warner Chappell Music France
Matt Bianco2.653:24
11Dead Ringer for Love
Produzent(in):
Jimmy Iovine und Jim Steinman
Bassgitarre:
Steve Buslowe
Gitarre [guitars]:
Davey Johnstone
Horn:
Alan Rubin, Lou Delgatto, Lou Marani und Tom Malone (US trombonist)
Klavier:
Roy Bittan
Perkussion:
Jimmy Maelen (percussion)
Schlagzeug:
Liberty DeVitto (US drummer)
Schlitztrommel [African logs]:
Neleam Ymmij
Hintergrundgesang:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley und Eric Troyer
vocals:
Cher und Meat Loaf
Interpret(in):
Cher
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Dead Ringer for Love
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) und Peg Music Company (in 1981)
Meatloaf3.84:24
12(I’ve Had) The Time of My Life
assistierende(r) Techniker(in):
Jeff DeMorris (Aufgabe: 2nd assistant engineer) und Dan Nebenzal (Aufgabe: 1st assistant engineer)
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley und Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal und Carmine Rubino
arranger:
Gene Page (conductor, composer, arranger and record producer)
zusätzlich arranger:
John D’Andrea und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) und Vestron Music Inc. (Connecticut (CT) registered music publishing company, now dissolved.) (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC (ASCAP), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes3.754:47
13Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) und Stock Aitken Waterman
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
14Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work4.053:43
15Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Statik Records (in 1982) und Marc Durand Production (in 1983)
Bearbeitung von:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Musikvideos:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 39) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 48)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats3.82:44
16Live it Up
recording of:
Live It Up
Texter und Komponist(in):
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything4:12
17The Great Pretender
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer) und David Richards (Swiss-based producer and engineer)
Produzent(in):
Freddie Mercury, Mike Moran (keyboardist, songwriter, film and TV composer, producer) und David Richards (Swiss-based producer and engineer)
Bass:
Alan Jones (bass player)
Keyboard und Klavier:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
Schlagzeug:
Harold Fisher
Hintergrundgesang:
Peter Straker (Jamaican born singer) und Roger Taylor (Queen drummer)
Hintergrundgesang und Sologesang:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury) (in 1987, von 1999 bis 2000)
aufgenommen bei:
Ripe Studios in London (Greater London), England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
cover recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
Freddie Mercury3.53:27
18Dr. Beat
Sologesang:
Gloria Estefan
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. und Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:19
19Faith
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Bass:
Deon Estus
Gitarre:
Hugh Burns
Orgel [Cathedral Organ]:
Chris Cameron (British pianist, singer-songwriter, arranger and producer)
vocals:
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987, in 2010)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 74) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 104)
recording of:
Faith
Texter und Komponist(in):
George Michael
George Michael3.453:15
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Teil von:Classic Cuts Presents: 80s Night: The Ultimate DJ Collection (Nummer: 9/10) (Reihenfolge: 5)